Fro shows R5 Eye AF for people

I think with fast communication RF lenses will give us the best tracking experience and probably will give us more keepers. What Tony did was not ideal at all.
It's looking good so far. Tony's lens was definitely ideal, but still did OK. Looking forward to the reviews of the R5 with the new RF 100-500 L.

Best,
Like many others I have many EF lenses and a few third party as well.

I do know and accept the RF will work better in the EVF for RF lenses that EF lenses with the difference in performance being technical advance powered by the new capabilities in the RF lenses.

Canon has said many times that the EF lack the speed of communication capability between the lens and camera in this 30 year old EF lens link. New focus motors change things autofocus capabilities too.

I thank you for pointing out the blackouts in the Canon EOS R5 & R6 Animal AF BLOWS MY MIND! Wildlife review. I like Tony and Chelsea as well as Fro and others. I think most are well intentiond straight shooters sharing their feelings while performing some to maximize clicks. However, you have to be careful and interpret what they say with some thought about their charistic individual traits. Chelsea is quite different than Tony.

I am worried like many that the EVF in the R is not as good as the excellent, IMO, EOS 5D Mk IV. I know the tracking is better both from the reviews and my personal experience with the EOS R. The 5DIV has blackouts but the tracking performance is good because human shooter can work around this ignoring them while doing acceptible flying-bird- back-by-sky tracking as well many other kinds of wild tracking. Ugly perhaps. However the 5DIV is very function for doing this. I have less experience with A9 Sony EV but it is mirrorless and looks to have very functional EVF.

I do use the EOS R for wildlife and bird shooting. It is workable but less than ideal. I like it best for 2.5fps burst mode and Servo AF of all the setting options. Faster 5fps HS burst seems worse for tracking. I do prefer the EOS 5D with the faster burst shots but I am now use the EOS R in self training preparation for the new mirrorless generation like the R5.

I know Tony titles the new Youtube AF BLOWS MY MIND and I believe he is right about that when using his EF500mmf4 + 2X TC lens. He say it is a completely unfair test and his only object was tracking bird eyes as subjects. He includes the amazing ablity for the focus tracking on a fast flying kingfisher but mostly about small birds in bushes. The AFII picks out the focus with more speed than Tony. He says it is pretty accurate.

AFII looks to be great and Tony says better than year old models of Sony but has not tried the newer about be released model. I care more about EF100-400mm ii with 1.4X iii TC though.

Fro was impressed with the zoo shots and the tracking ability in the 1DXIII for basketball issues. Basketball matters to me as well as birds. Probably even more than birds. The issues are different. F1.2 focus issues are different too. Subsequent comparisons and ranking the importance of each is complicated.

From this review evidence is see it likely the EVF is not perfect. Blackouts are not pretty or ideal in any EVF. However, do not impede tracking per se as the 5DIV demonstrates. Freezing however is concern if the freeze duration occurs over many milliseconds. The eye is sensitive to the jerks. In reviewing the Fro video CANON EOS R5 Human Eye AF: WOW...WATCH OUT SONY!!! at 1:23 is see of freezing jerks in the running boy. This looks better than the EOS R freezing and we know nothing out the burst rate or fps he is using here. At 20FPS the sensor readout is 4X the time than greater than at 5FPS which is still a useful shooting speed that does not cause as more workflow. I am not thinking I need 20 fps for most applications. A good 10fps would still be incredible and be above my expectations for the purchase of an R5. Fro says the AFii shooting is pretty close the the Sony AF and he owns an A9II as well as an A7rIV as his primary cameras. He also says the focus beat the Nikon AF and that he was please with the AF that he could rely on and was easy to change AF subject selection better than the Sony.

I have my 9am July 9 pre-order in and have no intention to cancel. I am likely to return a camera and have never done so. I use what I get the to best of it's capability that I can work out. I do think I may buying the RF 100-500mm if the viewfinder tracking is better but I was impressed enough in my initial RF lens buy of RF24-105, RF 35, & RF24-240mm leneses for my EOS R that I have gone back for the RF15-35 & RF24-70 which was a bigger commitment. Now the EOS R5 is the next step after my initial use with the EOS R. I will keep my 5D and EF L glass forever. Maybe it remain be better at extreme tracking but it will not match the AF of the mirrorless cameras. Particulary when using TCs or at low light. I hope the 45MP of the R will make my cropping a little better. Every bit helps.
I know what you mean. I'm currently try to talk myself out of the FR 85 1.2 and the RF 100-500.
 
Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
Tony makes a good living "reviewing" cameras on youtube. Fair doesn't earn you clicks, but drama does. You just have to take the Northrup's with a grain of salt and enjoy their art.
... which goes back to the obvious question as to why anyone takes any notice of him, or those like him, in the first place, let alone waste time talking about him on a camera forum... oh... damn! :-D
Haha!!!
 
Yes, my question also. Coming from a 5Dm4, I'm not going to ditch all my EFs and buy all new Rs out of the gate. Knowing how my 100-400m2 plays is most important for me.
I can tell you that the 100-400ii gets a higher hit rate on the R than on the 5D4 from my personal experience and from others who have posted on this forum. The R5 locks focus faster and better than the R. So, I think that you'll be happy.

There is a video of a birder that was posted right after the R5 Formal Introduction earlier this month. He was shooting with the R5 or R6 and the 100-400ii and getting some great results. I wish I could remember his name.
 
Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
Tony makes a good living "reviewing" cameras on youtube. Fair doesn't earn you clicks, but drama does. You just have to take the Northrup's with a grain of salt and enjoy their art.
The freezing (what you call blackout) jerkyness in Fro 3:42 boy and Tony 0:42 seagull are concerning and perhaps tolerable. Not clear if this is 60Hz or 100 hz refresh selection and the old EF500f4 first generation lens many be part of the limitation. Details matter. Fro uses the RF 85f1.2. What I say here I think is a lot better focus of the R overall by quite a bit for what I value. Others may and probably will differ. I just share what I see. Despite not being perfect it looks workable.

Chelsea was not using the subject selection technique of Fro for changing selected subjects quickly. I think her concern for one hour and 2 minutes video restriction is irrelevant to two minute is enough for me. Even 1 minute is very useful. She never tried and failed to get the two minutes. It was a prediction. She have talked less about thermal and seen what she might have made in a video using the actual camera until it stopped. I think the actual performance is more important. Was that 2 minutes of 8K raw? 40GB of video created is more than I need! Workflow matters to me. Video for me is very low priority and short clips are my probably biggest use of the 8K. She did say or try but I bet 4k30 still worked as it is unlimited time. and that would be a video step up for me.
 
The freezing (what you call blackout) jerkyness in Fro 3:42 boy and Tony 0:42 seagull are concerning and perhaps tolerable. Not clear if this is 60Hz or 100 hz refresh selection and the old EF500f4 first generation lens many be part of the limitation. Details matter. Fro uses the RF 85f1.2. What I say here I think is a lot better focus of the R overall by quite a bit for what I value. Others may and probably will differ. I just share what I see. Despite not being perfect it looks workable.

Chelsea was not using the subject selection technique of Fro for changing selected subjects quickly. I think her concern for one hour and 2 minutes video restriction is irrelevant to two minute is enough for me. Even 1 minute is very useful. She never tried and failed to get the two minutes. It was a prediction. She have talked less about thermal and seen what she might have made in a video using the actual camera until it stopped. I think the actual performance is more important. Was that 2 minutes of 8K raw? 40GB of video created is more than I need! Workflow matters to me. Video for me is very low priority and short clips are my probably biggest use of the 8K. She did say or try but I bet 4k30 still worked as it is unlimited time. and that would be a video step up for me.
Yeah the lower quality 4k is unlimited I think even while also taking pictures etc. For me I'd have liked a crop option although Canon might possibly add this. It would be a pretty big 2x crop but I'd be OK with that.
 
Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
Tony makes a good living "reviewing" cameras on youtube. Fair doesn't earn you clicks, but drama does. You just have to take the Northrup's with a grain of salt and enjoy their art.
The freezing (what you call blackout) jerkyness in Fro 3:42 boy and Tony 0:42 seagull are concerning and perhaps tolerable. Not clear if this is 60Hz or 100 hz refresh selection and the old EF500f4 first generation lens many be part of the limitation. Details matter. Fro uses the RF 85f1.2. What I say here I think is a lot better focus of the R overall by quite a bit for what I value. Others may and probably will differ. I just share what I see. Despite not being perfect it looks workable.

Chelsea was not using the subject selection technique of Fro for changing selected subjects quickly. I think her concern for one hour and 2 minutes video restriction is irrelevant to two minute is enough for me. Even 1 minute is very useful. She never tried and failed to get the two minutes. It was a prediction. She have talked less about thermal and seen what she might have made in a video using the actual camera until it stopped. I think the actual performance is more important. Was that 2 minutes of 8K raw? 40GB of video created is more than I need! Workflow matters to me. Video for me is very low priority and short clips are my probably biggest use of the 8K. She did say or try but I bet 4k30 still worked as it is unlimited time. and that would be a video step up for me.
At this point I do not trust her with that test, at all. Even if she is right. I’ll stick to the Fro who had RF lenses. The slight jitter wasn’t too bad.



I can tell you this this I think we may know soon. Before they ship.
 
Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
Tony makes a good living "reviewing" cameras on youtube. Fair doesn't earn you clicks, but drama does. You just have to take the Northrup's with a grain of salt and enjoy their art.
The freezing (what you call blackout) jerkyness in Fro 3:42 boy and Tony 0:42 seagull are concerning and perhaps tolerable. Not clear if this is 60Hz or 100 hz refresh selection and the old EF500f4 first generation lens many be part of the limitation. Details matter. Fro uses the RF 85f1.2. What I say here I think is a lot better focus of the R overall by quite a bit for what I value. Others may and probably will differ. I just share what I see. Despite not being perfect it looks workable.

Chelsea was not using the subject selection technique of Fro for changing selected subjects quickly. I think her concern for one hour and 2 minutes video restriction is irrelevant to two minute is enough for me. Even 1 minute is very useful. She never tried and failed to get the two minutes. It was a prediction. She have talked less about thermal and seen what she might have made in a video using the actual camera until it stopped. I think the actual performance is more important. Was that 2 minutes of 8K raw? 40GB of video created is more than I need! Workflow matters to me. Video for me is very low priority and short clips are my probably biggest use of the 8K. She did say or try but I bet 4k30 still worked as it is unlimited time. and that would be a video step up for me.
I just found this new video from

Matti Haapoja
that is all about actual 4K30 as well as the high time limited modes.

The most important thing is he found the 4K30 always works regardless of overheating. It continues to available so in her wildlife video Chelsea could at the end of her casual one hour still shoot shoot the same 4K which is the only 4K in the A7riii. Che did not try that and chose to complaint about the 2minute warning for the esoteric high end video modes that are not available on the other hybrid cameras. For me 4K30 is plenty for rare use. It is claimed that the 4k30 quality is worse than other 4K modes and this is easy to see. I found and realword comparisons of Canon 4k30 vs Sony A7Riii 4k30 apples for apples video quality comparison. On wild claims of line skippin and binning being how it must rely on and how bad that is. They are not engineers. The proof is in the direct actual comparison of both camers in real 4k30 use and testing with several viewers asking them what they like. That does not exist for these cameras. Focus, gamma, HDR all matter. My money in a shootout test is the Canon will look better. Maybe someone will actually do this and stop whining about the time limiting modes. Side by side with the R5 and A7III is what it needs.

On time limited he got 14minutes or more for all his tests. He now figures 5 minutes clips are good guideline for these awesome modes modes not available on any other hybrid. Great conclusions and he has not desire for fan and he can live with limits and likes the IBIS although he finds it not perfect with a wobble issue but he said it great the wobbles are no big deal.

He says he will with perfection and the R5 is a great camera so he buy a second body.

He is a very realistic reviewer and I like his review a lot.
 
I have to say. Even with no Canon colour profiles the Adobe Colour isn't that bad. All I did was use auto and applied a little Clarity and Dehaze.



c563c4da4941443983e3a8624284091b.jpg





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I feel even more confident that soon things will have a wonderful conclusion
 
I think with fast communication RF lenses will give us the best tracking experience and probably will give us more keepers. What Tony did was not ideal at all.
It's looking good so far. Tony's lens was definitely ideal, but still did OK. Looking forward to the reviews of the R5 with the new RF 100-500 L.

Best,
Like many others I have many EF lenses and a few third party as well.

I do know and accept the RF will work better in the EVF for RF lenses that EF lenses with the difference in performance being technical advance powered by the new capabilities in the RF lenses.

Canon has said many times that the EF lack the speed of communication capability between the lens and camera in this 30 year old EF lens link. New focus motors change things autofocus capabilities too.

I thank you for pointing out the blackouts in the Canon EOS R5 & R6 Animal AF BLOWS MY MIND! Wildlife review. I like Tony and Chelsea as well as Fro and others. I think most are well intentiond straight shooters sharing their feelings while performing some to maximize clicks. However, you have to be careful and interpret what they say with some thought about their charistic individual traits. Chelsea is quite different than Tony.

I am worried like many that the EVF in the R is not as good as the excellent, IMO, EOS 5D Mk IV. I know the tracking is better both from the reviews and my personal experience with the EOS R. The 5DIV has blackouts but the tracking performance is good because human shooter can work around this ignoring them while doing acceptible flying-bird- back-by-sky tracking as well many other kinds of wild tracking. Ugly perhaps. However the 5DIV is very function for doing this. I have less experience with A9 Sony EV but it is mirrorless and looks to have very functional EVF.

I do use the EOS R for wildlife and bird shooting. It is workable but less than ideal. I like it best for 2.5fps burst mode and Servo AF of all the setting options. Faster 5fps HS burst seems worse for tracking. I do prefer the EOS 5D with the faster burst shots but I am now use the EOS R in self training preparation for the new mirrorless generation like the R5.

I know Tony titles the new Youtube AF BLOWS MY MIND and I believe he is right about that when using his EF500mmf4 + 2X TC lens. He say it is a completely unfair test and his only object was tracking bird eyes as subjects. He includes the amazing ablity for the focus tracking on a fast flying kingfisher but mostly about small birds in bushes. The AFII picks out the focus with more speed than Tony. He says it is pretty accurate.

AFII looks to be great and Tony says better than year old models of Sony but has not tried the newer about be released model. I care more about EF100-400mm ii with 1.4X iii TC though.

Fro was impressed with the zoo shots and the tracking ability in the 1DXIII for basketball issues. Basketball matters to me as well as birds. Probably even more than birds. The issues are different. F1.2 focus issues are different too. Subsequent comparisons and ranking the importance of each is complicated.

From this review evidence is see it likely the EVF is not perfect. Blackouts are not pretty or ideal in any EVF. However, do not impede tracking per se as the 5DIV demonstrates. Freezing however is concern if the freeze duration occurs over many milliseconds. The eye is sensitive to the jerks. In reviewing the Fro video CANON EOS R5 Human Eye AF: WOW...WATCH OUT SONY!!! at 1:23 is see of freezing jerks in the running boy. This looks better than the EOS R freezing and we know nothing out the burst rate or fps he is using here. At 20FPS the sensor readout is 4X the time than greater than at 5FPS which is still a useful shooting speed that does not cause as more workflow. I am not thinking I need 20 fps for most applications. A good 10fps would still be incredible and be above my expectations for the purchase of an R5. Fro says the AFii shooting is pretty close the the Sony AF and he owns an A9II as well as an A7rIV as his primary cameras. He also says the focus beat the Nikon AF and that he was please with the AF that he could rely on and was easy to change AF subject selection better than the Sony.

I have my 9am July 9 pre-order in and have no intention to cancel. I am likely to return a camera and have never done so. I use what I get the to best of it's capability that I can work out. I do think I may buying the RF 100-500mm if the viewfinder tracking is better but I was impressed enough in my initial RF lens buy of RF24-105, RF 35, & RF24-240mm leneses for my EOS R that I have gone back for the RF15-35 & RF24-70 which was a bigger commitment. Now the EOS R5 is the next step after my initial use with the EOS R. I will keep my 5D and EF L glass forever. Maybe it remain be better at extreme tracking but it will not match the AF of the mirrorless cameras. Particulary when using TCs or at low light. I hope the 45MP of the R will make my cropping a little better. Every bit helps.
I know what you mean. I'm currently try to talk myself out of the FR 85 1.2 and the RF 100-500.
I keep say next year. Next year but if that RF 100-500 goes on sale in December I know the flesh is weak.

The RF 85 1.2 I am less vulnurable to. I have 24, 35, 50, 85, 100, 135 and 180mm primes 1.2/1.4 primes and a 50f1.0. 8 high end EFs and get all eight in RF glass is big money for sure. Almost all my EF primes have 100% focal point coverage and I suspect they will work well enough. This keep me from going too crazy.

It will be nice to fill in some my COVID free time learning how to best use these primes with the R5. One of major uses for big glass primes is for indoor sports and events. The higher ISO performance and better low light focus newer camer body model is reducing some the benefits of large apertures over zooms. I never bought zooms until the last 15 years. Times change and 45MP/4K with the R5 are now very real. Printing is not what it used to be and video screens for viewing are the norm. Making quality stills and even 2K/4k HDR 10 bit video with the R5 appears awesome despite the imperfections remaining. Can the R1 actual be now coming soon for more camera at higher price? TIme will tell.
 
Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
Tony makes a good living "reviewing" cameras on youtube. Fair doesn't earn you clicks, but drama does. You just have to take the Northrup's with a grain of salt and enjoy their art.
The freezing (what you call blackout) jerkyness in Fro 3:42 boy and Tony 0:42 seagull are concerning and perhaps tolerable.
My guess is, the slideshow effect (jerkiness in the viewfinder) is only in Continuous High+ mode. In Continuous High and Continuous Low modes, the EVF will be smooth.

07c8a7e23c5340a185bc2ac61058abc4.jpg.png
 
Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
Tony makes a good living "reviewing" cameras on youtube. Fair doesn't earn you clicks, but drama does. You just have to take the Northrup's with a grain of salt and enjoy their art.
The freezing (what you call blackout) jerkyness in Fro 3:42 boy and Tony 0:42 seagull are concerning and perhaps tolerable.
My guess is, the slideshow effect (jerkiness in the viewfinder) is only in Continuous High+ mode. In Continuous High and Continuous Low modes, the EVF will be smooth.

07c8a7e23c5340a185bc2ac61058abc4.jpg.png
All these fps "focus priority"?
 
Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
Tony makes a good living "reviewing" cameras on youtube. Fair doesn't earn you clicks, but drama does. You just have to take the Northrup's with a grain of salt and enjoy their art.
The freezing (what you call blackout) jerkyness in Fro 3:42 boy and Tony 0:42 seagull are concerning and perhaps tolerable.
My guess is, the slideshow effect (jerkiness in the viewfinder) is only in Continuous High+ mode. In Continuous High and Continuous Low modes, the EVF will be smooth.

07c8a7e23c5340a185bc2ac61058abc4.jpg.png
All these fps "focus priority"?
No info here about that.


--
I feel even more confident that soon things will have a wonderful conclusion
 
Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
Tony makes a good living "reviewing" cameras on youtube. Fair doesn't earn you clicks, but drama does. You just have to take the Northrup's with a grain of salt and enjoy their art.
The freezing (what you call blackout) jerkyness in Fro 3:42 boy and Tony 0:42 seagull are concerning and perhaps tolerable.
My guess is, the slideshow effect (jerkiness in the viewfinder) is only in Continuous High+ mode. In Continuous High and Continuous Low modes, the EVF will be smooth.

07c8a7e23c5340a185bc2ac61058abc4.jpg.png
All these fps "focus priority"?
No. I just presented the table to show that there are several continuous drive modes available.
 
Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
Tony makes a good living "reviewing" cameras on youtube. Fair doesn't earn you clicks, but drama does. You just have to take the Northrup's with a grain of salt and enjoy their art.
The freezing (what you call blackout) jerkyness in Fro 3:42 boy and Tony 0:42 seagull are concerning and perhaps tolerable.
My guess is, the slideshow effect (jerkiness in the viewfinder) is only in Continuous High+ mode. In Continuous High and Continuous Low modes, the EVF will be smooth.

07c8a7e23c5340a185bc2ac61058abc4.jpg.png
All these fps "focus priority"?
No info here about that.

https://translate.google.com/transl...//faq.canon.jp/app/answers/detail/a_id/101699

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I feel even more confident that soon things will have a wonderful conclusion
"During Servo AF, the continuous shooting speed may decrease depending on the subject conditions and lens used." No more info.

In R they state clearly speed priority and focus priority.
 
Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
Tony makes a good living "reviewing" cameras on youtube. Fair doesn't earn you clicks, but drama does. You just have to take the Northrup's with a grain of salt and enjoy their art.
The freezing (what you call blackout) jerkyness in Fro 3:42 boy and Tony 0:42 seagull are concerning and perhaps tolerable.
My guess is, the slideshow effect (jerkiness in the viewfinder) is only in Continuous High+ mode. In Continuous High and Continuous Low modes, the EVF will be smooth.

07c8a7e23c5340a185bc2ac61058abc4.jpg.png
All these fps "focus priority"?
No. I just presented the table to show that there are several continuous drive modes available.
Yes that's good we can reduce fps in servo if wanted. Wish they told us that focus priority thing...
 
Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
A proper review will come. He was upfront about the limitations about the methodology. I don’t remember him actually saying it’s an autofocus stress test. I guess it’s the same reason why DPR writes so many articles after a camera gets unveiled. They do previews, first impressions, sample gallery, etc.
 
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Good Fro video on EYE AF for people. Seems to do a really good job. Nice keeper rate.

Also, this gives you a good idea of what the EVF blackout looks like. It wasn't distracting enough for me to notice it the first time through. So, I went back and watched it again. It's about what I get from the mirror on the 5D4.

Minute 3:42. Definitely in Mechanical shutter and yes very close to a DLSR. It would have been nice to see something being tracked from side to side but this does not look too bad at all. Far better than that ridiculous review by the Northrups.
Fro is more reliable on what is good and what is not. He has his schtick too, but it's more fun.

Yes. The Northrup's do love their drama. A little good cop - bad cop on the R5.

To his credit, Tony did say that it was "a completely unfair test." Also, at around 0:42, you get video of what the blackout looks like.
Then, as a supposed professional, why is he doing the test instead of a fair one?
Tony makes a good living "reviewing" cameras on youtube. Fair doesn't earn you clicks, but drama does. You just have to take the Northrup's with a grain of salt and enjoy their art.
The freezing (what you call blackout) jerkyness in Fro 3:42 boy and Tony 0:42 seagull are concerning and perhaps tolerable.
My guess is, the slideshow effect (jerkiness in the viewfinder) is only in Continuous High+ mode. In Continuous High and Continuous Low modes, the EVF will be smooth.

07c8a7e23c5340a185bc2ac61058abc4.jpg.png
All these fps "focus priority"?
No. I just presented the table to show that there are several continuous drive modes available.
Yes that's good we can reduce fps in servo if wanted. Wish they told us that focus priority thing...
Found this: "The EOS R5 can capture images at up to a blistering 20fps with the electronic shutter or 12fps with the mechanical shutter, all with AF tracking."

from here: https://www.davidnoton.com/despatches/3/Canon EOS-R5 - The Field Trial

That's a pretty good job from Canon, if R5 can track with 12fps as well as slower fps. I see the difference in focus accuracy on R (speed priority 5fps vs focus priority 2,5fps). Anyway, Id be fine with 8fps in focus priority.
 
Found this: "The EOS R5 can capture images at up to a blistering 20fps with the electronic shutter or 12fps with the mechanical shutter, all with AF tracking."

from here: https://www.davidnoton.com/despatches/3/Canon EOS-R5 - The Field Trial

That's a pretty good job from Canon, if R5 can track with 12fps as well as slower fps. I see the difference in focus accuracy on R (speed priority 5fps vs focus priority 2,5fps). Anyway, Id be fine with 8fps in focus priority.
I've been shooting with the M6ii this summer which has a frame rate of 7 FPS in high speed continuous focus priority mode otherwise known as "keeper mode." It was more than enough. It's the first time that I have regularly filled up 64 GB cards. The keeper rate on bees with the EF 100 2.8 macro L was great. I can't wait to see what the R5 does with the beefed up AF and 8 FPS in keeper mode.

Best,

--

Joe
 
  1. Hoka Hey wrote:
Found this: "The EOS R5 can capture images at up to a blistering 20fps with the electronic shutter or 12fps with the mechanical shutter, all with AF tracking."

from here: https://www.davidnoton.com/despatches/3/Canon EOS-R5 - The Field Trial

That's a pretty good job from Canon, if R5 can track with 12fps as well as slower fps. I see the difference in focus accuracy on R (speed priority 5fps vs focus priority 2,5fps). Anyway, Id be fine with 8fps in focus priority.
I've been shooting with the M6ii this summer which has a frame rate of 7 FPS in high speed continuous focus priority mode otherwise known as "keeper mode." It was more than enough. It's the first time that I have regularly filled up 64 GB cards. The keeper rate on bees with the EF 100 2.8 macro L was great. I can't wait to see what the R5 does with the beefed up AF and 8 FPS in keeper mode.

Best,
Yes, 7 "keeper mode" fps would suit me also. I'm now shooting with 2,5? (R's focus priority) and would like to get more, especially for BIF.

And from R6 manual:

[ ] High-speed continuous shooting +
When you hold down the shutter button completely, you can shoot continuously at max.
approx. 12 shots/sec. while you keep holding it down.
[ ] High-speed continuous shooting
When you hold down the shutter button completely, you can shoot continuously at max.
approx. 8.0 shots/sec. ([ : Shutter mode] set to [Mechanical]: max. approx. 6.0
shots/sec.) while you keep holding it down.
[ ] Low-speed continuous shooting
When you hold down the shutter button completely, you can shoot continuously at max.
approx. 3.0 shots/sec. while you keep holding it down.

No words about "focus priority" or "with AF tracking". A bit confusing.
 
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