DPR R5 Review is up

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Spoiler: Gold award. Score: 91% ;)
 
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How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
 
How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
I'm sure the Z7 only has a slight edge, but an edge nonetheless. In the end, at this point all these high-res sensors are essentially on par, so dynamic range is no longer an argument against Canon.
 
How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
I'm sure the Z7 only has a slight edge, but an edge nonetheless. In the end, at this point all these high-res sensors are essentially on par, so dynamic range is no longer an argument against Canon.
I tend to find Canons tend to be better at highlight recovery and Nikons at shadows .. I`m still amazed at the amount of highlights which can be recovered even from a humble M50

but thesedays DPR are more into shadow torture tests - I had a look on their comparator myself and you can see its not the camera's strongest point but I bet it recovers highlights like no tomorrow , even the 1DS Mk2 was good at that ! .. (I chose D850 as I use one for work and know its attributes) .,. I`m sure the R5 will have more than enough shadow recovery for real images and anyway, shoot more for the shadows and recover the highlights .

Still the R5 looks the best mirrorless FF stills camera to me ! .



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** Please ignore the Typos, I'm the world's worst Typist **
 

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Right. Technically, highlight recovery is not a measure of dynamic range. Only shadow recovery is. Pulling down highlights will not introduce additional noise, whereas pushing shadows will increase noise.
 
I find reviews from AP in the UK to be very good -

 
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How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
I'm sure the Z7 only has a slight edge, but an edge nonetheless. In the end, at this point all these high-res sensors are essentially on par, so dynamic range is no longer an argument against Canon.
I tend to find Canons tend to be better at highlight recovery and Nikons at shadows .. I`m still amazed at the amount of highlights which can be recovered even from a humble M50

but thesedays DPR are more into shadow torture tests - I had a look on their comparator myself and you can see its not the camera's strongest point but I bet it recovers highlights like no tomorrow , even the 1DS Mk2 was good at that ! .. (I chose D850 as I use one for work and know its attributes) .,. I`m sure the R5 will have more than enough shadow recovery for real images and anyway, shoot more for the shadows and recover the highlights .

Still the R5 looks the best mirrorless FF stills camera to me ! .

My question is whether they, or anyone else has compared Canon R5 or other Rs DR against any others using Dual Pixel RAW?

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How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
Maybe this?

link

c0ad432d7a95448ba047bc58afcd2643.jpg
It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.

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How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
Maybe this?

link

c0ad432d7a95448ba047bc58afcd2643.jpg
It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.
I second this!

Also, have a look at the RAW file size. It is below 30 MB. It should be around 50 - 60 MB. The data, this comparison tool is based on, might not have the actual best data from the Canon R5 to begin with.

I suspect, they still had CRAW on. Even a Canon M6 Mark II doesn't fall of so much. So I highly dought this data.
 
Right. Technically, highlight recovery is not a measure of dynamic range. Only shadow recovery is. Pulling down highlights will not introduce additional noise, whereas pushing shadows will increase noise.
While this is true, some sensors (particularily Canons from experience) have more highlight recovery ability - therefore lowering the noise by being able to expose hotter and still not get blowouts
 
How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
Maybe this?

link

c0ad432d7a95448ba047bc58afcd2643.jpg
It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.
I second this!

Also, have a look at the RAW file size. It is below 30 MB. It should be around 50 - 60 MB. The data, this comparison tool is based on, might not have the actual best data from the Canon R5 to begin with.

I suspect, they still had CRAW on. Even a Canon M6 Mark II doesn't fall of so much. So I highly dought this data.
'E-Shutter' setting is electronic shutter which produces 12-bit raw files instead of normal 14-bit ones. It has some 2-stop lower dynamic range and shouldn't be used in such comparisons.

--
 
Right. Technically, highlight recovery is not a measure of dynamic range. Only shadow recovery is. Pulling down highlights will not introduce additional noise, whereas pushing shadows will increase noise.
While this is true, some sensors (particularily Canons from experience) have more highlight recovery ability - therefore lowering the noise by being able to expose hotter and still not get blowouts
Sensors don't have such an ability and strictly speaking, there's no such thing as highlight recovery. In a raw file, the highlights are either safe, or blown out. What people call 'highlight recovery' is simply a remapping of raw data to 8-bit RGB. It has nothing to do with the 'native' sensor's dynamic range, only with the dynamic range of processed/converted images.
 
people call 'highlight recovery' is simply a remapping of raw data to 8-bit RGB. It has nothing to do with the 'native' sensor's dynamic range, only with the dynamic range of processed/converted images.
Right OK thanks . I thought it must be some kind of mapping which DPR don`t take into account ? (especially as they use LR/ACR which does a lot of stuff behind the scenes which the likes of capture one tend not to ) , of course pixel wells only hold so much but are DPR getting the most from the R5 ? ..

--
** Please ignore the Typos, I'm the world's worst Typist **
 
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How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
Maybe this?

link

c0ad432d7a95448ba047bc58afcd2643.jpg
It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.
I second this!

Also, have a look at the RAW file size. It is below 30 MB. It should be around 50 - 60 MB. The data, this comparison tool is based on, might not have the actual best data from the Canon R5 to begin with.

I suspect, they still had CRAW on. Even a Canon M6 Mark II doesn't fall of so much. So I highly dought this data.
'E-Shutter' setting is electronic shutter which produces 12-bit raw files instead of normal 14-bit ones. It has some 2-stop lower dynamic range and shouldn't be used in such comparisons.
Guys, EFC is not hugely better, link

5646762224e247b7bebc1f3937dcdb0e.jpg
 
How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
Maybe this?

link

c0ad432d7a95448ba047bc58afcd2643.jpg
It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.
I second this!

Also, have a look at the RAW file size. It is below 30 MB. It should be around 50 - 60 MB. The data, this comparison tool is based on, might not have the actual best data from the Canon R5 to begin with.

I suspect, they still had CRAW on. Even a Canon M6 Mark II doesn't fall of so much. So I highly dought this data.
'E-Shutter' setting is electronic shutter which produces 12-bit raw files instead of normal 14-bit ones. It has some 2-stop lower dynamic range and shouldn't be used in such comparisons.
Guys, EFC is not hugely better, link

5646762224e247b7bebc1f3937dcdb0e.jpg
I wonder what software they used, LR only allows +5 stops. Anyway, this one actually looks much better, but obviously not on par with Sony/Nikon. However the ISO400 shot looks much cleaner than Sony/Nikon at the same exposure. It suggests that you'll benefit from using ISO 400 rather than ISO 100 in cases where you intend to do a very heavy exposure lifting in postprocessing (mostly applies to genres like astrophotography).

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people call 'highlight recovery' is simply a remapping of raw data to 8-bit RGB. It has nothing to do with the 'native' sensor's dynamic range, only with the dynamic range of processed/converted images.
Right OK thanks . I thought it must be some kind of mapping which DPR don`t take into account ? (especially as they use LR/ACR which does a lot of stuff behind the scenes which the likes of capture one tend not to ) , of course pixel wells only hold so much but are DPR getting the most from the R5 ? ..
What DPR guys do, I guess, is taking Canon raw files into Lightroom or Canon's DPP and checking how much they can 'recover' highlights against a default image shown in the photo editor. That recovery fully depends on the initial default conversion raw->8bit RGB done in Lightroom. When you tweak the highlights slider, it just changes how raw data is mapped to RGB colour space (plus white balance, gamma correction etc.)

If they throw more highlights away in the initial conversion, you may get more of 'highlight recovery', but it's all in the software.

Shadows are the same in terms of the initial conversion, but the noise in the shadows doesn't depend on the white balance, gamma etc. - so the noise is a measure of sensor's performance and dynamic range.
 
How did they come to the conclusion that the R5 Dynamic Range is inferior to the Z7?
Maybe this?

link

c0ad432d7a95448ba047bc58afcd2643.jpg
It's not a relevant comparison and it looks like the settings were chosen to deliberately mislead. You don't compare the R5's dynamic range by electronic shutter shots.
I second this!

Also, have a look at the RAW file size. It is below 30 MB. It should be around 50 - 60 MB. The data, this comparison tool is based on, might not have the actual best data from the Canon R5 to begin with.

I suspect, they still had CRAW on. Even a Canon M6 Mark II doesn't fall of so much. So I highly dought this data.
'E-Shutter' setting is electronic shutter which produces 12-bit raw files instead of normal 14-bit ones. It has some 2-stop lower dynamic range and shouldn't be used in such comparisons.
Guys, EFC is not hugely better, link

5646762224e247b7bebc1f3937dcdb0e.jpg
I wonder what software they used, LR only allows +5 stops. Anyway, this one actually looks much better, but obviously not on par with Sony/Nikon. However the ISO400 shot looks much cleaner than Sony/Nikon at the same exposure. It suggests that you'll benefit from using ISO 400 rather than ISO 100 in cases where you intend to do a very heavy exposure lifting in postprocessing (mostly applies to genres like astrophotography).
ISO 100 is the way to get the most DR out of the camera.
 
ISO 100 is the way to get the most DR out of the camera.
Yes, but in certain cases you can't shoot at ISO 100. Canon R5 seems to be ISO-invariant from ISO 400.

As to the 6-stop exposure lifting, it's not practical at all, so this comparison shows very little, except that you'd better shoot at ISO 400 and lift by 2 stops, rather than shoot at ISO 100 and lift by 6 stops. ISO 400 may be practical for certain cases such as astrophotography, but then apparently the R5 will produce cleaner images than the A7rIV.

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Coming from the astro side-of -live I dislike reading of 'noise reduction in Raw files'. That, together with a heat problem due to IBIS makes this camera probably not so well suitable for astro photography. And yes, I'm aware that other manufacturers also have to handle the reduced heat conduction due to IBIS. And other manufacturers also do noise reduction in Raw files (star eater ...), but Canon was creating non-filtered Raw files until now ...
 

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