R50 Review: Small and capable, but with limitations

Ali

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I have a Canon R5. However, for most of my on-the-go usage, I have a Canon M6II, which is a compact and very capable camera.

Since Canon isn't releasing any new M cameras, I have been eyeing APS-C options on the market. While Sony and Fuji have some tempting options, I was waiting for Canon. R50 is the first Canon R APS-C body that came close to being compact enough to replace the M6II, so I decided to get one.

I did sweat over the decision for a while, since Canon’s primary market for this camera does not seem to include someone like me: A “prosumer,” a non-professional who uses higher-end cameras and has some sophisticated expectations. So I decided to keep an open mind to see if this camera satisfied enough of my needs, and whether the design choices Canon made got in my way. Please do keep in mind that this review is not targeting the primary market Canon seems to have in mind for the R50.

Canon markets the R50 as an entry level camera: “A great camera for those who are looking to lean into interchangeable lenses.” This comes across in the low price, and in many of the hardware specs:
  • small battery
  • small viewfinder
  • small buffer
  • no mechanical shutter
  • no sensor cleaning
  • no in-body image stabilization
  • few physical buttons
  • 24 MP sensor
It also comes thru in some artificial software limitations, such as:
  • You cannot change the ISO increment value, it's fixed at ⅓ stop. So it takes three clicks to go from 100 to 200 ISO. I prefer 1 stop increments. (And frankly I am surprised in absence of a control for this, Canon set the value to ⅓ rather than a more user-friendly 1.)
  • Another setting you can’t change is what the magnify button does when viewing an image; I usually change that to zoom to 100% directly so I can check focus. On the R50 the magnify button just incrementally zooms in. I'm not sure how many clicks it takes to get to actual pixels.
  • When taking 3-shot HDR photos, R50 does not save the individual RAW images. While a beginner user would be content with the single combined JPEG, a more advanced user who has gone out of their way to set their default format to RAW would probably enjoy and expect the RAWs in addition to the JPEG.
The above three are small things that I have enjoyed in my recent Canon cameras, and are things I assumed would be there on the R50 as well. It’s a bit disappointing that Canon decided these features (and likely some other things that I haven’t yet noticed) were not appropriate for the R50. While not including some features does simplify the user interface some, it’s not like these make a big difference - the R50’s menus and settings are not appreciably simpler than the R5, and neither is the user manual. Canon could have easily put settings for these in the advanced “Custom Functions” menu, which the R50 has.

Lack of sensor cleaning is a longer term concern. I do not know whether dirt on the sensor will be a problem over time. I used early DSLRs for many years without any sort of sensor cleaning, and no perceived problems, but R50 has smaller pixels.

These limitations aside, I find the R50 to be a capable enough camera:
  • Auto focus feels as solid as that on the R5, and better than the M6II.
  • Photos look fantastic. Although I was concerned about going from M6II’s 32MP down to 24MP, in practice I haven’t seen this to be an issue. I think only cases requiring heavy cropping will suffer from this deficiency.
  • Camera is very responsive.
  • Burst shot capabilities - fast but limited to a relatively small buffer - are more than good enough for my casual use cases, and I imagine many others.
  • Fully articulating rear touch screen works well.
  • Video specs are very good, and the few videos I shot look great. However, I am not a video person.
  • Creative assist and Advanced A+ modes look interesting, but also not features I reach for since I usually just shoot RAW.
I was concerned about having fewer physical controls on the R50 compared to the M6II. While I am very much a direct control person, I am finding this to be not as serious of an issue as I feared - the things I most frequently change are straightforward enough: Turn a dial for aperture value; click a button then turn the same dial for exposure; same with ISO. You can configure the customizable control ring on RF lenses for immediate control of most settings. The “Q” menu and most controls are also customizable.

The R50 is a small and light camera. It fits well in my hand and I find it comfortable to use. It is and feels lighter than the M6II. Even though it is slightly bulkier, I was happy to find that when equipped with a lens it fits well into the same camera bags my M6II fit into with a similar lens.

For me one use case where the M6II shines is events where “pro cameras” are not allowed. I usually have no problems bringing the M6II + 55-200mm into rock concerts. (Except for one ZZTop concert where a sharp-eyed security guard identified it as an ILC rather than just a point and shoot.) The R50, with its “classic DSLR” styling, is less likely to get past security in such cases. I haven’t had the chance to test this use case yet.

One thing I really enjoy about the R50 that I couldn’t do with the M6II is the ability to use my RF lenses - the 800mm f/11 for instance. The 28-70mm f/2 also works on the R50, but given its size and weight, is a rather awkward experience.

It was also a joy to find that my old EF lenses, including a pretty old Sigma EF-S 18-125mm lens, just work. I was delighted that even with this lens the R50 is able to show the focal length live in the viewfinder - which, by the way, is a feature I do not have on the R5 or M6II.

One downside with lenses for the R50 is the serious gaps in the RF-S lens range. At this point there are no direct equivalents of the EF-M 32mm, 22mm, or 11-22mm. You can approximate them with RF or EF lenses, or third party manual focus RF-S lenses, but you can’t for instance recreate the magic of M6II + EF-M 32mm f/1.4 just yet. I hope it’s just a matter of time.

Do I recommend the R50?
  • It’s the obvious option for anyone looking for the cheapest possible, or the smallest/lightest R camera.
  • It’s a great choice for anyone looking for an capable but inexpensive ILC, and doesn’t require a full line-up of small lenses yet.
  • It’s a good replacement for the M50II, and a good (but slightly less so) one for the M6II. However the question here is more complicated because changing from the M to the R system means you give up the existing lenses, and need to evaluate whether the RF or RF-S lenses can satisfy your needs. And additionally, if size is your most important consideration, the M series cameras have an advantage.
  • Lack of some advanced features - things like the small burst buffer or the 24MP sensor - may be showstoppers for some use cases. They are not for me.
For the time being I personally am keeping both the R50 and the M6II, since I have use cases for both cameras and there are things each can do the other one can’t.

I wish that as Canon introduces more APS-C R cameras, they disassociate “compact” and “beginner / low-priced.” They should look to produce an R camera that is small as possible while not sacrificing advanced features. Small doesn’t need to mean inexpensive or "entry level."

A related wish of course is for capable RF-S lenses.

Some Sample Shots

I haven’t taken as many shots with the R50 as I would have liked to before posting a review, but with DPReview’s upcoming closure I decided to go ahead and post this. First some random shots with a variety of lenses:

Among my first shots, taken with the RF 24-240mm
Among my first shots, taken with the RF 24-240mm

With the Canon EF-S 10-22mm
With the Canon EF-S 10-22mm

With the RF-S 55-210mm, which, while not a bright lens, can still provide nice bokeh
With the RF-S 55-210mm, which, while not a bright lens, can still provide nice bokeh

RF-S 18-45, at f/22 and 1/3 second exposure, handheld
RF-S 18-45, at f/22 and 1/3 second exposure, handheld

RF-S 55-210mm at 201mm, f7.1
RF-S 55-210mm at 201mm, f7.1

Same scene with the RF 24-240 at 240mm, f/6.3
Same scene with the RF 24-240 at 240mm, f/6.3

RF-S 18-150mm, which I am finding to be a versatile choice for the R50
RF-S 18-150mm, which I am finding to be a versatile choice for the R50

This wide angle shot with the RF-S 18-150mm would have been a good one to shoot with the Advanced A+ mode, to see if it did a better job with the sky
This wide angle shot with the RF-S 18-150mm would have been a good one to shoot with the Advanced A+ mode, to see if it did a better job with the sky

Also RF-S 18-150mm
Also RF-S 18-150mm

Cat who pushes the dynamic range capabilities
Cat who pushes the dynamic range capabilities

And Some "Studio" Shots :-)

I was also going to take a bunch of comparison shots of a fixed scene, but then my cat got curious. So I ended taking a few of the cat. You can’t compare the results directly, but I hope they’re useful anyway. The black fur adds to the challenge. The shots are at 35mm, except for the two M6II shots at 32mm; they are also all 1600 ISO except for the one with RF-S 18-45mm.

Included among these are shots with the TTArtisan RF-S 35mm f/1.4, an inexpensive manual focus lens. Sadly the nifty "focus guide" feature does not work with this lens, but focus peaking does. I used magnified view, which proved a challenge with a moving target.

The following shots are as-is, from Lightroom's default RAW conversion. No other processing, so you can evaluate the results for yourself.

TTArtisan 35mm f/1.4 at f/2.8, manual focus (the EXIF data will be lacking)
TTArtisan 35mm f/1.4 at f/2.8, manual focus (the EXIF data will be lacking)

TTArtisan 35mm at f/2, manual focus
TTArtisan 35mm at f/2, manual focus

This one is with the RF 28-70mm f/2, thankfully with auto-focus!
This one is with the RF 28-70mm f/2, thankfully with auto-focus!

The far less capable but much smaller RF-S 18-45 at 35mm. I bumped the ISO up to 6400 for this shot.
The far less capable but much smaller RF-S 18-45 at 35mm. I bumped the ISO up to 6400 for this shot.

For comparison purposes, I also included two with the M6II + EF-M 32mm, this one at f/2
For comparison purposes, I also included two with the M6II + EF-M 32mm, this one at f/2

And this one with M6II + EF-M 32mm at f/1.4. Note that f/1.4 isn't a great choice for cat photos since eyes in focus normally means much of the rest of the face isn't.
And this one with M6II + EF-M 32mm at f/1.4. Note that f/1.4 isn't a great choice for cat photos since eyes in focus normally means much of the rest of the face isn't.

And finally back to the TTArtisan at f/1.4 to compare with the EF-M 32mm. While manual focus makes this lens harder to use, even with good focus image quality from this lens at f/1.4 is nowhere near what you get with the EF-M 32mm at f/1.4.
And finally back to the TTArtisan at f/1.4 to compare with the EF-M 32mm. While manual focus makes this lens harder to use, even with good focus image quality from this lens at f/1.4 is nowhere near what you get with the EF-M 32mm at f/1.4.

At this point the cat got bored and left, so the session was over.
 
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I want to downgrade from FF to something with 10 bit video for not a lot of money. R50 ticks so many boxes, but the abysmal lens selection is a total deal breaker. No, I'm not going to pay $500 for a FF 24 1.8 when there are APS-C optimized primes on other systems for less money.
 
I want to downgrade from FF to something with 10 bit video for not a lot of money. R50 ticks so many boxes, but the abysmal lens selection is a total deal breaker. No, I'm not going to pay $500 for a FF 24 1.8 when there are APS-C optimized primes on other systems for less money.
I got mine at the end of Nov at the Canon refurbished store for much less.

The RF 24mm STM is sharp wide open, has very good IS and makes great sunstars. :)
 
I want to downgrade from FF to something with 10 bit video for not a lot of money. R50 ticks so many boxes, but the abysmal lens selection is a total deal breaker. No, I'm not going to pay $500 for a FF 24 1.8 when there are APS-C optimized primes on other systems for less money.
 
I want to downgrade from FF to something with 10 bit video for not a lot of money. R50 ticks so many boxes, but the abysmal lens selection is a total deal breaker. No, I'm not going to pay $500 for a FF 24 1.8 when there are APS-C optimized primes on other systems for less money.
The RF 28mm/2.8 is excellent, classic standard focal length for Canon APS-C and not expensive (though not as cheap as the Z mount version). Canon's MTF plot for the RF 16mm/2.8 makes it look as if it's optimised for APS-C, though it's 1½× the size and price of the E mount version. There again, I'm not going to pay £400 for any APS-C lens.
F/2.8 is too slow for a prime IMO, especially APS-C. And there are 1.4 APS-C primes for less money! Canon needs to open up RF or start filling in the gaps. This is worse than EF-S
 
I want to downgrade from FF to something with 10 bit video for not a lot of money. R50 ticks so many boxes, but the abysmal lens selection is a total deal breaker. No, I'm not going to pay $500 for a FF 24 1.8 when there are APS-C optimized primes on other systems for less money.
The RF 28mm/2.8 is excellent, classic standard focal length for Canon APS-C and not expensive (though not as cheap as the Z mount version). Canon's MTF plot for the RF 16mm/2.8 makes it look as if it's optimised for APS-C, though it's 1½× the size and price of the E mount version. There again, I'm not going to pay £400 for any APS-C lens.
F/2.8 is too slow for a prime IMO, especially APS-C. And there are 1.4 APS-C primes for less money! Canon needs to open up RF or start filling in the gaps. This is worse than EF-S
 
Ignoring all the comments about lenses and apertures, the R50 simply has too many limitations to accept for the saving of just 50g in weight (375g with card & battery) compared to an R10 (429g with card & battery). For a minimal increase in weight and size, the R10 is a far better package. The lack of sensor cleaning on the R50 is mystifying.
 
Tough to justify the R10 over something like the A6600/X-S20 unless you are completely locked into Canon w/no escape.
 
Not tough at all, Fuji has inferior AF for the likes of BIF and Sony has inferior ergonomics.

Horses for courses, on a budged for i.e. BIF, R10 with RF 100-400 is superior to anything Fuji or Sony has in APS-C.
 
Tough to justify the R10 over something like the A6600/X-S20 unless you are completely locked into Canon w/no escape.
Viltrox f/1.2 lenses, Sigma f/1.4 trio, f/2.8 standard zooms..... All very nice stuff.
 
Ignoring all the comments about lenses and apertures, the R50 simply has too many limitations to accept for the saving of just 50g in weight (375g with card & battery) compared to an R10 (429g with card & battery). For a minimal increase in weight and size, the R10 is a far better package. The lack of sensor cleaning on the R50 is mystifying.
But then if size and weight are among the most important factors, or perhaps the price ($679 vs $979), then the R50 could be the right choice for someone over the R10.

Or to someone who wants to shave another $200 the R100 may be the better choice, despite its further shortcomings.
 
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Not tough at all, Fuji has inferior AF for the likes of BIF and Sony has inferior ergonomics.

Horses for courses, on a budged for i.e. BIF, R10 with RF 100-400 is superior to anything Fuji or Sony has in APS-C.
The lens you're mentioning isn't an aps-c lens. The body is aps-c.

The A6700 has a front dial, the main thing the A6600 is lacking. Personally I would definitely pick the brick with buttons AND a front dial over the R10. For a crop sensor and situations needing short shutter speeds I would also pick a lens with a max aperture of f/5.6 or f/6.3 on the long end, not f/8.0.

RF 100-400mm, RF 200-800mm, RF 600&800mm f/11 primes, are all a better fit for the R8. That body can handle high ISO noise levels the slow apertures will cause. That body can handle the less than stellar sharpness levels of those lenses with the bigger pixels of it's full frame sensor.

Crop "reach" from slow budget lenses might seem to have some superiority in terms of value for money, however, it's never a free lunch.

Imo Canon is more competitive comparing R8+200-800mm vs A6700 + 200-600mm.
 
Ignoring all the comments about lenses and apertures, the R50 simply has too many limitations to accept for the saving of just 50g in weight (375g with card & battery) compared to an R10 (429g with card & battery). For a minimal increase in weight and size, the R10 is a far better package. The lack of sensor cleaning on the R50 is mystifying.
But then if size and weight are among the most important factors, or perhaps the price ($679 vs $979), then the R50 could be the right choice for someone over the R10.

Or to someone who wants to shave another $200 the R100 may be the better choice, despite its further shortcomings.
Totally agree, cameras have different prices for a reason, and there is a market for each one of them. Not everyone needs the fastest AF that tracks eyes of birds, the brightest prime lens or the highest possible noise and DR performance. For instance, I follow a landscape photographer in YT who gave up his Nikon ff kit, due to back problems, and now only uses a M50 with the 11-22 and 55-200, with no complaints at all (for what he does).
 
Not tough at all, Fuji has inferior AF for the likes of BIF and Sony has inferior ergonomics.

Horses for courses, on a budged for i.e. BIF, R10 with RF 100-400 is superior to anything Fuji or Sony has in APS-C.
The lens you're mentioning isn't an aps-c lens. The body is aps-c.

The A6700 has a front dial, the main thing the A6600 is lacking. Personally I would definitely pick the brick with buttons AND a front dial over the R10. For a crop sensor and situations needing short shutter speeds I would also pick a lens with a max aperture of f/5.6 or f/6.3 on the long end, not f/8.0.

RF 100-400mm, RF 200-800mm, RF 600&800mm f/11 primes, are all a better fit for the R8. That body can handle high ISO noise levels the slow apertures will cause. That body can handle the less than stellar sharpness levels of those lenses with the bigger pixels of it's full frame sensor.

Crop "reach" from slow budget lenses might seem to have some superiority in terms of value for money, however, it's never a free lunch.

Imo Canon is more competitive comparing R8+200-800mm vs A6700 + 200-600mm.
You're basically saying to somebody who wants to buy the photographic equivalent of a Toyota Aygo that they'd be better off with the photographic equivalent of a Range Rover. Fuji do have an APS-C 100-400mm that's also f/5.6 at the long end. But it's also twice the weight and twice the price of the RF 100-400mm so it's not aimed at the people who would buy an R50. After all, an R50 plus the RF 100-400mm lens would be cheaper than either the Fuji lens without a camera body or the a6700 body without a lens.
 
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Ignoring all the comments about lenses and apertures, the R50 simply has too many limitations to accept for the saving of just 50g in weight (375g with card & battery) compared to an R10 (429g with card & battery). For a minimal increase in weight and size, the R10 is a far better package. The lack of sensor cleaning on the R50 is mystifying.
+1 The R10 really is a little gem. I have a co-worker who has one (so have been able to shoot with it) and thanks to DIGIC X it's an extremely capable little body. She has the 18-150 kit lens, but uses FF lenses for events and portraiture.

R2
 
Ignoring all the comments about lenses and apertures, the R50 simply has too many limitations to accept for the saving of just 50g in weight (375g with card & battery) compared to an R10 (429g with card & battery). For a minimal increase in weight and size, the R10 is a far better package. The lack of sensor cleaning on the R50 is mystifying.
But then if size and weight are among the most important factors, or perhaps the price ($679 vs $979), then the R50 could be the right choice for someone over the R10.

Or to someone who wants to shave another $200 the R100 may be the better choice, despite its further shortcomings.
Totally agree, cameras have different prices for a reason, and there is a market for each one of them. Not everyone needs the fastest AF that tracks eyes of birds, the brightest prime lens or the highest possible noise and DR performance.
For that same reason most customers don't need a camera next to a phone at all, as an M100 + dark kitlens simply doesn't add much to a phone.
For instance, I follow a landscape photographer in YT who gave up his Nikon ff kit, due to back problems, and now only uses a M50 with the 11-22 and 55-200, with no complaints at all (for what he does).
If you need a bit telephoto even the cheap camera is justified over a phone. Going telephoto and wide angle zoom alone is less attractive in the RF system. For the R100 or R50 there would be a bigger gap between 10-18mm and the telephoto lens, as the rf-s wide angle zoom doesn't give you the closer to normal 35mm equivalent perspective. Therefor, for some customers, an extra lens would be required in the RF system.

The lenses I would use with an R50 or R10 are already in my collection: 18-35mm f/1.8 Art and 50mm f/1.4 Art. The problem: There's no RF-s 32mm f/1.4. The RF 35mm f/1.8 IS stm isn't as good and as bright. The 28mm pancake is 2 (TWO) stops slower. The RF 24mm f/1.8 IS stm is freaking expensive, not any brighter than my crop zoom, and I bet the Sigma 18-35mm f/1.8 on crop beats it for IQ anyway.

Something like the Viltrox f/1.2 options could get me over to a crop RF camera. 27mm f/1.2, that's what you need to get compact telephoto reach AND true low light performance with just one camera.

It's like Canon is just begging potential customers to get disappointed in shooting with dedicated cameras and stick with their phones. Sad.
 
Ignoring all the comments about lenses and apertures, the R50 simply has too many limitations to accept for the saving of just 50g in weight (375g with card & battery) compared to an R10 (429g with card & battery). For a minimal increase in weight and size, the R10 is a far better package. The lack of sensor cleaning on the R50 is mystifying.
But then if size and weight are among the most important factors, or perhaps the price ($679 vs $979), then the R50 could be the right choice for someone over the R10.

Or to someone who wants to shave another $200 the R100 may be the better choice, despite its further shortcomings.
Totally agree, cameras have different prices for a reason, and there is a market for each one of them. Not everyone needs the fastest AF that tracks eyes of birds, the brightest prime lens or the highest possible noise and DR performance. For instance, I follow a landscape photographer in YT who gave up his Nikon ff kit, due to back problems, and now only uses a M50 with the 11-22 and 55-200, with no complaints at all (for what he does).
Ralph Goldsmith?
 
I would be quite happy with R50 and RF 100-400mm for wildlife, sports and similarly, i.e. air show. R50 has better AF than R10 or R7, but I would be quite happy with R10 too.

I think R50 is brilliant body for its size and weight.
 
R50 has better AF than R10 or R7, but I would be quite happy with R10 too.
Funny it has better AF than the R7. I remember the M50 having better AF than the M5.
 
Not tough at all, Fuji has inferior AF for the likes of BIF and Sony has inferior ergonomics.

Horses for courses, on a budged for i.e. BIF, R10 with RF 100-400 is superior to anything Fuji or Sony has in APS-C.
The lens you're mentioning isn't an aps-c lens. The body is aps-c.

The A6700 has a front dial, the main thing the A6600 is lacking. Personally I would definitely pick the brick with buttons AND a front dial over the R10. For a crop sensor and situations needing short shutter speeds I would also pick a lens with a max aperture of f/5.6 or f/6.3 on the long end, not f/8.0.

RF 100-400mm, RF 200-800mm, RF 600&800mm f/11 primes, are all a better fit for the R8. That body can handle high ISO noise levels the slow apertures will cause. That body can handle the less than stellar sharpness levels of those lenses with the bigger pixels of it's full frame sensor.

Crop "reach" from slow budget lenses might seem to have some superiority in terms of value for money, however, it's never a free lunch.

Imo Canon is more competitive comparing R8+200-800mm vs A6700 + 200-600mm.
You're basically saying to somebody who wants to buy the photographic equivalent of a Toyota Aygo that they'd be better off with the photographic equivalent of a Range Rover. Fuji do have an APS-C 100-400mm that's also f/5.6 at the long end. But it's also twice the weight and twice the price of the RF 100-400mm so it's not aimed at the people who would buy an R50. After all, an R50 plus the RF 100-400mm lens would be cheaper than either the Fuji lens without a camera body or the a6700 body without a lens.
What I'm saying is: When buying a dark full frame budget lens you will get better value for money getting a 1400 euro R8 to run it in stead of a 1000 euro R10. Crop cameras for reach at fast shutter speeds can be value for money, however, too slow glass (f/8) is the fly in the ointment here.

Just don't get a Toyota Aygo to pull the caravan through the mountains (we where talking BIF you know...). It's affordable, but it doesn't work so well, which makes it bad value for money.

If you don't need fast shutter speeds and all you need is reach the situation changes. In that case Canons slow budget reach lenses are a good combination with a crop camera. No mountains, no caravan, get the Aygo. But when talking BIF you can't just get your extra reach on a budget by going f/8.0 on crop cameras without IQ taking a huge hit. You will get pictures, just like the Aygo can pull that caravan through those mountains using the first gear only and some breaks for cooling down, but it's simply not a satisfying solution.
 
One of the most popular BIF pros disagrees with you.


I would not hesitate to use RF 100-400 on crop body. I used to use Bigma 50-500 on 7D mk II at F8 & F11 to optimise sharpness.
 

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