XF18-55mmF2.8-4 thoughts (Fuji zoom musings)

I have an excellent copy of the 18-55 and a very good copy of the 16-80. I can’t see myself parting with either.

Today I went out with the 16-80, and was reminded how I appreciate the marked aperture ring.

But it’s great to have choices. No real complaints.

--
Randy
 
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I've had multiple copies of the 18-55mm and the 16-80mm, and I also have the 16-55mm. In my experience, the 16-80mm is sharper than the 18-55mm at all focal lengths they share, although sharpness tends to fall off slightly towards 80mm. In my estimation, the 16-80mm is the better lens, but the 18-55mm is great, especially if you're looking for a small package. Size-wise, 18-55mm makes sense when paired with the X-T30 or equivalent, and the 16-80mm makes more sense paired with an X-T3, T4, T5 model.
 
Given that Fuji has been updating the original primes (18, 23, 56) and adding the 33 and 50 I think it is about time to refresh either the 18-55 or 16-55.
Sorry, but I see no reason whatsoever to refresh the 16-55 at this point in time. It’s a superb lens and I’m not sure what you might expect in the way of improvement in a replacement. I’d much rather than Fujifilm continue to fill holes in their roadmap and refresh lenses that really need or deserve a redo. JMHO.
For the heft of the 16-55 I personally would have kept it if it was wider so I could leave the 10-24 at home and eliminate lens changes and the need for a bag while on a day trip.

Perhaps I should have stated “adding a widER to short tele option and refreshing the 18-55 with WR”

A wider than 16 zoom would give you the option for a nice light travel kit.

Wider zoom short tele, 35 1.4 for night/low light and 70-300 for tele. :)
I'm far from an expert on lens design, so please take this with a grain of salt... but I suspect that broadening the FL range (i.e. say a 12-55-ish lens) would almost certainly come at the expense of IQ and might not yield the sort of quality that would be expected or needed. I'd be interested to see any examples of lenses in that approximate FL range that can come close to matching the IQ of the 16-55... regardless of brand.
Don't take my word for it - how about Chris Niccolls ? :)

https://www.dpreview.com/videos/0341598683/dpreview-tv-sony-20-70mm-f4-g-review

I'm not really a chart guy but if you like that sort of thing Lenstip shows the 20-70 out resolving the 16-55.

b80fb756cf2e477f97f460d1f4e114e3.jpg

https://www.lenstip.com/643.4-Lens_review-Sony_FE_20-70_mm_f_4_G_Image_resolution.html

If you like videos - Christopher Frost does it pretty well:


Ironically as the hardware gets better the software seems to be improving even faster so just getting the shot these days is the thing. If I can have a lens that requires one less lens to carry around / change it is adding value to my kit.

This is a rather unique range and I'd love to see it in Fuji-land.

I see your point - compromises are inevitable when it comes to an extended range. Apparently the FE 20-70 has an insane amount of distortion at the wide end uncorrected. I don't care about that because I never use the uncorrected images. :)

Same is true for the Q2 but that hasn't hurt its popularity one bit.

The Q3 with the same lens as the Q and Q2 just launched and if you didn't get your preorder in early you'll have to wait until December in spite of the uncorrected RAWs being heavily distorted.
I think your point referred to a wider than 16mm starting point for the zoom. Your example has a greater FL range, but actually starts at a longer FL. So, how feasible a 12-55mm f/2.8 vs. a 16-70mm f/2.8 lens (as a couple of made up examples) might be -- with each offering similar IQ to the 16-55 -- still strikes me as a bit of a stretch. But, as I said earlier, I'm no expert on lens design either and happy to be proven wrong, if that's the case.

--
Jerry-Astro
Fuji Forum co-Mod
 
Given that Fuji has been updating the original primes (18, 23, 56) and adding the 33 and 50 I think it is about time to refresh either the 18-55 or 16-55.
Sorry, but I see no reason whatsoever to refresh the 16-55 at this point in time. It’s a superb lens and I’m not sure what you might expect in the way of improvement in a replacement. I’d much rather than Fujifilm continue to fill holes in their roadmap and refresh lenses that really need or deserve a redo. JMHO.
For the heft of the 16-55 I personally would have kept it if it was wider so I could leave the 10-24 at home and eliminate lens changes and the need for a bag while on a day trip.

Perhaps I should have stated “adding a widER to short tele option and refreshing the 18-55 with WR”

A wider than 16 zoom would give you the option for a nice light travel kit.

Wider zoom short tele, 35 1.4 for night/low light and 70-300 for tele. :)
I'm far from an expert on lens design, so please take this with a grain of salt... but I suspect that broadening the FL range (i.e. say a 12-55-ish lens) would almost certainly come at the expense of IQ and might not yield the sort of quality that would be expected or needed. I'd be interested to see any examples of lenses in that approximate FL range that can come close to matching the IQ of the 16-55... regardless of brand.
Don't take my word for it - how about Chris Niccolls ? :)

https://www.dpreview.com/videos/0341598683/dpreview-tv-sony-20-70mm-f4-g-review

I'm not really a chart guy but if you like that sort of thing Lenstip shows the 20-70 out resolving the 16-55.

b80fb756cf2e477f97f460d1f4e114e3.jpg

https://www.lenstip.com/643.4-Lens_review-Sony_FE_20-70_mm_f_4_G_Image_resolution.html

If you like videos - Christopher Frost does it pretty well:


Ironically as the hardware gets better the software seems to be improving even faster so just getting the shot these days is the thing. If I can have a lens that requires one less lens to carry around / change it is adding value to my kit.

This is a rather unique range and I'd love to see it in Fuji-land.

I see your point - compromises are inevitable when it comes to an extended range. Apparently the FE 20-70 has an insane amount of distortion at the wide end uncorrected. I don't care about that because I never use the uncorrected images. :)

Same is true for the Q2 but that hasn't hurt its popularity one bit.

The Q3 with the same lens as the Q and Q2 just launched and if you didn't get your preorder in early you'll have to wait until December in spite of the uncorrected RAWs being heavily distorted.
I think your point referred to a wider than 16mm starting point for the zoom. Your example has a greater FL range, but actually starts at a longer FL. So, how feasible a 12-55mm f/2.8 vs. a 16-70mm f/2.8 lens (as a couple of made up examples) might be -- with each offering similar IQ to the 16-55 -- still strikes me as a bit of a stretch. But, as I said earlier, I'm no expert on lens design either and happy to be proven wrong, if that's the case.


Lol... stop moving the goalposts on me. :)

What my wish would be is an XF zoom that gives me the equivalent range of the FF Sony 20-70.

That would mean the Fuji would have to be roughly a 12-13mm lens at the wide end.

Lens design has got to have improved over the last 8 or so years since the 16-55 was launched. I'm not saying it's not an excellent lens. It earned the "bag of primes" nickname for a reason.

I'm just hoping for a really wide to short tele Fuji lens. You questioned the IQ of the Sony - it's pretty darned good according to the charts and my own experience but has the extended wide end to boot.

To your point - that kind of lens is a hole in every manufacturers lineup aside from Sony.

A Fuji alternative would be an instant preorder for me.
 
Lol... stop moving the goalposts on me. :)

What my wish would be is an XF zoom that gives me the equivalent range of the FF Sony 20-70.

That would mean the Fuji would have to be roughly a 12-13mm lens at the wide end.

Lens design has got to have improved over the last 8 or so years since the 16-55 was launched. I'm not saying it's not an excellent lens. It earned the "bag of primes" nickname for a reason.

I'm just hoping for a really wide to short tele Fuji lens. You questioned the IQ of the Sony - it's pretty darned good according to the charts and my own experience but has the extended wide end to boot.

To your point - that kind of lens is a hole in every manufacturers lineup aside from Sony.

A Fuji alternative would be an instant preorder for me.
Well, it never hurts to wish. I just wouldn't hold my breath for it. :-)
 
Given that Fuji has been updating the original primes (18, 23, 56) and adding the 33 and 50 I think it is about time to refresh either the 18-55 or 16-55.
Sorry, but I see no reason whatsoever to refresh the 16-55 at this point in time. It’s a superb lens and I’m not sure what you might expect in the way of improvement in a replacement. I’d much rather than Fujifilm continue to fill holes in their roadmap and refresh lenses that really need or deserve a redo. JMHO.
While I agree with you that the 16-55 isn't DYING to be refreshed, I would greatly appreciate one that maintains the excellent build quality and image quality at less weight and size.

Some numbers here, most of the full frame 24-70 f/2.8 lenses come in around 700-900g. The m43 12-35 f/2.8 lenses come in around 300-400g. I would normally expect an APS-C lens to come in around the geometric mean of those two ranges, so something like 450-600g. The 16-55 is **655g**, well outside of that range.

If you want to look at lenses with equivalent DOF, you can compare the 16-55 to the RF 24-105 f/4 @ 700g (barely heavier, w/ longer reach), the Z 24-70 f/4 @ 500g, or the Sony 20-70 f/4 @ 488g (lighter AND wider!)

The reason why I shoot APS-C is because I believe I can get excellent image quality in a lighter package. But the 16-55 doesn't really lean into that advantage currently. And before anyone calls me a naysayer, it is still my **FAVORITE** travel lens on my Fuji setup, just because of the stellar image quality and versatility. I couldn't imagine going on any big vacation without that lens. My neck would just appreciate 150-200g being taken off the neckstrap :-D
 
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Lol... stop moving the goalposts on me. :)

What my wish would be is an XF zoom that gives me the equivalent range of the FF Sony 20-70.

That would mean the Fuji would have to be roughly a 12-13mm lens at the wide end.

Lens design has got to have improved over the last 8 or so years since the 16-55 was launched. I'm not saying it's not an excellent lens. It earned the "bag of primes" nickname for a reason.

I'm just hoping for a really wide to short tele Fuji lens. You questioned the IQ of the Sony - it's pretty darned good according to the charts and my own experience but has the extended wide end to boot.

To your point - that kind of lens is a hole in every manufacturers lineup aside from Sony.

A Fuji alternative would be an instant preorder for me.
Well, it never hurts to wish. I just wouldn't hold my breath for it. :-)

--
Jerry-Astro
Fuji Forum co-Mod
A boy can dream… :)

I wouldn’t have strayed from Fuji but the lack of better tele options and af/tracking opened the door to Sony
 
Given that Fuji has been updating the original primes (18, 23, 56) and adding the 33 and 50 I think it is about time to refresh either the 18-55 or 16-55.
Sorry, but I see no reason whatsoever to refresh the 16-55 at this point in time. It’s a superb lens and I’m not sure what you might expect in the way of improvement in a replacement. I’d much rather than Fujifilm continue to fill holes in their roadmap and refresh lenses that really need or deserve a redo. JMHO.
While I agree with you that the 16-55 isn't DYING to be refreshed, I would greatly appreciate one that maintains the excellent build quality and image quality at less weight and size.

Some numbers here, most of the full frame 24-70 f/2.8 lenses come in around 700-900g. The m43 12-35 f/2.8 lenses come in around 300-400g. I would normally expect an APS-C lens to come in around the geometric mean of those two ranges, so something like 450-600g. The 16-55 is **655g**, well outside of that range.

If you want to look at lenses with equivalent DOF, you can compare the 16-55 to the RF 24-105 f/4 @ 700g (barely heavier, w/ longer reach), the Z 24-70 f/4 @ 500g, or the Sony 20-70 f/4 @ 488g (lighter AND wider!)

The reason why I shoot APS-C is because I believe I can get excellent image quality in a lighter package. But the 16-55 doesn't really lean into that advantage currently. And before anyone calls me a naysayer, it is still my **FAVORITE** travel lens on my Fuji setup, just because of the stellar image quality and versatility. I couldn't imagine going on any big vacation without that lens. My neck would just appreciate 150-200g being taken off the neckstrap :-D
How about not hanging it off your neck? The only camera I would hang off my neck for any extended period of time is my X100V, but even that I usually keep in a tiny sling bag hanging more off my shoulder, just a better way to go all around, IMO. My X-T2/16-55 is no strain at all in the diminutive Peak Design 3L sling bag, minimal bulk and easy to carry around all day (again, IMO).
 
Given that Fuji has been updating the original primes (18, 23, 56) and adding the 33 and 50 I think it is about time to refresh either the 18-55 or 16-55.
Sorry, but I see no reason whatsoever to refresh the 16-55 at this point in time. It’s a superb lens and I’m not sure what you might expect in the way of improvement in a replacement. I’d much rather than Fujifilm continue to fill holes in their roadmap and refresh lenses that really need or deserve a redo. JMHO.
While I agree with you that the 16-55 isn't DYING to be refreshed, I would greatly appreciate one that maintains the excellent build quality and image quality at less weight and size.

Some numbers here, most of the full frame 24-70 f/2.8 lenses come in around 700-900g. The m43 12-35 f/2.8 lenses come in around 300-400g. I would normally expect an APS-C lens to come in around the geometric mean of those two ranges, so something like 450-600g. The 16-55 is **655g**, well outside of that range.

If you want to look at lenses with equivalent DOF, you can compare the 16-55 to the RF 24-105 f/4 @ 700g (barely heavier, w/ longer reach), the Z 24-70 f/4 @ 500g, or the Sony 20-70 f/4 @ 488g (lighter AND wider!)

The reason why I shoot APS-C is because I believe I can get excellent image quality in a lighter package. But the 16-55 doesn't really lean into that advantage currently. And before anyone calls me a naysayer, it is still my **FAVORITE** travel lens on my Fuji setup, just because of the stellar image quality and versatility. I couldn't imagine going on any big vacation without that lens. My neck would just appreciate 150-200g being taken off the neckstrap :-D
Right on point ;) (I was about to write something similar)
There is no single reason to justify absurd size and weight of XF 16-55/2.8 in todays standards.
Sony proved with their 16-50/2.8 G that such lens like XF 16-55/2.8 can be much smaller and lighter.

So, if XF 16-55/2.8 is basically 24-82/4.2 in FF, in link below there is direct comparsion of XF 16-55/2.8 to FF 24-105/4 lenses (some of them got even IS), and with Sony 20-70/4 (again, stellar optics with aperture ring and with more usefull focal lenght), All listed gear are WR.

https://camerasize.com/compact/#900.448,883.847,883.681,883.1085,862.1027,899.788,901.862,ha,t

Plus on that, Sony and Panasonic has access to Sigmas offering, like small and compact Sigma 28-70/2.8

In summary.. imho Fuji definitely needs to update XF 16-55/2.8, because size and weight of this lens denies the essence of aps-c format gear, which should be smaller and lighter than FF
XF 16-55/2.8 is very often slightly bigger and heavier than its FF counterparts, so where is the point of all of this? :)
To be honest, Fuji should update all of their standard zoom lenses..

--
My gallery: https://flickr.com/photos/193816559@N05/
 
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Given that Fuji has been updating the original primes (18, 23, 56) and adding the 33 and 50 I think it is about time to refresh either the 18-55 or 16-55.
Sorry, but I see no reason whatsoever to refresh the 16-55 at this point in time. It’s a superb lens and I’m not sure what you might expect in the way of improvement in a replacement. I’d much rather than Fujifilm continue to fill holes in their roadmap and refresh lenses that really need or deserve a redo. JMHO.
While I agree with you that the 16-55 isn't DYING to be refreshed, I would greatly appreciate one that maintains the excellent build quality and image quality at less weight and size.

Some numbers here, most of the full frame 24-70 f/2.8 lenses come in around 700-900g. The m43 12-35 f/2.8 lenses come in around 300-400g. I would normally expect an APS-C lens to come in around the geometric mean of those two ranges, so something like 450-600g. The 16-55 is **655g**, well outside of that range.

If you want to look at lenses with equivalent DOF, you can compare the 16-55 to the RF 24-105 f/4 @ 700g (barely heavier, w/ longer reach), the Z 24-70 f/4 @ 500g, or the Sony 20-70 f/4 @ 488g (lighter AND wider!)

The reason why I shoot APS-C is because I believe I can get excellent image quality in a lighter package. But the 16-55 doesn't really lean into that advantage currently. And before anyone calls me a naysayer, it is still my **FAVORITE** travel lens on my Fuji setup, just because of the stellar image quality and versatility. I couldn't imagine going on any big vacation without that lens. My neck would just appreciate 150-200g being taken off the neckstrap :-D
Right on point ;) (I was about to write something similar)
There is no single reason to justify absurd size and weight of XF 16-55/2.8 in todays standards.
Sony proved with their 16-50/2.8 G that such lens like XF 16-55/2.8 can be much smaller and lighter.

So, if XF 16-55/2.8 is basically 24-82/4.2 in FF, in link below You got direct comparsion of XF 16-55/2.8 to FF 24-105/4 lenses (some of them got even IS), and with Sony 20-70/4 (again, stellar optics with aperture ring and with more usefull focal lenght), All listed gear are WR.

https://camerasize.com/compact/#900.448,883.847,883.681,883.1085,862.1027,899.788,901.862,ha,t

Plus on that, Sony and Panasonic has access to Sigmas offering, like small and compact Sigma 28-70/2.8

In summary.. imho Fuji definitely needs to update XF 16-55/2.8, because size and weight of this lens denies the essence of aps-c format gear, which should be smaller and lighter than FF
XF 16-55/2.8 is very often slightly bigger and heavier than its FF counterparts, so where is the point of all of this? :)
To be honest, Fuji should update all of their standard zoom lenses..
"Absurd size and weight." Please. I wouldn't mind seeing an update as well, but it's my humble opinion that the issue is WAY overplayed here with hyperbole much like this. We should probably just agree to disagree and move on, since at this point, it's simply matter of personal preference. As I've mentioned, I'm pretty used to hauling around heavier kit, given my penchant for shooting long, so your tolerance and my tolerance for weight may be very different, and that might explain our very different points of view on this issue.

Bottom line, I wouldn't complain a bit if Fujifilm updated the lens with something of equal or better IQ and easier handling, but where that would go on my priority list vs. yours and a few others here would greatly differ. My preference will continue to be Fujifilm spending their R&D funds elsewhere. Regardless, debating pure personal opinions and preferences like this is pretty well pointless IMHO.

--
Jerry-Astro
Fuji Forum co-Mod
 
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What my wish would be is an XF zoom that gives me the equivalent range of the FF Sony 20-70.

That would mean the Fuji would have to be roughly a 12-13mm lens at the wide end.

[...]

A Fuji alternative would be an instant preorder for me.
Exactly my thoughts ;)
I would buy such zoom lens like Fujinon XF 13-46/2.8 in no time (if it had the size similar to Sony 20-70/4 and at least same IQ)
But for now, for lack of better options Im aiming at Viltrox 13/1.4 to fill gap in my UWA range kit.
 
Given that Fuji has been updating the original primes (18, 23, 56) and adding the 33 and 50 I think it is about time to refresh either the 18-55 or 16-55.
Sorry, but I see no reason whatsoever to refresh the 16-55 at this point in time. It’s a superb lens and I’m not sure what you might expect in the way of improvement in a replacement. I’d much rather than Fujifilm continue to fill holes in their roadmap and refresh lenses that really need or deserve a redo. JMHO.
While I agree with you that the 16-55 isn't DYING to be refreshed, I would greatly appreciate one that maintains the excellent build quality and image quality at less weight and size.

Some numbers here, most of the full frame 24-70 f/2.8 lenses come in around 700-900g. The m43 12-35 f/2.8 lenses come in around 300-400g. I would normally expect an APS-C lens to come in around the geometric mean of those two ranges, so something like 450-600g. The 16-55 is **655g**, well outside of that range.

If you want to look at lenses with equivalent DOF, you can compare the 16-55 to the RF 24-105 f/4 @ 700g (barely heavier, w/ longer reach), the Z 24-70 f/4 @ 500g, or the Sony 20-70 f/4 @ 488g (lighter AND wider!)

The reason why I shoot APS-C is because I believe I can get excellent image quality in a lighter package. But the 16-55 doesn't really lean into that advantage currently. And before anyone calls me a naysayer, it is still my **FAVORITE** travel lens on my Fuji setup, just because of the stellar image quality and versatility. I couldn't imagine going on any big vacation without that lens. My neck would just appreciate 150-200g being taken off the neckstrap :-D
Right on point ;) (I was about to write something similar)
There is no single reason to justify absurd size and weight of XF 16-55/2.8 in todays standards.
Sony proved with their 16-50/2.8 G that such lens like XF 16-55/2.8 can be much smaller and lighter.

So, if XF 16-55/2.8 is basically 24-82/4.2 in FF, in link below You got direct comparsion of XF 16-55/2.8 to FF 24-105/4 lenses (some of them got even IS), and with Sony 20-70/4 (again, stellar optics with aperture ring and with more usefull focal lenght), All listed gear are WR.

https://camerasize.com/compact/#900.448,883.847,883.681,883.1085,862.1027,899.788,901.862,ha,t

Plus on that, Sony and Panasonic has access to Sigmas offering, like small and compact Sigma 28-70/2.8

In summary.. imho Fuji definitely needs to update XF 16-55/2.8, because size and weight of this lens denies the essence of aps-c format gear, which should be smaller and lighter than FF
XF 16-55/2.8 is very often slightly bigger and heavier than its FF counterparts, so where is the point of all of this? :)
To be honest, Fuji should update all of their standard zoom lenses..
"Absurd size and weight." Please. I wouldn't mind seeing an update as well, but it's my humble opinion that the issue is WAY overplayed here with hyperbole much like this. We should probably just agree to disagree and move on, since at this point, it's simply matter of personal preference. As I've mentioned, I'm pretty used to hauling around heavier kit, given my penchant for shooting long, so your tolerance and my tolerance for weight may be very different, and that might explain our very different points of view on this issue.

Bottom line, I wouldn't complain a bit if Fujifilm updated the lens with something of equal or better IQ and easier handling, but where that would go on my priority list vs. yours and a few others here would greatly differ. My preference will continue to be Fujifilm spending their R&D funds elsewhere. Regardless, debating pure personal opinions and preferences like this is pretty well pointless IMHO.
Sure thing ;) You told Your opinion, I told mine and its fine (same story as in Bens Kanarek recent thread). Now we can move on with our photo hobby :D
 
The 18-55 was my first lens too when I switched to Fuji in 2014. It is one of my most used lenses. Reasons:
  • the zoom is relative compact
  • great sharpness (I think I have a good copy)
  • the IS makes it very versatile
  • together with the 14mm, it makes a great compact travel kit
The 18-55 is the only zoom I have and I like shooting with primes, but the 18-55 is so versatile that I won't part from it.
My problem with it was that it was not very versatile. On the contrary, it doesn't give much subject isolation on the long end, and doesn't go wide enough on the wide end. For this reason, i labeled the 18-55 "the Bore" a long time ago. When I owned both the 18-55 and 16-50 Fuji lenses a while back, i always opted for the cheaper, less well made,16-50 because it was comparable in image quality and could shoot at 16mm, a requirement in my opinion for a standard zoom. Bottom line? I never saw The Bore as versatile at all.
I think it depends on one’s use case. For me the 18-55 is versatile for the reasons mentioned. For you, having different requirements, a different lens will fit better.
 
Hi

Nice images and glad you're enjoying it. I've come to this thread a bit late. I have found renewed respect for my 18-55 with a little knowledge of exactly where its strengths and weaknesses are to be found.

My interests are landscapes and travel. I bought the 18-55 with my first Fuji - an XT1 - in 2014. I bought it on the positive test reports, but then switched to primes because their reports and the consensus of opinion here was that primes offered an edge in IQ. I initially bought the heavyweight primes because Fuji hadn't released the smaller series of lenses, and then sold them and bought the smaller options without regret. I reserved the 18-55 for social duties and travel.

After using the primes for a while, I was finally tempted to try the 16-55. After all the hype, my 16-55 was a mixed bag. Brilliant in the wide half, ordinary in the long half and unusably soft specifically at 55mm f2.8. Maybe I got a dud. I didn't particularly like the size and weight either. It wasn't the carry weight, which was lighter than some prime combinations I carried - it was the weight and forward balance on-camera.

I did a massive meticulous side by side comparison of my 18-55, 16-55 and overlapping primes.
  • on the 18-55, I found my copy slightly soft wide open at wide FLs (18, 23mm) , but to sharpen up very well as I stopped down or zoomed longer.
  • on the 16-55, I concluded that yes my sample was a bag of primes at wide FLs, but wasn't at longer FLs. Mine was soft at 55/2.8, no better generally than my 18-55 at longer FLs,
  • both zooms were better than the 18/2 from f4 down, and
  • both zooms were bettered by the 50/2 and 60/2.4.
I kept using primes for more contemplative photography, sold the 16-55, and kept the 18-55 for travel and social duties. (I also sold the 18/2.) The primes are best, but if you want zoom flexibility in a small package, the 18-55 is a very good zoom. It also offers OIS. I just know to stop my copy down a couple of stops at the 18-23mm FLs. I've read that other people have other experiences with their own copies. There seems to be some variability.

Here's one of my early images from my XT1 shot in winter 2014, 18-55 @22mm stopped well down for DOF. The waterwheel was obviously moving but the stone and ivy are very sharp. It prints beautifully at 12x18" and would be fine bigger.

Regards, Rod

The Window Behind the Waterwheel. XT1, 18-55 @ 22mm, 1/10sec @ f11, tripod. Jpeg ex camera with minor editing.
The Window Behind the Waterwheel. XT1, 18-55 @ 22mm, 1/10sec @ f11, tripod. Jpeg ex camera with minor editing.
 
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Thank you @Jim for taking the time to reply and helping out.

I have previously tried the approaches you suggested without success. But my Fuji 18mm/1.4 is wonderfully sharp and my camera bodies X-T3 & X-S10 are working perfectly so I am happy to stick with Fuji, although I "cheated" and have the 13 & 75mm lenses from Viltrox and the Fringer adapter with old Canon lenses.

I still have the 18-55mm lens as I would not have the conscience to sell it, although it still is useable and I love the size & build quality, especially considering it is "just" a kit lens.
 
Thank you @Jim for taking the time to reply and helping out.

I have previously tried the approaches you suggested without success. But my Fuji 18mm/1.4 is wonderfully sharp and my camera bodies X-T3 & X-S10 are working perfectly so I am happy to stick with Fuji, although I "cheated" and have the 13 & 75mm lenses from Viltrox and the Fringer adapter with old Canon lenses.

I still have the 18-55mm lens as I would not have the conscience to sell it, although it still is useable and I love the size & build quality, especially considering it is "just" a kit lens.
Good morning, Hans!

I commend you for not selling it (or with full disclosure prior to sale). I have found the non-lemon version to be useful and reliable. It is nice to know that you have some lenses that work well and return good results.

Jim
 
I keep saying this but in case Fuji read these I'll say it again. Fuji lacks a compelling standard zoom.

This lens (which I've never owned) would be very close to compelling if it was consistently optically excellent, but that seems a matter of luck.

The old 16-50 I simply couldn't live with a plastic bayonet.

The 16-80 is like a number of other Fuji lenses - sharp in the middle but much less so at the edges.

The 16-55 is big.

I personally would buy a 16-50 which was a bit better made and optically good. Ideally constant f4 with OIS. I'd trade my brick for that.
 
I keep saying this but in case Fuji read these I'll say it again. Fuji lacks a compelling standard zoom.

This lens (which I've never owned) would be very close to compelling if it was consistently optically excellent, but that seems a matter of luck.

The old 16-50 I simply couldn't live with a plastic bayonet.

The 16-80 is like a number of other Fuji lenses - sharp in the middle but much less so at the edges.

The 16-55 is big.

I personally would buy a 16-50 which was a bit better made and optically good. Ideally constant f4 with OIS. I'd trade my brick for that.
Well, perhaps your own definition of a “compelling” zoom is different from mine. I’m not all that bothered by the weight of the 16-55, so it more than meets my definition of “compelling.” I guess it’s a matter of one’s own needs, but for my purposes, the 16-55 more than checks off those boxes for me.
 
Thanks for a nice reading, and photos to match, I'm glad you're enjoying it :)

Yet I'm afraid this thread once again highlights my biggest gripe with this lens - majority of shots I see with it and think "wow, that's a nice photo" (without zooming-in too much, just a first impression) seem to be shot around f/10. That is F-TEN. On APS-C. I mean, come on...

Now, not to get me wrong, it's totally fine and valid - and especially certain subjects do require more-to-very narrow apertures - but do bare with me, please.

Before Fuji (and before full-frame Canon), I was shooting Canon PowerShot G7 X. That's 24mm-100mm equivalent lens (even wider in reality, without in-camera corrections), with f/1.8-2.8 variable aperture, on a so-called 1" sensor (2.7 crop factor)... weighting 300g (with battery), and easily carried in a belt pouch.

In comparison to Fuji's 18-55mm f/2.8-4.0 (weighting 310g alone!), small Canon's lens is 16-66mm f/3.2-5.0 equivalent (in APS-C terms). And that is my biggest issue here - whenever I take 18-55 out for a non-photo walk, I'm just thinking whether taking the Canon instead would be much more convenient, without sacrificing image quality pretty much at all (plus gaining possibilities on both wide and tele end, even).

Shooting it at f/5.6 would practically match Fuji at f/10, for both depth of field and total light intake (making sensor size difference irrelevant).

Yes, there is something almost magical in physically handling all the buttons and dials of a Fuji camera, greatly enjoying the mere shooting experience as well - being why I'm still taking it out anyway, though usually with a different lens - but one does wonder, looking at a small to mid-sized (3L to 6L) sling bag I need for a Fuji setup (and then all the other stuff I put into it just because), in comparison to a large-soap-sized belt pouch which pretty much disappears underneath a t-shirt, even, not requiring any bag of sorts whatsoever.

Eh... problems, I know :P

TL;DR Quality control and sample variations aside, this lens just misses the purpose of shooting APS-C for me, especially if used at apertures above f/5.6 - in which case a 1" compact (Canon or Sony, usually) would be at least as adequate (both quality-wise, but creatively allowing as well), yet much more convenient to carry and shoot with.

p.s. To add some more context, I'm mostly using my Fuji X-T3 with a 35mm f/0.95 lens - there's nothing even remotely similar in 1" compact world, and the whole package is still significantly lighter, smaller and less bulky in general than an equivalent full-frame 50mm f/1.4 setup (plus waaay more fun to shoot with).

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[1]: https://www.dpreview.com/forums/thread/4350109/62102405
 
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I keep saying this but in case Fuji read these I'll say it again. Fuji lacks a compelling standard zoom.

This lens (which I've never owned) would be very close to compelling if it was consistently optically excellent, but that seems a matter of luck.

The old 16-50 I simply couldn't live with a plastic bayonet.

The 16-80 is like a number of other Fuji lenses - sharp in the middle but much less so at the edges.

The 16-55 is big.

I personally would buy a 16-50 which was a bit better made and optically good. Ideally constant f4 with OIS. I'd trade my brick for that.
Hi Andrew,

I'm with you. As per my earlier post, I sold my Brick and kept using primes, with the 18-55 for casual duties. I'd buy a high grade 16-50 or 16-55 f4 in a flash. I'd prefer a 16mm start rather than the 18mm of the 18-55. Sealed with OIS. Up to about 400g max with 62-67mm filter thread. Not looking for a cheap lens. I'd pay well for a high grade lens purposely designed to be as good as but smaller than the Brick.

Cheers, Rod
 

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