Another full-frame lens from Sony's roadmap that hit the market today is a consumer-friendly super zoom. This 24-240mm F3.5-6.3 FE lens features optical image stabilization, five aspherical elements and one ED element, and is sealed against dust and moisture. The lens will ship this month for around $1000.

Sony is releasing a pair of firmware updates this month that will reduce startup times when FE lenses are attached to both full-frame and APS-C bodies. The first update, available now, will make your E-mount camera get ready to shoot in less time when using five currently available FE lenses. The second update, due later this month, will do the same for Sony's a7 series, this time for the four new lenses announced today. Read more

Sony has officially announced four new conversion lenses - two for full-frame and two for APS-C - that can be screwed onto a select group of lenses. On the full-frame side there are ultra-wide and fisheye adapters for the new FE 28mm F2, which drop the focal range to 21mm and 16mm, respectfully. The adapters for APS-C lenses - the 20mm F2.8 and 16mm F2.8 specifically - and reduce the focal lengths by 0.75X for the ultra-wide adapter and 0.6X for the fisheye. More details.

Japanese optical manufacturer Kowa has released pricing for the three Micro Four Thirds lenses it first announced a year ago. The trio, Kowa Prominar MFT 12mm f/1.8, Prominar MFT 8.5mm f/2.8 and Prominar MFT 25mm f/1.8 are available now and will come in a choice of black, silver or green finishes. The lenses are all manual focus, and do not feature electrical contacts for communicating aperture or focus distance data to the camera. The company had them on show at the Broadcast Video Expo in London. Read more

The Sony Alpha 7S is a full-frame interchangeable lens camera sporting a 12.2MP CMOS sensor. It is identical in body design to the Sony a7 and Sony a7R, but don't let that fool you. Unlike the other two, the a7S is specially geared toward video and low-light shooters. It's capable of 1080/60p video with full-sensor readout and can turn out uncompressed 4K footage to an external recorder over HDMI. Read review

Nikon's D7200 has some big shoes to fill. The D7100 was one of our favorite midrange DSLRs of the past few years, and though it's by no means a radical upgrade, the D7200 presents some notable new features. It has a 24.2MP CMOS sensor with no optical low-pass filter, an updated 51-point AF system sensitive to -3EV, a much larger buffer that can take up to 27 Raw images at 6 fps, and Wi-Fi with NFC. Read more

Nikon's new D7200 is an evolutionary upgrade to the D7100, and fixes one of the few major complaints about that model with an increased buffer depth. Other improvements are more subtle, but the addition of -3EV sensitivity to the D7200's 51-point AF array will please low-light photographers. There's also Wi-Fi with NFC, 1080/60p video, and improved battery life. Click through for some hands-on images

The Nikon Coolpix P900 has the longest zoom of any camera by a large margin. Whether you're a nature photographer or just spying on your neighbors (not that we'd recommend that), the camera's 24-2000mm should cover any situation. We got our hands on this monster zoom and will run through its most notable features right here.

Nikon's prosumer line gets an update today in the form of the D7200. With a 24.2MP APS-C CMOS sensor it offers a very slight resolution increase over its 24.1MP D7100 predecessor, and like that model it lacks an optical low-pass filter. But the D7200's primary enhancements include a next-generation 51-point AF module with increased low-light sensitivity, built-in Wi-Fi with NFC and an improved 100-shot buffer depth when shooting JPEGs or Raw files at 6 fps. Read more

Nikon has extended its superzoom range to include the Coolpix P900, offering a 16MP sensor and world's longest zoom lens, which is equivalent to a mind-boggling 24-2000mm. It features built-in Wi-Fi with NFC, 7 fps burst shooting, built-in EVF and a fully articulated 3" 921k-dot LCD. The P900 uses a new Dual Detect optical image stabilization system, claiming up to 5 stops of shake compensation. Read more

Japanese optical manufacturer Tokina is showing a hydrophilic filter coating that forces water droplets to spread into a thin film so that they become invisible to the camera. The coating will allow photographers to carry on shooting when rain or spray on the lens would otherwise obstruct the optical path. Read more

The National Press Photographers Association and World Press Photo plan to hold a symposium later in 2015 to talk about ethics in photography, following news that 20% of the photos entered in the World Press Photo contest were disqualified after reaching the penultimate round, due to digital manipulations of some sort being discovered. Meanwhile, the NPPA has called on the photographers disqualified from the contest to release their photos to the public. Read more

Lytro CEO Jason Rosenthal has announced that the company has raised an additional $50M in funding, but plans to use it to make a strategic shift into video and virtual reality, while shedding some jobs. Although the exact number of layoffs has yet to be decided, website re/code is reporting that between 25-50 of Lytro's 130-strong workforce may be made redundant as the company seeks to hire new employees with video and virtual reality experience. Click through to read more

An American start-up company is promising to bring a 20MP full frame digital rangefinder camera to market for early 2016. The Konost FF will be a 20-million-pixel metal bodied M-mount camera equipped with a 4" LCD. The company has said that the rangefinder system will operate not with mirrors and prisms, as most rangefinders do, but with twin imaging sensors that overlay their images to produce the same dual image effect in the viewfinder. Read more

William Henry Fox Talbot prints from as early as 1844 are part of a collection of over 200 photographs that are due to go to auction in London next month. All of the pictures in the sale come from a single private collection which includes a many well-known and important works, and many of the prints were made at the time the original pictures were taken. See gallery

We don't normally write about thirty-thousand-dollar cinema cameras, but the ARRI ALEXA Mini caught our eye. This digital motion picture camera packs a whole lot of firepower into a super compact, carbon-fiber body. The specs also foreshadow what me might expect in future consumer-level cameras, in terms of video capabilities. Read more

Panasonic has announced two new additions to its Micro Four Thirds lens lineup, a 30mm F2.8 macro and 42.5mm F1.7 portrait lens. The company had previously hinted that the 30mm was in the works, and as promised it offers Mega O.I.S stabilization along with 240 fps drive AF. The 42.5mm F1.7 isn't quite as fast (or presumably as expensive) as the existing Leica Nocticron 42.5mm F1.2. Both lenses will be available in May. Read more

Our first impressions review of the Olympus OM-D E-M5 II covered the cameras updates, physical features and (of course) our first impressions on using it. Now that we've had some more time with the camera, we've put together some more thoughts on shooting with the E-M5 II - from grey Seattle to the bright sunshine of Bermuda. Read more

We were recently lucky enough to visit Sigma's factory in Aizu, Japan, where Sigma allowed us to shoot with a pre-production sample of the recently-announced 24mm F1.4 DG HSM Art lens. The wintry landscape of the Fukushima prefecture was a nice contrast to the CP+ convention center where we last gathered some samples with this lens, and our recent samples are more representative of lens performance on a native mount body (Canon 6D). Have a look

Sony has announced that it will be branching off its audio and video departments into a separate subsidiary. Sony previously spun off its VAIO PC business one year ago, and the creation of new departments aims to make the company into a profitable entity. Read more

Photoshop turns 25 today, and Adobe is marking the occasion with a look back at the software's humble roots, along with a chance for users under the age of 25 to take control of the company's Instagram handle for two weeks. Short of supplying its subscribers with complimentary birthday cake, the company has put together some entertaining graphics comparing Photoshop's icons, toolbars and splash screens for a short trip down the digital memory lane. Read more

Two former Apple engineers have just launched Astropad, an app for Apple's iPad and Mac computer that turns the former into a drawing tablet for the latter. It works with most styluses, and allows use of applications like Photoshop for image retouching and editing with more precision. Read more

Fujifilm's XF 16-55mm F2.8 is a weather-sealed zoom covering a 24-83mm equivalent range. With a fast F2.8 constant aperture, manual aperture control and a new Nano-GI coating to reduce flare, it's a high-end lens to be sure. Take a look at how it performs in the real world. See gallery

A photograph that highlights the difficulties facing sexual minorities in Russia has won the World Press Photo contest's top prize. 'Jon and Alex', from a project called 'Homophobia in Russia', shows an 'intimate moment' between a gay couple from St. Petersburg and won Danish photographer Mads Nissen the Contempory Issues category of the competition, as well as the first prize for a single image, netting him 11,500 Euro and Canon DSLR equipment. See winners

In the new EOS Digital Rebel T6s and T6i (EOS 760D and EOS 750D in Europe) Canon has produced beginner and enthusiast versions of what is essentially the same camera. Is this really necessary, why has the company done it and who will notice the difference? Damien Demolder gives his opinion. Read more

Every year the CP+ show in Yokohama Japan is a hive of activity and innovation, as hoards of Japanese and western camera enthusiasts flood the Pacifico Yokohama conference center to get their hands on the latest camera gear. But that's not the only fun to be had - alongside the ranks of shiny new cameras and lenses, displays and presentation stages can be found a lot of things which have been cut in half. Seriously - loads. Click through to see for yourself

We swung by the Sony booth at CP+ 2015 in Yokohama, Japan, where they had displays of the latest technologies in their cameras and lenses, as well as an elaborate diorama of a bird in flight over a fabricated landscape, amongst other things. We even sat down with a couple of engineers at Sony to talk about the Alpha 7 lineup. Check out some of the interesting things we learned during our time here with Sony

Tokina might not have the same presence at CP+ as Sigma and Tamron but its small booth is pretty busy, thanks to a brand new 24-70mm F2.8 for Nikon full-frame, and an 11-20mm F2.8 wideangle for APS-C. Just from first impressions, they seem impressively well-built, as we'd expect from Tokina. Click through for some images

We're at CP+ in Yokohama Japan, where Ricoh is showing off two new Pentax lenses designed for full-frame imaging. Although the company's upcoming full-frame DSLR is still in the mockup stage, the D FA* 70-200mm F2.8ED DC AW and D FA 150-450mm F4.5-5.6 ED DC AW are very real indeed. We snuck into the show early this morning before the crowds arrived, to take a look. Click through for more details and images. 

We're at the CP+ show in Yokohama Japan, where Olympus is showing its new OM-D E-M5 enthusiast mirrorless interchangeable lens camera, and the 'Air' - a modular camera concept aimed at keen DIY enthusiasts and 'hackers'. As well as the two cameras, Olympus is also showing off two upcoming M43 lenses. Click through for more information, and images

By far the biggest lines at this year's CP+ show in Yokohama are at the Canon booth, and they're made up almost entirely of people eager to see just two cameras - the new EOS 5DS and EOS 5DS R. Canon's highest resolution DSLRs by far, both cameras offer an incredible 50MP pixel count, and almost identical ergonomics to the EOS 5D III. Click through for some hands-on pictures

We're at the CP+ show in Yokohama Japan where Fujifilm is showing off several forthcoming lenses, previously mentioned on the company's 2015 and 2016 roadmap. We spoke to Fujifilm at the show, and got our hands on some prototypes - some working, some not - to get a sense of how they feel and operate. Click through for some images

We were intrigued by Tamron's stabilized SP 15-30mm F/2.8 Di VC USD when we first saw it in prototype form at Photokina in September last year. In tbe meantime, Tamron has confirmed pricing and availability for this fast ultra-wideangle zoom and is showing off the new lens at Japan's CP+ show in Yokohama. We're there, and headed straight to Tamron's booth on Saturday to get our hands on the new zoom. Click through for some images