Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
I agree. The color is in the lead, but the right processing on the b/w could change that.I like the colour one best, it seems to emphasize more the expressiveness of the face. Might be able to improve the B&W version changing the light and shadows.
John.
I always subsrcibed to the advice- 'colour for colour's sake'. Here- I prefer the colour as it adds a warmth that suits the subject. In mono- it relays a different message- cold, isolated.Thanks for the feedback. More Zeiss 50 1.4ZK pixie dust
Let me start by saying I love B&W photography and did a lot of darkroom work at one time...
Color. Period... well... but the B&W is pretty awesome too... no...definitely color...maybe... oh heck...B&W!
Hah!
B&W is great for isolating the subject, or minimizing unwanted junk in your pictures, and can bring with it a certain mood. Great for helping distractions litter like coke cans and gum wrappers disappear in landscape scenes.
In this case, the color photo shows great subtle colors, pink cheeks, brown highlights in hair, and trim on the subjects shirt, where as the B&W makes you forget all that and really focus on the facial expression and what the hand is doing.
The shirt goes essentially white, and some of the innocence of the youthful colors are lost, and a much more old beyond the subjects years kind of meaning can be read into the facial expression.
The B&W comes off a little softer, because the subtle tone transitions are a little less than in color, the color has more pop. The B&W could be worked a bit to make the mid tones transitions more present. In the darkroom, I'd have processed this with Edwals Ultra Black, and burned some areas a bit longer than others.
So, I guess the bottom line, is what do you want out of the photo? To capture the moment, or make art? And if the latter, what do you want the art's message to be?