Why no ultrafast MFT lenses?

More people like Justin Bieber than Fleetwood Mac, but I know who I like better.
I never knew you were a Bieber fan.

Anyway, as for Fleetwood Mac, which one? Peter Green' s original was the best. I think I can say that without fear of contradiction.
As if! Peter Green's Fleetwood Mac were a great blues band but the Rumours line up were touched with genius.
 
More people like Justin Bieber than Fleetwood Mac, but I know who I like better.
I never knew you were a Bieber fan.

Anyway, as for Fleetwood Mac, which one? Peter Green' s original was the best. I think I can say that without fear of contradiction.
As if! Peter Green's Fleetwood Mac were a great blues band but the Rumours line up were touched with genius.
As if Peter Green's original band wasn't touched with genius.
 
More people like Justin Bieber than Fleetwood Mac, but I know who I like better.
I never knew you were a Bieber fan.

Anyway, as for Fleetwood Mac, which one? Peter Green' s original was the best. I think I can say that without fear of contradiction.
As if! Peter Green's Fleetwood Mac were a great blues band but the Rumours line up were touched with genius.
You have to be pretty low if you choose a drug-addled contralto over a supergroup from the 1970's.
 
More people like Justin Bieber than Fleetwood Mac, but I know who I like better.
I never knew you were a Bieber fan.

Anyway, as for Fleetwood Mac, which one? Peter Green' s original was the best. I think I can say that without fear of contradiction.
As if! Peter Green's Fleetwood Mac were a great blues band but the Rumours line up were touched with genius.
You have to be pretty low if you choose a drug-addled contralto over a supergroup from the 1970's.
I'm not sure that 'drug-addled' is a great distinguishing feature there.

In any case, Peter Green's Mac isn't really a supergroup, and was from the 60's. At their peak, they outsold the Beatles and the Stones combined.
 
Someone else may have already posted this, but optical limits has just finished testing the Olympus 45mm F1.2, and they declared it one of the best lens tested (by them) ever. It may not be ultra fast, but it's plenty fast enough, sharp from wide open, and benefits from m43's excellent IBIS.



0b4e3c721dbe47638b35c0bbf348cd9c.jpg.png




--
Dostoy, from Oz
(Oz = Australia)
 
Someone else may have already posted this, but optical limits has just finished testing the Olympus 45mm F1.2, and they declared it one of the best lens tested (by them) ever. It may not be ultra fast, but it's plenty fast enough, sharp from wide open, and benefits from m43's excellent IBIS.

0b4e3c721dbe47638b35c0bbf348cd9c.jpg.png
Here's the link BTW:

https://opticallimits.com/m43/1071-olympus45f12

I noticed they are still using the E-M5 II for testing, so that holds back the results a bit.
 
More people like Justin Bieber than Fleetwood Mac, but I know who I like better.
I never knew you were a Bieber fan.

Anyway, as for Fleetwood Mac, which one? Peter Green' s original was the best. I think I can say that without fear of contradiction.
As if! Peter Green's Fleetwood Mac were a great blues band but the Rumours line up were touched with genius.
You have to be pretty low if you choose a drug-addled contralto over a supergroup from the 1970's.
I'm not sure that 'drug-addled' is a great distinguishing feature there.

In any case, Peter Green's Mac isn't really a supergroup, and was from the 60's. At their peak, they outsold the Beatles and the Stones combined.
I saw Fleetwood Mac in concert in the late '70's. The most memorable part was when Stevie Nicks stopped mid-song and apologized for messing up her lines. I'd say drug-addled is a great description.

I had no idea Peter Green's Mac was so popular. There's no question that the later band was equally if not more popular - wasn't Rumours the best selling album of all time for some years?
 
Someone else may have already posted this, but optical limits has just finished testing the Olympus 45mm F1.2, and they declared it one of the best lens tested (by them) ever. It may not be ultra fast, but it's plenty fast enough, sharp from wide open, and benefits from m43's excellent IBIS.

0b4e3c721dbe47638b35c0bbf348cd9c.jpg.png
lenstip was enthusiastic too (I am linking to the summary but don’t hesitate to read the rest of the review, it has nice information):

Olympus M.Zuiko Digital ED 45 mm f/1.2 PRO review - Summary - LensTip.com
Pros:
  • solid, metal, sealed casing,
  • sensational image quality in the frame centre,
  • very good image quality on the edge of the frame already from the maximum relative aperture,
  • negligible lateral chromatic aberration,
  • practically zero distortion,
  • lower vignetting than the results of the rivals,
  • slight coma,
  • negligible astigmatism,
  • silent, accurate and fast autofocus.
Cons:
  • longitudinal chromatic aberration seems to be a bit too high.
A long list of assets with only one more serious flaw and a record-breaking resolution performance - we don’t doubt that the Olympus M. Zuiko Digital ED 45 mm f/1.2 PRO deserves our ‘Editors’ Choice’ badge. Our summary is exceptionally short but there’s really nothing to talk about. It’s another excellent Micro 4/3 lens.
In the list of pros, I would also mention the superb bokeh (qualitatively speaking). It has spoiled me.
 
It was extensively tested and described throughout the 20th century by the likes of the American National Bureau of Standards (now NIST).

It’s not controversial to say smaller objects have tighter tolerances for a given effort. That’s why precision gauge blocks, for example, have lower expanded uncertainty values in smaller sizes. The same goes for lathes and CNC milling centres and all sorts of other manufacturing equipment.

If this wasn’t so, tiny $20 phone lenses would be unusable rather than amazingly good and microprocessors would be impossible to manufacture.

Testing complete camera lenses for variation and finding that lenses for smaller sensors have greater variation (if they do) doesn’t disprove the general claim though it’s probably more relevant to camera customers.

I thought the matchstick versus roof rafter example would make this understandable in an intuitive way but maybe it didn’t help.
 
It was extensively tested and described throughout the 20th century by the likes of the American National Bureau of Standards (now NIST).

It’s not controversial to say smaller objects have tighter tolerances for a given effort. That’s why precision gauge blocks, for example, have lower expanded uncertainty values in smaller sizes. The same goes for lathes and CNC milling centres and all sorts of other manufacturing equipment.
Citation needed. There are very few characteristics that would automatically scale with the object size; the only one that comes to mind offhand is thermal expansion.
If this wasn’t so, tiny $20 phone lenses would be unusable rather than amazingly good and microprocessors would be impossible to manufacture.
Unless you have a few billion dollars to spare, microprocessors really are impossible to manufacture. The tolerances required aren't even comprehensible unless you're in the business.
Testing complete camera lenses for variation and finding that lenses for smaller sensors have greater variation (if they do) doesn’t disprove the general claim though it’s probably more relevant to camera customers.

I thought the matchstick versus roof rafter example would make this understandable in an intuitive way but maybe it didn’t help.
I have found that bad analogies outnumber good analogies by a huge margin. I don't usually pay much attention.
 
Citation needed.
Come on. Look up anything written on dimensional metrology. This document would do for a start: https://tsapps.nist.gov/publication/get_pdf.cfm?pub_id=820983

Of course if you take the same milling centre and simply make something smaller with it, you won’t enjoy the naturally tighter tolerances of working with smaller dimensions. And maybe that’s all that’s done in some cases, with camera lenses. Plastics manufacturing has its own problems that I know little about.

I also don’t deny that some dimensions won’t neatly take care of themselves when making smaller lenses. The starting point for all of this was scaling lenses as a theoretical exercise. I think that question was answered before the needless snark arrived.
 
It was extensively tested and described throughout the 20th century by the likes of the American National Bureau of Standards (now NIST).

It’s not controversial to say smaller objects have tighter tolerances for a given effort. That’s why precision gauge blocks, for example, have lower expanded uncertainty values in smaller sizes. The same goes for lathes and CNC milling centres and all sorts of other manufacturing equipment.

If this wasn’t so, tiny $20 phone lenses would be unusable rather than amazingly good and microprocessors would be impossible to manufacture.

Testing complete camera lenses for variation and finding that lenses for smaller sensors have greater variation (if they do) doesn’t disprove the general claim though it’s probably more relevant to camera customers.

I thought the matchstick versus roof rafter example would make this understandable in an intuitive way but maybe it didn’t help.
I think the reason you can't just scale arbitrarily is because lenses are not made the same way. I believe smartphone lens elements are largely made from molded plastic, while most ILC lens elements are made from glass (with only a few elements of plastic). So the tolerances between the two are completely different.

And it's not always viable to switch between methods because there maybe other considerations: for example a process viable for a large volume product like smart phones, may not necessarily be viable for the much smaller volume of ILC lenses; the machines that can make small elements may not necessarily be able to scale to larger ones (and vice versa).
 
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Citation needed.
Come on. Look up anything written on dimensional metrology. This document would do for a start: https://tsapps.nist.gov/publication/get_pdf.cfm?pub_id=820983

Of course if you take the same milling centre and simply make something smaller with it, you won’t enjoy the naturally tighter tolerances of working with smaller dimensions. And maybe that’s all that’s done in some cases, with camera lenses. Plastics manufacturing has its own problems that I know little about.

I also don’t deny that some dimensions won’t neatly take care of themselves when making smaller lenses. The starting point for all of this was scaling lenses as a theoretical exercise. I think that question was answered before the needless snark arrived.
I don't know what business you're in, so maybe these things are self evident for you. I assure you they are not universally known. Until you said "dimensional metrology" I wouldn't have even known what to search for.

If you hand me a pair of scissors and two sheets of paper, and ask me to cut a large square from one and a small square from the other, I have no reason to believe the small square will have better tolerances than the large one.
 
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It was extensively tested and described throughout the 20th century by the likes of the American National Bureau of Standards (now NIST).

It’s not controversial to say smaller objects have tighter tolerances for a given effort. That’s why precision gauge blocks, for example, have lower expanded uncertainty values in smaller sizes. The same goes for lathes and CNC milling centres and all sorts of other manufacturing equipment.

If this wasn’t so, tiny $20 phone lenses would be unusable rather than amazingly good and microprocessors would be impossible to manufacture.

Testing complete camera lenses for variation and finding that lenses for smaller sensors have greater variation (if they do) doesn’t disprove the general claim though it’s probably more relevant to camera customers.

I thought the matchstick versus roof rafter example would make this understandable in an intuitive way but maybe it didn’t help.
I think the problem is taking the scaling of a part and considering the scaling to a complex item with hundreds of parts is the same. Yes, you can make a small screw more accurately than a large bolt (at least assuming cost is the same pre weight).

Since modern lens elements are CNC machined, the best possible curvature is the same for small and (reasonably) large lenses, so the analogy fails. It fails worse when you consider a smaller lens may require a higher curvature.

Moving from part to complex machine, though, you're analogy may actually get reversed. The adjusting mechanisms for a micro 4/3 lens are the same thread and screw size as a full-frame lens (other than supertelephoto size). Yet in the smaller lens it's required to make a more accurate adjustment; which it can't.

The phone lens analogy also fails for different reasons. Phone lenses are entirely machine made, as similar to photo lenses as microprocessors are to circuits made with transistors and capacitors. The assembly line for phone lenses rejects anywhere from 30% to 50% at end of line testing and throws them away, which it can afford to do since manufacturing costs are tiny compared to a photo lens.

If smaller camera lenses were made using the highly automated methodology of phone lenses, then I'd totally agree with you, but they aren't. They're made like all the other camera lenses.
 
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Since modern lens elements are CNC machined, the best possible curvature is the same for small and (reasonably) large lenses, so the analogy fails. It fails worse when you consider a smaller lens may require a higher curvature.
I think it's something of a generalisation to say that 'modern lens elements are CNC machined'. The majority of lens elements in modern lenses are roughed, ground and polished in the traditional way .The videos of lens plants at work show that quite clearly. It's one of the areas where there is a big difference between what happens in volume production, even low volume, and what happens in the specialist optical industry.
 
Since modern lens elements are CNC machined, the best possible curvature is the same for small and (reasonably) large lenses, so the analogy fails. It fails worse when you consider a smaller lens may require a higher curvature.
I think it's something of a generalisation to say that 'modern lens elements are CNC machined'. The majority of lens elements in modern lenses are roughed, ground and polished in the traditional way .The videos of lens plants at work show that quite clearly. It's one of the areas where there is a big difference between what happens in volume production, even low volume, and what happens in the specialist optical industry.
Fair point and you are correct on spherical elements, which are the majority. I was thinking about aspheres and overgeneralized.
 
Hello,

Why are there no ultrafast MFT (and to a lesser extent, APS-C) lenses?
Ultrafast glass is a hype started in the 1960s when high iso film material was extremely crude. With modern sensors which are very usable at fairly high iso values most people have little need for ultrafast glass.
Actually fast lenses were first introduced just after WWII, in the form of the 5cm f1.5 Zeiss Sonnar and, since copyrights in Germany were made public after WWII, Nikon and Canon followed suit with their own derivatives.

Here is a good short history of fast lens design if you are interested:

https://www.rangefinderforum.com/forums/showthread.php?t=156630
 
Technically, someone *should* be able to make, for example, a 25mm f/0.9 MFT lens that isn't any bigger, heavier, more complex or more expensive than a FF f/1.8 lens.
I think you have little understanding of lens design. ;-)

Lens focal length and aperture are independent of the sensor size you put behind them. The complexity and size depend a bit on a sensor size and the distance from the lens mount and the sensor, but as a first approximation a 25mm f/0.9 MFT lens and a 25mm f/0.9 FF lens can be similar, as well as a 50mm f/1.8 MFT lens and 50mm f/1.8 FF lens.
Not really, either.

Lenses scale proportionally. If you simply take a 50 mm f/1.8 ‘full-frame’ lens and halve all of its linear dimensions, you’ll get a 25 mm f/1.8 lens for Micro Four Thirds with equal image quality and 1/8th the volume and weight. It will be equally hard to design and require the same glass types but be cheaper to manufacturer on account of being smaller.

By the same token, a 25 mm f/0.9 Micro Four Thirds lens is just as difficult to design as a 50 mm f/0.9, requires the same (expensive) glass types, same (large) number of elements, etc. It’s just that it will be a lot smaller and a bit cheaper to manufacture.

In practice, Micro Four Thirds lenses can afford to be bigger than half the linear dimensions of full-frame lenses and heavier than 1/8th of their weight. Customers accept greater dimensions and weight than that. So lenses of similar angle-of-view usually have slightly lower f-numbers for Micro Four Thirds. But to make them fully two stops faster (for the same light throughput) would drive up the complexity and cost and size to unacceptable levels. It would also defeat the purpose of Micro Four Thirds that is to offer a cheaper and smaller alternative to camera systems of that size and weight. Few people buy Micro Four Thirds cameras to make ‘equivalent’ photos to full-frame, forum blather notwithstanding.
How do I put this?
Well, the sensible way would be 'That was a good post and explained some of the constraints on lens design very well'.
I think it was a very good explanation... what could be added?

I think the point a lot of people miss at first (and perhaps the OP is one) is f stop is not aperture, nor is it a ratio to the image circle, it is the ratio of aperture to focal length.

The "a 25mm f1.0 lens has a 25mm aperture, and a 25mm f2.0 lens would have a 12mm aperture.

Which is the why when you halve the focal length you can halve the aperture, and keep the same f stop.
You are wrong.
and that wasn't a good way at all.
The point i consider not actually 'wrong' but at least debatable is

"It would also defeat the purpose of Micro Four Thirds that is to offer a cheaper and smaller alternative to camera systems of that size and weight."

I think this is one purpose....but not necessarily the only purpose. I am a proponent of a m43 system that includes smaller and lighter, but should not only consist of smaller and lighter. That is: one system for both when wanting smaller and lighter and allowing skipping the size advantage on the rare occasions when you do need more light.
 
Technically, someone *should* be able to make, for example, a 25mm f/0.9 MFT lens that isn't any bigger, heavier, more complex or more expensive than a FF f/1.8 lens.
I think you have little understanding of lens design. ;-)

Lens focal length and aperture are independent of the sensor size you put behind them. The complexity and size depend a bit on a sensor size and the distance from the lens mount and the sensor, but as a first approximation a 25mm f/0.9 MFT lens and a 25mm f/0.9 FF lens can be similar, as well as a 50mm f/1.8 MFT lens and 50mm f/1.8 FF lens.
Not really, either.

Lenses scale proportionally. If you simply take a 50 mm f/1.8 ‘full-frame’ lens and halve all of its linear dimensions, you’ll get a 25 mm f/1.8 lens for Micro Four Thirds with equal image quality and 1/8th the volume and weight. It will be equally hard to design and require the same glass types but be cheaper to manufacturer on account of being smaller.

By the same token, a 25 mm f/0.9 Micro Four Thirds lens is just as difficult to design as a 50 mm f/0.9, requires the same (expensive) glass types, same (large) number of elements, etc. It’s just that it will be a lot smaller and a bit cheaper to manufacture.

In practice, Micro Four Thirds lenses can afford to be bigger than half the linear dimensions of full-frame lenses and heavier than 1/8th of their weight. Customers accept greater dimensions and weight than that. So lenses of similar angle-of-view usually have slightly lower f-numbers for Micro Four Thirds. But to make them fully two stops faster (for the same light throughput) would drive up the complexity and cost and size to unacceptable levels. It would also defeat the purpose of Micro Four Thirds that is to offer a cheaper and smaller alternative to camera systems of that size and weight. Few people buy Micro Four Thirds cameras to make ‘equivalent’ photos to full-frame, forum blather notwithstanding.
How do I put this?
Well, the sensible way would be 'That was a good post and explained some of the constraints on lens design very well'.
I think it was a very good explanation... what could be added?
Engineering and manufacturing tolerances.
I think the point a lot of people miss at first (and perhaps the OP is one) is f stop is not aperture, nor is it a ratio to the image circle, it is the ratio of aperture to focal length.

The "a 25mm f1.0 lens has a 25mm aperture, and a 25mm f2.0 lens would have a 12mm aperture.

Which is the why when you halve the focal length you can halve the aperture, and keep the same f stop.
You are wrong.
and that wasn't a good way at all.
The point i consider not actually 'wrong' but at least debatable is

"It would also defeat the purpose of Micro Four Thirds that is to offer a cheaper and smaller alternative to camera systems of that size and weight."

I think this is one purpose....but not necessarily the only purpose. I am a proponent of a m43 system that includes smaller and lighter, but should not only consist of smaller and lighter. That is: one system for both when wanting smaller and lighter and allowing skipping the size advantage on the rare occasions when you do need more light.
 

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