Hi Elliott, does the mk3 also tend to default to 1/30s? I have a mk1 and have been caught out a few times with the 1/30s when taking snaps of moving subjects. Also how is the light metering on the mk3 and later? My mk1 has a tendency to underexpose, sometimes by almost a stop.
arrow,
m1 shutter speed, use S mode!
m1. send me a private message with your email address, I'll send you my 14 page document, there may be something in it that you find helpful. m1 lousy IS started as a problem (for me and many), however I am ever thankful I was forced to learn and use S mode, and learn a few other tricks that work together.
Once you get a knack for 'just fast enough', then any situation with any degree of motion is no longer iffy (within limits of course). And, you can capture a degree of motion blur purposely. I change speed shot to shot, just as I used to change flash strength shot to shot with my big R1 which had no IS. You forget these rx100's have a flash.
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m3 shutter speed:
Yes, the m3 similarly defaults to 1/30th, however, due to the cameras darn good Image Stabilization it is
not a problem for shaky me, and was never an issue like the m1,2 were for me and many.
m3,4,5 IS is good enough that I can use any mode, and get blur free handheld stills. that means I/you can use any mode successfully (using Auto ISO).
two factors:
1. improved IS
2. shooting position, pop-up evf, arms pulled in is steadier.
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m3 exposure.
my problem is the opposite: that the rx100's,
outdoors, tend to over-expose, too bright/lousy sky detail. I suggest you take a few shots that are problematic, then do a full reset, take same shots, see what you get, then let us know, post some images.
AREA SIZE: the primary reason to use P mode is to
reduce the AREA SIZE for both focus and metering, so the camera 'sees' only that smaller area when searching for objects (your subject) for distance and the 'sees' the lighting of that smaller primary subject area.
I purposely shoot under-exposed, -.3, -.7, to capture nice detail and color of skies, detail in bright areas,
planning on lifting shadows in post. Always crop first, so the software then makes further adjustments based on what you are keeping, and it is working on less pixels.
It is amazing how much detail lurks in shadow areas. You cannot cut highlights much, especially skies, without getting clearly visible artifacts.
even better outdoors: use a CPL, then you see and capture nice skies/color/bright areas and see the details in the shadow areas better when making composition decisions. They work best when the Sun is off to the side, you rotate them, watching the bright areas, stop, shot. Bill taught me this trick: If hard to see a CPL's effect because of too much foliage ..., turn back 180 degrees, aim at sky, rotate, see 'best', turn back, shoot.
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m6,7: 1/20th
even better, amazing IS, allows me to shoot handheld stills 1/20th. Like prior models, it defaults to 1/30th, however, in not great light, to prevent higher ISO, already knowing/using S mode, you simply set 1/20th for handheld stills.
combine that improved IS (Jpeg and/or RAW) with the processor's ability to use more aggressive in-camera Noise Reduction with zero visible artifacts (Jpegs only) is what makes this 'slow f2.8 lens' perform like a brighter lens, and the surprizingly clean higher ISO results.
I was shocked to find many of these shots were ISO 6400
https://www.dpreview.com/forums/thread/4371620