i don't know what to buy

arjov

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i don't know if it's better a digital or a slr. i've been using a canon ae1program till now,but i want to pass to digital photography.what should i do? wait for the sony dsc-f828 or buy a canon eos 10s?? wich one will last for longer time without making me want another camera? or wich one will give best images? thankyou for your answers and excuse me for my english

p.s. my budget is abour 2000 €.
 
i don't know if it's better a digital or a slr. i've been using a
canon ae1program till now,but i want to pass to digital
photography.what should i do? wait for the sony dsc-f828 or buy a
canon eos 10s?? wich one will last for longer time without making
me want another camera? or wich one will give best images? thankyou
for your answers and excuse me for my english

p.s. my budget is abour 2000 €.
What lenses do you use on your AE-1?

If you use primes, say the 50/1.4 it was often kitted with, it's a no-brainer: buy the DSLR and a similar lens.

If you use a superzoom, say a 28-200, it's again a no-brainer: go with the Sony: you won't find a superzoom as bright and as capable as the one on it.

If you use something else, the DSLR is still probably a better choice.

However, if you went with the Sony, you'd miss the viewfinder and instant shutter response you have on the AE-1 (even though it does appear Sony's managed to improve AF lag a good bit over previous models), you'll lose control over depth of field (way too much under almost all circumstances with the small-sensor camera), and you'll be restricted to one lens (although in all likelihood a pretty remarkable one).

If history is anything to go by, the DSLR will beat the Sony in image quality under almost all circumstances and by almost any criteria, despite the megapixel advantage on the Sony -- the cleaner pixels, higher dynamic range, and less compromised lens designs (should you choose to use them) will see to that. The only likely exception is daylight off-the-tripod landscapes under fairly easy lighting conditions, where the lower dynamic range won't be a hindrance, and the higher megapixel count may translate to slightly better enlargement potential.

In addition, the DSLR will have a much wider operating envelope -- with a bright lens, you'll be able to shoot hand-held in very low light levels, and with the faster and more precise AF, you'll be able to track moving subjects much better, to pick two particular cases.

I had a prosumer digicam not entirely dissimilar to the Sony (a Minolta D7i), and changed to a DSLR last spring. It's a whole different experience. If only the viewfinder was anywhere near as big and bright as on the AE-1...

Petteri
--




Portfolio: [ http://www.seittipaja.fi/index/ ]
Pontification: [ http://www.seittipaja.fi/ ]
 
i really thank you i don't have the zoom for my ae-1...i'll buy the canon.but isn't there a zoom lens by canon too?could i buy and use that in future?and another thing:it's not a cheap thing,will it last or will be a better camera in stores tomorrow?and with my budget,it's the best camera i can buy?
thankyou again for your answer.
p.s. wich lens the 10s cames with?
 
wich lens cold i mount on the canon?only canon ones??i heard about zeiss.....do they have the same ring connection?
 
i really thank you i don't have the zoom for my ae-1...i'll buy the
canon.but isn't there a zoom lens by canon too?could i buy and use
that in future?
There are about 70 different lenses from Canon and probably another hundred from third-party manufacturers that fit the 300D and 10D, primes and zooms. My point was that because the sensor on the DSLR's is larger, lenses have to be larger as well: therefore, none of the superzooms (like 28-200) are as good or as bright as the one on the Sony. You can buy a superzoom, but if you do so, you lose much of the sensitivity and image quality potential of the camera.

Therefore, it's usually better to get either a more moderate-range zoom, like a 24-85, or, of course, go with primes.
and another thing:it's not a cheap thing,will it
last or will be a better camera in stores tomorrow?
Not tomorrow. Probably by this time next year, though. It's digital. Things move quickly.

However, it'll still keep taking pictures. Plenty of people are using their D30's -- even though better cameras are around now, the pictures it takes are still exactly as good as they were when the camera was new: much better than most small digicams.

If you do buy a DSLR, buy it because you want to use it, not because you want to keep it. The resale value will go down, and within about 5 years it'll look old.
and with my
budget,it's the best camera i can buy?
That depends on your needs. IMO there is no "best" camera, there are only cameras that are "best" for certain purposes or certain photographers. It's certainly a very good camera.
thankyou again for your answer.
p.s. wich lens the 10s cames with?
The 10D doesn't come with a lens. The 300D does come with an 18-55 zoom lens, equivalent to 28-90, and it's pretty good quality too. In my opinion, the 300D does almost everything the 10D does at a good deal lower cost. I recommend you read Phil's review of it and take a look at it too.

Petteri
--




Portfolio: [ http://www.seittipaja.fi/index/ ]
Pontification: [ http://www.seittipaja.fi/ ]
 
oh my! the 300 is pretty less expansive!!why??only because it's in plastic or what?is better than the 10d?i'm confused again........sorry.....be patient please
 
oh my! the 300 is pretty less expansive!!why??only because it's in
plastic or what?is better than the 10d?i'm confused
again........sorry.....be patient please
I will try... :) (to be patient...)

Hmmm, almost one year I spend 2-5 hours every day on Internet, about 80% on 5-6 sites...

http://www.dpreview.com/
http://www.steves-digicams.com/
http://www.imaging-resource.com/
http://www.megapixel.net/html/issueindex.php?lang=en
http://www.dcresource.com/

http://213.247.48.188/frames.asp ...300D official...
http://www.canonians.com/

http://www.lgcamera.co.kr/product/review/300D_preview/min/min300d_6.html ...300D samples...
etc.etc...

You must spend some time around the world... :) all answers are just for you! Just one note: I don't believe in long life of our time products... After 32 years old Nikon F2s (F2 is still OK:), I think only about 2-3 years for all of my future bodies... C'est la vie!!! :(

Good luck!
Kolja

P.S. You are lucky, regarding EURos... I am not yet... :) Decision is yours...
--
http://www.pbase.com/kolja7t
http://www.photo.net/photodb/user?user_id=509858
http://members.tripod.com/~KoljaT
 
arjov,

You'll find Petteri's advice very sound. He knows his Canons.

Cliff.
i don't know if it's better a digital or a slr. i've been using a
canon ae1program till now,but i want to pass to digital
photography.what should i do? wait for the sony dsc-f828 or buy a
canon eos 10s?? wich one will last for longer time without making
me want another camera? or wich one will give best images? thankyou
for your answers and excuse me for my english

p.s. my budget is abour 2000 €.
--
Cliff. Johnston
 
oh my! the 300 is pretty less expansive!!why??only because it's in
plastic or what?is better than the 10d?i'm confused
again........sorry.....be patient please
Kolja posted various places you can get the detailed answers.

My take as somebody who doesn't have either camera, but has been watching the debates, the basic thing boils down to market segmentation. Canon has 4 digital lines at present:

1) 300D/D-Rebel/KISS is aimed at the low end of the market which is very price sensitive, but has some limitations built in to either make it cheaper to build, or to not dilute sales from the middle of the market. In the film world I believe this was the niche occupied by the Rebel (US name). A kit lens (18-55mm which is equivalent to 29-88mm on 35mm film cameras) is available as part of a bundle. The sensor is roughly APS sized, which means only the center of the image is used (multiply focal range by 1.6 to get the equivalent range of 35mm film lenses). In US$, the price of the body is ~ $899 and the price of the body + lens is $999.

2) 10D (previously D60 and D30) is now aimed at the mid-level of the market, though previously this was the low level. It has some more features over the 300D, and roughly compares to the Elan I believe. This camera targets the advanced amatuers and the cheaper segment of the pro market. The sensor on the 10D is the same size as the 300D. The price of the body is ~ $1500, no lens comes with the camera.

3) 1Ds is the high end that gives more features (such as more focus points), full 24x36mm sensors so there is no crop, more megalpixels, etc. The last time I checked, the body was ~ $8,000, but since it is way out of my league, I haven't kept up. I believe the film counterpart is the EOS 1 line.

4) 1D is aimed at the sports photographer that needs much higher number of pictures per second, and number of pictures taken in continous mode. I vaguely recall the price was ~ $3,500 for the body, and it has a 1.3 crop.

IIRC, the AE-1 was one of the first Canon SLRs, so I suspect you might not be using all of the bells and whistles in the latest Elan line. You might want to list all of the focus modes, etc. that you use, and see which camera provides them.
 
i really thank you i don't have the zoom for my ae-1...i'll buy the
canon.but isn't there a zoom lens by canon too?could i buy and use
that in future?
There are about 70 different lenses from Canon and probably another
hundred from third-party manufacturers that fit the 300D and 10D,
primes and zooms. My point was that because the sensor on the
DSLR's is larger, lenses have to be larger as well: therefore, none
of the superzooms (like 28-200) are as good or as bright as the one
on the Sony. You can buy a superzoom, but if you do so, you lose
much of the sensitivity and image quality potential of the camera.
I believe some owners of the Sigma 50-500mm may differ with you on this statement about image quality on a superzoom. It isn't a low light zoom but you can't argue about its image quality.
Therefore, it's usually better to get either a more moderate-range
zoom, like a 24-85, or, of course, go with primes.
Go with the primes, oh yeah! Then you could clean you sensor every week because you will be constantly changes your lenses and letting in dust on your sensor.
and another thing:it's not a cheap thing,will it
last or will be a better camera in stores tomorrow?
Not tomorrow. Probably by this time next year, though. It's
digital. Things move quickly.

However, it'll still keep taking pictures. Plenty of people are
using their D30's -- even though better cameras are around now, the
pictures it takes are still exactly as good as they were when the
camera was new: much better than most small digicams.

If you do buy a DSLR, buy it because you want to use it, not
because you want to keep it. The resale value will go down, and
within about 5 years it'll look old.
and with my
budget,it's the best camera i can buy?
That depends on your needs. IMO there is no "best" camera, there
are only cameras that are "best" for certain purposes or certain
photographers. It's certainly a very good camera.
thankyou again for your answer.
p.s. wich lens the 10s cames with?
The 10D doesn't come with a lens. The 300D does come with an 18-55
zoom lens, equivalent to 28-90, and it's pretty good quality too.
In my opinion, the 300D does almost everything the 10D does at a
good deal lower cost. I recommend you read Phil's review of it and
take a look at it too.
The 18-55 only comes with the 300D if you buy the kit!.
--
Jim V.
http://f2.pg.photos.yahoo.com/[email protected]
 
Jim V. wrote:
[snip]
I believe some owners of the Sigma 50-500mm may differ with you on
this statement about image quality on a superzoom. It isn't a low
light zoom but you can't argue about its image quality.
It's a telezoom, not a superzoom. A superzoom is one that covers wide-angle to tele. The Sigma covers normal to tele. It's much easier to manufacture (well) than a superzoom. Compare the 50-500 to the Canon 35-350L -- the latter is a superzoom, is bigger, more expensive, and optically inferior.

The Sigma 50-500 is a fine lens indeed.
Therefore, it's usually better to get either a more moderate-range
zoom, like a 24-85, or, of course, go with primes.
Go with the primes, oh yeah! Then you could clean you sensor every
week because you will be constantly changes your lenses and letting
in dust on your sensor.
It's kind of funny that it seems the only people who say this are the ones who don't shoot with primes. The ones who do don't seem to have a problem.

I'm "primes only," have shot with the 10D in varying conditions, including arid/semi-desertic (although admittedly not in the middle of a dust storm) since April, and have never needed to clean my sensor yet, apart from a few puffs of air from a blower bulb.

Besides, primes do not necessarily imply constant lens changes. If you know what you're doing, 1-2 changes per shoot is quite enough. I often go for an entire shoot without changing lenses once.

In fact, with the crop factor, you won't find a good, bright normal-range zoom, so you'll be changing lenses anyway. The 18-55 kit lens on the 300D is the only solution available, and while excellent value for money, it's certainly less than ideal in many respects.

[snip]

Petteri
--




Portfolio: [ http://www.seittipaja.fi/index/ ]
Pontification: [ http://www.seittipaja.fi/ ]
 
I believe some owners of the Sigma 50-500mm may differ with you on
this statement about image quality on a superzoom. It isn't a low
light zoom but you can't argue about its image quality.
It's a telezoom, not a superzoom. A superzoom is one that covers
wide-angle to tele. The Sigma covers normal to tele. It's much
easier to manufacture (well) than a superzoom. Compare the 50-500
to the Canon 35-350L -- the latter is a superzoom, is bigger,
more expensive, and optically inferior.

The Sigma 50-500 is a fine lens indeed.
Therefore, it's usually better to get either a more moderate-range
zoom, like a 24-85, or, of course, go with primes.
Go with the primes, oh yeah! Then you could clean you sensor every
week because you will be constantly changes your lenses and letting
in dust on your sensor.
It's kind of funny that it seems the only people who say this are
the ones who don't shoot with primes. The ones who do don't seem to
have a problem.
I have used an AE-1 since 1977 with eight primes. I just think fewer lens changes with the 10D will prevent less dust on the sensor and the range of zooms benefits you in this area. To imply that no one who has primes has a problem with dust on their sensors is absurd.
I'm "primes only," have shot with the 10D in varying conditions,
including arid/semi-desertic (although admittedly not in the middle
of a dust storm) since April, and have never needed to clean my
sensor yet, apart from a few puffs of air from a blower bulb.
You are very lucky to live where the wind doesn't blow but I don't have that luxury. More lens changes opens us average people, in a normal windy environment, to more dust on our sensors. I guess I could shoot with primes and only shoot when the wind isn't blowing, like never!
Besides, primes do not necessarily imply constant lens changes. If
you know what you're doing, 1-2 changes per shoot is quite enough.
I often go for an entire shoot without changing lenses once.
Maybe if your shooting is single minded. If you are going to need varying focal ranges in an ever changing environment then you are going to have to change lenses. You may only need to change your lens two times but I found that while using primes for over 30 years that I had to change my lens frequently for the changing shooting environment. If I was doing portraits I could probably get away with one lens change but I don't shoot portraits exclusively anymore. The only time I use a prime with my 10D is when I am doing macro work and a lens change is not necessary.
In fact, with the crop factor, you won't find a good, bright
normal-range zoom, so you'll be changing lenses anyway. The 18-55
kit lens on the 300D is the only solution available, and while
excellent value for money, it's certainly less than ideal in many
respects.

[snip]

Petteri
--




Portfolio: [ http://www.seittipaja.fi/index/ ]
Pontification: [ http://www.seittipaja.fi/ ]
--
Jim V.
http://f2.pg.photos.yahoo.com/[email protected]
 
Jim V. wrote:
[snip]
I have used an AE-1 since 1977 with eight primes. I just think
fewer lens changes with the 10D will prevent less dust on the
sensor and the range of zooms benefits you in this area. To imply
that no one who has primes has a problem with dust on their sensors
is absurd.
That's why I'm not saying that. I'm just saying that most prime guys I've talked to don't find the dust issue any more problematic than most zoom guys I've talked to. In fact, the only guy I know who does clean his sensor every week is strictly zooms-only.

And, as I mentioned, especially with the FOV crop you'll end up changing lenses pretty frequently anyway: you can't have wide-angle to short tele on a single lens (other than the 300D and 18-55, and that has other issues, such as limited control over DOF because of the small aperture).

I've just observed that this is something of a stock argument from people who for some reason are out to outlaw primes, but it doesn't appear to bother the people who do shoot with them.
I'm "primes only," have shot with the 10D in varying conditions,
including arid/semi-desertic (although admittedly not in the middle
of a dust storm) since April, and have never needed to clean my
sensor yet, apart from a few puffs of air from a blower bulb.
You are very lucky to live where the wind doesn't blow but I don't
have that luxury. More lens changes opens us average people, in a
normal windy environment, to more dust on our sensors. I guess I
could shoot with primes and only shoot when the wind isn't blowing,
like never!
I only wish you were right about the climate where I live. That said, Finland isn't particularly dusty, but for example Provence and Languedoc are, and I didn't have any dust issues there that a blower bulb couldn't fix.







I assure you, I don't particularly baby my equipment. Of course, if I was in the middle of a dust storm, I wouldn't change lenses. Neither would you, probably, and if I had my 35 mm and you had your 24-70 and we suddenly needed wide-angle, we'd both be in the same boat.
Besides, primes do not necessarily imply constant lens changes. If
you know what you're doing, 1-2 changes per shoot is quite enough.
I often go for an entire shoot without changing lenses once.
Maybe if your shooting is single minded. If you are going to need
varying focal ranges in an ever changing environment then you are
going to have to change lenses. You may only need to change your
lens two times but I found that while using primes for over 30
years that I had to change my lens frequently for the changing
shooting environment. If I was doing portraits I could probably get
away with one lens change but I don't shoot portraits exclusively
anymore. The only time I use a prime with my 10D is when I am doing
macro work and a lens change is not necessary.
Maybe you could adjust your technique? Instead of fishing for a photo opportunity and then reacting by adjusting your equipment, give yourself a brief, equip yourself accordingly, and hunt for the specific kind of scene you're after. Like, if you're shooting street shots, pick, say, a 35 mm and look for 35 mm scenes. I find that I actually "see" better if I narrow my scope this way. Cartier-Bresson did something like this with nothing but a 50 mm, and he got some pretty nice pictures, I hear.

Why are you so dead set against primes anyway? After all, we are primates, not zoomates, as Zidar put it. :-)

[snip]

Petteri
--




Portfolio: [ http://www.seittipaja.fi/index/ ]
Pontification: [ http://www.seittipaja.fi/ ]
 
I have used an AE-1 since 1977 with eight primes. I just think
fewer lens changes with the 10D will prevent less dust on the
sensor and the range of zooms benefits you in this area. To imply
that no one who has primes has a problem with dust on their sensors
is absurd.
That's why I'm not saying that. I'm just saying that most prime
guys I've talked to don't find the dust issue any more problematic
than most zoom guys I've talked to. In fact, the only guy I know
who does clean his sensor every week is strictly zooms-only.
I am surprised that you even talk to anyone that has a zoom. If someone is cleaning their sensor every week he has a larger problem than changing lenses, either prime or zoom.
I've just observed that this is something of a stock argument from
people who for some reason are out to outlaw primes, but it doesn't
appear to bother the people who do shoot with them.
I'm certainly not trying to outlaw primes but to use them exclusively when they are zooms whose quality is as good as primes is being closed minded. By the way why would I want to outlaw primes when I still use them.
You are very lucky to live where the wind doesn't blow but I don't
have that luxury. More lens changes opens us average people, in a
normal windy environment, to more dust on our sensors. I guess I
could shoot with primes and only shoot when the wind isn't blowing,
like never!
I only wish you were right about the climate where I live. That
said, Finland isn't particularly dusty, but for example Provence
and Languedoc are, and I didn't have any dust issues there that a
blower bulb couldn't fix.
Looks like Texas!
I assure you, I don't particularly baby my equipment. Of course, if
I was in the middle of a dust storm, I wouldn't change lenses.
Neither would you, probably, and if I had my 35 mm and you had your
24-70 and we suddenly needed wide-angle, we'd both be in the same
boat.
Not really! I could back up and get a wider angle than you could with a 35mm and with the 70mm I could get closer than your 35mm to fill the frame.
Besides, primes do not necessarily imply constant lens changes. If
you know what you're doing, 1-2 changes per shoot is quite enough.
I often go for an entire shoot without changing lenses once.
Maybe if your shooting is single minded. If you are going to need
varying focal ranges in an ever changing environment then you are
going to have to change lenses. You may only need to change your
lens two times but I found that while using primes for over 30
years that I had to change my lens frequently for the changing
shooting environment. If I was doing portraits I could probably get
away with one lens change but I don't shoot portraits exclusively
anymore. The only time I use a prime with my 10D is when I am doing
macro work and a lens change is not necessary.
Maybe you could adjust your technique? Instead of fishing for a
photo opportunity and then reacting by adjusting your equipment,
give yourself a brief, equip yourself accordingly, and hunt for the
specific kind of scene you're after. Like, if you're shooting
street shots, pick, say, a 35 mm and look for 35 mm scenes. I find
that I actually "see" better if I narrow my scope this way.
Cartier-Bresson did something like this with nothing but a 50 mm,
and he got some pretty nice pictures, I hear.
Do you think I haven't done this before? I have eight primes that I use with my AE-1. When I got my first 35mm in 1966 I only had a 50mm. Composition was everything because I had to get what I could with that lens on the camera. Allot of movement was required to vary your perspective because you only had one focal length. I still used this technique when I got my AE-1 and I had eight primes. I didn't enjoy losing a shot because I didn't have the right focal length so you have to be creative. I have over 30 years of experience shooting in this mode and doing so primarily with primes. I also find myself doing the same with zooms and cropping to get what I want later. The difference is I don't have to compromise as much with zooms. If the quality of the zooms today were not comparable to primes then I would join your crusade.
Why are you so dead set against primes anyway? After all, we are
primates, not zoomates, as Zidar put it. :-)
Let me see! I own eight primes, nine counting my macro, and four zooms. I have used primes since 1966, lets see thats 37 years using primes. Does that sound like I am dead set against primes?

Why are you dead set against zooms? How many do you have in your stable? It appears you believe that zooms are not worthy of use as long as primes are available. You have even stated, in another thread, that a cheap prime was better than a more expensive zoom. I think there is a place for both and the use of any exclusively limits your creativity.
--
Jim V.
http://f2.pg.photos.yahoo.com/[email protected]
 
Jim V. wrote:
[snip]
I am surprised that you even talk to anyone that has a zoom. If
someone is cleaning their sensor every week he has a larger problem
than changing lenses, either prime or zoom.
Why? I've nothing against zooms, or people who like to use them. I just prefer primes myself.
I've just observed that this is something of a stock argument from
people who for some reason are out to outlaw primes, but it doesn't
appear to bother the people who do shoot with them.
I'm certainly not trying to outlaw primes but to use them
exclusively when they are zooms whose quality is as good as primes
is being closed minded. By the way why would I want to outlaw
primes when I still use them.
How is it closed-minded? I've developed a technique around primes: I exploit their strengths (portability, wide apertures) and have found ways of getting around their weakness (less flexibility). I like my primes. I like the way each of them has a different personality, I like the fact that I know exactly what kind of feel they'll give to a picture when they're shot differently, by the way they flare, the way they look wide-open or stopped-down, and so on. I like the simplicity. I "see" better when I'm shooting with them, and my timing is better without the added distraction of a zoom ring.

I simply don't enjoy using zooms as much. And I'm an amateur, so I don't need to worry about losing a shot every once in a while -- it's the ones I get that count.
You are very lucky to live where the wind doesn't blow but I don't
have that luxury. More lens changes opens us average people, in a
normal windy environment, to more dust on our sensors. I guess I
could shoot with primes and only shoot when the wind isn't blowing,
like never!
I only wish you were right about the climate where I live. That
said, Finland isn't particularly dusty, but for example Provence
and Languedoc are, and I didn't have any dust issues there that a
blower bulb couldn't fix.
Looks like Texas!
That was Camargue and Languedoc in France, as a matter of fact. And, as you can see, I changed lenses as those steer were milling around me kicking up dust. Didn't ruin my sensor, although the camera and lenses did need a thorough dusting afterwards.
[snip]
Not really! I could back up and get a wider angle than you could
with a 35mm and with the 70mm I could get closer than your 35mm to
fill the frame.
The 24 would hardly count as wide in my book. You'd need a 17 to 20 for it. But never mind...
[snip]
Do you think I haven't done this before? I have eight primes that I
use with my AE-1. When I got my first 35mm in 1966 I only had a
50mm. Composition was everything because I had to get what I could
with that lens on the camera. Allot of movement was required to
vary your perspective because you only had one focal length. I
still used this technique when I got my AE-1 and I had eight
primes. I didn't enjoy losing a shot because I didn't have the
right focal length so you have to be creative. I have over 30 years
of experience shooting in this mode and doing so primarily with
primes. I also find myself doing the same with zooms and cropping
to get what I want later. The difference is I don't have to
compromise as much with zooms. If the quality of the zooms today
were not comparable to primes then I would join your crusade.
Well, more power to you, then -- looks like you've found the tools that suit you. I've found mine, too. Why is it a problem for you that our choice of tools is different?
Why are you so dead set against primes anyway? After all, we are
primates, not zoomates, as Zidar put it. :-)
Let me see! I own eight primes, nine counting my macro, and four
zooms. I have used primes since 1966, lets see thats 37 years using
primes. Does that sound like I am dead set against primes?
Nah.
Why are you dead set against zooms? How many do you have in your
stable? It appears you believe that zooms are not worthy of use as
long as primes are available. You have even stated, in another
thread, that a cheap prime was better than a more expensive zoom.
It probably was better, at least for some specific purpose. I'm sure the zoom in question would be better than the prime for some other purpose.

I'm not dead-set against zooms. I just don't enjoy using them.

I started the whole Prime Junta joke because of the kind of attitude you're displaying -- the zoomate paranoia that there's a mystical Prime Junta out there, judging photo contensts and belittling zoom-users' worthiness as photographers.
I think there is a place for both and the use of any exclusively
limits your creativity.
And I think that limitations can be a great stimulant for creativity. What was the old saw, again? "Necessity is the mother of invention!"

And, of course, there's the little issue of money. My entire set of primes cost me less than a 24-70/2.8L, and a 24-70/2.8L wouldn't give me nearly the flexibility I have with the primes. Need f/1.4? Out of luck. Need 200 mm? Out of luck. Need a light walkaround lens? Out of luck. Lens develops a problem and needs to be sent to the service? Out of luck: no back-up.

If I was made of money, I'd do like DavidP: buy a 1Ds and pretty much every lens Canon ever made. I'm not, so I do need to choose my trade-offs somewhat carefully.

[snip]

Petteri
--




Portfolio: [ http://www.seittipaja.fi/index/ ]
Pontification: [ http://www.seittipaja.fi/ ]
 

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