The GX1/GX7 was when Panasonic got it right. To this day, I want to point blame to whoever changed the name outside of Japan for the following cameras.

The GX8 should've had a whole different name, like the X-Pro/X-E Fujifilm lines.

Even with the GX8, I felt that that full swivel screen was the kiss of death for a lot of GX owners. I think the GX7 MkII is where Panasonic should stay, unless they'll rethink their strategy and make a GXX Rangefinder camera with the L-Mount and all the bells and whistles with a Tilt screen "hint-hint" Panasonic...
 
The GX1/GX7 was when Panasonic got it right. To this day, I want to point blame to whoever changed the name outside of Japan for the following cameras.

The GX8 should've had a whole different name, like the X-Pro/X-E Fujifilm lines.

Even with the GX8, I felt that that full swivel screen was the kiss of death for a lot of GX owners. I think the GX7 MkII is where Panasonic should stay, unless they'll rethink their strategy and make a GXX Rangefinder camera with the L-Mount and all the bells and whistles with a Tilt screen "hint-hint" Panasonic...
The S1 and S1R has a 3-axis tilt screen that I think can work well as a midpoint. Still doesn't support Selfie screen, but does support portrait tilt.

I think the most ideal is a hybrid tilt/FAS like the A99 screen.
 
In its favor, it improves upon the GX8 by losing the anti-alias filter
That's not "in its favor" at all, it's in its detriment. I despise this attitude. I'll take "10% less resolving power" over aliasing artifacts / "moire" any day. Cameras that lack an anti-aliasing filter are absolutely useless for me. I run into those artifacts all the time, especially because of the inability to properly handle the detail from the fabrics of people's clothes.

Your fake "extra-detail" in the form of disgusting aliasing artifacts trumps any slight "resolving power" that your AA-filter-less camera MAY have.

I despise this idiotic trend. Omitting the anti-aliasing filter is one of the most idiotic things anyone can do in an analog to digital sampling product, and it's not even disputable, it's a plain fact.

Cue the BS comments against anti-aliasing.
Just curious if you're basing your rant on 3 year old theory or real experience with the latest cams without AA filtre? My understanding is that the extra processing power of the latest gear somewhat corrects some/most/all aliasing artefacts. It might be that the compromise was better resolution for 95% of shots with slightly less AA on those d***n tweed blazers on the remaining 5%. Really, I don't know because I have never used a "modern" camera sin AA filtre. I have however found some traces of aliasing with all my cameras with AA filtre, so...
 
In its favor, it improves upon the GX8 by losing the anti-alias filter
That's not "in its favor" at all, it's in its detriment. I despise this attitude. I'll take "10% less resolving power" over aliasing artifacts / "moire" any day. Cameras that lack an anti-aliasing filter are absolutely useless for me. I run into those artifacts all the time, especially because of the inability to properly handle the detail from the fabrics of people's clothes.

Your fake "extra-detail" in the form of disgusting aliasing artifacts trumps any slight "resolving power" that your AA-filter-less camera MAY have.

I despise this idiotic trend. Omitting the anti-aliasing filter is one of the most idiotic things anyone can do in an analog to digital sampling product, and it's not even disputable, it's a plain fact.

Cue the BS comments against anti-aliasing.
Just curious if you're basing your rant on 3 year old theory or real experience with the latest cams without AA filtre? My understanding is that the extra processing power of the latest gear somewhat corrects some/most/all aliasing artefacts.
There is no way to "correct" aliasing artifacts. Once aliasing happens, it's there to stay. Any POST-processing does not "correct" it, it only MAY somewhat mask the artifacts, and it will ALWAYS result in a MUCH worse result than you would ever have gotten had there not been aliasing artifacts in the first place. You and most people here don't seem to understand a single thing about the absolute basics of digital sampling, and that's how the camera companies are able to get away with crap like this. The only way to actually reduce aliasing artifacts is to include a low-pass filter, oversampling, or ideally (as has been done in audio for many many years) BOTH. There is no magical "state of the art" "computational photography" BS that can get around the basics of digital processing. I'm sick of this stuff.
 
Last edited:
The GX1/GX7 was when Panasonic got it right. To this day, I want to point blame to whoever changed the name outside of Japan for the following cameras.

.....

Even with the GX8, I felt that that full swivel screen was the kiss of death for a lot of GX owners. ....
Tsk tsk.... The jury is still out on this one. I for one really appreciate the fully articulated screen because a) I can close the damn thing and protect the screen and b) it's just covers more situations when I do need it.

If you have a GX8 with one of the best EVF out there, why should the choice of the back screen be a "kiss of death" since most owners might use it only a fraction of the time?
 
In its favor, it improves upon the GX8 by losing the anti-alias filter
That's not "in its favor" at all, it's in its detriment. I despise this attitude. I'll take "10% less resolving power" over aliasing artifacts / "moire" any day. Cameras that lack an anti-aliasing filter are absolutely useless for me. I run into those artifacts all the time, especially because of the inability to properly handle the detail from the fabrics of people's clothes.

Your fake "extra-detail" in the form of disgusting aliasing artifacts trumps any slight "resolving power" that your AA-filter-less camera MAY have.

I despise this idiotic trend. Omitting the anti-aliasing filter is one of the most idiotic things anyone can do in an analog to digital sampling product, and it's not even disputable, it's a plain fact.

Cue the BS comments against anti-aliasing.
Just curious if you're basing your rant on 3 year old theory or real experience with the latest cams without AA filtre? My understanding is that the extra processing power of the latest gear somewhat corrects some/most/all aliasing artefacts.
There is no way to "correct" aliasing artifacts. Once aliasing happens, it's there to stay. Any POST-processing does not "correct" it, it only MAY somewhat mask the artifacts, and it will ALWAYS result in a MUCH worse result than you would ever have gotten had there not been aliasing artifacts in the first place. You and most people here don't seem to understand a single thing about the absolute basics of digital sampling, and that's how the camera companies are able to get away with crap like this. The only way to actually reduce aliasing artifacts is to include a low-pass filter, oversampling, or ideally (as has been done in audio for many many years) BOTH. There is no magical "state of the art" "computational photography" BS that can get around the basics of digital processing. I'm sick of this stuff.
...And you didn't answer my question: Is your rant comment based on actual experience with recent cameras or on theory which you might not completely master? Just asking...
 
In its favor, it improves upon the GX8 by losing the anti-alias filter
That's not "in its favor" at all, it's in its detriment. I despise this attitude. I'll take "10% less resolving power" over aliasing artifacts / "moire" any day. Cameras that lack an anti-aliasing filter are absolutely useless for me. I run into those artifacts all the time, especially because of the inability to properly handle the detail from the fabrics of people's clothes.

Your fake "extra-detail" in the form of disgusting aliasing artifacts trumps any slight "resolving power" that your AA-filter-less camera MAY have.

I despise this idiotic trend. Omitting the anti-aliasing filter is one of the most idiotic things anyone can do in an analog to digital sampling product, and it's not even disputable, it's a plain fact.

Cue the BS comments against anti-aliasing.
Just curious if you're basing your rant on 3 year old theory or real experience with the latest cams without AA filtre? My understanding is that the extra processing power of the latest gear somewhat corrects some/most/all aliasing artefacts.
There is no way to "correct" aliasing artifacts. Once aliasing happens, it's there to stay. Any POST-processing does not "correct" it, it only MAY somewhat mask the artifacts, and it will ALWAYS result in a MUCH worse result than you would ever have gotten had there not been aliasing artifacts in the first place. You and most people here don't seem to understand a single thing about the absolute basics of digital sampling, and that's how the camera companies are able to get away with crap like this. The only way to actually reduce aliasing artifacts is to include a low-pass filter, oversampling, or ideally (as has been done in audio for many many years) BOTH. There is no magical "state of the art" "computational photography" BS that can get around the basics of digital processing. I'm sick of this stuff.
...And you didn't answer my question: Is your rant comment based on actual experience with recent cameras or on theory which you might not completely master? Just asking...
Actual experience and more than just that.
 
In its favor, it improves upon the GX8 by losing the anti-alias filter
That's not "in its favor" at all, it's in its detriment. I despise this attitude. I'll take "10% less resolving power" over aliasing artifacts / "moire" any day. Cameras that lack an anti-aliasing filter are absolutely useless for me. I run into those artifacts all the time, especially because of the inability to properly handle the detail from the fabrics of people's clothes.

Your fake "extra-detail" in the form of disgusting aliasing artifacts trumps any slight "resolving power" that your AA-filter-less camera MAY have.

I despise this idiotic trend. Omitting the anti-aliasing filter is one of the most idiotic things anyone can do in an analog to digital sampling product, and it's not even disputable, it's a plain fact.

Cue the BS comments against anti-aliasing.
Just curious if you're basing your rant on 3 year old theory or real experience with the latest cams without AA filtre? My understanding is that the extra processing power of the latest gear somewhat corrects some/most/all aliasing artefacts.
There is no way to "correct" aliasing artifacts. Once aliasing happens, it's there to stay. Any POST-processing does not "correct" it, it only MAY somewhat mask the artifacts, and it will ALWAYS result in a MUCH worse result than you would ever have gotten had there not been aliasing artifacts in the first place. You and most people here don't seem to understand a single thing about the absolute basics of digital sampling, and that's how the camera companies are able to get away with crap like this. The only way to actually reduce aliasing artifacts is to include a low-pass filter, oversampling, or ideally (as has been done in audio for many many years) BOTH. There is no magical "state of the art" "computational photography" BS that can get around the basics of digital processing. I'm sick of this stuff.
...And you didn't answer my question: Is your rant comment based on actual experience with recent cameras or on theory which you might not completely master? Just asking...
Actual experience and more than just that.
Any comparison testing examples?
 
In its favor, it improves upon the GX8 by losing the anti-alias filter
That's not "in its favor" at all, it's in its detriment. I despise this attitude. I'll take "10% less resolving power" over aliasing artifacts / "moire" any day. Cameras that lack an anti-aliasing filter are absolutely useless for me. I run into those artifacts all the time, especially because of the inability to properly handle the detail from the fabrics of people's clothes.

Your fake "extra-detail" in the form of disgusting aliasing artifacts trumps any slight "resolving power" that your AA-filter-less camera MAY have.

I despise this idiotic trend. Omitting the anti-aliasing filter is one of the most idiotic things anyone can do in an analog to digital sampling product, and it's not even disputable, it's a plain fact.

Cue the BS comments against anti-aliasing.
Just curious if you're basing your rant on 3 year old theory or real experience with the latest cams without AA filtre? My understanding is that the extra processing power of the latest gear somewhat corrects some/most/all aliasing artefacts.
There is no way to "correct" aliasing artifacts. Once aliasing happens, it's there to stay. Any POST-processing does not "correct" it, it only MAY somewhat mask the artifacts, and it will ALWAYS result in a MUCH worse result than you would ever have gotten had there not been aliasing artifacts in the first place. You and most people here don't seem to understand a single thing about the absolute basics of digital sampling, and that's how the camera companies are able to get away with crap like this. The only way to actually reduce aliasing artifacts is to include a low-pass filter, oversampling, or ideally (as has been done in audio for many many years) BOTH. There is no magical "state of the art" "computational photography" BS that can get around the basics of digital processing. I'm sick of this stuff.
...And you didn't answer my question: Is your rant comment based on actual experience with recent cameras or on theory which you might not completely master? Just asking...
Actual experience and more than just that.
Any comparison testing examples?
No, I've never been masochistic enough to do that, and the idea sickens me, so you'll have to do it yourself, or at least look at the countless complaints around forums about artifacts by cameras that lack anti-aliasing. Anyway, I have to go, long day ahead. Do yourself a favor and don't listen to people who claim they've "never seen it", and you definitely don't need to "trust me" either (or anyone else who has at least a basic grasp of digital sampling), you should try stuff yourself, especially because forums are full of an insane amount of misinformation regarding this subject. Later.
 
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In its favor, it improves upon the GX8 by losing the anti-alias filter
That's not "in its favor" at all, it's in its detriment. I despise this attitude. I'll take "10% less resolving power" over aliasing artifacts / "moire" any day. Cameras that lack an anti-aliasing filter are absolutely useless for me. I run into those artifacts all the time, especially because of the inability to properly handle the detail from the fabrics of people's clothes.

Your fake "extra-detail" in the form of disgusting aliasing artifacts trumps any slight "resolving power" that your AA-filter-less camera MAY have.

I despise this idiotic trend. Omitting the anti-aliasing filter is one of the most idiotic things anyone can do in an analog to digital sampling product, and it's not even disputable, it's a plain fact.

Cue the BS comments against anti-aliasing.
Just curious if you're basing your rant on 3 year old theory or real experience with the latest cams without AA filtre? My understanding is that the extra processing power of the latest gear somewhat corrects some/most/all aliasing artefacts.
There is no way to "correct" aliasing artifacts. Once aliasing happens, it's there to stay. Any POST-processing does not "correct" it, it only MAY somewhat mask the artifacts, and it will ALWAYS result in a MUCH worse result than you would ever have gotten had there not been aliasing artifacts in the first place. You and most people here don't seem to understand a single thing about the absolute basics of digital sampling, and that's how the camera companies are able to get away with crap like this. The only way to actually reduce aliasing artifacts is to include a low-pass filter, oversampling, or ideally (as has been done in audio for many many years) BOTH. There is no magical "state of the art" "computational photography" BS that can get around the basics of digital processing. I'm sick of this stuff.
...And you didn't answer my question: Is your rant comment based on actual experience with recent cameras or on theory which you might not completely master? Just asking...
Actual experience and more than just that.
Any comparison testing examples?
No, I've never been masochistic enough to do that, and the idea sickens me, so you'll have to do it yourself, or at least look at the countless complaints around forums about artifacts by cameras that lack anti-aliasing. Anyway, I have to go, long day ahead. Do yourself a favor and don't listen to people who claim they've "never seen it", and you definitely don't need to "trust me" either (or anyone else who has at least a basic grasp of digital sampling), you should try stuff yourself, especially because forums are full of an insane amount of misinformation regarding this subject. Later.
Oh, I've seen it all right; I'm a video engineer... It's just that it's still not clear to me if you've seen it on recent (2017/2018) cameras or older copies. Your anger seems to overwhelm your logic. Give us examples, pictures, camera models, etc. Otherwise, you're just ranting and not contributiing.
 
In its favor, it improves upon the GX8 by losing the anti-alias filter
That's not "in its favor" at all, it's in its detriment. I despise this attitude. I'll take "10% less resolving power" over aliasing artifacts / "moire" any day. Cameras that lack an anti-aliasing filter are absolutely useless for me. I run into those artifacts all the time, especially because of the inability to properly handle the detail from the fabrics of people's clothes.

Your fake "extra-detail" in the form of disgusting aliasing artifacts trumps any slight "resolving power" that your AA-filter-less camera MAY have.

I despise this idiotic trend. Omitting the anti-aliasing filter is one of the most idiotic things anyone can do in an analog to digital sampling product, and it's not even disputable, it's a plain fact.

Cue the BS comments against anti-aliasing.
Just curious if you're basing your rant on 3 year old theory or real experience with the latest cams without AA filtre? My understanding is that the extra processing power of the latest gear somewhat corrects some/most/all aliasing artefacts.
There is no way to "correct" aliasing artifacts. Once aliasing happens, it's there to stay. Any POST-processing does not "correct" it, it only MAY somewhat mask the artifacts, and it will ALWAYS result in a MUCH worse result than you would ever have gotten had there not been aliasing artifacts in the first place. You and most people here don't seem to understand a single thing about the absolute basics of digital sampling, and that's how the camera companies are able to get away with crap like this. The only way to actually reduce aliasing artifacts is to include a low-pass filter, oversampling, or ideally (as has been done in audio for many many years) BOTH. There is no magical "state of the art" "computational photography" BS that can get around the basics of digital processing. I'm sick of this stuff.
...And you didn't answer my question: Is your rant comment based on actual experience with recent cameras or on theory which you might not completely master? Just asking...
Actual experience and more than just that.
Any comparison testing examples?
No, I've never been masochistic enough to do that, and the idea sickens me, so you'll have to do it yourself, or at least look at the countless complaints around forums about artifacts by cameras that lack anti-aliasing. Anyway, I have to go, long day ahead. Do yourself a favor and don't listen to people who claim they've "never seen it", and you definitely don't need to "trust me" either (or anyone else who has at least a basic grasp of digital sampling), you should try stuff yourself, especially because forums are full of an insane amount of misinformation regarding this subject. Later.
Oh, I've seen it all right; I'm a video engineer... It's just that it's still not clear to me if you've seen it on recent (2017/2018) cameras or older copies. Your anger seems to overwhelm your logic. Give us examples, pictures, camera models, etc. Otherwise, you're just ranting and not contributiing.
There is a good current thread on the Photographic Science forum that explains this in detail.


Adielle is correct in terms of aliasing. The issue is that, without bringing outside knowledge of the scene, it is impossible to actually fix aliasing artifacts. How do you know that your Moire is not actually a photograph of a Moire pattern? How do you know that leaves shouldn't look jagged and visually bright? It is mathematically impossible to reconstruct the original image after aliasing occurs. If you find a true way around it you can collect your Nobel prize.

Modern algorithms degrade image quality to remove the obvious signs of aliasing, but are not able to correct the subtle signs.
 
Keith-pictures
I despise this idiotic trend. Omitting the anti-aliasing filter is one of the most idiotic things anyone can do in an analog to digital sampling product, and it's not even disputable, it's a plain fact.
NO it is not . It s your opinion. You are entitled to it but so are people who think otherwise. In the end it depends on what you photograph the most. If you are a wedding or a dress/ fabric photographer it might be a serious concern

As for me and many others I would NEVER buy a camera with an anti alias filter.I would rather deal with once in a very long while moire in a few pics here and there than compromise the image sharpness on 99.9% of my other images

H
 
The GX1/GX7 was when Panasonic got it right. To this day, I want to point blame to whoever changed the name outside of Japan for the following cameras.

.....

Even with the GX8, I felt that that full swivel screen was the kiss of death for a lot of GX owners. ....
Tsk tsk.... The jury is still out on this one. I for one really appreciate the fully articulated screen because a) I can close the damn thing and protect the screen and b) it's just covers more situations when I do need it.
Yes , fully articulated screen is a plus, ESPECIALLY for photogswho shoot a lot of vertical. I was lik many others I am sure , reluctant to consider GX8 because of all the shutter shock comments. If panasonic was to make a GX8 mark II of this camera without this shutter shock issue and the two sd uhs II card slots of the G9 , i would most likely buy one

Harold
 
The GX1/GX7 was when Panasonic got it right. To this day, I want to point blame to whoever changed the name outside of Japan for the following cameras.

The GX8 should've had a whole different name, like the X-Pro/X-E Fujifilm lines.

Even with the GX8, I felt that that full swivel screen was the kiss of death for a lot of GX owners. I think the GX7 MkII is where Panasonic should stay, unless they'll rethink their strategy and make a GXX Rangefinder camera with the L-Mount and all the bells and whistles with a Tilt screen "hint-hint" Panasonic...
The S1 and S1R has a 3-axis tilt screen that I think can work well as a midpoint. Still doesn't support Selfie screen, but does support portrait tilt.

I think the most ideal is a hybrid tilt/FAS like the A99 screen.
...that take videos seriously, I think the grand majority would hate a screen that doesn't fully swivel.
 
The GX1/GX7 was when Panasonic got it right. To this day, I want to point blame to whoever changed the name outside of Japan for the following cameras.

The GX8 should've had a whole different name, like the X-Pro/X-E Fujifilm lines.

Even with the GX8, I felt that that full swivel screen was the kiss of death for a lot of GX owners. I think the GX7 MkII is where Panasonic should stay, unless they'll rethink their strategy and make a GXX Rangefinder camera with the L-Mount and all the bells and whistles with a Tilt screen "hint-hint" Panasonic...
The S1 and S1R has a 3-axis tilt screen that I think can work well as a midpoint. Still doesn't support Selfie screen, but does support portrait tilt.

I think the most ideal is a hybrid tilt/FAS like the A99 screen.
...that take videos seriously, I think the grand majority would hate a screen that doesn't fully swivel.
I think actually it's in the middle. It's the video enthusiasts who would want a FAS, but for very serious videographers, they probably have other means of monitoring their output.

I think the issue with FAS in the GX line is that it's a huge deal breaker for street photographers (a market the GX line is perfect for). There are plenty that are quite passionate about not having a screen that makes the camera footprint twice as much when it tilts. A hybrid screen would address both markets.
 
I shoot video, but my video style is very “B roll”. I don’t like swivel screens I have a minimalist sensibility about it
 
In its favor, it improves upon the GX8 by losing the anti-alias filter
That's not "in its favor" at all, it's in its detriment. I despise this attitude. I'll take "10% less resolving power" over aliasing artifacts / "moire" any day. Cameras that lack an anti-aliasing filter are absolutely useless for me. I run into those artifacts all the time, especially because of the inability to properly handle the detail from the fabrics of people's clothes.

Your fake "extra-detail" in the form of disgusting aliasing artifacts trumps any slight "resolving power" that your AA-filter-less camera MAY have.

I despise this idiotic trend. Omitting the anti-aliasing filter is one of the most idiotic things anyone can do in an analog to digital sampling product, and it's not even disputable, it's a plain fact.

Cue the BS comments against anti-aliasing.
Just curious if you're basing your rant on 3 year old theory or real experience with the latest cams without AA filtre? My understanding is that the extra processing power of the latest gear somewhat corrects some/most/all aliasing artefacts.
There is no way to "correct" aliasing artifacts. Once aliasing happens, it's there to stay. Any POST-processing does not "correct" it, it only MAY somewhat mask the artifacts, and it will ALWAYS result in a MUCH worse result than you would ever have gotten had there not been aliasing artifacts in the first place. You and most people here don't seem to understand a single thing about the absolute basics of digital sampling, and that's how the camera companies are able to get away with crap like this. The only way to actually reduce aliasing artifacts is to include a low-pass filter, oversampling, or ideally (as has been done in audio for many many years) BOTH. There is no magical "state of the art" "computational photography" BS that can get around the basics of digital processing. I'm sick of this stuff.
...And you didn't answer my question: Is your rant comment based on actual experience with recent cameras or on theory which you might not completely master? Just asking...
Actual experience and more than just that.
Any comparison testing examples?
No, I've never been masochistic enough to do that, and the idea sickens me, so you'll have to do it yourself, or at least look at the countless complaints around forums about artifacts by cameras that lack anti-aliasing. Anyway, I have to go, long day ahead. Do yourself a favor and don't listen to people who claim they've "never seen it", and you definitely don't need to "trust me" either (or anyone else who has at least a basic grasp of digital sampling), you should try stuff yourself, especially because forums are full of an insane amount of misinformation regarding this subject. Later.
Oh, I've seen it all right; I'm a video engineer... It's just that it's still not clear to me if you've seen it on recent (2017/2018) cameras or older copies. Your anger seems to overwhelm your logic. Give us examples, pictures, camera models, etc. Otherwise, you're just ranting and not contributiing.
There is a good current thread on the Photographic Science forum that explains this in detail.

https://www.dpreview.com/forums/post/61997568

Adielle is correct in terms of aliasing. The issue is that, without bringing outside knowledge of the scene, it is impossible to actually fix aliasing artifacts. How do you know that your Moire is not actually a photograph of a Moire pattern? How do you know that leaves shouldn't look jagged and visually bright? It is mathematically impossible to reconstruct the original image after aliasing occurs. If you find a true way around it you can collect your Nobel prize.

Modern algorithms degrade image quality to remove the obvious signs of aliasing, but are not able to correct the subtle signs.
Part way there but the link seems to explain the theory of sampling and aliasing but I have not seen any pragmatic (read engineering) workarounds discussed or examples shown, though I admit to being too lazy to read all the posts. As for your statement that it is "impossible to fix aliasing artefact", I beg to disagree but only partly. I fully admit that it would be quite a feat to fit the processing power to recognize all scenes requiring correction in a present-day compact camera but I seem to recall that some primitive examples of scene recognition were present in high-end Sony TVs of ten years ago. With recent AI development, I propose that "some" amount of AA post-processing should be possible depending on cost limitations. The proof being in the pudding, what I would like to see are real-life pics taken in typical moiré inducing situations between cameras with/without AA filtres at comparable resolution, such as GX8 vs GX9 for example.
 
The GX1/GX7 was when Panasonic got it right. To this day, I want to point blame to whoever changed the name outside of Japan for the following cameras.

.....

Even with the GX8, I felt that that full swivel screen was the kiss of death for a lot of GX owners. ....
Tsk tsk.... The jury is still out on this one. I for one really appreciate the fully articulated screen because a) I can close the damn thing and protect the screen and b) it's just covers more situations when I do need it.
Yes , fully articulated screen is a plus, ESPECIALLY for photogswho shoot a lot of vertical. I was lik many others I am sure , reluctant to consider GX8 because of all the shutter shock comments. If panasonic was to make a GX8 mark II of this camera without this shutter shock issue and the two sd uhs II card slots of the G9 , i would most likely buy one

Harold
Well... again (sigh) the GX8 SS issue has seen a lot of discussions but it should not deter you from going for the GX8 because a) most owners don't see it since it seems to happen on only a handful of lenses at certain speeds and can mostly be avoided by using the e-shutter anyway; b) you may have to wait for a heck of a long time for a true GX8 MkII...
 
The GX1/GX7 was when Panasonic got it right. To this day, I want to point blame to whoever changed the name outside of Japan for the following cameras.

.....

Even with the GX8, I felt that that full swivel screen was the kiss of death for a lot of GX owners. ....
Tsk tsk.... The jury is still out on this one. I for one really appreciate the fully articulated screen because a) I can close the damn thing and protect the screen and b) it's just covers more situations when I do need it.
Well the Jury is in when it comes to Street Photography, where most use a Rangefinder, or Styled like one. No one is using a flippy screen to take low or high angle shots. A titlable screen is much more discreet. Protecting the screen is a waste of time and another step in losing the shot.
If you have a GX8 with one of the best EVF out there, why should the choice of the back screen be a "kiss of death" since most owners might use it only a fraction of the time?
I use it, wish my X-E3 had it, love that my Z6 has it. My XT1/2 has it and gets use. My G5 has a flippy screen and is only used when shooting video and on a tripod.

Flippy screens has its use for video and vlogging. But shooting Street? No, far from it.
 
Yes. I even like shooting video with a tilting screen.

A natural competitor to the GX9 is the PEN F. Great looking street camera, but why the hell does it have a flippy screen?? Bad move.
 

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