How much is your time worth?

^^^^^This^^^^^

I am a LR presets guy too. My images have such drastic changes in lighting from one shot to the next that I can't rely on just one setting.
 
I'm still at the point where I discard so many of my images as utter failures than an extra 1% just gets lost in the noise.
 
One thing I don't see too many people discussing in format wars is processing time.....

Obviously in good light these days you can get a decent photo out of a potato. But we push, and that's where the differences come. A lot of folks shun the cost of larger formats, but turn around and spend hours upon hours blending bracketed shots and mitigating noise. For me the biggest boon of FF is being able to load all my stuff into Capture One, hit auto adjust and only have to make minor tweaks and crops..... as well as the freedom to be a little reckless with exposure

Is this a legitimate angle/question?
It is legitimate but cost is not the only issue...

Users of smaller sensors are also a saving in size and weight...

The difference between APSC and FF is just one stop and you can gain far more than that by blending images to reduce noise, add resolution and dynamic range....
1 stop is negligible in most cases..... I am generally talking smaller systems like MFT and even 1". I know those cameras are capable of generating great images, but in my experience you definitely have to work harder for them.
My four-thirds experience is limited to the E-300 and E-450 models. The E-300 took a bit of work, but the E-450 incorporated some outstanding features into its in-camera JPEG engine (such as their shadow adjustment technology that could be accessed by setting gradation to auto) that gave me out-of-camera images that looked great with no post-processing at all.
 
One thing I don't see too many people discussing in format wars is processing time.....

Obviously in good light these days you can get a decent photo out of a potato. But we push, and that's where the differences come. A lot of folks shun the cost of larger formats, but turn around and spend hours upon hours blending bracketed shots and mitigating noise. For me the biggest boon of FF is being able to load all my stuff into Capture One, hit auto adjust and only have to make minor tweaks and crops..... as well as the freedom to be a little reckless with exposure

Is this a legitimate angle/question?
About $1000 per hour... the problem is finding somebody who will pay me that much for it 😀

Seriously though, the funny thing is, I already shoot full frame and yet I still spend all kinds of time bracketing shots, and some time mitigating noise.....
 
Of course it's a legitimate question, particularly to those of us who aren't retired hobbyists with all day to spend (or, I suppose, pros who are paid to do it, but they would value efficiency as well).

Personally, even the thought of working intensively in post bores me to death. I like the camera work because it gets me away from my desk!
Speaking for myself, I usually can't wait to get home to play with my days (or nights) work. ☺ As far as my time in the field goes, sure, I love being out in nature, on a warm sunny day, but then again, it's not always warm and sunny..... it might well be cold and miserable.... or, I can be standing on a bridge overpass with vehicles ripping past me in the dark, or in an area that I could be robbed, gear stolen, shot, etc.... and so there have been plenty times when getting home and playing with my shots from the outing, are the time I can finally actually relax and have fun ☺
Luckily, I have found a happy niche working in JPEG only and cropping and doing minor edits on FastStone, which to me is an easy to use big brother of the familiar editing suite in my phone. I strive for a simple, film like look in my finished images anyway --I have no interest in HDR or anything that looks processed-- so this gives me usable finished images that I like to look at and which please me, while maximizing the fun part and minimizing the desk time. I don't need more if that after working my regular day.
 
One thing I don't see too many people discussing in format wars is processing time.....

Obviously in good light these days you can get a decent photo out of a potato. But we push, and that's where the differences come. A lot of folks shun the cost of larger formats, but turn around and spend hours upon hours blending bracketed shots and mitigating noise. For me the biggest boon of FF is being able to load all my stuff into Capture One, hit auto adjust and only have to make minor tweaks and crops..... as well as the freedom to be a little reckless with exposure

Is this a legitimate angle/question?
Two things... Firstly FF is all things being equal going to have more exposure latitude than smaller formats.... period. Still, I see it as mater of degree becuase the tech is so good that even smaller formats are capable of great perfomance and there's the benfit that for a lot of us who like to shoot spontaiously and bring a camera wherever we go, we can go much lighter and have the camera with us more of the time than if we were lugging bigger gear... which means that we're geting some shots that we woudn't have even gotten had we had the bigger stuff (that likely would be left at home more of the time).



Secondly, there are folks like me who consider the pp part to be an enjoyable part of the process, rather than a chore to be avoided. I like the "process" aspect to photorgahy and am not really intested in instant gratification. Compared to other visual mediums, ie painting, drawing, etc photograhy is very "instant" and I really like to spend more time with the images rather than less... I like to feel that I've "made" a photo rather than simpy taken it.




Thirdly, I happen to like the challege of getting great images with smaller gear. You need to be more precise with it, but I like that. Same as folks who fish with lighter gear... more fun in the long run to pull in the big fish with the light takcle, if you can learn to do it that way.
 
Ansel Adams spent just as much time dodging and burnning as he did shooting.

http://361photo.net
At least he was on his feet, scurrying about a darkroom. The last thing I need is another pastime that entails sitting on my butt for hours (cycling excepted).

I don't mind post processing small batches of photos, up to, say, 50. But coming home from a week's vacation with 700 photos to post process is no fun.
 
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My days of standing on bridge overpasses in the dark and venturing into sketchy neighborhoods are long over. The most daring thing I do at this point in my life is walkaround at twilight wearing a high visibility vest that I'm sure makes me look like a big old fool. Most if the night shooting I do is in my own yard.

You do have a good point. I'm sure if I was answering this question in late February, I would be spending a lot more time in the studio front of FastStone and less time behind the camera.
 
One thing I don't see too many people discussing in format wars is processing time.....

Obviously in good light these days you can get a decent photo out of a potato. But we push, and that's where the differences come. A lot of folks shun the cost of larger formats, but turn around and spend hours upon hours blending bracketed shots and mitigating noise. For me the biggest boon of FF is being able to load all my stuff into Capture One, hit auto adjust and only have to make minor tweaks and crops..... as well as the freedom to be a little reckless with exposure

Is this a legitimate angle/question?
I use m4/3, and I don't spend much time at all with PP - unless I'm posting a photo for all you huge sensor pixelpoopers to see.
 
Ansel Adams spent just as much time dodging and burnning as he did shooting.

http://361photo.net
At least he was on his feet, scurrying about a darkroom. The last thing I need is another pastime that entails sitting on my butt for hours (cycling excepted).

I don't mind post processing small batches of photos, up to, say, 50. But coming home from a week's vacation with 700 photos to post process is no fun.
How long does it take? If it takes ages, then that's understandable, but may also mean that it is worth looking at ways to speed it up.
 
I've never thought the purpose of photography was to save time. FF takes more effort doing post because the results are worth it. I've never post processed a cell phone photo (and yes, I do take them) because the results are worth it.

Post is a living, breathing part of photography. Enjoy it.



















 

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I like to get the exposure right in the field (don't you hate that phrase?), so I have the best data to manipulate later.

Developing those exposures is a creative outlet that I can't put a price on. It's what I do to decompress and escape the big hairy bs of the everyday.
Finally someone who agrees.

I get to experience everything twice. Once is the joy and concentration of shooting. The second is reliving the experience on the computer. No, I don't do post on thousands of images at a time. I'm lucky to come back w/a dozen good ones, but I really like working on those.

Better than watching TV or doing stuff other people consider relaxing.
 
Those are billable hours so they are worth a lot! :D
 
I didn't read all the posts but...

I have no idea what all this processing time is everyone talks about. I take the RAW files from my 7 year old DSLR into Nikon ViewNX and maybe bring up the shadows a bit, crop to my liking, save it as a jpg and everyone can see my cat pictures on Facebook pretty quick.
 
Sometime it isn't how much your time is worth, it is how much will someone else wait ;-)
 
The entire concept of 'time worth' is absurd when applied to a hobby. Now if you are a pro who wants to deliver images to a client in the least amount of time possible so you can go fishing, then yeah - you want to invest in most dependable, most effective gear that lets you get the needed result that much faster - and will likely develop the most efficient post-processing workflow.

Only to spend hour upon hour of your highly valuable time on the lake shore with a $3000 fishing rod, when same exact fish can be bought at a store in five minutes for $6/lb.

Sure, many hobbies might have aspects that one doesn't enjoy as much, in which case one might choose to 'farm them out'. I.e. many fishing areas have businesses that will, for a fee, clean and bone your catch.
 
I can't say for anyone else, but for me it is irrelevant as I have never bought a 1" sensor camera thinking that I could adjust it to compare with FF output in post. I wouldn't even attempt it - the reason for 1" is compactness and I knowingly trade IQ for that. Yes, it is possible to stitch together images for higher quality, but as you say, it is probably easier just to carry a FF in that case.
 

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