How much bigger is 33x44mm MF than FF?

This is not about Jim. I'm a big fan of Jim. (But that is funny - good job.) FF Agency! I like it.

What we need is a MF agency. LOL.
His mission - to somewhat understate the advantages of 33x44mm cameras.
No, that is not Jim's mission. However, that effort does appear to be in the interest of someone I know in the camera equipment social media arena and who is probably a pretty good guy. I would love to meet him.
A question of logic:

Jim started a thread proposing a metric that he believes more accurately describes the advantages of going to a larger sensor.

I agree that the metric, a linear rather than an area measure, better describes deltas.

You disagree with me.

How can it be that you agree with Jim, if Jim and I agree?
Look, Jim does the same thing by trying to name sensors by their dimension measurements. The industry, press and forum posters (and what few real camera users are left) just say what they have been saying for a long time: MFT, APSC, FF and MF (MF being the GFX / new Hassy sensor).

I assume by the thread that Jim also would like to use a diagonal measurement to best describe differences in sensor size like TVs do with screen size (and there is a big area and total viewing difference between a 70-inch and 80-inch TV).

There is no problem with doing that as long as you don't slap down attempts to state the area differences as if one found it offensive or somehow misleading to state the fact that the MF sensor is 1.7 times bigger or 70% larger than the FF sensor.

I don't think Jim is doing that by the way. But I could name a couple of guys who I think are.

Fuji and Hassy and their positive reviewers like to use that 70% bigger statement because it is true. It has a nice ring to it. I like it....

--
Greg Johnson, San Antonio, Texas
https://www.flickr.com/photos/139148982@N02/albums
 
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You are correct, it is very difficult to do testing perfectly, especially if you are not practiced at it and don't have a well polished method. That's me all right. Which I happily accept means I'm not in a position to make a definitive statement that other people can trust and rely on.

I do think, however, that having said all the above, if you set about repeating tests as best you are able, you are eventually going to average out the worst of the problems and end up with a reasonable idea of the typical differences, at least as far as your own workflow is concerned. Maybe not good enough to publish as a formal review, but good enough to inform your own opinion.

Now, I am only really interested in big differences. The kind of differences that would have any viewer say "Wow, that one is so much better". I don't really care at all about the sort of minute differences that means you have to squint at the pictures for half an hour, scratching your head and umming and aaaing until you eventually, doubtfully, say "I think that one might be a tiny bit better, but I'm not really sure". What I'm looking for is differences that would routinely show up in normal fieldwork, not just under careful test conditions.

In that spirit, I can overlook small methodological problems that don't effectively change the result for my own purposes but would give critics cause to complain. But in the interest of fair play, I'm happy to keep repeating the test in an attempt to remove these caveats.

I'd be very surprised if tightening the test parameters made me change my conclusions substantially, the images are just too close to call.
Go ahead and give it a go David. I won't say anything no matter what the result and I won't give you any flak.

This is more for you than for us anyway. It will be fun, and you will learn a lot playing around with the equivalencies. Pick a good deep scene and just experiment. DOF and OOF pixels (wrong term I know) on the MF vs FF shots are a bit of a challenge, but you'll get a good impression if you get it somewhat close on the equivalencies.

If you want to get more technical, use a slant target and/or star chart and test like Jim does with lenses and some other specific cases. But that can quickly become more about the lens differences between the two cameras and equivalency problems.

But you should see something that effects your opinion of FF vs MF image fidelity.

I do it a lot and I already know what I think.
Everyone does, Greg :-)

I'm not interested in what I think, only what is, under the conditions I make photos. Even though I already have spent the money on Fuji gear, there is still the question of whether I should be using it for normal photography as well as for long exposure work. I'd much rather lug the Sony gear than the big Fuji gear. But if there were a significant difference in image quality, that might possibly sway me back to the Fuji. At the moment, it's not looking like there is. But let's do this properly before deciding.

--
2024: Awarded Royal Photographic Society LRPS Distinction
Photo of the day: https://whisperingcat.co.uk/wp/photo-of-the-day/
Website: http://www.whisperingcat.co.uk/
DPReview gallery: https://www.dpreview.com/galleries/0286305481
Flickr: http://www.flickr.com/photos/davidmillier/ (very old!)
 
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This is not about Jim. I'm a big fan of Jim. (But that is funny - good job.) FF Agency! I like it.

What we need is a MF agency. LOL.
His mission - to somewhat understate the advantages of 33x44mm cameras.
No, that is not Jim's mission. However, that effort does appear to be in the interest of someone I know in the camera equipment social media arena and who is probably a pretty good guy. I would love to meet him.
A question of logic:

Jim started a thread proposing a metric that he believes more accurately describes the advantages of going to a larger sensor.

I agree that the metric, a linear rather than an area measure, better describes deltas.

You disagree with me.

How can it be that you agree with Jim, if Jim and I agree?
Look, Jim does the same thing by trying to name sensors by their dimension measurements. The industry, press and forum posters (and what few real camera users are left) just say what they have been saying for a long time: MFT, APSC, FF and MF (MF being the GFX / new Hassy sensor).
This is simply incorrect, as a matter of fact - infinite repetition of something untrue doesn’t make it true.

Medium format, as applied to film, was a general category for cameras that used film stocks between 135 and sheet film.

The cameras were described by the image size, precisely in the way Jim describes medium format sensor sizes . For example, 40x40, 2 1/4” square, 6x4.5, 6x6, 6x7, 6x8, 6x9, 6x12, 6x17…

There are multiple camera sensor sizes bigger than 24mmx36mm, as you well know.

Why do you advocate for the conflation of the term ‘medium format’ to just one of them, even if it is the most ubiquitous?

This is equivalent to a Hasselblad film enthusiast saying “Medium format is 6x6”, ad nauseam, on a film forum. It is untrue as a factual matter and it isn’t helpful from a practical point of view. It appears to be simply a dogmatic assertion.
There is no problem with doing that as long as you don't slap down attempts to state the area differences as if one found it offensive or somehow misleading
Reread Jim’s post? The whole point is that it is misleading.
to state the fact that the MF sensor is 1.7 times bigger or 70% larger than the FF sensor.

I don't think Jim is doing that by the way.
Read his post.
But I could name a couple of guys who I think are.
 
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So the area of a Fuji/Hasselblad medium format sensor is about 70% bigger than a full frame sensor but we shouldn’t place too much importance on this piece of information.
The Fuji Hassy MF sensor is 70 percent bigger than FF sensors. That is the main reason we buy those cameras other than the glass in Fuji's case.
The glass is why we buy Fuji other than the slightly larger sensor on MF.
There are people and many companies that don't like that fact and would prefer it not to be harped on.
We harp on the size of the sensor when we should be singing about the glass in GFX. 😊
 
I really don't care what things are called, but I do care about understanding the scale of the practical differences between products in a realistic way.

If a certain nomenclature is a better way of capturing that, I'm all for it. It's a bit like the bad habit some people have of describing a doubling of pixel count as "twice the resolution". This is not only incorrect, it is misleading, as it entices people to expect a bigger quality jump than they are going to get.

Generally speaking, when assessing the likely improvement in resolution, a statement of the linear increase in pixels is more useful. But it is unimpressive, say your latest and greatest model has a 12.25% improvement in resolution (or whatever the real number is) and people might be inclined to skip a modest upgrade. We can't have that, we need bigger numbers!
 
Several people are arguing that the relevant metric is sensor area, using analogies.

For them, I have a challenge:

Name three important photographically-useful metrics that increase by 300% when the linear dimensions of a sensor are doubled.

Partial credit for one such metric.
 
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You are correct, it is very difficult to do testing perfectly, especially if you are not practiced at it and don't have a well polished method. That's me all right. Which I happily accept means I'm not in a position to make a definitive statement that other people can trust and rely on.

I do think, however, that having said all the above, if you set about repeating tests as best you are able, you are eventually going to average out the worst of the problems and end up with a reasonable idea of the typical differences, at least as far as your own workflow is concerned. Maybe not good enough to publish as a formal review, but good enough to inform your own opinion.

Now, I am only really interested in big differences. The kind of differences that would have any viewer say "Wow, that one is so much better". I don't really care at all about the sort of minute differences that means you have to squint at the pictures for half an hour, scratching your head and umming and aaaing until you eventually, doubtfully, say "I think that one might be a tiny bit better, but I'm not really sure". What I'm looking for is differences that would routinely show up in normal fieldwork, not just under careful test conditions.

In that spirit, I can overlook small methodological problems that don't effectively change the result for my own purposes but would give critics cause to complain. But in the interest of fair play, I'm happy to keep repeating the test in an attempt to remove these caveats.

I'd be very surprised if tightening the test parameters made me change my conclusions substantially, the images are just too close to call.
Go ahead and give it a go David. I won't say anything no matter what the result and I won't give you any flak.

This is more for you than for us anyway. It will be fun, and you will learn a lot playing around with the equivalencies. Pick a good deep scene and just experiment. DOF and OOF pixels (wrong term I know) on the MF vs FF shots are a bit of a challenge, but you'll get a good impression if you get it somewhat close on the equivalencies.

If you want to get more technical, use a slant target and/or star chart and test like Jim does with lenses and some other specific cases. But that can quickly become more about the lens differences between the two cameras and equivalency problems.

But you should see something that effects your opinion of FF vs MF image fidelity.

I do it a lot and I already know what I think.
Everyone does, Greg :-)

I'm not interested in what I think, only what is, under the conditions I make photos. Even though I already have spent the money on Fuji gear, there is still the question of whether I should be using it for normal photography as well as for long exposure work. I'd much rather lug the Sony gear than the big Fuji gear. But if there were a significant difference in image quality, that might possibly sway me back to the Fuji. At the moment, it's not looking like there is. But let's do this properly before deciding.
Well, keep at it. In your case (Sony FF vs your GFX gear) we have been talking about this for a few months now. I fact, I thought you had already made up your mind 6 months ago that you greatly preferred your FF gear and that you had made a mistake spending your money on GFX. That is OK, but I didn't know you were still deciding.
 
You are correct, it is very difficult to do testing perfectly, especially if you are not practiced at it and don't have a well polished method. That's me all right. Which I happily accept means I'm not in a position to make a definitive statement that other people can trust and rely on.

I do think, however, that having said all the above, if you set about repeating tests as best you are able, you are eventually going to average out the worst of the problems and end up with a reasonable idea of the typical differences, at least as far as your own workflow is concerned. Maybe not good enough to publish as a formal review, but good enough to inform your own opinion.

Now, I am only really interested in big differences. The kind of differences that would have any viewer say "Wow, that one is so much better". I don't really care at all about the sort of minute differences that means you have to squint at the pictures for half an hour, scratching your head and umming and aaaing until you eventually, doubtfully, say "I think that one might be a tiny bit better, but I'm not really sure". What I'm looking for is differences that would routinely show up in normal fieldwork, not just under careful test conditions.

In that spirit, I can overlook small methodological problems that don't effectively change the result for my own purposes but would give critics cause to complain. But in the interest of fair play, I'm happy to keep repeating the test in an attempt to remove these caveats.

I'd be very surprised if tightening the test parameters made me change my conclusions substantially, the images are just too close to call.
Go ahead and give it a go David. I won't say anything no matter what the result and I won't give you any flak.

This is more for you than for us anyway. It will be fun, and you will learn a lot playing around with the equivalencies. Pick a good deep scene and just experiment. DOF and OOF pixels (wrong term I know) on the MF vs FF shots are a bit of a challenge, but you'll get a good impression if you get it somewhat close on the equivalencies.

If you want to get more technical, use a slant target and/or star chart and test like Jim does with lenses and some other specific cases. But that can quickly become more about the lens differences between the two cameras and equivalency problems.

But you should see something that effects your opinion of FF vs MF image fidelity.

I do it a lot and I already know what I think.
Everyone does, Greg :-)

I'm not interested in what I think, only what is, under the conditions I make photos. Even though I already have spent the money on Fuji gear, there is still the question of whether I should be using it for normal photography as well as for long exposure work. I'd much rather lug the Sony gear than the big Fuji gear. But if there were a significant difference in image quality, that might possibly sway me back to the Fuji. At the moment, it's not looking like there is. But let's do this properly before deciding.
Well, keep at it. In your case (Sony FF vs your GFX gear) we have been talking about this for a few months now. I fact, I thought you had already made up your mind 6 months ago that you greatly preferred your FF gear and that you had made a mistake spending your money on GFX. That is OK, but I didn't know you were still deciding.
Deja vu all over again. We have discussed many times what I use my GFX gear for and that I certainly don't consider it a waste of money. Many, many, many times. Including stating it written in capital letters, bolded and underlined and surrounded by a box of blinking asterisks.

Print this post out and tape it to your monitor to save me the bother of repeating myself yet again. Please!

The only decision I could have left to make is whether there is any reason to lug the goddamn heavy beast around when shooting in the street. To do that I would need a convincing reason. That convincing reason might be the incredible superiority of the image quality that you proselytise. I promised myself when I upgraded my A7R2 to an Riv that I would do a comparison; I just haven't been able to summon the motivation because I don't expect it to convince me to change anything. But, foolishly, this thread generated just enough motivation to make the effort.

--
2024: Awarded Royal Photographic Society LRPS Distinction
Photo of the day: https://whisperingcat.co.uk/wp/photo-of-the-day/
Website: http://www.whisperingcat.co.uk/
DPReview gallery: https://www.dpreview.com/galleries/0286305481
Flickr: http://www.flickr.com/photos/davidmillier/ (very old!)
 
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You are correct, it is very difficult to do testing perfectly, especially if you are not practiced at it and don't have a well polished method. That's me all right. Which I happily accept means I'm not in a position to make a definitive statement that other people can trust and rely on.

I do think, however, that having said all the above, if you set about repeating tests as best you are able, you are eventually going to average out the worst of the problems and end up with a reasonable idea of the typical differences, at least as far as your own workflow is concerned. Maybe not good enough to publish as a formal review, but good enough to inform your own opinion.

Now, I am only really interested in big differences. The kind of differences that would have any viewer say "Wow, that one is so much better". I don't really care at all about the sort of minute differences that means you have to squint at the pictures for half an hour, scratching your head and umming and aaaing until you eventually, doubtfully, say "I think that one might be a tiny bit better, but I'm not really sure". What I'm looking for is differences that would routinely show up in normal fieldwork, not just under careful test conditions.

In that spirit, I can overlook small methodological problems that don't effectively change the result for my own purposes but would give critics cause to complain. But in the interest of fair play, I'm happy to keep repeating the test in an attempt to remove these caveats.

I'd be very surprised if tightening the test parameters made me change my conclusions substantially, the images are just too close to call.
Go ahead and give it a go David. I won't say anything no matter what the result and I won't give you any flak.

This is more for you than for us anyway. It will be fun, and you will learn a lot playing around with the equivalencies. Pick a good deep scene and just experiment. DOF and OOF pixels (wrong term I know) on the MF vs FF shots are a bit of a challenge, but you'll get a good impression if you get it somewhat close on the equivalencies.

If you want to get more technical, use a slant target and/or star chart and test like Jim does with lenses and some other specific cases. But that can quickly become more about the lens differences between the two cameras and equivalency problems.

But you should see something that effects your opinion of FF vs MF image fidelity.

I do it a lot and I already know what I think.
Everyone does, Greg :-)

I'm not interested in what I think, only what is, under the conditions I make photos. Even though I already have spent the money on Fuji gear, there is still the question of whether I should be using it for normal photography as well as for long exposure work. I'd much rather lug the Sony gear than the big Fuji gear. But if there were a significant difference in image quality, that might possibly sway me back to the Fuji. At the moment, it's not looking like there is. But let's do this properly before deciding.
Well, keep at it. In your case (Sony FF vs your GFX gear) we have been talking about this for a few months now. I fact, I thought you had already made up your mind 6 months ago that you greatly preferred your FF gear and that you had made a mistake spending your money on GFX. That is OK, but I didn't know you were still deciding.
Deja vu all over again. We have discussed many times what I use my GFX gear for and that I certainly don't consider it a waste of money. Many, many, many times. Including stating it written in capital letters, bolded and underlined and surrounded by a box of blinking asterisks.

Print this post out
You know I don't print.... 😎
and tape it to your monitor to save me the bother of repeating myself yet again. Please!

The only decision I could have left to make is whether there is any reason to lug the goddamn heavy beast around when shooting in the street.
Hey, you are younger than me and I do it! LOL...
To do that I would need a convincing reason. That convincing reason might be the incredible superiority of the image quality that you proselytise.
I like the way you said that ... exaggeration for comic effect.
I promised myself when I upgraded my A7R2 to an Riv that I would do a comparison; I just haven't been able to summon the motivation because I don't expect it to convince me to change anything. But, foolishly, this thread generated just enough motivation to make the effort.
Consider me your test advisor. I am here for you and have your back no matter what you decide.
 
You're welcome to my back as long as you can supply a replacement that is better.

Ten years ago, I went to a private physiotherapist. She did an assessment and declared: "You have the back mobility of an 80 year old".

Things haven't got better with the passage of time...
 
Several people are arguing that the relevant metric is sensor area, using analogies.

For them, I have a challenge:

Name three important photographically-useful metrics that increase by 300% when the linear dimensions of a sensor are doubled.

Partial credit for one such metric.
Are you just trying to confuse people by asking for metrics which go with the square of the linear dimension, but in an obfuscated manner?

I'll go for light gathering, and cost to manufacture (but that's probably more than square).
 
In college, I sometimes employed dimensional analysis to figure out the right way to set up a problem that I didn't totally understand, which has to count as a perverse use of the technique, even if it was surprisingly effective.
I wouldn't call that perverse, I'd call it the right way to start understanding the problem. That's the way I started my high school final year project. I was intrigued by the length^4 term in it.
 
Several people are arguing that the relevant metric is sensor area, using analogies.

For them, I have a challenge:

Name three important photographically-useful metrics that increase by 300% when the linear dimensions of a sensor are doubled.

Partial credit for one such metric.
Are you just trying to confuse people
I thought that what I wrote was unambiguous. I wasn't trying to confuse anybody. I don't see why the above formulation is confusing.
by asking for metrics which go with the square of the linear dimension,
I would say "are proportional to", not "go with".
but in an obfuscated manner?

I'll go for light gathering,
Light gathering, in and of itself, is not photographically useful, although it affects other metrics. As I explained in the original post, the most useful effects go as the square root of the area.
and cost to manufacture (but that's probably more than square).
Again, not a photographically useful metric, although it indirectly affects selling price.
 
So the area of a Fuji/Hasselblad medium format sensor is about 70% bigger than a full frame sensor but we shouldn’t place too much importance on this piece of information.
The Fuji Hassy MF sensor is 70 percent bigger than FF sensors. That is the main reason we buy those cameras other than the glass in Fuji's case.
70% bigger by area, 28% bigger by diagonal.
There are people and many companies that don't like that fact and would prefer it not to be harped on.
You finally figured it out - this day had to come, I suppose.
I think the mere fact that 44x33mm is commonly called "medium format" is quite a stretch. As I have pointed out many times, "multi-aspect FF" is at least as valid a description of 44x33mm.

As I learned things, 6x6cm was the smallest image called medium format and 4x5" was where we started to call it large format. Physics have not changed; optically, there is no justification for dropping the bar to include 44x33mm in medium format. In terms of image diagonal (i.e., crop factor), 44x33mm is to 6x6cm what APS-C is to FF. I'm not kidding: 44x33mm is a 1.54x crop factor off 6x6cm.

As it becomes cheaper to make bigger sensors, we'll see cameras with bigger sensors. However, the high resolution (both spatially and tonally) of sensors compared to film has reduced the need, and smaller is a lot easier for people to justify carrying around -- part of the GFX success is that the latest GFX is the same size as a Nikon Z8.
 
Ok, figured out why the focus point wasn't the same in my previous attempt: the fuji was set to manual focus, mashing the shutter wasn't focusing at all :-) Lucky it came out as well as it did.

Attempt #2

No sharpening or noise reduction. Slight adjustment to colour balance and lightness to attempt a match



c049856ffd8f4024acdb9a437cb326c3.jpg



6dc0bd92ee494bc5a2e6cc8efa4b789a.jpg



Added sharpening, local contrast and a bit of noise reduction



c7730579b1064ad5bc957f4fcb0b0cf5.jpg



083eaa548d014f44bbb22138af4688ed.jpg





--
2024: Awarded Royal Photographic Society LRPS Distinction
Photo of the day: https://whisperingcat.co.uk/wp/photo-of-the-day/
Website: http://www.whisperingcat.co.uk/
DPReview gallery: https://www.dpreview.com/galleries/0286305481
Flickr: http://www.flickr.com/photos/davidmillier/ (very old!)
 
Ok, figured out why the focus point wasn't the same in my previous attempt: the fuji was set to manual focus, mashing the shutter wasn't focusing at all :-) Lucky it came out as well as it did.

Attempt #2

No sharpening or noise reduction. Slight adjustment to colour balance and lightness to attempt a match

c049856ffd8f4024acdb9a437cb326c3.jpg

6dc0bd92ee494bc5a2e6cc8efa4b789a.jpg

Added sharpening, local contrast and a bit of noise reduction

c7730579b1064ad5bc957f4fcb0b0cf5.jpg

083eaa548d014f44bbb22138af4688ed.jpg
Looks like you did a good job with that, including the slower shutter speed for MF.. Try an aggressive shadow lift on the images to make it easier to judge the noise differences.

I consider the deltas far from revelatory.

--
 
Several people are arguing that the relevant metric is sensor area, using analogies.

For them, I have a challenge:

Name three important photographically-useful metrics that increase by 300% when the linear dimensions of a sensor are doubled.

Partial credit for one such metric.
Are you just trying to confuse people
I thought that what I wrote was unambiguous. I wasn't trying to confuse anybody. I don't see why the above formulation is confusing.
by asking for metrics which go with the square of the linear dimension,
I would say "are proportional to", not "go with".
but in an obfuscated manner?

I'll go for light gathering,
Light gathering, in and of itself, is not photographically useful, although it affects other metrics. As I explained in the original post, the most useful effects go as the square root of the area.
and cost to manufacture (but that's probably more than square).
Again, not a photographically useful metric, although it indirectly affects selling price.
Around 5 months ago in a thread "Personal reasons for using MF", I asked to everyone :

"...why do YOU use MF instead of something like FF?..."

Your answer:

"If I want the best image quality, I use MF" (you did notice " horses for courses" )

My second question was:

"In your opinion (and based on tests you most likely did), is that better IQ related to tonality/ smoothness/ DR maybe / malleability of files / colour?"

Your answer:

"DR, evenness of illumination, relative lack of lens aberration, focus bracketing implementation, future proofing of captures."

To me it's not like MF/Fuji GFX100 results are day and night difference from FF results, but would you consider these points "photographical useful metrics" ?

Thank you
 
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Several people are arguing that the relevant metric is sensor area, using analogies.

For them, I have a challenge:

Name three important photographically-useful metrics that increase by 300% when the linear dimensions of a sensor are doubled.

Partial credit for one such metric.
Are you just trying to confuse people
I thought that what I wrote was unambiguous. I wasn't trying to confuse anybody. I don't see why the above formulation is confusing.
by asking for metrics which go with the square of the linear dimension,
I would say "are proportional to", not "go with".
but in an obfuscated manner?

I'll go for light gathering,
Light gathering, in and of itself, is not photographically useful, although it affects other metrics. As I explained in the original post, the most useful effects go as the square root of the area.
and cost to manufacture (but that's probably more than square).
Again, not a photographically useful metric, although it indirectly affects selling price.
Around 5 months ago in a thread "Personal reasons for using MF", I asked to everyone :

"...why do YOU use MF instead of something like FF?..."

Your answer:

"If I want the best image quality, I use MF" (you did notice " horses for courses" )

My second question was:

"In your opinion (and based on tests you most likely did), is that better IQ related to tonality/ smoothness/ DR maybe / malleability of files / colour?"

Your answer:

"DR, evenness of illumination, relative lack of lens aberration, focus bracketing implementation, future proofing of captures."

To me it's not like MF/Fuji GFX100 results are day and night difference from FF results, but would you consider these points "photographical useful metrics" ?
Most of the last ones, yes. DR, limited by photon noise, is proportional to the square root of the area, not the area itself. Evenness of illumination is a function of lens design and equivalent apertures. Focus bracketing implementation is not a function of sensor size at all. Future proofing is not a metric.
 
Several people are arguing that the relevant metric is sensor area, using analogies.

For them, I have a challenge:

Name three important photographically-useful metrics that increase by 300% when the linear dimensions of a sensor are doubled.

Partial credit for one such metric.
Are you just trying to confuse people
I thought that what I wrote was unambiguous. I wasn't trying to confuse anybody. I don't see why the above formulation is confusing.
by asking for metrics which go with the square of the linear dimension,
I would say "are proportional to", not "go with".
but in an obfuscated manner?

I'll go for light gathering,
Light gathering, in and of itself, is not photographically useful, although it affects other metrics. As I explained in the original post, the most useful effects go as the square root of the area.
and cost to manufacture (but that's probably more than square).
Again, not a photographically useful metric, although it indirectly affects selling price.
Around 5 months ago in a thread "Personal reasons for using MF", I asked to everyone :

"...why do YOU use MF instead of something like FF?..."

Your answer:

"If I want the best image quality, I use MF" (you did notice " horses for courses" )

My second question was:

"In your opinion (and based on tests you most likely did), is that better IQ related to tonality/ smoothness/ DR maybe / malleability of files / colour?"

Your answer:

"DR, evenness of illumination, relative lack of lens aberration, focus bracketing implementation, future proofing of captures."

To me it's not like MF/Fuji GFX100 results are day and night difference from FF results, but would you consider these points "photographical useful metrics" ?

Thank you
Good luck with this line of discussion! The basic move here on DPReview is for people with an engineering background to reduce/reframe the question to one that can be addressed with math and physics. For example, the discussion of sensor size--explicitly excluding all other factors of a camera system--and all factors of human perception--lets engineers do their thing.

I see it as a sort of social ordering technique more than anything else, with the engineers trying to establish their dominance in a sort of crude way. Fascinating stuff, really.

Hopefully, the result is we all learn a little something and maybe have fun in the process.

--Darin
 
Several people are arguing that the relevant metric is sensor area, using analogies.

For them, I have a challenge:

Name three important photographically-useful metrics that increase by 300% when the linear dimensions of a sensor are doubled.

Partial credit for one such metric.
Are you just trying to confuse people
I thought that what I wrote was unambiguous. I wasn't trying to confuse anybody. I don't see why the above formulation is confusing.
by asking for metrics which go with the square of the linear dimension,
I would say "are proportional to", not "go with".
but in an obfuscated manner?

I'll go for light gathering,
Light gathering, in and of itself, is not photographically useful, although it affects other metrics. As I explained in the original post, the most useful effects go as the square root of the area.
and cost to manufacture (but that's probably more than square).
Again, not a photographically useful metric, although it indirectly affects selling price.
Around 5 months ago in a thread "Personal reasons for using MF", I asked to everyone :

"...why do YOU use MF instead of something like FF?..."

Your answer:

"If I want the best image quality, I use MF" (you did notice " horses for courses" )

My second question was:

"In your opinion (and based on tests you most likely did), is that better IQ related to tonality/ smoothness/ DR maybe / malleability of files / colour?"

Your answer:

"DR, evenness of illumination, relative lack of lens aberration, focus bracketing implementation, future proofing of captures."

To me it's not like MF/Fuji GFX100 results are day and night difference from FF results, but would you consider these points "photographical useful metrics" ?
Most of the last ones, yes. DR, limited by photon noise, is proportional to the square root of the area, not the area itself. Evenness of illumination is a function of lens design and equivalent apertures. Focus bracketing implementation is not a function of sensor size at all. Future proofing is not a metric.
Thank you.
 

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