My favorite lens (so far) - the EF 135mm f/2L USM

Jonathan Brady

Veteran Member
Messages
6,725
Solutions
4
Reaction score
6,457
Location
Sarasota, FL, US
*all images have been downsized to 1920 pixels on the long side which will fill up an HD display. If you want to pixel peep at 1:1 at full resolution, sorry. Photography ain't about that.

I've had this lens for a little over a year now and it has taught me so much about photography and portraiture. It's taught me what SHARP looks like. It's taught me about flare and ghosting, and when that can be good and bad. It's taught me about compression and bokeh. But mostly, it's taught me that I love 135mm more than any other focal length prime lens I have! Maybe if I had the 200 f/2.8L II or was RICH and had the 200 f/2L IS, I might like those even better... but I doubt it :-)

In my opinion, 135mm on FF provides a VERY comfortable working distance from your subjects for upper body and head/shoulders portraits. You're close enough to interact, but not so close that you're invading their space.







Build quality:

This lens is built well in my amateur opinion. I've used it quite a lot and it still looks brand new. I don't make any claims about weather resistance because I never take it out in inclement weather as I mostly shoot portraits and most people would prefer not to be soaking wet when having their picture taken. So, the build quality is good enough for me.

As for how it feels in hand, it's not light weight, but it's not heavy either. It's not too big or long either, unless you like pancake and ultra small lenses. If anything, I'd say it feels a tad lighter than it looks, compared to lenses of similar size (like my Sigma 50mm Art which feels more dense) thanks to the use of high-quality plastic. I also happen to think it's a great LOOKING lens too. It's just... pretty. It may be an old design, but it's timeless, in appearance, IMO. And I don't know why but I just LOVE the giant, rounded front element. Purty! :-)



The lens hood could be prettier. It's truly ugly. I use it though. It's more than half the length of the lens itself. I do like that it locks into place and doesn't rotate. It's not of the petal-type, it's cylindrical and has the felt lining on the inside that Canon is known for.

Beyond that, it's an "L" lens. I know that's a cop out for additional sentences with additional complimentary adjectives and I used to make a "what the...?" face whenever I read that in the past, but now that I have a few L lenses, I get it. They're all pretty awesome.



Optical quality:

SHARP. If you have this lens and you can't count eyelashes in a head and shoulders portrait at 1:1, the focus in your image is off.



Color is... AWESOME. The colors this lens produces are nice and rich and stand up well to moderate to heavy post-processing.



Contrast is... Also AWESOME!



Ghosting and flare are definitely present with light sources such as the sun in the frame or striking the front element. Some may dislike these effects which are minimized in more modern lenses by the various coatings used, but some may like them and use them to their advantage. I've been in both situations.


(deliberate) flare example - washed out contrast and a hazy look to the image

Bokeh - soooo smooth! As for the "bokeh balls" from lights, etc., it has an 8 bladed aperture and even wide open you can faintly make out the blade intersections if you want to. However, it's still relatively rounded. As you approach the edges, it exhibits typical "stretching" (or "cat's eye") of bokeh balls.



Vignetting and distortion: I rarely correct either and typically add more vignetting (-30 in LR is about average for me).

Focusing performance:

Accuracy is... incredible! I always shoot in AI Servo with Back Button Focusing and hi-speed continuous shooting. With this lens, out of a short burst of 5 images, I'm typically looking for the very best expression, not the most in-focus because they're ALL in-focus. That's how it should be. I find this to be the case in artificial light as well as daylight.


bathroom lighting (he's in the tub)

Focusing speed is... pretty darn fast! I use this lens for action shots often and I'd say that it's almost as fast as the 85mm f/1.8. It definitely outperforms my 100L (which isn't meant to be a speed demon - I'm just using it as a reference as the difference is noticeable, IMO). You may ask: "will it keep up with toddlers at play?" The answer is YES!



Best uses:

Ummm... duh. portraits!






Just a touch of flare and ghosting - largely overcome by post processing (adding contrast)




LOTS of flare!


Price vs performance

Look, I don't have a lot of experience in photography compared to others who are FAR more capable reviewers than I, but in my opinion, every portrait shooter should own the Canon EF 135mm f/2L USM and if you shoot crop, upgrade to FF and get it. The value and performance this lens offers is OUTSTANDING.
 

Attachments

  • 3383359.jpg
    3383359.jpg
    2 MB · Views: 1
  • 3383360.jpg
    3383360.jpg
    1.2 MB · Views: 0
  • 3383314.jpg
    3383314.jpg
    1.8 MB · Views: 0
  • 3383311.jpg
    3383311.jpg
    1.5 MB · Views: 0
  • 3383310.jpg
    3383310.jpg
    2.7 MB · Views: 0
  • 3383309.jpg
    3383309.jpg
    2.4 MB · Views: 0
  • 3383312.jpg
    3383312.jpg
    1.1 MB · Views: 0
  • 3383307.jpg
    3383307.jpg
    2.1 MB · Views: 0
  • 3383316.jpg
    3383316.jpg
    1.2 MB · Views: 0
  • 3383306.jpg
    3383306.jpg
    2.1 MB · Views: 0
  • 3383305.jpg
    3383305.jpg
    1.7 MB · Views: 0
  • 3383313.jpg
    3383313.jpg
    1.5 MB · Views: 0
  • 3383315.jpg
    3383315.jpg
    3 MB · Views: 0
  • 3383326.jpg
    3383326.jpg
    1.2 MB · Views: 0
Last edited:
Jonathan, it's been pleasure reading your review.

I have also bought the Canon 135mm F2, had it about three months now but not had the weather yet to give it a real good test outside :-(

I, like yourself like to take portraits. I'm no pro just an amateur like yourself who likes to dabble in photography.

After the few indoor photographs I have taken with this lens the one thing that is missing for me is image stabilisation. I have noticed with my pictures taken with this lens and the Canon 6D there is some camera shake but they have been shot indoors with poor lighting. That is why I can't wait for the spring and summer time, yes I am a fair weather photographer :-P

Good review :-)
 
This is the lens I want next.
 
*all images have been downsized to 1920 pixels on the long side which will fill up an HD display. If you want to pixel peep at 1:1 at full resolution, sorry. Photography ain't about that.

I've had this lens for a little over a year now and it has taught me so much about photography and portraiture. It's taught me what SHARP looks like. It's taught me about flare and ghosting, and when that can be good and bad. It's taught me about compression and bokeh. But mostly, it's taught me that I love 135mm more than any other focal length prime lens I have! Maybe if I had the 200 f/2.8L II or was RICH and had the 200 f/2L IS, I might like those even better... but I doubt it :-)

In my opinion, 135mm on FF provides a VERY comfortable working distance from your subjects for upper body and head/shoulders portraits. You're close enough to interact, but not so close that you're invading their space.







Build quality:

This lens is built well in my amateur opinion. I've used it quite a lot and it still looks brand new. I don't make any claims about weather resistance because I never take it out in inclement weather as I mostly shoot portraits and most people would prefer not to be soaking wet when having their picture taken. So, the build quality is good enough for me.

As for how it feels in hand, it's not light weight, but it's not heavy either. It's not too big or long either, unless you like pancake and ultra small lenses. If anything, I'd say it feels a tad lighter than it looks, compared to lenses of similar size (like my Sigma 50mm Art which feels more dense) thanks to the use of high-quality plastic. I also happen to think it's a great LOOKING lens too. It's just... pretty. It may be an old design, but it's timeless, in appearance, IMO. And I don't know why but I just LOVE the giant, rounded front element. Purty! :-)



The lens hood could be prettier. It's truly ugly. I use it though. It's more than half the length of the lens itself. I do like that it locks into place and doesn't rotate. It's not of the petal-type, it's cylindrical and has the felt lining on the inside that Canon is known for.

Beyond that, it's an "L" lens. I know that's a cop out for additional sentences with additional complimentary adjectives and I used to make a "what the...?" face whenever I read that in the past, but now that I have a few L lenses, I get it. They're all pretty awesome.



Optical quality:

SHARP. If you have this lens and you can't count eyelashes in a head and shoulders portrait at 1:1, the focus in your image is off.



Color is... AWESOME. The colors this lens produces are nice and rich and stand up well to moderate to heavy post-processing.



Contrast is... Also AWESOME!



Ghosting and flare are definitely present with light sources such as the sun in the frame or striking the front element. Some may dislike these effects which are minimized in more modern lenses by the various coatings used, but some may like them and use them to their advantage. I've been in both situations.


(deliberate) flare example - washed out contrast and a hazy look to the image

Bokeh - soooo smooth! As for the "bokeh balls" from lights, etc., it has an 8 bladed aperture and even wide open you can faintly make out the blade intersections if you want to. However, it's still relatively rounded. As you approach the edges, it exhibits typical "stretching" (or "cat's eye") of bokeh balls.



Vignetting and distortion: I rarely correct either and typically add more vignetting (-30 in LR is about average for me).

Focusing performance:

Accuracy is... incredible! I always shoot in AI Servo with Back Button Focusing and hi-speed continuous shooting. With this lens, out of a short burst of 5 images, I'm typically looking for the very best expression, not the most in-focus because they're ALL in-focus. That's how it should be. I find this to be the case in artificial light as well as daylight.


bathroom lighting (he's in the tub)

Focusing speed is... pretty darn fast! I use this lens for action shots often and I'd say that it's almost as fast as the 85mm f/1.8. It definitely outperforms my 100L (which isn't meant to be a speed demon - I'm just using it as a reference as the difference is noticeable, IMO). You may ask: "will it keep up with toddlers at play?" The answer is YES!



Best uses:

Ummm... duh. portraits!






Just a touch of flare and ghosting - largely overcome by post processing (adding contrast)




LOTS of flare!


Price vs performance

Look, I don't have a lot of experience in photography compared to others who are FAR more capable reviewers than I, but in my opinion, every portrait shooter should own the Canon EF 135mm f/2L USM and if you shoot crop, upgrade to FF and get it. The value and performance this lens offers is OUTSTANDING.
I agree with everything you said. I absolutely love the lens.

Is would be great, as noted. However, I shoot a 6d so I have some iso latitude.

I do feel it is a tad bit long indoors, and have considered getting the 85 1.2 to compliment it. However, I worry that the two are so close in utility that it's not worth the cost.
 
I agree with everything you said. I absolutely love the lens.

Is would be great, as noted. However, I shoot a 6d so I have some iso latitude.
I agree, IS would be great. I don't think it would yield a TON of better photos though (some, for sure), at least for me. I've found that with shutter speeds of less than 1/125 in pictures of kids, that their rapidly moving eyes often cause blur in the image. So, if I were to have the same lens, but with IS, and I used a shutter speed of 1/60 for instance, I think the image would lack that sharpness that I currently see in my images around the eyes. Add in a kids body movement (outdoors, where I usually am with this lens) and to freeze both, we're back up to 1/160-1/400 (or faster).
I do feel it is a tad bit long indoors, and have considered getting the 85 1.2 to compliment it. However, I worry that the two are so close in utility that it's not worth the cost.
I've used it indoors, but we're fortunate to have a house with some size to it. As for the 85, I've debated MANY times purchasing this lens. The only thing holding me back is the reports of slow focusing. Slow focus + kids = photographer frustration. I've also read that it's not quite as slow as some make it out to be, but if I remember correctly, that feedback has been from adult portrait shooters.

Personally, I recently traded my 85/1.8 (along with the Canon 50/1.4) for a 70-300L because I have the 100L which is obviously a similar focal length, but is stabilized. I found I was frequently stopping the 85/1.8 down to 2.5 anyway and the 100L is great when shot wide open. But, I now have no primes between 51mm and 99mm. I'd love for Canon to come out with a 70 or 85mm f/1.4L. Now that I've experienced L glass for portraits, I don't want anything else!
 
Jonathan, it's been pleasure reading your review.
Glad you enjoyed it!
I have also bought the Canon 135mm F2, had it about three months now but not had the weather yet to give it a real good test outside :-(
Get ready for a GIANT smile on your face! :-)
I, like yourself like to take portraits. I'm no pro just an amateur like yourself who likes to dabble in photography.

After the few indoor photographs I have taken with this lens the one thing that is missing for me is image stabilisation. I have noticed with my pictures taken with this lens and the Canon 6D there is some camera shake but they have been shot indoors with poor lighting. That is why I can't wait for the spring and summer time, yes I am a fair weather photographer :-P
Yeah, IS would be nice - especially for indoors or event photography, but given the focal length of this lens, it really was made for outdoor shots! You'll find that outdoors at f/2, you'll get plenty fast shutter speeds and low ISO.
Good review :-)
Thanks!
 
*all images have been downsized to 1920 pixels on the long side which will fill up an HD display. If you want to pixel peep at 1:1 at full resolution, sorry. Photography ain't about that.
Except that your images look *far* *far* better only when viewed at 100% (after your downsizing), and look *much* worse if you view it and allow the browser or DPReview web scripts to resize accordingly.

So it is important that your images be viewed at the full resolution that you have produced for web display purposes. This is very important actually as a lot of people do not realize how much impact images can lose if *you* do not take absolute control on how you present your *final* image. A downsized image with proper resampling and post sharpening will look far better than even a full-size image mucked up with web/javascript resized output or even a full-size image that is too big for the end display (and thus they just see a small portion of the frame that they need to pan around again losing visual impact).

Anyone who buys high MP cameras and sharp lenses but does not pay attention to careful *end* display or print is a doofus and have no idea of how much MP or how sharp a lens they really need.

There are some images where the dpreview resize photo and the 'original' doesn't make a huge difference (and often its because the person posting the photo hasn't really optimized the final output to really have that extra pop and polish), but your images absolutely display the extra pop and polish for the *display* medium, and absolutely get destroyed when previewed by DPreview and not shown as original size on the appropriate displays.

So yes pixel peeping 100% at the *original* full resolution file is meaningless...but displaying an image at 100% for the *final* display medium and resolution is critical.

I just had to resample and post sharpen a wallpaper photo using Irfanview for my work displays which have pretty weak displays...but again taking full control over the *final* resolution makes a massive difference in the end result vs letting the OS re-size, etc.
 
Last edited:
Agree wholeheartedly! That's why I mentioned the 1920 pixel width. :-)

I do dislike the automatic resize that DPR enforces. You'd think a photography-focused forum would be more lenient.
 
Agree wholeheartedly! That's why I mentioned the 1920 pixel width. :-)

I do dislike the automatic resize that DPR enforces. You'd think a photography-focused forum would be more lenient.
Also I had the 200mm f2.8 II and I think I would have liked the 135mm f2 more and used it more. It is faster and shorter while the 200mm f2.8 requires more light and shutter speed. The 200mm f2.8 is really for event shooting like outdoor activities, school assemblies, graduations, or music/bands, etc.

I just sold my 200mm f2.8 II for $550, so they are pretty cheap. Both the 135mm f2 and 200mm f2.8 are IMO very cheap for the quality and utility you get and is a 'Canon' exclusive in some ways. They are old but the AF is very fast, etc and sharpness holds up (you can see Horshack's 50MP resolution tests on any of these lens to see that both of them hold up well even to 50MP wide open!).

Really being able to buy either of these lenses in mint condition for good pre-owned or refurb (or just CPW street price) and the price performance is off the charts.

If I get back into a Canon system, the 135mm f2 would be on my short list. I find that if you do family shooting, your focal lengths tend to go wider the younger your kids are, and go longer as they grow up ;p (as you give them more space). Its not even possible for me to use the 200mm f2.8 with my kids without having my wife around and I'm basically shooting from a good distance, etc.

If I were to build a Canon system again I'd get the 35mm f2 IS, and the 135L, and a 50 1.8 STM (I'd skip trying to get a good copy of the 85mm 1.8, it's really a PITA). If Canon ever revamps the 85 then I'd consider it again. The 100mm f2.8 L IS Macro is not shabby either.
 
Not my favourite lens but certainly one of my top three or four.

A really nice concert lens.....and a lens that adapts to other systems very nicely. (f9 was a mistake from using a wide angle TS-E lens just before this shot).

 
Last edited:
The 135mm f/2 was my first L prime. It's one of the cheapest L lenses, and one of the best.

It has it's 20th birthday this year! It's one of the oldest Canon L designs, and it hasn't needed update.

I really do hope that they don't mess it up by adding IS to it.
 
Absolutely wonderful pics! I think the flare adds a really nice character to the resulting photos too... :)

It's definitely on my wish list... would probably be one of the first lenses I'd get with my future 6D!
 
If I were to build a Canon system again I'd get the 35mm f2 IS, and the 135L, and a 50 1.8 STM (I'd skip trying to get a good copy of the 85mm 1.8, it's really a PITA). If Canon ever revamps the 85 then I'd consider it again. The 100mm f2.8 L IS Macro is not shabby either.
That's pretty much my planned lens line-up for when I can finally afford it :P Except I'm really hoping that a refreshed 50mm f/1.4 makes its appearance soon... :)
 
Great images. I'm convinced. But how does it compare to the 100L besides being faster (which to obviously took advantage of in these shots).
 
Great images. I'm convinced. But how does it compare to the 100L besides being faster (which to obviously took advantage of in these shots).
Thanks!

How it differs: well, it's obviously longer than the 100L by 35mm/35%. And yes, it's 1 full stop faster in terms of light, but in terms of background/foreground blur you also have to factor in the additional 35mm to that one stop. But you can ABSOLUTELY still get plenty of background blur with 100mm. See...



I think both can produce GREAT images, but I tend to pick the 135L more often for some reason I simply can't articulate. I just like the images better.

If you were deciding between the two, the choice would come down to the variables involved with your individual circumstance, but if I could come up with an easy way to help someone decide it would be that the 100L is FAR more versatile in terms of uses (it has IS, it's a shorter focal length so it can work indoors easier, and obviously it'll do macro and close distance photography) but if a person wants a top of the line portrait lens, especially one that's to be used in not-small-spaces, the 100L is no match for the 135L.
 

Attachments

  • 3383842.jpg
    3383842.jpg
    1.1 MB · Views: 0
The best prime bang for the buck lens in the Canon line up! I'd love to see Canon take this lens configuration and make a MkII version with IS. I'd be #1 on the preorder list! ;-)

David
 
Jonathon, your images are lovely!

I have a 70-200 f2.8. We recently went to Tuscany and I didn't want to take it because of its size and color, which attracts a lot of attention. I'd always wanted the 135mm f2.0 and came across a mint condition late model used copy at a fair price.

I found it as magical as everyone says it is. I haven't done a side be side comparison to the 70-200, which is also a great lens, but I know just looking in the viewfinder that magic will happen.

I was a full time professional for 25 years and have used many legendary "portrait" lenses, including the Hasselblad 180, the Mamiya 150 soft focus for the RB/RZ cameras, both Canon and Nikon 85/90/135/200 lenses, the classic Leitz Summicron 90mm f2.0 and even some legendary Nikkor lenses for 4x5. This ranks with the other legendary lenses I've used.

Lots of folks drool over the Canon 200mm f2.0 IS. I've seen some great images taken with it, but I think the 135mm can come very close to it in many ways at 1/6 the price.
 

Keyboard shortcuts

Back
Top