DxO Nik 7

Haddington

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So DxO has launched Nik 7 . As so often with Nik upgrades, the improvements seem fairly minor - more like a point upgrade than a major version upgrade. Looks good for folk who are new to Nik, or using a very old version. But no compelling reason to upgrade for users of Nik 6.
Also worth pointing out that Nik no longer includes Perspective meaning you need to keep Nik 6 installed, or buy ViewPoint 4 separately, to access its tools. A money maker for DxO, sure, but really frustrating for folk like me who used Perspective regularly as a standalone.
I think I'll pass.
 
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DxO has launched Nik 7 . As so often with Nik upgrades, the improvements seem fairly minor - more like a point upgrade than a major version upgrade. Looks good for folk who are new to Nik, or using a very old version. But no compelling reason to upgrade for users of Nik 6.
Also worth pointing out that Nik no longer includes Perspective meaning you need to keep Nik 6 installed, or buy ViewPoint 4 separately, to access its tools. A money maker for DxO, sure, but really frustrating for folk like me who used Perspective regularly as a standalone.
I think I'll pass.
I've been a big fan of DxO software for many years. There was a time not so long ago when I had the latest and greatest versions of all of them (except PureRaw, as duplicative of PhotoLab Elite), and I've been usually ready to buy the updates. But DxO wants to charge me $89 to update to Nik 7. I really cannot see the value there. In fact, I'm still on Nik 5, having not seen the value in what DxO wanted to update from that to Nik 6. And the situation with FilmPack is not really better--or in a way, it's worse, because there are basic functions one might want, that have nothing to do with film simulation, that DxO requires you to get FilmPack to use even if you have PhotoLab Elite.

I understand that inflation is real, and the market for photo editing software is probably either declining or only expanding slowly, so the increasing cost of development has to be spread over fewer buyers. But the pace of development also seems to have slowed.

IMO more-or-less annual updates, to ancillary / minor products, bringing small benefits, at these prices will alienate customers.
 
The changes are reviewed by Robin Whalley - YouTube link Here.

Phil
 
DxO has launched Nik 7 . As so often with Nik upgrades, the improvements seem fairly minor - more like a point upgrade than a major version upgrade. Looks good for folk who are new to Nik, or using a very old version. But no compelling reason to upgrade for users of Nik 6.
Also worth pointing out that Nik no longer includes Perspective meaning you need to keep Nik 6 installed, or buy ViewPoint 4 separately, to access its tools. A money maker for DxO, sure, but really frustrating for folk like me who used Perspective regularly as a standalone.
I think I'll pass.
I've been a big fan of DxO software for many years. There was a time not so long ago when I had the latest and greatest versions of all of them (except PureRaw, as duplicative of PhotoLab Elite), and I've been usually ready to buy the updates. But DxO wants to charge me $89 to update to Nik 7. I really cannot see the value there. In fact, I'm still on Nik 5, having not seen the value in what DxO wanted to update from that to Nik 6. And the situation with FilmPack is not really better--or in a way, it's worse, because there are basic functions one might want, that have nothing to do with film simulation, that DxO requires you to get FilmPack to use even if you have PhotoLab Elite.

I understand that inflation is real, and the market for photo editing software is probably either declining or only expanding slowly, so the increasing cost of development has to be spread over fewer buyers. But the pace of development also seems to have slowed.
If you think Adobe is photographer-hostile now as it courts text-to-image AI "creators", wait until they've clubbed DxO and C1 like a pair of baby harp seals. I am glad to give DxO a few hundred bucks each year, whether I need upgrades or not, just to keep them in the game and developing new and better tools.

In DxO's defense, they did recently roll out PureRAW 4 with some nice new features. I will upgrade PhotoLab the instant they add that new stuff to it.

I get the impression their resources are spread a bit thin, and they may be scrambling to maximize RoI by prioritizing PureRAW income from the much larger customer base of Lightroom users. Remember, they had a near-death experience just a few years ago when DxO's software division was spun off as a separate company. I imagine they're struggling mightily to stay afloat, with Lightroom dominating the pro market and newcomers like Luminar taking a lot of the budget consumer market.

I suspect, though, that prioritizing PureRAW might be short-sighted, as Adobe seems intent on making photo buyers and illustrators, not photographers, their main customer base. They recently flipped us all the bird with their "Skip the photoshoot" marketing, and I'm now actively seeking DAM, pano and sharpening alternatives that will let me drop my Adobe Photography subscription. At this very moment, PhotoLab is indexing my entire photo archive so I can see if it can replace Lightroom for DAM in my workflow. The upshot is that I think it may serve DxO better to beef up PhotoLab as a Lightroom competitor as photographers find Adobe to be more and more hostile. The new batch-renaming feature in PureRAW 4 is a step in that direction. The ability to manage Finder-level folders and move image files among them would also help, if that's not currently supported. (I'll be testing this just as soon as indexing completes.) The one other feature of Lightroom I'd miss is its excellent and adaptable output sharpening. Maybe Nik Sharpening could help here.
IMO more-or-less annual updates, to ancillary / minor products, bringing small benefits, at these prices will alienate customers.
--
Event professional for 20+ years, travel & landscape enthusiast for 30+.
http://jacquescornell.photography
http://happening.photos
 
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DxO has launched Nik 7 . As so often with Nik upgrades, the improvements seem fairly minor - more like a point upgrade than a major version upgrade. Looks good for folk who are new to Nik, or using a very old version. But no compelling reason to upgrade for users of Nik 6.
Also worth pointing out that Nik no longer includes Perspective meaning you need to keep Nik 6 installed, or buy ViewPoint 4 separately, to access its tools. A money maker for DxO, sure, but really frustrating for folk like me who used Perspective regularly as a standalone.
I think I'll pass.
I've been a big fan of DxO software for many years. There was a time not so long ago when I had the latest and greatest versions of all of them (except PureRaw, as duplicative of PhotoLab Elite), and I've been usually ready to buy the updates. But DxO wants to charge me $89 to update to Nik 7. I really cannot see the value there. In fact, I'm still on Nik 5, having not seen the value in what DxO wanted to update from that to Nik 6. And the situation with FilmPack is not really better--or in a way, it's worse, because there are basic functions one might want, that have nothing to do with film simulation, that DxO requires you to get FilmPack to use even if you have PhotoLab Elite.

I understand that inflation is real, and the market for photo editing software is probably either declining or only expanding slowly, so the increasing cost of development has to be spread over fewer buyers. But the pace of development also seems to have slowed.

IMO more-or-less annual updates, to ancillary / minor products, bringing small benefits, at these prices will alienate customers.
Agreed. I own Nik 6 and just watched Robin's video surverying the features. They are nice additions, certainly, but they should not ask Nik 6 owners to pay $89 USD for a minor upgrade. They could charge that for upgrades from Google Nik or Nik 3 for sure, but for Nik 6 owners the upgrade should be something like $25.00.

Seems like they want you to buy DxO Viewpoint as Nik Perspective is deprecated.

From their FAQ...

"Why is Nik Perspective no longer included in Nik Collection and what alternatives are available?

This information applies to the latest version

Nik Perspective, also known as Perspective Efex, has been removed from Nik Collection 7. Those upgrading and needing Nik Perspective are encouraged to retain their previous version to use in parallel.

If you are looking for an alternative, DxO ViewPoint provides all the features of Nik Perspective, with additional improvements planned. This advanced tool offers users optimal compatibility with Adobe Photoshop and seamless integration into DxO PhotoLab."

I just sent my thoughts to DxO support and suggest other users who feel ths way do the same. We need to let them know this is not acceptable.

--
**** REDACTED ****
 
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DxO has launched Nik 7 . As so often with Nik upgrades, the improvements seem fairly minor - more like a point upgrade than a major version upgrade. Looks good for folk who are new to Nik, or using a very old version. But no compelling reason to upgrade for users of Nik 6.
Also worth pointing out that Nik no longer includes Perspective meaning you need to keep Nik 6 installed, or buy ViewPoint 4 separately, to access its tools. A money maker for DxO, sure, but really frustrating for folk like me who used Perspective regularly as a standalone.
I think I'll pass.
I've been a big fan of DxO software for many years. There was a time not so long ago when I had the latest and greatest versions of all of them (except PureRaw, as duplicative of PhotoLab Elite), and I've been usually ready to buy the updates. But DxO wants to charge me $89 to update to Nik 7. I really cannot see the value there. In fact, I'm still on Nik 5, having not seen the value in what DxO wanted to update from that to Nik 6. And the situation with FilmPack is not really better--or in a way, it's worse, because there are basic functions one might want, that have nothing to do with film simulation, that DxO requires you to get FilmPack to use even if you have PhotoLab Elite.

I understand that inflation is real, and the market for photo editing software is probably either declining or only expanding slowly, so the increasing cost of development has to be spread over fewer buyers. But the pace of development also seems to have slowed.
If you think Adobe is photographer-hostile now as it courts text-to-image AI "creators", wait until they've clubbed DxO and C1 like a pair of baby harp seals. I am glad to give DxO a few hundred bucks each year, whether I need upgrades or not, just to keep them in the game and developing new and better tools.

In DxO's defense, they did recently roll out PureRAW 4 with some nice new features. I will upgrade PhotoLab the instant they add that new stuff to it.

I get the impression their resources are spread a bit thin, and they may be scrambling to maximize RoI by prioritizing PureRAW income from the much larger customer base of Lightroom users. Remember, they had a near-death experience just a few years ago when DxO's software division was spun off as a separate company. I imagine they're struggling mightily to stay afloat, with Lightroom dominating the pro market and newcomers like Luminar taking a lot of the budget consumer market.

I suspect, though, that prioritizing PureRAW might be short-sighted, as Adobe seems intent on making photo buyers and illustrators, not photographers, their main customer base. They recently flipped us all the bird with their "Skip the photoshoot" marketing, and I'm now actively seeking DAM, pano and sharpening alternatives that will let me drop my Adobe Photography subscription. At this very moment, PhotoLab is indexing my entire photo archive so I can see if it can replace Lightroom for DAM in my workflow. The upshot is that I think it may serve DxO better to beef up PhotoLab as a Lightroom competitor as photographers find Adobe to be more and more hostile. The new batch-renaming feature in PureRAW 4 is a step in that direction. The ability to manage Finder-level folders and move image files among them would also help, if that's not currently supported. (I'll be testing this just as soon as indexing completes.) The one other feature of Lightroom I'd miss is its excellent and adaptable output sharpening. Maybe Nik Sharpening could help here.
IMO more-or-less annual updates, to ancillary / minor products, bringing small benefits, at these prices will alienate customers.
C1 is my main raw converter, can I report Adobe to the WWF? 😃

DXO are revealing the improvements we will see in DXO-Photolab V8 👍

DeepPrime XD, batch full scale Denoise preview, bulk renaming, polygonol selection tool, reshapeable selection points etc. 👍

Ian
 
DxO has launched Nik 7 . As so often with Nik upgrades, the improvements seem fairly minor - more like a point upgrade than a major version upgrade. Looks good for folk who are new to Nik, or using a very old version. But no compelling reason to upgrade for users of Nik 6.
Also worth pointing out that Nik no longer includes Perspective meaning you need to keep Nik 6 installed, or buy ViewPoint 4 separately, to access its tools. A money maker for DxO, sure, but really frustrating for folk like me who used Perspective regularly as a standalone.
I think I'll pass.
I've been a big fan of DxO software for many years.... But DxO wants to charge me $89 to update to Nik 7. I really cannot see the value there....

I understand that inflation is real, and the market for photo editing software is probably either declining or only expanding slowly, so the increasing cost of development has to be spread over fewer buyers. But the pace of development also seems to have slowed.
If you think Adobe is photographer-hostile now as it courts text-to-image AI "creators", wait until they've clubbed DxO and C1 like a pair of baby harp seals. I am glad to give DxO a few hundred bucks each year, whether I need upgrades or not, just to keep them in the game and developing new and better tools.
On the whole, I have many thoughts similar to yours, although only to a degree.

In the past I've paid for marginal DxO updates for much the same reason: I wanted DxO to survive, and to emerge from the French bankruptcy-like proceeding as a viable software developer / publisher. But it seems like both the frequency and the cost of the new 'major' versions have increased.

Years on from that, if DxO expects or wants me to keep bankrolling them this way, then some financial transparency would go a long way. If they publish their tax returns or whatever and tell your customers, 'Look, we lost €400,000 last year. Something's got to give,' then I would be with them in looking for a financially-sustainable solution (although very probably not a subscription).
In DxO's defense, they did recently roll out PureRAW 4 with some nice new features. I will upgrade PhotoLab the instant they add that new stuff to it.
That right there annoys me. In the past, new features and functions appeared first in their premier product, PhotoLab (Elite). The fact that they've prioritized this ancillary product and made the users of their premier product wait seems to me a bad way to do business. I guess they have their reasons.

This is just my opinion, as their customer but not somebody very familiar with the software publishing industry, but the constant nickle-and-diming turned quarter-and-dollaring is not a way to build a happy customer base. The higher prices and frequent major-version updates need strong justification, with 'wow!' features and/or transparency about dire finances.

And to the extent they've spread themselves thin, maybe they should concentrate on their core products--which Nik and FIlmPack most emphatically are not. Move the masking advances for which PhotoLab requires FilmPack 6 or newer into PhotoLab proper. Consider merging ViewPoint into PhotoLab proper. Make PhotoLab the best it can be, and make it cover all the basics. Make LR / PureRaw users see that PhotoLab Elite users get all the new features and techologies first. If you have to increase the PhotoLab Elite price to $250 or even a bit more and make the major-version upgrades $125 but wait until you have something major, fine.

But it sounds like you have many of the same reservations and concerns as I do about the way the software options are going. Capture One seems to be suffering too. I don't want Adobe to be the only game in town. And I do think DxO remains the best tool.
 
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DxO has launched Nik 7 . As so often with Nik upgrades, the improvements seem fairly minor - more like a point upgrade than a major version upgrade. Looks good for folk who are new to Nik, or using a very old version. But no compelling reason to upgrade for users of Nik 6.
Also worth pointing out that Nik no longer includes Perspective meaning you need to keep Nik 6 installed, or buy ViewPoint 4 separately, to access its tools. A money maker for DxO, sure, but really frustrating for folk like me who used Perspective regularly as a standalone.
I think I'll pass.
I've been a big fan of DxO software for many years.... But DxO wants to charge me $89 to update to Nik 7. I really cannot see the value there....

I understand that inflation is real, and the market for photo editing software is probably either declining or only expanding slowly, so the increasing cost of development has to be spread over fewer buyers. But the pace of development also seems to have slowed.
If you think Adobe is photographer-hostile now as it courts text-to-image AI "creators", wait until they've clubbed DxO and C1 like a pair of baby harp seals. I am glad to give DxO a few hundred bucks each year, whether I need upgrades or not, just to keep them in the game and developing new and better tools.
On the whole, I have many thoughts similar to yours, although only to a degree.

In the past I've paid for marginal DxO updates for much the same reason: I wanted DxO to survive, and to emerge from the French bankruptcy-like proceeding as a viable software developer / publisher. But it seems like both the frequency and the cost of the new 'major' versions have increased.

Years on from that, if DxO expects or wants me to keep bankrolling them this way, then some financial transparency would go a long way. If they publish their tax returns or whatever and tell your customers, 'Look, we lost €400,000 last year. Something's got to give,' then I would be with them in looking for a financially-sustainable solution (although very probably not a subscription).
In DxO's defense, they did recently roll out PureRAW 4 with some nice new features. I will upgrade PhotoLab the instant they add that new stuff to it.
That right there annoys me. In the past, new features and functions appeared first in their premier product, PhotoLab (Elite). The fact that they've prioritized this ancillary product and made the users of their premier product wait seems to me a bad way to do business. I guess they have their reasons.

This is just my opinion, as their customer but not somebody very familiar with the software publishing industry, but the constant nickle-and-diming turned quarter-and-dollaring is not a way to build a happy customer base. The higher prices and frequent major-version updates need strong justification, with 'wow!' features and/or transparency about dire finances.

And to the extent they've spread themselves thin, maybe they should concentrate on their core products--which Nik and FIlmPack most emphatically are not. Move the masking advances for which PhotoLab requires FilmPack 6 or newer into PhotoLab proper. Consider merging ViewPoint into PhotoLab proper. Make PhotoLab the best it can be, and make it cover all the basics. Make LR / PureRaw users see that PhotoLab Elite users get all the new features and techologies first. If you have to increase the PhotoLab Elite price to $250 or even a bit more and make the major-version upgrades $125 but wait until you have something major, fine.

But it sounds like you have many of the same reservations and concerns as I do about the way the software options are going. Capture One seems to be suffering too. I don't want Adobe to be the only game in town. And I do think DxO remains the best tool.
I am very much in agreement with you.

I also have supported DXO for similar reasons but, for this time, I did not pay for Photolab V7, the first time I haven't paid for an upgrade. Requiring FilmPack to enable a basic masking tool like luminosity is only one of the disappointments.

From the outside it appears as though DXO is organised into separate silos with each team seemingly competing with each other,reminiscence of the old Microsoft way of doing things. The issue with this is that customers don't recognise this artificial political infighting between the various parts of DXO and just see "DXO", and what they see doesn't make any sense and confuses / annoys them.

The removal of a major component of NIK ie Perspective is also not likely to go down well. Unsurprisingly, customers do not expect the latest version of their software to remove major functionality.

I feel that the overall impression of the current management is disorganised and chaotic.

Ian
 
DxO has launched Nik 7 . As so often with Nik upgrades, the improvements seem fairly minor - more like a point upgrade than a major version upgrade. Looks good for folk who are new to Nik, or using a very old version. But no compelling reason to upgrade for users of Nik 6.
Also worth pointing out that Nik no longer includes Perspective meaning you need to keep Nik 6 installed, or buy ViewPoint 4 separately, to access its tools. A money maker for DxO, sure, but really frustrating for folk like me who used Perspective regularly as a standalone.
I think I'll pass.
I've been a big fan of DxO software for many years.... But DxO wants to charge me $89 to update to Nik 7. I really cannot see the value there....

I understand that inflation is real, and the market for photo editing software is probably either declining or only expanding slowly, so the increasing cost of development has to be spread over fewer buyers. But the pace of development also seems to have slowed.
If you think Adobe is photographer-hostile now as it courts text-to-image AI "creators", wait until they've clubbed DxO and C1 like a pair of baby harp seals. I am glad to give DxO a few hundred bucks each year, whether I need upgrades or not, just to keep them in the game and developing new and better tools.
On the whole, I have many thoughts similar to yours, although only to a degree.

In the past I've paid for marginal DxO updates for much the same reason: I wanted DxO to survive, and to emerge from the French bankruptcy-like proceeding as a viable software developer / publisher. But it seems like both the frequency and the cost of the new 'major' versions have increased.

Years on from that, if DxO expects or wants me to keep bankrolling them this way, then some financial transparency would go a long way. If they publish their tax returns or whatever and tell your customers, 'Look, we lost €400,000 last year. Something's got to give,' then I would be with them in looking for a financially-sustainable solution (although very probably not a subscription).
In DxO's defense, they did recently roll out PureRAW 4 with some nice new features. I will upgrade PhotoLab the instant they add that new stuff to it.
That right there annoys me. In the past, new features and functions appeared first in their premier product, PhotoLab (Elite). The fact that they've prioritized this ancillary product and made the users of their premier product wait seems to me a bad way to do business. I guess they have their reasons.

This is just my opinion, as their customer but not somebody very familiar with the software publishing industry, but the constant nickle-and-diming turned quarter-and-dollaring is not a way to build a happy customer base. The higher prices and frequent major-version updates need strong justification, with 'wow!' features and/or transparency about dire finances.

And to the extent they've spread themselves thin, maybe they should concentrate on their core products--which Nik and FIlmPack most emphatically are not. Move the masking advances for which PhotoLab requires FilmPack 6 or newer into PhotoLab proper. Consider merging ViewPoint into PhotoLab proper. Make PhotoLab the best it can be, and make it cover all the basics. Make LR / PureRaw users see that PhotoLab Elite users get all the new features and techologies first. If you have to increase the PhotoLab Elite price to $250 or even a bit more and make the major-version upgrades $125 but wait until you have something major, fine.

But it sounds like you have many of the same reservations and concerns as I do about the way the software options are going. Capture One seems to be suffering too. I don't want Adobe to be the only game in town. And I do think DxO remains the best tool.
C1 decided to focus it's development on people, wedding event studio, photography in addition to it's restrictive perpetual license decisions. Not a lot of new stuff, that's interesting for landscape and travel photography.

DXO lacks in auto masking and AI compared to Adobe. But DXO has the best lens profiles and like C1 squeezes the most detail out of raw files.

But LR/PS is close and brings a steady stream of innovations.

I use C1 and dxo PL6 and decided to buy Adobe PS/LR one year for 88 Euros at Amazon. Adobes auto masking and AI features are amazing.

The price point is very competitive. Something C1 and DXO seem to miss.

Let's see how these raw editors develop in the next month and years.
 
C1 decided to focus it's development on people, wedding event studio, photography in addition to it's restrictive perpetual license decisions. Not a lot of new stuff, that's interesting for landscape and travel photography.

DXO lacks in auto masking and AI compared to Adobe. But DXO has the best lens profiles and like C1 squeezes the most detail out of raw files.

But LR/PS is close and brings a steady stream of innovations.

I use C1 and dxo PL6 and decided to buy Adobe PS/LR one year for 88 Euros at Amazon. Adobes auto masking and AI features are amazing.

The price point is very competitive. Something C1 and DXO seem to miss.

Let's see how these raw editors develop in the next month and years.
I find C1's AI masking and latest UI changes to be very good. I think DXO need to become competitive in AI masking with V8.

Ian
 
C1 decided to focus it's development on people, wedding event studio, photography in addition to it's restrictive perpetual license decisions. Not a lot of new stuff, that's interesting for landscape and travel photography.

DXO lacks in auto masking and AI compared to Adobe. But DXO has the best lens profiles and like C1 squeezes the most detail out of raw files.

But LR/PS is close and brings a steady stream of innovations.

I use C1 and dxo PL6 and decided to buy Adobe PS/LR one year for 88 Euros at Amazon. Adobes auto masking and AI features are amazing.

The price point is very competitive. Something C1 and DXO seem to miss.

Let's see how these raw editors develop in the next month and years.
I find C1's AI masking and latest UI changes to be very good. I think DXO need to become competitive in AI masking with V8.

Ian
C1's auto masking is a kind of elegant by simply adding with a +. But the big drawback for me is the lack of AI copying these masks. I usually mask the sky. But as soon as the landscape is offset, C1 fails to copy the mask to the right place.

LR's AI OTOH recognizes the change in motiv and adapts the mask automatically.

A real time safer.

I use the original free Nik version from Google, works fine with LR.
 
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I have NIK 4 and the upgrade price I see after I log in is $159, same as new. I was planning to get ver. 6 but I figured ver. 7 might be out soon and I was worried they would charge an additional upgrade fee. I guess I should have upgraded then and been happy with 6. I only wanted to upgrade for HDR efex.
 
I have NIK 4 and the upgrade price I see after I log in is $159, same as new. I was planning to get ver. 6 but I figured ver. 7 might be out soon and I was worried they would charge an additional upgrade fee. I guess I should have upgraded then and been happy with 6. I only wanted to upgrade for HDR efex.
DxO now only offers the lower upgrade price if you skip not more than one release. So you get it from v4 to v6, but not from v4 to v7.
 
Really disappointing. I own version 6. Perspective is my most used tool. 89,- for removing it and pushing me into buying viewpoint??? At least they should have replaced Perspective with Viewpoint.
 
Really disappointing. I own version 6. Perspective is my most used tool. 89,- for removing it and pushing me into buying viewpoint???
Does NIK still include a free copy of PhotoLab Essentials with NIK?
At least they should have replaced Perspective with Viewpoint.
Isn't Perspective just a relabelled ViewPoint anyway?
 
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I don't know how they've managed to ramp up their system requirements so much across their product line. Nik is a relatively simple product, it should not require macOS 13 or four cores as minimum.

It also seems weird in the rear view mirror that you need PL6 for it to be compatible as a plug-in. They've had Nik in their quiver since way before PL6.

I've also found their bundle policy to not be particularly enticing, so I've bought fewer products from them than I might've.
 
It also seems weird in the rear view mirror that you need PL6 for it to be compatible as a plug-in. They've had Nik in their quiver since way before PL6.
There's no real integration between NIK and PhotoLab anyway, so surely any version of PhotoLab can export to any version of NIK? NIK doesn't function as a PL plug-in, and nor does anything else, as PhotoLab doesn't have a plug-in architecture.

FilmPack and ViewPoint aren't plug-ins — they're already built into every copy of PhotoLab, and are simply turned on if you have the stand-alone versions installed.
 
Really disappointing. I own version 6. Perspective is my most used tool. 89,- for removing it and pushing me into buying viewpoint???
Does NIK still include a free copy of PhotoLab Essentials with NIK?
Don't know, I have the full version of PL.
At least they should have replaced Perspective with Viewpoint.
Isn't Perspective just a relabelled ViewPoint anyway?
They claim it would offer more.
 
It also seems weird in the rear view mirror that you need PL6 for it to be compatible as a plug-in. They've had Nik in their quiver since way before PL6.
There's no real integration between NIK and PhotoLab anyway, so surely any version of PhotoLab can export to any version of NIK? NIK doesn't function as a PL plug-in, and nor does anything else, as PhotoLab doesn't have a plug-in architecture.
This is what I mean - it's part of what's displayed when you go to "system requirements":

ea43dab282644e2d846e127b42fd8f48.jpg.png
FilmPack and ViewPoint aren't plug-ins — they're already built into every copy of PhotoLab, and are simply turned on if you have the stand-alone versions installed.
My "it" was referring to Nik.

--
39 raw converters tested:
 

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