With the Fuji XPro2, X-T2, X-A3 and now the EOS-M5, APS-C mirrorless is rising the bar.
The IQ gap with m4/3 is widening.
Fuji has a wonderful lens lineup, Canon not yet, but the have some little jewels that are cheap and optically awesome (22mm , 11-22mm).
The bar is high for m4/3. They'd better take their thumbs off and work on solutions to provide better IQ. If they succeed, m4/3 will remain the best mirrorless system. If not...
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Cheers,
Frederic
http://www.azurphoto.com/
Not widening one bit. I compared the 2014 Nikon D5500 vs the 2014 GH4 and the 2016 D7200. D5500 is scoring exactly like the D7200. The latter having an insignificant (1/3 eV) advantage over the D5500.
Compared 80D with GX8 and the difference on all four measures are insignificant, which for noise is a surprse to me since this was one of Canon strenghth but there is less than 1/3 of a stop in it (whereas 2/3s becomes significant).
Canon upped their game but they are not better at all then these Nkons sensor wise.
Glass is another part of the equation. We can see that the lenssystem with the most development here are both mFTs and Sony FE. Fuji has great glass but is a bit slower to develop them. We can't day Panasonic and Olympus have invested in mediocrity here at all. Some lenses like the 12-60 and may be 25 mm 1.7 Panny are less than stellar, but 12 mm Leica, 100-400 Leica, 300 Oly, 1.2 25 mm Oly, etcetc are all very good and some superb lenses.
So from the lens side we are not gettng behind in IQ either.
When we look at video IQ....We are getting 4:2:2 8 bit 8G80) and 10 bit 9GH5) internal videoquality. That is puttin gthese cams again in a state-of-the-art position for their categories.
Finally: f a 1/60s HiRes mode becomes a reality with 10 shots in it, the tables are turned seriously. Everyone should take a close look at the current PenF and its results on the comparison part. Also informative here are the reviews of this feature on so many sites. There is one shortcoming: 1 second exposure is seriously hampering its usability. With 1/60 s (which remains to be seen of course since it is a rumour) would precisely change that part in a massive way. Not when you are an action shooter, also not a long focal lengths with even little movement of the subject. But in all other ways at FL say below 100 mm equivalent this feature might be usefull well probably give exciting oportunities for landscape, architecture, stilllife (already is great), streetlife and such shooting. And if the ISO s bumped from its current 1600 ISO to 12800 ISO than surely it must be great for astroshooting also (at least noctilucent clouds and aurora with some fast glass).