Switched from R5 to Fuji X-T5

pa100r

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Hey everyone!

I recently traded in my Canon R5 kit for a Fujifilm XT-5 and a few prime lenses.

The store staff very politely and attentively inquired about the reasons for such an extravagant move :-)

The main reason is that for me, as a portrait photographer working in a studio, the entire R lineup has gone off in the wrong direction. It feels like Canon has chased after a set of specs and marketing appeal, completely forgetting about the photographer.

The R5 is technically superb: excellent, tenacious autofocus, modern optics providing superb detail, virtually no exposure misses...

Yet, it frustrated me every shoot: awkward ergonomics, constant attempts to decide for me how I want to shoot, regular issues connecting to my laptop. And most importantly: no emotional connection with the photographer. You feel like you're behind the wheel of a Toyota Camry: a good car, but boring to the point of teeth-grinding.

I should note that my development as a photographer has been a path of constant simplification and reduction of the time I spend processing photos. Gradually, I gave up retouching, then processing, then complex lighting setups, then shooting in RAW. Now I shoot in a film style: using JPG and delivering the shots straight out of camera within an hour after the shoot.

Fuji's philosophy really suits my photography style: direct manual control of all parameters via mechanical dials, good color straight out of camera, the ability to finely tune picture settings before shooting.

While the first studio shoots are still only planned, the initial impressions of working with the new camera evoke a strong emotional response. The film simulations are also a delight, unlike Canon's sterile color. The camera makes you want to hold it. While Canon seems to have sought out the cheapest plastic on earth to use for their top-end lenses, Fuji has metal everywhere that feels nice in the hands.

I'm hoping for a long and emotional adventure on the new system!
 
Hey everyone!

I recently traded in my Canon R5 kit for a Fujifilm XT-5 and a few prime lenses.

The store staff very politely and attentively inquired about the reasons for such an extravagant move :-)

The main reason is that for me, as a portrait photographer working in a studio, the entire R lineup has gone off in the wrong direction. It feels like Canon has chased after a set of specs and marketing appeal, completely forgetting about the photographer.

The R5 is technically superb: excellent, tenacious autofocus, modern optics providing superb detail, virtually no exposure misses...

Yet, it frustrated me every shoot: awkward ergonomics, constant attempts to decide for me how I want to shoot, regular issues connecting to my laptop. And most importantly: no emotional connection with the photographer. You feel like you're behind the wheel of a Toyota Camry: a good car, but boring to the point of teeth-grinding.

I should note that my development as a photographer has been a path of constant simplification and reduction of the time I spend processing photos. Gradually, I gave up retouching, then processing, then complex lighting setups, then shooting in RAW. Now I shoot in a film style: using JPG and delivering the shots straight out of camera within an hour after the shoot.

Fuji's philosophy really suits my photography style: direct manual control of all parameters via mechanical dials, good color straight out of camera, the ability to finely tune picture settings before shooting.

While the first studio shoots are still only planned, the initial impressions of working with the new camera evoke a strong emotional response. The film simulations are also a delight, unlike Canon's sterile color. The camera makes you want to hold it. While Canon seems to have sought out the cheapest plastic on earth to use for their top-end lenses, Fuji has metal everywhere that feels nice in the hands.

I'm hoping for a long and emotional adventure on the new system!
I've always felt Canon's cameras feel like a box with a lens. What is a curve?

I hope after you do your first shoot you are not having a different emotional experience.

Morris
 
I should note that my development as a photographer has been a path of constant simplification and reduction of the time I spend processing photos. Gradually, I gave up retouching, then processing, then complex lighting setups, then shooting in RAW.
you are indeed courageous......
Now I shoot in a film style: using JPG and delivering the shots straight out of camera within an hour after the shoot.
...and talented too

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CONTENT IS KING!
 
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Hey everyone!

I recently traded in my Canon R5 kit for a Fujifilm XT-5 and a few prime lenses.

The store staff very politely and attentively inquired about the reasons for such an extravagant move :-)

The main reason is that for me, as a portrait photographer working in a studio, the entire R lineup has gone off in the wrong direction. It feels like Canon has chased after a set of specs and marketing appeal, completely forgetting about the photographer.

The R5 is technically superb: excellent, tenacious autofocus, modern optics providing superb detail, virtually no exposure misses...

Yet, it frustrated me every shoot: awkward ergonomics, constant attempts to decide for me how I want to shoot, regular issues connecting to my laptop. And most importantly: no emotional connection with the photographer. You feel like you're behind the wheel of a Toyota Camry: a good car, but boring to the point of teeth-grinding.

I should note that my development as a photographer has been a path of constant simplification and reduction of the time I spend processing photos. Gradually, I gave up retouching, then processing, then complex lighting setups, then shooting in RAW. Now I shoot in a film style: using JPG and delivering the shots straight out of camera within an hour after the shoot.

Fuji's philosophy really suits my photography style: direct manual control of all parameters via mechanical dials, good color straight out of camera, the ability to finely tune picture settings before shooting.

While the first studio shoots are still only planned, the initial impressions of working with the new camera evoke a strong emotional response. The film simulations are also a delight, unlike Canon's sterile color. The camera makes you want to hold it. While Canon seems to have sought out the cheapest plastic on earth to use for their top-end lenses, Fuji has metal everywhere that feels nice in the hands.

I'm hoping for a long and emotional adventure on the new system!
Congrats!, but give us report on the AF on Fuji vs the R5 after some time!
 
I also made a move from an EOS R to an X-T5. I never found the Canon ergonomics bad but the shooting experience is somewhat boring compared to the Fujifilm.

I wonder how you find the downgrade in autofocus performance. The X-T5 is definitely not as consistent and reliable as your R5.
 
I also made a move from an EOS R to an X-T5. I never found the Canon ergonomics bad but the shooting experience is somewhat boring compared to the Fujifilm.

I wonder how you find the downgrade in autofocus performance. The X-T5 is definitely not as consistent and reliable as your R5.
I don't think this should stir up any major trouble.

For starters, I'm typically shooting fairly static subjects in a controlled studio setting.

Plus, aside from modern digital cameras, I spend a good chunk of time shooting with old film cameras like the Canon EOS 3, Olympus mju, and Lomo Instant Wide, and I haven't run into any notable focus hiccups. At the very least, when I'm not thrilled with my shots, it's usually not because they're missing focus :-)
 
Hey everyone!

I recently traded in my Canon R5 kit for a Fujifilm XT-5 and a few prime lenses.

The store staff very politely and attentively inquired about the reasons for such an extravagant move :-)

The main reason is that for me, as a portrait photographer working in a studio, the entire R lineup has gone off in the wrong direction. It feels like Canon has chased after a set of specs and marketing appeal, completely forgetting about the photographer.

The R5 is technically superb: excellent, tenacious autofocus, modern optics providing superb detail, virtually no exposure misses...

Yet, it frustrated me every shoot: awkward ergonomics, constant attempts to decide for me how I want to shoot, regular issues connecting to my laptop. And most importantly: no emotional connection with the photographer. You feel like you're behind the wheel of a Toyota Camry: a good car, but boring to the point of teeth-grinding.

I should note that my development as a photographer has been a path of constant simplification and reduction of the time I spend processing photos. Gradually, I gave up retouching, then processing, then complex lighting setups, then shooting in RAW. Now I shoot in a film style: using JPG and delivering the shots straight out of camera within an hour after the shoot.

Fuji's philosophy really suits my photography style: direct manual control of all parameters via mechanical dials, good color straight out of camera, the ability to finely tune picture settings before shooting.

While the first studio shoots are still only planned, the initial impressions of working with the new camera evoke a strong emotional response. The film simulations are also a delight, unlike Canon's sterile color. The camera makes you want to hold it. While Canon seems to have sought out the cheapest plastic on earth to use for their top-end lenses, Fuji has metal everywhere that feels nice in the hands.

I'm hoping for a long and emotional adventure on the new system!
 
Hey everyone!

I recently traded in my Canon R5 kit for a Fujifilm XT-5 and a few prime lenses.

The store staff very politely and attentively inquired about the reasons for such an extravagant move :-)

The main reason is that for me, as a portrait photographer working in a studio, the entire R lineup has gone off in the wrong direction. It feels like Canon has chased after a set of specs and marketing appeal, completely forgetting about the photographer.

The R5 is technically superb: excellent, tenacious autofocus, modern optics providing superb detail, virtually no exposure misses...

Yet, it frustrated me every shoot: awkward ergonomics, constant attempts to decide for me how I want to shoot, regular issues connecting to my laptop. And most importantly: no emotional connection with the photographer. You feel like you're behind the wheel of a Toyota Camry: a good car, but boring to the point of teeth-grinding.

I should note that my development as a photographer has been a path of constant simplification and reduction of the time I spend processing photos. Gradually, I gave up retouching, then processing, then complex lighting setups, then shooting in RAW. Now I shoot in a film style: using JPG and delivering the shots straight out of camera within an hour after the shoot.

Fuji's philosophy really suits my photography style: direct manual control of all parameters via mechanical dials, good color straight out of camera, the ability to finely tune picture settings before shooting.

While the first studio shoots are still only planned, the initial impressions of working with the new camera evoke a strong emotional response. The film simulations are also a delight, unlike Canon's sterile color. The camera makes you want to hold it. While Canon seems to have sought out the cheapest plastic on earth to use for their top-end lenses, Fuji has metal everywhere that feels nice in the hands.

I'm hoping for a long and emotional adventure on the new system!
Just a question. Why X-T5, not X-H2?
 
Just a question. Why X-T5, not X-H2?
Because the X-T5 is a less "professional camera" compared to the X-H2, and it just hits me right in the feels.

I've long since realized that unless I'm tasked with consistently churning out photos of print-ready quality that could grace a billboard or the cover of Harper's Bazaar (which, spoiler alert, I'm not), pretty much any camera is more than capable of getting the job done for my needs.

I don't need the most professional, the most high-tech, or the most cutting-edge camera out there.

What I need is an intuitive, user-friendly camera that's a joy for the photographer to use.

The Canon M6mkII was that camera for me - I was totally smitten, head over heels from day one. But then Canon had to go and pull the plug on that whole lineup, so I found myself jumping ship to the R series. The X-T5, though, it gives me those same warm and fuzzy feelings I got from the M6mkII - a relatively compact camera that packs a serious punch.
 
Just a question. Why X-T5, not X-H2?
Because the X-T5 is a less "professional camera" compared to the X-H2, and it just hits me right in the feels.

I've long since realized that unless I'm tasked with consistently churning out photos of print-ready quality that could grace a billboard or the cover of Harper's Bazaar (which, spoiler alert, I'm not), pretty much any camera is more than capable of getting the job done for my needs.

I don't need the most professional, the most high-tech, or the most cutting-edge camera out there.

What I need is an intuitive, user-friendly camera that's a joy for the photographer to use.

The Canon M6mkII was that camera for me - I was totally smitten, head over heels from day one. But then Canon had to go and pull the plug on that whole lineup, so I found myself jumping ship to the R series. The X-T5, though, it gives me those same warm and fuzzy feelings I got from the M6mkII - a relatively compact camera that packs a serious punch.
Sorry in advance; I would not like to say anything offensive at all.
Nevertheless, it looks like you're more of a photo amateur and enthusiast of photography as a kind of high art, but it's not your business in terms of making money. Am I wrong?
 
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Sorry in advance; I would not like to say anything offensive at all.
Nevertheless, it looks like you're more of a photo amateur and enthusiast of photography as a kind of high art, but it's not your business in terms of making money. Am I wrong?
No hard feelings, my friend. You're absolutely spot on.

A buddy of mine - a pro photographer - once gave me a piece of advice: keep photography as a hobby for as long as you can swing it. I took that advice to heart, and I haven't looked back since :-)
 
No hard feelings, my friend. You're absolutely spot on.

A buddy of mine - a pro photographer - once gave me a piece of advice: keep photography as a hobby for as long as you can swing it. I took that advice to heart, and I haven't looked back since :-)
Brilliant! :-D
 
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Sorry in advance; I would not like to say anything offensive at all.
Nevertheless, it looks like you're more of a photo amateur and enthusiast of photography as a kind of high art, but it's not your business in terms of making money. Am I wrong?
No hard feelings, my friend. You're absolutely spot on.

A buddy of mine - a pro photographer - once gave me a piece of advice: keep photography as a hobby for as long as you can swing it. I took that advice to heart, and I haven't looked back since :-)
You have a wise buddy. 😉
 
A buddy of mine - a pro photographer - once gave me a piece of advice: keep photography as a hobby for as long as you can swing it. I took that advice to heart, and I haven't looked back since :-)
Sage advice. Professional photography can be soul destroying. You rarely get to do your best work unless you are very lucky indeed, and your entire life begins to revolve around good enough.
 
A buddy of mine - a pro photographer - once gave me a piece of advice: keep photography as a hobby for as long as you can swing it. I took that advice to heart, and I haven't looked back since :-)
Sage advice. Professional photography can be soul destroying. You rarely get to do your best work unless you are very lucky indeed, and your entire life begins to revolve around good enough.
I’ve just got back from a DJ gig, £150 better off but it’s not what I would call enjoyable…. The same applies to any hobby that can port over to professional I would say.
 
I'm hoping for a long and emotional adventure on the new system!
Welcome to Fujifilm and I am 100% with you, the only difference is I switched from a Sony A7R3.

You have to pick up the camera before able to produce photos, and compared to those spec rich, market driven cameras, Fujifilm cameras encourage me to shoot more.

And you are right about being a professional/hobby photographer. I built a studio, acquired many professional gears over the years, but I have been shooting less and less. (Studio rental and commercial works killed my creativity and time.)

Love your works on IG, instant follow.

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http://www.instagram.com/pennyfan_silluartstudios
http://www.instagram.com/silluart_studios
 
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Alright, folks! Today was the day of my first photoshoot with the new camera.

Long story short, I'm over the moon with it. This camera is a perfect match for my laid-back, easy-going shooting style.

Straight out of the camera, the JPEGs are stunning, leaving me with no desire to make any adjustments (although I might dial down the sharpness a notch for future shoots).

To address the question above: yes, the autofocus isn't as snappy as Canon's. But it didn't throw a wrench in my plans or stop me from capturing the shots I wanted.

For fast-paced reportage or sports photography, I'd probably stick with Canon. However, for relaxed portrait sessions, the autofocus is more than adequate. In tricky situations, I occasionally lent a helping hand by tweaking the manual focus ring, but 95% of the time, I relied on the autofocus and it delivered.

I did lose a small percentage of shots due to focus misses. That said, I lost about the same number of shots with my Canon due to its clunky ergonomics.

Keep in mind, I shoot quite a bit with old film cameras, so I'm not expecting any mind-blowing miracles from my gear. The key is that it doesn't get in the way of my shooting.

All in all, I'm thrilled. This camera is exactly what I've been missing in recent years.





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First time you use it in a natural light setting, you'll love it!

I do still use my 5DIII from time to time for stationary set ups but walking around with a Fuji is so much nicer.
 
Great! Glad you are happy. It's a joy to see your photos.

Morris
 

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