No, just to show how inconsistent they are...how ironic!
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No, just to show how inconsistent they are...how ironic!
No, it didn't.When Canon introduced the 7D, it had the best APSC sensor on the market.
Wow, you are being seriously ridiculous about resolution. You're bashing the 7D2 because it "only" has 20 megapixels? Let me ask you a few things:The problem with Canon is that the sensor will only be 20 megapixels and likely to have an AA filter as well. What this translates to is poorer resolution than the competition.
I really like the 24 MP from my Nex-7 and really appreciate its crop-ability over the 18 MP 7D. I do hope the 20.2 MP is an improvement in crop-ability on the 7DII. I would have preferred 24 MP on the 7DII but not at the expense of noisier images.No, it didn't.When Canon introduced the 7D, it had the best APSC sensor on the market.
Sony's sensors has been kicking Canon's butt long before the 7D. The Nikon D90 came out one whole year before the 7D, and it still scored higher at DxO (73 vs 66). The only difference between now and then is that people whine a lot louder these days.
Wow, you are being seriously ridiculous about resolution. You're bashing the 7D2 because it "only" has 20 megapixels? Let me ask you a few things:The problem with Canon is that the sensor will only be 20 megapixels and likely to have an AA filter as well. What this translates to is poorer resolution than the competition.
- What is the highest resolution available for current Sony APS-C cameras? 24 megapixels.
- What is the highest resolution available for current Nikon APS-C cameras? 24 megapixels.
- What is the highest resolution available for current Fuji APS-C cameras? 16 megapixels.
A 24 MP image is only 9% wider than a 20 MP image. Nobody cares about tiny little differences in resolution like that... except nitpicky gear heads. Seriously. Do you see Fuji and Micro Four Thirds users and Leica users complain about resolution on their cameras?
- What is the highest resolution available for Micro Four Thirds cameras? 16 megapixels.
I get the impression you're suffering from a bad case of gear envy. You've been blinded by the 36 megapixels on those full frame cameras... and now you want that kind of resolution on a sensor that's 1/3 the size of full frame.
Get a grip man.
+1000. Most of Karl's comments have had little value beyond amusement for quite some time as he refuses to acknowledge that it might be possible that other vendors have out-innovated Canon in some aspects of sensor design. Instead, we see a steady stream of apologist comments and putdowns about anything that doesn't have a Canon logo on it. It's woth a good chuckle here and there... that's about it IMHO.is your attitude.
You have to understand, other people sometimes have different photographic needs than your own. Some people may legitimately want a sensor with higher resolution, better dynamic range and ISO performance. Trying to shout them down and defend Canon at all cost (and why would anyone do that?) is bigoted and childish.
--
Howard
cameras: 5DII, 50D, D60, Rebel 2000 (film)
lenses: 17-40 f/4 USM L, 24-105 f/4 USM L, 100-400 f/4.5-5.6 IS USM L, 24 f/3.5 TSE L, 35 f/2, 50 f/1.4 USM, 100 f/2.8 IS USM Macro L, 300 f/2.8 IS USM II, 430 EX II, 270 EX II, EF 1.4x TC III, EF 2x TC III, Kenko Pro 300 1.4x TC
personal website: http://www.travelerathome.com
blog: http://travelerathome.wordpress.com
At least Karl backs his strong opinion up with facts and technical detail beyond "Hurr durr, Leica lenses are best" and "The latest BS DxO test has shown Sony makes the best cameras"+1000. Most of Karl's comments have had little value beyond amusement for quite some time as he refuses to acknowledge that it might be possible that other vendors have out-innovated Canon in some aspects of sensor design. Instead, we see a steady stream of apologist comments and putdowns about anything that doesn't have a Canon logo on it. It's woth a good chuckle here and there... that's about it IMHO.is your attitude.
You have to understand, other people sometimes have different photographic needs than your own. Some people may legitimately want a sensor with higher resolution, better dynamic range and ISO performance. Trying to shout them down and defend Canon at all cost (and why would anyone do that?) is bigoted and childish.
--
Howard
cameras: 5DII, 50D, D60, Rebel 2000 (film)
lenses: 17-40 f/4 USM L, 24-105 f/4 USM L, 100-400 f/4.5-5.6 IS USM L, 24 f/3.5 TSE L, 35 f/2, 50 f/1.4 USM, 100 f/2.8 IS USM Macro L, 300 f/2.8 IS USM II, 430 EX II, 270 EX II, EF 1.4x TC III, EF 2x TC III, Kenko Pro 300 1.4x TC
personal website: http://www.travelerathome.com
blog: http://travelerathome.wordpress.com
Canon remains a tremendous innovator in many areas and the 7DMk2 will be an incredible tool for photographers that can best take advantage of what it brings to the market. But a healthy perspective on potential shortcomings rather than blind fanboyism has a lot more value here. Like any purchase decision, if the mix of features in a new product is a good match to your specific needs, then it's a winner for you. The grumbling we're seeing here (perhaps a touch premature) is a combination of missed expectations and possibly a less than optimal match to some photographers' needs and priorities.
No he doesn't. His "facts" are actually opinions and they are not at all backed by whatever technical mumbo-jumbo he likes to throw into his posts. At the end of the day, it comes down to opinions, but he refuses to acknowledge that what he states are in fact just that: opinions. Instead, he chooses to pawn them off as facts and present them as such. If you elect to buy into that, more power to you, bud. In that case, I have a very nice, slightly used bridge for sale if you're interested.At least Karl backs his strong opinion up with facts and technical detail beyond "Hurr durr, Leica lenses are best" and "The latest BS DxO test has shown Sony makes the best cameras"+1000. Most of Karl's comments have had little value beyond amusement for quite some time as he refuses to acknowledge that it might be possible that other vendors have out-innovated Canon in some aspects of sensor design. Instead, we see a steady stream of apologist comments and putdowns about anything that doesn't have a Canon logo on it. It's woth a good chuckle here and there... that's about it IMHO.is your attitude.
You have to understand, other people sometimes have different photographic needs than your own. Some people may legitimately want a sensor with higher resolution, better dynamic range and ISO performance. Trying to shout them down and defend Canon at all cost (and why would anyone do that?) is bigoted and childish.
--
Howard
cameras: 5DII, 50D, D60, Rebel 2000 (film)
lenses: 17-40 f/4 USM L, 24-105 f/4 USM L, 100-400 f/4.5-5.6 IS USM L, 24 f/3.5 TSE L, 35 f/2, 50 f/1.4 USM, 100 f/2.8 IS USM Macro L, 300 f/2.8 IS USM II, 430 EX II, 270 EX II, EF 1.4x TC III, EF 2x TC III, Kenko Pro 300 1.4x TC
personal website: http://www.travelerathome.com
blog: http://travelerathome.wordpress.com
Canon remains a tremendous innovator in many areas and the 7DMk2 will be an incredible tool for photographers that can best take advantage of what it brings to the market. But a healthy perspective on potential shortcomings rather than blind fanboyism has a lot more value here. Like any purchase decision, if the mix of features in a new product is a good match to your specific needs, then it's a winner for you. The grumbling we're seeing here (perhaps a touch premature) is a combination of missed expectations and possibly a less than optimal match to some photographers' needs and priorities.
Many people here happily jump on the "must have latest feature" regardless if it is any use or not and "this small technical detail makes or brakes a camera".
it's only a 1.09 effective crop difference between a 20 versus 24Mp camera.I really like the 24 MP from my Nex-7 and really appreciate its crop-ability over the 18 MP 7D. I do hope the 20.2 MP is an improvement in crop-ability on the 7DII. I would have preferred 24 MP on the 7DII but not at the expense of noisier images.No, it didn't.When Canon introduced the 7D, it had the best APSC sensor on the market.
Sony's sensors has been kicking Canon's butt long before the 7D. The Nikon D90 came out one whole year before the 7D, and it still scored higher at DxO (73 vs 66). The only difference between now and then is that people whine a lot louder these days.
Wow, you are being seriously ridiculous about resolution. You're bashing the 7D2 because it "only" has 20 megapixels? Let me ask you a few things:The problem with Canon is that the sensor will only be 20 megapixels and likely to have an AA filter as well. What this translates to is poorer resolution than the competition.
- What is the highest resolution available for current Sony APS-C cameras? 24 megapixels.
- What is the highest resolution available for current Nikon APS-C cameras? 24 megapixels.
- What is the highest resolution available for current Fuji APS-C cameras? 16 megapixels.
A 24 MP image is only 9% wider than a 20 MP image. Nobody cares about tiny little differences in resolution like that... except nitpicky gear heads. Seriously. Do you see Fuji and Micro Four Thirds users and Leica users complain about resolution on their cameras?
- What is the highest resolution available for Micro Four Thirds cameras? 16 megapixels.
I get the impression you're suffering from a bad case of gear envy. You've been blinded by the 36 megapixels on those full frame cameras... and now you want that kind of resolution on a sensor that's 1/3 the size of full frame.
Get a grip man.
Nope, it's those that have long since left and keep returning, telling us how crummy the gear is we have. That's it what's wrong. And the thinking that technology will be the saviour and Canon only needs to buy from someone else to make everything good. It wont because costs will rise (Canon has the fabs and would have to lay off a lot of people when they shut them down) - all on the (false) assumption that DR in their current sensors is insufficient. A sensor with 16 EV dynamic range (requiring at least an 18 Bit A/D conversion and consequently more memory for everything from image buffer to processing) wouldn't make you a better photographer, it will most likely make you a worse photographer because of the thinking that comes with it (DR is there, so let's use it)...is your attitude.
Nothing? Compare rear views of the 7DII without flip/twist LCD to 70D with it. More than 'nothing' different. Not only fewer controls easily accessible but the loss of the beloved 'joystick' which Canon has wisely carried forward from the 7D. (I think the 70D with its flip/twist bears at least as much resemblance to the 700D / T5i Rebel - a great lower-level camera with a lot of bang for the buck but in the opposite direction from the 7D II.)Just curious why (a person) wouldn't want a convenience feature like the tiltable LCD. It would just stay in place in your case with nothing different compared to a fixed screen.
I was right with you til you described the sensor as 'inadequate'. First, we haven't seen any actual photos from the 7D II yet, have we? Second, unless 'adequate' means 36Mp, the issue of low ISO DR is minor and can generally be worked around by bumping the EV upward a bit. It is easier to recover some overexposed highlights than to pull details from shadows on any camera, I think.Conservative? How can you describe the 7D2 specs sheet as "conservative"?Depends on the PriceDo people actually have any legitimate complaints besides the sensor?
The rumored specs seem OK (although somewhat conservative after so many years wait), but the big unanswered question is the pricing. Nikon just announced the D750 at $2,300 so it’s hard to imagine Canon positioning a 7D Mk II priced any higher than $1,999 (hopefully less). Think about it: if you can get a full-frame clean 24 megapixel sensor with pro-grade autofocus in a magnesium body with tilt-LCD at that price, then one should expect to pay several hundred dollars less for a crop-sensor with only 20 megapixels and poorer dynamic range and high-ISO noise, and a fixed LCD (for those who shoot video). For those of us who shoot both Canon and Nikon, it’s great to have competition and choices.
KT
Those 65 cross type AF points exceed even the ones on the 1DX. The 150k-pixel RGB sensor exceeds the one on the 1DX. 10.0 fps is by far the fastest frame rate ever seen on any APS-C SLR. There is nothing conservative about that specs sheet. This is the opposite of conservative. Canon has practically gone nuts with these features.
With the 5D3 and now the 7D2, Canon has been uncharacteristically generous with the feature sets of their mid-tier models. It looks like they are compensating for inadequate sensors by stuffing the specs sheets. Reminds me a lot of Nikon's strategy in the mid 2000s.
Here's the people who will have complaints, legitimate or not:EOS 7D Mark II:
I can't even begin to imagine how anybody could be disappointed with that specs sheet. It looks to me like the feature set is as robust as a 1-series camera's. Are 65 Cross Type AF points somehow not enough? Is 10.0 fps not fast enough? Is the ability to auto focus lenses @ f/8 not good enough? Dual Digic IV processors not enough? Honestly, the specs sheet looks like some fanboy's fantasy wishlist.
- 65 AF Points with all Cross type
- 10.0 fps
- f/8 AF on center point
- 150K-pixel RGB Metering Sensor
- Spot Metering reduced to 1.8%
- Dual Digic VI processors
- Dual Pixel AF
- GPS, Intervalometer, 1080p60 Video
Do people actually have any legitimate complaints besides the sensor?
Frankly, Canon isn't even as far behind the sensor tech as people think. They've already eliminated the pattern noise in their sensors during the previous generation, which was a huge development. At high ISO their dynamic range is already as good as any camera out there. The one (and only) issue with their sensors is dynamic range at low ISO, which is about 2.5 stops behind Sony's sensors.
LOL! How refreshing to hear of a camera of the size of the 7D / 7D II referred to as 'a more compact size' instead of 'humongous', 'bloated', 'weighs a ton', 'enormous' etc. etc. from the tiny camera booster club.Although I can't say enough about my 1DmkIV, I'm frankly getting tired of lugging it around.Well said indeed. This should be an excellent wildlife camera.
I have the 5D mark III as well as the 70D for a cropped body. The sensor on the 70D is pretty good, but miss the incredible auto-focus performance of the 5D mark III. Because of this, I sometimes go with the 5D mark III in more critical situations. If the 7D mark II can meet or beat that, then I am in!
I'm looking forward to a comparable feature set with equivalent performance in a more compact size, so if the 7DII can deliver as speculated count me in as well..........
I'm curious how one can "recover some overexposed highlights"? If the highlights are clipped there is no information to recover.I was right with you til you described the sensor as 'inadequate'. First, we haven't seen any actual photos from the 7D II yet, have we? Second, unless 'adequate' means 36Mp, the issue of low ISO DR is minor and can generally be worked around by bumping the EV upward a bit. It is easier to recover some overexposed highlights than to pull details from shadows on any camera, I think.Conservative? How can you describe the 7D2 specs sheet as "conservative"?Depends on the PriceDo people actually have any legitimate complaints besides the sensor?
The rumored specs seem OK (although somewhat conservative after so many years wait), but the big unanswered question is the pricing. Nikon just announced the D750 at $2,300 so it’s hard to imagine Canon positioning a 7D Mk II priced any higher than $1,999 (hopefully less). Think about it: if you can get a full-frame clean 24 megapixel sensor with pro-grade autofocus in a magnesium body with tilt-LCD at that price, then one should expect to pay several hundred dollars less for a crop-sensor with only 20 megapixels and poorer dynamic range and high-ISO noise, and a fixed LCD (for those who shoot video). For those of us who shoot both Canon and Nikon, it’s great to have competition and choices.
KT
Those 65 cross type AF points exceed even the ones on the 1DX. The 150k-pixel RGB sensor exceeds the one on the 1DX. 10.0 fps is by far the fastest frame rate ever seen on any APS-C SLR. There is nothing conservative about that specs sheet. This is the opposite of conservative. Canon has practically gone nuts with these features.
With the 5D3 and now the 7D2, Canon has been uncharacteristically generous with the feature sets of their mid-tier models. It looks like they are compensating for inadequate sensors by stuffing the specs sheets. Reminds me a lot of Nikon's strategy in the mid 2000s.
I said overexposed highlights, not clipped or blown highlights. There's a significant difference.I'm curious how one can "recover some overexposed highlights"? If the highlights are clipped there is no information to recover.I was right with you til you described the sensor as 'inadequate'. First, we haven't seen any actual photos from the 7D II yet, have we? Second, unless 'adequate' means 36Mp, the issue of low ISO DR is minor and can generally be worked around by bumping the EV upward a bit. It is easier to recover some overexposed highlights than to pull details from shadows on any camera, I think.Conservative? How can you describe the 7D2 specs sheet as "conservative"?Depends on the PriceDo people actually have any legitimate complaints besides the sensor?
The rumored specs seem OK (although somewhat conservative after so many years wait), but the big unanswered question is the pricing. Nikon just announced the D750 at $2,300 so it’s hard to imagine Canon positioning a 7D Mk II priced any higher than $1,999 (hopefully less). Think about it: if you can get a full-frame clean 24 megapixel sensor with pro-grade autofocus in a magnesium body with tilt-LCD at that price, then one should expect to pay several hundred dollars less for a crop-sensor with only 20 megapixels and poorer dynamic range and high-ISO noise, and a fixed LCD (for those who shoot video). For those of us who shoot both Canon and Nikon, it’s great to have competition and choices.
KT
Those 65 cross type AF points exceed even the ones on the 1DX. The 150k-pixel RGB sensor exceeds the one on the 1DX. 10.0 fps is by far the fastest frame rate ever seen on any APS-C SLR. There is nothing conservative about that specs sheet. This is the opposite of conservative. Canon has practically gone nuts with these features.
With the 5D3 and now the 7D2, Canon has been uncharacteristically generous with the feature sets of their mid-tier models. It looks like they are compensating for inadequate sensors by stuffing the specs sheets. Reminds me a lot of Nikon's strategy in the mid 2000s.
Nothing? Compare rear views of the 7DII without flip/twist LCD to 70D with it. More than 'nothing' different. Not only fewer controls easily accessible but the loss of the beloved 'joystick' which Canon has wisely carried forward from the 7D. (I think the 70D with its flip/twist bears at least as much resemblance to the 700D / T5i Rebel - a great lower-level camera with a lot of bang for the buck but in the opposite direction from the 7D II.)Just curious why (a person) wouldn't want a convenience feature like the tiltable LCD. It would just stay in place in your case with nothing different compared to a fixed screen.
The people most complaining about the LCD are the ones looking for a great all-around camera. Canon already makes the 70D for them. The 7DII (as the 7D) is designed to be a class leader for action /sports /wildlife photography, not intended to take flower and bug macros at 10fps.
It's kinda like if someone went to the Ferrari owners forum online and posted 'I don't want all those gauges, I can use warning lights and I would really rather have more cup holders. I can get that in an economy car, I would think I could have it in a Ferrari!'
Canon knows who their market is for the 7D II and if you are disappointed then it is because you want (need) a different kind of camera and the 7D WAS meant for someone else. Yes, there will be a few action / sports types who would like a flip/twist LCD but probably not at the cost of giving up the joystick and extra controls, which ARE relevant to what sort of use this camera was meant for.
Canon has improved the basic specs of the 7D to address the weaknesses (especially the very slow live-view AF) and improve its strengths. I would much rather have it as it is (even with the minor issue of low ISO DR, which can easily be worked around) than to turn a Ferrari into a minivan.
7DII:
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70D:
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For that matter, here's a 700D / Rebel T5i:
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I'm curious how one can "recover some overexposed highlights"? If the highlights are clipped there is no information to recover.I was right with you til you described the sensor as 'inadequate'. First, we haven't seen any actual photos from the 7D II yet, have we? Second, unless 'adequate' means 36Mp, the issue of low ISO DR is minor and can generally be worked around by bumping the EV upward a bit. It is easier to recover some overexposed highlights than to pull details from shadows on any camera, I think.Conservative? How can you describe the 7D2 specs sheet as "conservative"?Depends on the PriceDo people actually have any legitimate complaints besides the sensor?
The rumored specs seem OK (although somewhat conservative after so many years wait), but the big unanswered question is the pricing. Nikon just announced the D750 at $2,300 so it’s hard to imagine Canon positioning a 7D Mk II priced any higher than $1,999 (hopefully less). Think about it: if you can get a full-frame clean 24 megapixel sensor with pro-grade autofocus in a magnesium body with tilt-LCD at that price, then one should expect to pay several hundred dollars less for a crop-sensor with only 20 megapixels and poorer dynamic range and high-ISO noise, and a fixed LCD (for those who shoot video). For those of us who shoot both Canon and Nikon, it’s great to have competition and choices.
KT
Those 65 cross type AF points exceed even the ones on the 1DX. The 150k-pixel RGB sensor exceeds the one on the 1DX. 10.0 fps is by far the fastest frame rate ever seen on any APS-C SLR. There is nothing conservative about that specs sheet. This is the opposite of conservative. Canon has practically gone nuts with these features.
With the 5D3 and now the 7D2, Canon has been uncharacteristically generous with the feature sets of their mid-tier models. It looks like they are compensating for inadequate sensors by stuffing the specs sheets. Reminds me a lot of Nikon's strategy in the mid 2000s.
Bob