FingerPainter
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Repeating it doesn't make it true.JohnSil wrote....Only for the purpose of going along with John's minor premise for the sake of debunking his major premise.In other words, you are assuming that fine art might be synonymous with art!Nope. I'm assuming Fine art is a subset of Art. I'm not assuming that fine art is necessarily a proper subset of Art.![]()
Just trying to avoid muddying the waters. Seems like you've helped me fail at that.Very strange!
I don't consider that to be the major problem with his assertions, as it is too trivial to bother with. I'm just trying to address his contention that there are only two types of photography.So how do you intend to determine whether or not fine art and art are synonymous?
I think that, as a minimum there are three axes: purpose, payment and quality.
On the purpose axis we have reportage and creation. On the payment axis are commission, sale, indirect compensation and unpaid. On the quality axis we have my work at one extreme and the masters at the other.
To me whether one is paid, and how, has only an indirect relationship to whether the product is fine art. That is, it is more difficult to become a master while relying on something other than sales and commissions from photography to survive, and i is mo difficult to survive on sale and commissions of photography if one doesn't produce a high-quality product.
"There are only two kinds of photography...., commercial and art.
Not true. There is photography that is not art that is not done for pay or commission: photography that seeks to document something, but has no pretension to aesthetic sensibilities.Art is anything that is not commissioned for pay or hire.
Which can be art.Commercial is anything you've been paid to shoot.
Commercial is a category that covers a part of representative photography and part of artistic photography. Artistic and representational photography also overlap somewhat, None of these categories is mutually exclusive of the others.
No, not being done for hire is not what makes something "art", and being done for hire doesn't prevent something from being art. And tagging something with a label, doesn't necessarily mean the label is truly applicable.You can call the art anything you want. Call it fine art, bad art, giclee, exhibition or collectible...., it's still art if it was NOT done for pay or hire."
If they sell the fine art that they produce. according to you it isn't art, because they sold it.I understand that people want to pigeon hole photography. If you want to subdivide Art into "fine art, ugly art or snapshots", be my guest.
There are very famous photographers that do photography on paid assignments so they can afford to then go out and do what they really enjoy, creating art/fine-art for themselves so they can sell,
Ah, well that is a tautology. But that doesn't substitute "art" for "that which you create not being paid to create". and "non-art" for "that for which you are paid to create".OW you divide it after that, whether they are terms you invent, a gut feeling or something some museum curator told you, all photography is either created for compensation or for our own goals, whether those are to show it, sell it or hang it on our own walls.show or just enjoy what they really like to shoot and create. We read it all the time in interviews with big time photographers.
I didn't come up with those divisions on my own. They were taught to me when I was studying photography, that there were only two types of photography created, that for which you are paid to create and that which you create not being paid to create.
John