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I'm sure the Z7 only has a slight edge, but an edge nonetheless. In the end, at this point all these high-res sensors are essentially on par, so dynamic range is no longer an argument against Canon.How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
I tend to find Canons tend to be better at highlight recovery and Nikons at shadows .. I`m still amazed at the amount of highlights which can be recovered even from a humble M50I'm sure the Z7 only has a slight edge, but an edge nonetheless. In the end, at this point all these high-res sensors are essentially on par, so dynamic range is no longer an argument against Canon.How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
My question is whether they, or anyone else has compared Canon R5 or other Rs DR against any others using Dual Pixel RAW?I tend to find Canons tend to be better at highlight recovery and Nikons at shadows .. I`m still amazed at the amount of highlights which can be recovered even from a humble M50I'm sure the Z7 only has a slight edge, but an edge nonetheless. In the end, at this point all these high-res sensors are essentially on par, so dynamic range is no longer an argument against Canon.How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
but thesedays DPR are more into shadow torture tests - I had a look on their comparator myself and you can see its not the camera's strongest point but I bet it recovers highlights like no tomorrow , even the 1DS Mk2 was good at that ! .. (I chose D850 as I use one for work and know its attributes) .,. I`m sure the R5 will have more than enough shadow recovery for real images and anyway, shoot more for the shadows and recover the highlights .
Still the R5 looks the best mirrorless FF stills camera to me ! .
It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.Maybe this?How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
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I second this!It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.Maybe this?How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
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While this is true, some sensors (particularily Canons from experience) have more highlight recovery ability - therefore lowering the noise by being able to expose hotter and still not get blowoutsRight. Technically, highlight recovery is not a measure of dynamic range. Only shadow recovery is. Pulling down highlights will not introduce additional noise, whereas pushing shadows will increase noise.
'E-Shutter' setting is electronic shutter which produces 12-bit raw files instead of normal 14-bit ones. It has some 2-stop lower dynamic range and shouldn't be used in such comparisons.I second this!It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.Maybe this?How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
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Also, have a look at the RAW file size. It is below 30 MB. It should be around 50 - 60 MB. The data, this comparison tool is based on, might not have the actual best data from the Canon R5 to begin with.
I suspect, they still had CRAW on. Even a Canon M6 Mark II doesn't fall of so much. So I highly dought this data.
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Sensors don't have such an ability and strictly speaking, there's no such thing as highlight recovery. In a raw file, the highlights are either safe, or blown out. What people call 'highlight recovery' is simply a remapping of raw data to 8-bit RGB. It has nothing to do with the 'native' sensor's dynamic range, only with the dynamic range of processed/converted images.While this is true, some sensors (particularily Canons from experience) have more highlight recovery ability - therefore lowering the noise by being able to expose hotter and still not get blowoutsRight. Technically, highlight recovery is not a measure of dynamic range. Only shadow recovery is. Pulling down highlights will not introduce additional noise, whereas pushing shadows will increase noise.
Right OK thanks . I thought it must be some kind of mapping which DPR don`t take into account ? (especially as they use LR/ACR which does a lot of stuff behind the scenes which the likes of capture one tend not to ) , of course pixel wells only hold so much but are DPR getting the most from the R5 ? ..people call 'highlight recovery' is simply a remapping of raw data to 8-bit RGB. It has nothing to do with the 'native' sensor's dynamic range, only with the dynamic range of processed/converted images.
Guys, EFC is not hugely better, link'E-Shutter' setting is electronic shutter which produces 12-bit raw files instead of normal 14-bit ones. It has some 2-stop lower dynamic range and shouldn't be used in such comparisons.I second this!It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.Maybe this?How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
link
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Also, have a look at the RAW file size. It is below 30 MB. It should be around 50 - 60 MB. The data, this comparison tool is based on, might not have the actual best data from the Canon R5 to begin with.
I suspect, they still had CRAW on. Even a Canon M6 Mark II doesn't fall of so much. So I highly dought this data.

I wonder what software they used, LR only allows +5 stops. Anyway, this one actually looks much better, but obviously not on par with Sony/Nikon. However the ISO400 shot looks much cleaner than Sony/Nikon at the same exposure. It suggests that you'll benefit from using ISO 400 rather than ISO 100 in cases where you intend to do a very heavy exposure lifting in postprocessing (mostly applies to genres like astrophotography).Guys, EFC is not hugely better, link'E-Shutter' setting is electronic shutter which produces 12-bit raw files instead of normal 14-bit ones. It has some 2-stop lower dynamic range and shouldn't be used in such comparisons.I second this!It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.Maybe this?How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
link
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Also, have a look at the RAW file size. It is below 30 MB. It should be around 50 - 60 MB. The data, this comparison tool is based on, might not have the actual best data from the Canon R5 to begin with.
I suspect, they still had CRAW on. Even a Canon M6 Mark II doesn't fall of so much. So I highly dought this data.
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What DPR guys do, I guess, is taking Canon raw files into Lightroom or Canon's DPP and checking how much they can 'recover' highlights against a default image shown in the photo editor. That recovery fully depends on the initial default conversion raw->8bit RGB done in Lightroom. When you tweak the highlights slider, it just changes how raw data is mapped to RGB colour space (plus white balance, gamma correction etc.)Right OK thanks . I thought it must be some kind of mapping which DPR don`t take into account ? (especially as they use LR/ACR which does a lot of stuff behind the scenes which the likes of capture one tend not to ) , of course pixel wells only hold so much but are DPR getting the most from the R5 ? ..people call 'highlight recovery' is simply a remapping of raw data to 8-bit RGB. It has nothing to do with the 'native' sensor's dynamic range, only with the dynamic range of processed/converted images.
ISO 100 is the way to get the most DR out of the camera.I wonder what software they used, LR only allows +5 stops. Anyway, this one actually looks much better, but obviously not on par with Sony/Nikon. However the ISO400 shot looks much cleaner than Sony/Nikon at the same exposure. It suggests that you'll benefit from using ISO 400 rather than ISO 100 in cases where you intend to do a very heavy exposure lifting in postprocessing (mostly applies to genres like astrophotography).Guys, EFC is not hugely better, link'E-Shutter' setting is electronic shutter which produces 12-bit raw files instead of normal 14-bit ones. It has some 2-stop lower dynamic range and shouldn't be used in such comparisons.I second this!It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.Maybe this?How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
link
![]()
Also, have a look at the RAW file size. It is below 30 MB. It should be around 50 - 60 MB. The data, this comparison tool is based on, might not have the actual best data from the Canon R5 to begin with.
I suspect, they still had CRAW on. Even a Canon M6 Mark II doesn't fall of so much. So I highly dought this data.
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Yes, but in certain cases you can't shoot at ISO 100. Canon R5 seems to be ISO-invariant from ISO 400.ISO 100 is the way to get the most DR out of the camera.