sportyaccordy
Forum Pro
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I am a LR presets guy too. My images have such drastic changes in lighting from one shot to the next that I can't rely on just one setting.
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^^^^^This^^^^^
I am a LR presets guy too. My images have such drastic changes in lighting from one shot to the next that I can't rely on just one setting.
My four-thirds experience is limited to the E-300 and E-450 models. The E-300 took a bit of work, but the E-450 incorporated some outstanding features into its in-camera JPEG engine (such as their shadow adjustment technology that could be accessed by setting gradation to auto) that gave me out-of-camera images that looked great with no post-processing at all.1 stop is negligible in most cases..... I am generally talking smaller systems like MFT and even 1". I know those cameras are capable of generating great images, but in my experience you definitely have to work harder for them.It is legitimate but cost is not the only issue...One thing I don't see too many people discussing in format wars is processing time.....
Obviously in good light these days you can get a decent photo out of a potato. But we push, and that's where the differences come. A lot of folks shun the cost of larger formats, but turn around and spend hours upon hours blending bracketed shots and mitigating noise. For me the biggest boon of FF is being able to load all my stuff into Capture One, hit auto adjust and only have to make minor tweaks and crops..... as well as the freedom to be a little reckless with exposure
Is this a legitimate angle/question?
Users of smaller sensors are also a saving in size and weight...
The difference between APSC and FF is just one stop and you can gain far more than that by blending images to reduce noise, add resolution and dynamic range....
About $1000 per hour... the problem is finding somebody who will pay me that much for itOne thing I don't see too many people discussing in format wars is processing time.....
Obviously in good light these days you can get a decent photo out of a potato. But we push, and that's where the differences come. A lot of folks shun the cost of larger formats, but turn around and spend hours upon hours blending bracketed shots and mitigating noise. For me the biggest boon of FF is being able to load all my stuff into Capture One, hit auto adjust and only have to make minor tweaks and crops..... as well as the freedom to be a little reckless with exposure
Is this a legitimate angle/question?
Speaking for myself, I usually can't wait to get home to play with my days (or nights) work. ☺ As far as my time in the field goes, sure, I love being out in nature, on a warm sunny day, but then again, it's not always warm and sunny..... it might well be cold and miserable.... or, I can be standing on a bridge overpass with vehicles ripping past me in the dark, or in an area that I could be robbed, gear stolen, shot, etc.... and so there have been plenty times when getting home and playing with my shots from the outing, are the time I can finally actually relax and have fun ☺Of course it's a legitimate question, particularly to those of us who aren't retired hobbyists with all day to spend (or, I suppose, pros who are paid to do it, but they would value efficiency as well).
Personally, even the thought of working intensively in post bores me to death. I like the camera work because it gets me away from my desk!
Luckily, I have found a happy niche working in JPEG only and cropping and doing minor edits on FastStone, which to me is an easy to use big brother of the familiar editing suite in my phone. I strive for a simple, film like look in my finished images anyway --I have no interest in HDR or anything that looks processed-- so this gives me usable finished images that I like to look at and which please me, while maximizing the fun part and minimizing the desk time. I don't need more if that after working my regular day.
Two things... Firstly FF is all things being equal going to have more exposure latitude than smaller formats.... period. Still, I see it as mater of degree becuase the tech is so good that even smaller formats are capable of great perfomance and there's the benfit that for a lot of us who like to shoot spontaiously and bring a camera wherever we go, we can go much lighter and have the camera with us more of the time than if we were lugging bigger gear... which means that we're geting some shots that we woudn't have even gotten had we had the bigger stuff (that likely would be left at home more of the time).One thing I don't see too many people discussing in format wars is processing time.....
Obviously in good light these days you can get a decent photo out of a potato. But we push, and that's where the differences come. A lot of folks shun the cost of larger formats, but turn around and spend hours upon hours blending bracketed shots and mitigating noise. For me the biggest boon of FF is being able to load all my stuff into Capture One, hit auto adjust and only have to make minor tweaks and crops..... as well as the freedom to be a little reckless with exposure
Is this a legitimate angle/question?
At least he was on his feet, scurrying about a darkroom. The last thing I need is another pastime that entails sitting on my butt for hours (cycling excepted).
I use m4/3, and I don't spend much time at all with PP - unless I'm posting a photo for all you huge sensor pixelpoopers to see.One thing I don't see too many people discussing in format wars is processing time.....
Obviously in good light these days you can get a decent photo out of a potato. But we push, and that's where the differences come. A lot of folks shun the cost of larger formats, but turn around and spend hours upon hours blending bracketed shots and mitigating noise. For me the biggest boon of FF is being able to load all my stuff into Capture One, hit auto adjust and only have to make minor tweaks and crops..... as well as the freedom to be a little reckless with exposure
Is this a legitimate angle/question?
How long does it take? If it takes ages, then that's understandable, but may also mean that it is worth looking at ways to speed it up.At least he was on his feet, scurrying about a darkroom. The last thing I need is another pastime that entails sitting on my butt for hours (cycling excepted).
I don't mind post processing small batches of photos, up to, say, 50. But coming home from a week's vacation with 700 photos to post process is no fun.
Finally someone who agrees.I like to get the exposure right in the field (don't you hate that phrase?), so I have the best data to manipulate later.
Developing those exposures is a creative outlet that I can't put a price on. It's what I do to decompress and escape the big hairy bs of the everyday.