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I would. The RAW would look like this: 0100010111010100...Totally agree........Raw is just a waste of time. Shoot it right with a JPEg first time.
if I posted 10 images ...5 raw...5 Jpeg
I wonder how many people could identify which was which.
If you shoot fuji X cameras........who needs RAW..............?
Actually I think that goes for most cameras.
"I would. The RAW would look like this: 0100010111010100... ;-) "I would. The RAW would look like this: 0100010111010100...Totally agree........Raw is just a waste of time. Shoot it right with a JPEg first time.
if I posted 10 images ...5 raw...5 Jpeg
I wonder how many people could identify which was which.
If you shoot fuji X cameras........who needs RAW..............?
Actually I think that goes for most cameras.
I'd change this toJonathanCaliber wrote: ...
#1. Always shoot in RAW. Always
...
Or shoot it right in a raw format, and get an extra stop of dynamic range. Your choice.Totally agree........Raw is just a waste of time. Shoot it right with a JPEg first time.
if I posted 10 images ...5 raw...5 Jpeg
I wonder how many people could identify which was which.
If you shoot fuji X cameras........who needs RAW..............?
Actually I think that goes for most cameras.
I like the list. There will be disagreements, even with the best lists, as we are all different. I would like to comment on a few, however.I thought I'd share the insights I've had and tips I've picked up while learning this stuff. I hope it can help people who are as lost as I was when I first started.
Professionals compare methods and results, if they are smart. No one knows everything.#7. Amateurs compare methods. Professionals compare results.
This cannot be empathised enough. Photography is like golf: Do it enough and everyone will have a good shot. Excelling at either is having good shots consistently.#9. You are as only as good as you are consistent.
Instagram has better engagement, but yeah, social media.#33. Facebook is the best networking tool a photographer has.
Don't agree here. I read the manual and then remember the features I will use. The rest don't matter.#44. If you don't know all the features on your camera blindfolded, you don't need a better camera yet.
But that is a huge variable depending on what sort of work one does. For the more artistic, dressing well is a different uniform to a product photographer. And, unfortunately, a bit of a dichotomy. Artsy dress gets one hired, professional dress gets one paid. For art, representation is more important.#45. Image is important to photographers in more ways than one. Dress well.
Absolutely. Fools say ignore others and be yourself. The better is to learn from other but be yourself.#46. Try exactly replicating an image you admire. You'll learn a lot about lighting, posing, and focal lengths through reverse engineering another's work.
Another thing that really depends on what genre one works in.#75. People tend to be more compelled by photos of people that actually exist. Unless you are a Picasso with the stylus, use Photoshop to keep the image down to earth, instead of shooting it into space.
But there is a balance here. There are pros who serially use unpaid help with no intention on furthering the intern's career. Your advice is good, but with caution.#79. In the beginning, it's better to continue doing unpaid work until you're well past the point you could have been charging for it. The extra experience and networking is a priceless career investment.
I would further that to always promote, but subtly and with tact.#82. Always carry business cards. Make sure they are tastefully designed.
With the caveat that there will be days from Hell.#100. If you're not enjoying your photography, you're not doing it right.
A good tip is a good tip, regardless of the skill of the person saying it, and rubbish from the greatest of artists is still rubbish.It would be enlightening to see the work you have created following your own "tips" because I find much of this to be ...just hooey.I thought I'd share the insights I've had and tips I've picked up while learning this stuff. I hope it can help people who are as lost as I was when I first started.
+1. Agree 100%Or shoot it right in a raw format, and get an extra stop of dynamic range. Your choice.Totally agree........Raw is just a waste of time. Shoot it right with a JPEg first time.
if I posted 10 images ...5 raw...5 Jpeg
I wonder how many people could identify which was which.
If you shoot fuji X cameras........who needs RAW..............?
Actually I think that goes for most cameras.
Personally, I find JPEGs OOC to be both a waste of time and of DR. It's pretty easy to dump all raw shots onto a PC, cull them in FRV, then hit a button in DxO PL (used to be a PS batch operation) and get corresponding JPEGs, which I can replace with post-processed versions if I prefer - which I usually do.
The only reason I can see for OOC JPEGs is if I was working at a sports event, and someone needed those shots immediately after I had taken them. I don't do that. But I can have first-approximation versions within 20 minutes of sitting down at a PC, and that's plenty fast enough for me. It's certainly faster than film, even B&W contacts right out of my own darkroom.
If you need JPEGs right away, and don't care about that final stop of DR, and will never PP (not even for challenging lighting conditions), then don't bother with raw format.
That is rubbish, agreeing with others who believe that rubbish doesn’t make it correct.Totally agree........Raw is just a waste of time. Shoot it right with a JPEg first time.
That is not even wrong.if I posted 10 images ...5 raw...5 Jpeg
Bare nonsense. Also known as rubbish. Nothing more, nothing less.Totally agree........Raw is just a waste of time. Shoot it right with a JPEg first time.
if I posted 10 images ...5 raw...5 Jpeg
I wonder how many people could identify which was which.
If you shoot fuji X cameras........who needs RAW..............?
Actually I think that goes for most cameras.
Always temper your use of the word always.I thought I'd share the insights I've had and tips I've picked up while learning this stuff. I hope it can help people who are as lost as I was when I first started.
#1. Always ...
While I understand the differences and applications for both formats, I find the highlighted statement, to be charitable here....highly subjective. I will leave it at that.That is rubbish, agreeing with others who believe that rubbish doesn’t make it correct.Totally agree........Raw is just a waste of time. Shoot it right with a JPEg first time.
jpeg v raw is not about “getting it right” or “fixing”, it is about having more information available to use.
Sometimes Jpeg is sufficient, sometimes it is not. If it is always sufficient, you are not hallenging yourself.
That is not even wrong.if I posted 10 images ...5 raw...5 Jpeg
If ignorance is bliss, there should be a lot more happy people here.
I'd think it would be understood that this is in reference to tonal variatio0n within an image. And yes, you could challenge yourself to make an interesting image within certain tonal parameters. But given the massive ignorance of the statement I was challenging, I didn't think a nuanced discussion would be taken on board.While I understand the differences and applications for both formats, I find the highlighted statement, to be charitable here....highly subjective. I will leave it at that.Sometimes Jpeg is sufficient, sometimes it is not. If it is always sufficient, you are not hallenging yourself.
erm...Always temper your use of the word always.I thought I'd share the insights I've had and tips I've picked up while learning this stuff. I hope it can help people who are as lost as I was when I first started.
#1. Always ...
So you saw what I did there.erm...Always temper your use of the word always.I thought I'd share the insights I've had and tips I've picked up while learning this stuff. I hope it can help people who are as lost as I was when I first started.
#1. Always ...
that doesn't work for shooters who need to upload pics asap.I thought I'd share the insights I've had and tips I've picked up while learning this stuff. I hope it can help people who are as lost as I was when I first started.
#1. Always shoot in RAW. Always.
obvious.#2. If you didn't get the focus you didn't get the shot.
sports photographers don't usually have that luxury, and it also depends on how good the glass is, what you are trying to achieve, etc.#3. Don't shoot wide open unless you have to.
total nonsense.#7. Amateurs compare methods. Professionals compare results.
>SNIP<