Warning to EM-1 users :sunshine into EVF can create indeletable blotches, as confirmed by Olympus.

Sorry for being late: is there any of the proportion of users in the forum experiencing this problem, and which diopter adjustment the affected users use?
As to the diopter adjustment, the problem should be worst if it is set to zero, i.e., such that a person with perfect vision of perfect glasses can view the EVF with maximum convenience (as though it were at infinity).
I think you'll find that most non-adjustable SLRs had their viewfinders set to position the screen at around 1m viewing distance, not infinity, and that's what the "0" on most adjustable viewfinders corresponds to.
I have never seen any test of what they are actually set to (if not adjustable) or set to at 0 (if adjustable). Have you? If so, I'd be grateful for a reference/link.

And why would they be set to anything but infinity? That's where the eye is most relaxed, right?
So, if I have my signs the right way round, -1 would be the most risky setting. If not, then its +1. ;-)
As pressures build, maybe Oly could suggest a diopter to avoid as a very temporary measure?

Would probably not be a good idea if it turns out to be 0 though.
As already indicated, I think it is 0, or close to zero.
Is the VF shaped such that a cover could be quickly fashioned for it?
I think a better idea than a cover would be the one I suggest here:

http://www.dpreview.com/forums/post/53852892
I was thinking along the lines of self-build rather than involving Olympus.
Well, self-build was at least partly what I had in mind as well. But as to covers, I would think that a piece of black cloth taped to the top of the eyepiece would work pretty well.
Yes, but some black cloths could be very transparent i.e. the various types that go into some ladies' clothing, and surprisingly one recent curtain we almost bought, until we found out.
Should be heavy-duty stuff of course. Speaking of laides' clothing, why not try the type they make burkas from. ;-)
 
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Sorry for being late: is there any of the proportion of users in the forum experiencing this problem, and which diopter adjustment the affected users use?
As to the diopter adjustment, the problem should be worst if it is set to zero, i.e., such that a person with perfect vision of perfect glasses can view the EVF with maximum convenience (as though it were at infinity).
I think you'll find that most non-adjustable SLRs had their viewfinders set to position the screen at around 1m viewing distance, not infinity, and that's what the "0" on most adjustable viewfinders corresponds to.
I have never seen any test of what they are actually set to (if not adjustable) or set to at 0 (if adjustable). Have you? If so, I'd be grateful for a reference/link.
I know I have seen this in various service manuals, but I no longer have access to any of those.

Here is one reference which suggests Nikon default is -1 dioptre: see note below the table of corrective lenses. https://support.nikonusa.com/app/answers/detail/a_id/639/~/viewfinder-diopter-adjustment

However what I did do, and you might be able do the same to check for yourself, is dug out my old OM-1 & OM-2 cameras, which don't have any eyepiece adjustment. I then used my OM-3Ti with 50mm lens to shoot into the eyepiece of the two older cameras. Best focus of the screen information was when the lens was focussed at 1.5m for the eyepiece of both cameras. At infinity the focus through the eyepiece was clearly off. This confirms what I believed, but you can probably do a similar check to confirm it for yourself.
OK. That's a good enough test. I don't have any old film SLRs left to play with and haven't yet tried to check what the midpoint or zero-point of my various MFT bodies actually corresponds to.
I just managed to grab my wife's EM-1 out of her hands for a couple of minutes and did a similar test on that at the dioptre setting she is using. Again, best focus was at 1.5m. Since she had ELRT some time ago, her eyesight is perfect, so I'm pretty certain that would be the nominal setting.

Of course, having just done the test, its all a bit moot anyway since the EM-1 doesn't have a marked "0" or other indicator, so you have no idea what it is actually set at.
And why would they be set to anything but infinity? That's where the eye is most relaxed, right?
It may be where the eye is most relaxed, but it is also at one extreme of the accommodation range. It makes more sense to put the image in the middle of that range.
Why would that make more sense? The point where the eye is most relaxed is certaily the one that makes most sense to me. That's also where I personally set it when it is adjustable.
How do you know that's what you are doing? Since infinity is as far as your relaxed eye can go, you'd have to set the adjustment as far as it can go towards infinity while you can still keep the image in focus.

Personally, I adjust it to be in the middle of the range that I can comfortably focus on, as I suspect most folks do, but that certainly isn't going to be at infinity. As I say though, its all a bit moot since the EM-1 doesn't have any indicators so who knows what zero is, or what dioptre setting they have dialled in?

Strangely enough, on the half dozen OM-3/4 bodies I have, half have markers and half don't, and it doesn't seem to be related to age. Never noticed that before! ;-)
 
Sorry for being late: is there any of the proportion of users in the forum experiencing this problem, and which diopter adjustment the affected users use?
As to the diopter adjustment, the problem should be worst if it is set to zero, i.e., such that a person with perfect vision of perfect glasses can view the EVF with maximum convenience (as though it were at infinity).
I think you'll find that most non-adjustable SLRs had their viewfinders set to position the screen at around 1m viewing distance, not infinity, and that's what the "0" on most adjustable viewfinders corresponds to.
I have never seen any test of what they are actually set to (if not adjustable) or set to at 0 (if adjustable). Have you? If so, I'd be grateful for a reference/link.
I know I have seen this in various service manuals, but I no longer have access to any of those.

Here is one reference which suggests Nikon default is -1 dioptre: see note below the table of corrective lenses. https://support.nikonusa.com/app/answers/detail/a_id/639/~/viewfinder-diopter-adjustment

However what I did do, and you might be able do the same to check for yourself, is dug out my old OM-1 & OM-2 cameras, which don't have any eyepiece adjustment. I then used my OM-3Ti with 50mm lens to shoot into the eyepiece of the two older cameras. Best focus of the screen information was when the lens was focussed at 1.5m for the eyepiece of both cameras. At infinity the focus through the eyepiece was clearly off. This confirms what I believed, but you can probably do a similar check to confirm it for yourself.
OK. That's a good enough test. I don't have any old film SLRs left to play with and haven't yet tried to check what the midpoint or zero-point of my various MFT bodies actually corresponds to.
I just managed to grab my wife's EM-1 out of her hands for a couple of minutes and did a similar test on that at the dioptre setting she is using. Again, best focus was at 1.5m. Since she had ELRT some time ago, her eyesight is perfect, so I'm pretty certain that would be the nominal setting.

Of course, having just done the test, its all a bit moot anyway since the EM-1 doesn't have a marked "0" or other indicator, so you have no idea what it is actually set at.
And why would they be set to anything but infinity? That's where the eye is most relaxed, right?
It may be where the eye is most relaxed, but it is also at one extreme of the accommodation range. It makes more sense to put the image in the middle of that range.
Why would that make more sense? The point where the eye is most relaxed is certaily the one that makes most sense to me. That's also where I personally set it when it is adjustable.
How do you know that's what you are doing? Since infinity is as far as your relaxed eye can go, you'd have to set the adjustment as far as it can go towards infinity while you can still keep the image in focus.
That's exactly what I do. I like to keep my eyes maximally relaxed. :-)

But perhaps I must deviate from that practice now in order to protect my EVF. ;-)
Personally, I adjust it to be in the middle of the range that I can comfortably focus on, as I suspect most folks do, but that certainly isn't going to be at infinity. As I say though, its all a bit moot since the EM-1 doesn't have any indicators so who knows what zero is, or what dioptre setting they have dialled in?
Right. And I don't think we can be sure that the midpoint of the scale corresponds to zero. For example, my Pentax K100D eyepiece had a range from -2.5 to +1.5 (which probably satisfies more users than would -2 to +2).
Strangely enough, on the half dozen OM-3/4 bodies I have, half have markers and half don't, and it doesn't seem to be related to age. Never noticed that before! ;-)

--
Its RKM
 
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Sorry for being late: is there any of the proportion of users in the forum experiencing this problem, and which diopter adjustment the affected users use?
As to the diopter adjustment, the problem should be worst if it is set to zero, i.e., such that a person with perfect vision of perfect glasses can view the EVF with maximum convenience (as though it were at infinity).
I think you'll find that most non-adjustable SLRs had their viewfinders set to position the screen at around 1m viewing distance, not infinity, and that's what the "0" on most adjustable viewfinders corresponds to.
I have never seen any test of what they are actually set to (if not adjustable) or set to at 0 (if adjustable). Have you? If so, I'd be grateful for a reference/link.
I know I have seen this in various service manuals, but I no longer have access to any of those.

Here is one reference which suggests Nikon default is -1 dioptre: see note below the table of corrective lenses. https://support.nikonusa.com/app/answers/detail/a_id/639/~/viewfinder-diopter-adjustment

However what I did do, and you might be able do the same to check for yourself, is dug out my old OM-1 & OM-2 cameras, which don't have any eyepiece adjustment. I then used my OM-3Ti with 50mm lens to shoot into the eyepiece of the two older cameras. Best focus of the screen information was when the lens was focussed at 1.5m for the eyepiece of both cameras. At infinity the focus through the eyepiece was clearly off. This confirms what I believed, but you can probably do a similar check to confirm it for yourself.
OK. That's a good enough test. I don't have any old film SLRs left to play with and haven't yet tried to check what the midpoint or zero-point of my various MFT bodies actually corresponds to.
I just managed to grab my wife's EM-1 out of her hands for a couple of minutes and did a similar test on that at the dioptre setting she is using. Again, best focus was at 1.5m. Since she had ELRT some time ago, her eyesight is perfect, so I'm pretty certain that would be the nominal setting.

Of course, having just done the test, its all a bit moot anyway since the EM-1 doesn't have a marked "0" or other indicator, so you have no idea what it is actually set at.
And why would they be set to anything but infinity? That's where the eye is most relaxed, right?
It may be where the eye is most relaxed, but it is also at one extreme of the accommodation range. It makes more sense to put the image in the middle of that range.
Why would that make more sense? The point where the eye is most relaxed is certaily the one that makes most sense to me. That's also where I personally set it when it is adjustable.
How do you know that's what you are doing? Since infinity is as far as your relaxed eye can go, you'd have to set the adjustment as far as it can go towards infinity while you can still keep the image in focus.
That's exactly what I do. I like to keep my eyes maximally relaxed. :-)
So sometimes you pick up the camera and the eyepiece isn't in focus. That's what would happen if you adjust for one extreme of the range you can accommodate, the eyepiece isn't athermal. There seems no point in adjusting the viewfinder for that condition.
 
Sorry for being late: is there any of the proportion of users in the forum experiencing this problem, and which diopter adjustment the affected users use?
As to the diopter adjustment, the problem should be worst if it is set to zero, i.e., such that a person with perfect vision of perfect glasses can view the EVF with maximum convenience (as though it were at infinity).
I think you'll find that most non-adjustable SLRs had their viewfinders set to position the screen at around 1m viewing distance, not infinity, and that's what the "0" on most adjustable viewfinders corresponds to.
I have never seen any test of what they are actually set to (if not adjustable) or set to at 0 (if adjustable). Have you? If so, I'd be grateful for a reference/link.

And why would they be set to anything but infinity? That's where the eye is most relaxed, right?
So, if I have my signs the right way round, -1 would be the most risky setting. If not, then its +1. ;-)
As pressures build, maybe Oly could suggest a diopter to avoid as a very temporary measure?

Would probably not be a good idea if it turns out to be 0 though.
As already indicated, I think it is 0, or close to zero.
Is the VF shaped such that a cover could be quickly fashioned for it?
I think a better idea than a cover would be the one I suggest here:

http://www.dpreview.com/forums/post/53852892
I was thinking along the lines of self-build rather than involving Olympus.
Well, self-build was at least partly what I had in mind as well. But as to covers, I would think that a piece of black cloth taped to the top of the eyepiece would work pretty well.
Yes, but some black cloths could be very transparent i.e. the various types that go into some ladies' clothing, and surprisingly one recent curtain we almost bought, until we found out.
Should be heavy-duty stuff of course. Speaking of laides' clothing, why not try the type they make burkas from. ;-)
I'd agree about a quick fix made from some heavy-duty cloth, (although I don't like the comparison to a burka, as it may sound offending .... ;-)) ) ; however that means that the EVF will automatically be switched on all the time, as the eye-sensor is very sensitive, and reacts even if only the lens part is covered ( I tested this) . That would meant that if you want to use the rear LCD screen, you'll have to somehow fix the cloth in the "uncovering" position by means of some welcro or a loop of thread or similar for the duration of the LCD usage. An alternative would be to set the automatic switching to OFF, and use the EVF button instead. This last option however will mean that you will not have the LCD Monitor function with its very useful touch-screen operation.

All in all, I regard the idea of a hot-mirror glass as the most promising one, and it could be relatively cheap to fix such a piece of glass externally to the eyepiece of the EVF ... provided of course that it would not interfere too much with the colors seen through the EVF, nor trigger the EVF / LCD switch.
 
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Sorry for being late: is there any of the proportion of users in the forum experiencing this problem, and which diopter adjustment the affected users use?
As to the diopter adjustment, the problem should be worst if it is set to zero, i.e., such that a person with perfect vision of perfect glasses can view the EVF with maximum convenience (as though it were at infinity).
I think you'll find that most non-adjustable SLRs had their viewfinders set to position the screen at around 1m viewing distance, not infinity, and that's what the "0" on most adjustable viewfinders corresponds to.
I have never seen any test of what they are actually set to (if not adjustable) or set to at 0 (if adjustable). Have you? If so, I'd be grateful for a reference/link.
I know I have seen this in various service manuals, but I no longer have access to any of those.

Here is one reference which suggests Nikon default is -1 dioptre: see note below the table of corrective lenses. https://support.nikonusa.com/app/answers/detail/a_id/639/~/viewfinder-diopter-adjustment

However what I did do, and you might be able do the same to check for yourself, is dug out my old OM-1 & OM-2 cameras, which don't have any eyepiece adjustment. I then used my OM-3Ti with 50mm lens to shoot into the eyepiece of the two older cameras. Best focus of the screen information was when the lens was focussed at 1.5m for the eyepiece of both cameras. At infinity the focus through the eyepiece was clearly off. This confirms what I believed, but you can probably do a similar check to confirm it for yourself.
OK. That's a good enough test. I don't have any old film SLRs left to play with and haven't yet tried to check what the midpoint or zero-point of my various MFT bodies actually corresponds to.
I just managed to grab my wife's EM-1 out of her hands for a couple of minutes and did a similar test on that at the dioptre setting she is using. Again, best focus was at 1.5m. Since she had ELRT some time ago, her eyesight is perfect, so I'm pretty certain that would be the nominal setting.

Of course, having just done the test, its all a bit moot anyway since the EM-1 doesn't have a marked "0" or other indicator, so you have no idea what it is actually set at.
And why would they be set to anything but infinity? That's where the eye is most relaxed, right?
It may be where the eye is most relaxed, but it is also at one extreme of the accommodation range. It makes more sense to put the image in the middle of that range.
Why would that make more sense? The point where the eye is most relaxed is certaily the one that makes most sense to me. That's also where I personally set it when it is adjustable.
How do you know that's what you are doing? Since infinity is as far as your relaxed eye can go, you'd have to set the adjustment as far as it can go towards infinity while you can still keep the image in focus.
That's exactly what I do. I like to keep my eyes maximally relaxed. :-)
So sometimes you pick up the camera and the eyepiece isn't in focus.
No. That never happens. Accomodation is instant.
That's what would happen if you adjust for one extreme of the range you can accommodate, the eyepiece isn't athermal. There seems no point in adjusting the viewfinder for that condition.
I have never noticed any temperature variations in this regard. If they exist, they are too small to matter.
 
Sorry for being late: is there any of the proportion of users in the forum experiencing this problem, and which diopter adjustment the affected users use?
As to the diopter adjustment, the problem should be worst if it is set to zero, i.e., such that a person with perfect vision of perfect glasses can view the EVF with maximum convenience (as though it were at infinity).
I think you'll find that most non-adjustable SLRs had their viewfinders set to position the screen at around 1m viewing distance, not infinity, and that's what the "0" on most adjustable viewfinders corresponds to.
I have never seen any test of what they are actually set to (if not adjustable) or set to at 0 (if adjustable). Have you? If so, I'd be grateful for a reference/link.

And why would they be set to anything but infinity? That's where the eye is most relaxed, right?
So, if I have my signs the right way round, -1 would be the most risky setting. If not, then its +1. ;-)
As pressures build, maybe Oly could suggest a diopter to avoid as a very temporary measure?

Would probably not be a good idea if it turns out to be 0 though.
As already indicated, I think it is 0, or close to zero.
Is the VF shaped such that a cover could be quickly fashioned for it?
I think a better idea than a cover would be the one I suggest here:

http://www.dpreview.com/forums/post/53852892
I was thinking along the lines of self-build rather than involving Olympus.
Well, self-build was at least partly what I had in mind as well. But as to covers, I would think that a piece of black cloth taped to the top of the eyepiece would work pretty well.
Yes, but some black cloths could be very transparent i.e. the various types that go into some ladies' clothing, and surprisingly one recent curtain we almost bought, until we found out.
Should be heavy-duty stuff of course. Speaking of laides' clothing, why not try the type they make burkas from. ;-)
I'd agree about a quick fix made from some heavy-duty cloth, (although I don't like the comparison to a burka, as it may sound offending .... ;-)) ) ; however that means that the EVF will automatically be switched on all the time, as the eye-sensor is very sensitive, and reacts even if only the lens part is covered ( I tested this) . That would meant that if you want to use the rear LCD screen, you'll have to somehow fix the cloth in the "uncovering" position by means of some welcro or a loop of thread or similar for the duration of the LCD usage. An alternative would be to set the automatic switching to OFF, and use the EVF button instead. This last option however will mean that you will not have the LCD Monitor function with its very useful touch-screen operation.
Yeah. You'd probably have to disable the eye sensor.
All in all, I regard the idea of a hot-mirror glass as the most promising one, and it could be relatively cheap to fix such a piece of glass externally to the eyepiece of the EVF ... provided of course that it would not interfere too much with the colors seen through the EVF, nor trigger the EVF / LCD switch.
It might well be doable yes. But let's hope Oly beats us to the task of providing it.
 
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Maybe we can have more protection with EP-13 eyecup for EM -1 ? we can use all the 4/3 eyecups but you lose the sensor.

--
My 4/3 System : Olympus E-1,E-5, Leica DigiLux 3, EC-2.0X, EC-1.4X, DZ 14-35mm/2, DZ 50-200mm/2.8-3.5 SWD, DZ 25mm/2.8, DZ 50mm/2.0 macro, Samyang 85mm/1.4, DZ SWD 150mm/2.0, Lensbaby 3G, Flash FL50R, MacroFlash STF-22.
My OM system: Olympus OM-2N, OM-4 .
My m4/3 system: Olympus E-M1,E-M10, Panasonic G3, Lumix 7-14mm/4.0, Lumix 12-32mm/3.5-5.6, Lumix 35-100mm/2.8, PLeica 25mm/1.4, mzD 12-40mm/2.8, mZD 60mm/2.8 macro, Sanyang 7.5mm/3.5, Flash FL-20, FL-600R.
 
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Maybe we can have more protection with EP-13 eyecup for EM -1 ?
I don't see how that would help here, regrettably. The problem is with sun directly from behind. No eyecup can shield against that.
we can use all the 4/3 eyecups but you lose the sensor.

--
My 4/3 System : Olympus E-1,E-5, Leica DigiLux 3, EC-2.0X, EC-1.4X, DZ 14-35mm/2, DZ 50-200mm/2.8-3.5 SWD, DZ 25mm/2.8, DZ 50mm/2.0 macro, Samyang 85mm/1.4, DZ SWD 150mm/2.0, Lensbaby 3G, Flash FL50R, MacroFlash STF-22.
My OM system: Olympus OM-2N, OM-4 .
My m4/3 system: Olympus E-M1,E-M10, Panasonic G3, Lumix 7-14mm/4.0, Lumix 12-32mm/3.5-5.6, Lumix 35-100mm/2.8, PLeica 25mm/1.4, mzD 12-40mm/2.8, mZD 60mm/2.8 macro, Sanyang 7.5mm/3.5, Flash FL-20, FL-600R.
 
* There are some differences, in that the VF-2 is nearly opaque when you look at it in landscape orientation with polarized sunglasses, while the Stylus1/E-M5 have some blobs I can't see, but it is usable enough to be able to frame the shot.
When I tried my VF-2 with sunglasses, I found that it got the same kind of "blobs" that my GH2 and E-M1 got. I'm pretty sure all these EVFs incorporate plastic optics, and that the plastics exhibit some variation in how they're molded under polarization.
 
* There are some differences, in that the VF-2 is nearly opaque when you look at it in landscape orientation with polarized sunglasses, while the Stylus1/E-M5 have some blobs I can't see, but it is usable enough to be able to frame the shot.
When I tried my VF-2 with sunglasses, I found that it got the same kind of "blobs" that my GH2 and E-M1 got. I'm pretty sure all these EVFs incorporate plastic optics, and that the plastics exhibit some variation in how they're molded under polarization.
Maybe its sample variation, but my VF-2 is completely opaque with polarized glasses. The E-M5 and Stylus1 have some blobs, but it is enough to allow me to frame the shot with polarized glasses on.

While the LCD is fine in landscape orientation mode, but it gets darker in portrait orientation (no blobs however).
 
And given that there are hardly any report of such damage for most EVFs apart from a Canon camcorder several years ago (XL1 I believe) and so far an E-M5 and several E-M1 (exact same problem),
When I Google "'sun damage' EVF", I get lots of apparently relevant hits, suggesting that this phenomenon is far from being unknown on other cameras.
 
Sorry for being late: is there any of the proportion of users in the forum experiencing this problem, and which diopter adjustment the affected users use?
As to the diopter adjustment, the problem should be worst if it is set to zero, i.e., such that a person with perfect vision of perfect glasses can view the EVF with maximum convenience (as though it were at infinity).
I think you'll find that most non-adjustable SLRs had their viewfinders set to position the screen at around 1m viewing distance, not infinity, and that's what the "0" on most adjustable viewfinders corresponds to.
I have never seen any test of what they are actually set to (if not adjustable) or set to at 0 (if adjustable). Have you? If so, I'd be grateful for a reference/link.
I know I have seen this in various service manuals, but I no longer have access to any of those.

Here is one reference which suggests Nikon default is -1 dioptre: see note below the table of corrective lenses. https://support.nikonusa.com/app/answers/detail/a_id/639/~/viewfinder-diopter-adjustment

However what I did do, and you might be able do the same to check for yourself, is dug out my old OM-1 & OM-2 cameras, which don't have any eyepiece adjustment. I then used my OM-3Ti with 50mm lens to shoot into the eyepiece of the two older cameras. Best focus of the screen information was when the lens was focussed at 1.5m for the eyepiece of both cameras. At infinity the focus through the eyepiece was clearly off. This confirms what I believed, but you can probably do a similar check to confirm it for yourself.
OK. That's a good enough test. I don't have any old film SLRs left to play with and haven't yet tried to check what the midpoint or zero-point of my various MFT bodies actually corresponds to.
I just managed to grab my wife's EM-1 out of her hands for a couple of minutes and did a similar test on that at the dioptre setting she is using. Again, best focus was at 1.5m. Since she had ELRT some time ago, her eyesight is perfect, so I'm pretty certain that would be the nominal setting.

Of course, having just done the test, its all a bit moot anyway since the EM-1 doesn't have a marked "0" or other indicator, so you have no idea what it is actually set at.
And why would they be set to anything but infinity? That's where the eye is most relaxed, right?
It may be where the eye is most relaxed, but it is also at one extreme of the accommodation range. It makes more sense to put the image in the middle of that range.
Why would that make more sense? The point where the eye is most relaxed is certaily the one that makes most sense to me. That's also where I personally set it when it is adjustable.
How do you know that's what you are doing? Since infinity is as far as your relaxed eye can go, you'd have to set the adjustment as far as it can go towards infinity while you can still keep the image in focus.
That's exactly what I do. I like to keep my eyes maximally relaxed. :-)
So sometimes you pick up the camera and the eyepiece isn't in focus.
No. That never happens. Accomodation is instant.
I have never noticed any temperature variations in this regard. If they exist, they are too small to matter.
Then you're not doing what you think/claim you are doing when you set it up, which is what I previously suggested.
 
Good advice all - thanks I'll be careful. At first I thought it was meant "shining into the lens" which may not be too good for sensors, either.
.
Seeing Sam, Pan and Son probably male ALL the EVF chips, I's see the rest also have this problems when they use a chip od this sensitivity.
.
Not nearly as instantly disastrous as laser shows at music venues, though. Laser shows can render your camera nigh useless!
.
If you're a 'tog there, meet with the light show programmer, they usually have a few "dark" safe spots programmed in and will often share the info ...
 
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I'm still in the process of trying out the VF-4 on the E-P5. the first thing I noticed when placing the evf to my eye was that as my eye got closer to the eyepiece I could see some sort of a haze semi-obscuring the view inside the EVF. Then when I actually put the eyepiece to my eye so that I could see the LCD the haze seemed to disappear! I've tried this several times and it's the same each time? When closing in on the eyepiece the image looks hazy but when I get up to the viewing position it has cleared up.

The first time I tried this I thought there must be some plastic film protecting the eyepiece lens but after looking carefully I can only see glass at the eyepiece.

Can anyone here who's familiar with the VF-4 chime in with their experiences? Does your EVF look a little hazy getting close only to clear up once your eye is in the correct position? Do you think Olympus may have put something behind the VF-4 eyepiece for protection that's causing this phenomena? Am I crazy?

Maybe the haze is light reflecting off the glass eyepiece and when I'm in the correct position I'm blocking the reflection?

--
Bobby
 
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I'm still in the process of trying out the VF-4 on the E-P5. the first ...
What all that has to do with the topic? Wouln't be better to start a new thread ?
 
Yes that is optics, but if I leave my camera on a tripod with the sun in the frame I don't end up with a burn on the sensor chip.....
You surely tested that with your camera?

You know that the sun's energy reaches the atmosphere with 1.367 kW/m² (solar constant)?

In central Europe (no we are not the sunniest place in the world!) about 700 W/m² get to the earth's surface, that is 70 mW/cm² (the eyepiece may be about 1 cm² large). 70 mW doesn't sound as high energy, but I can imagine that when focused to a very small surface (read: point), it may destroy some pixels of the 0.48 inch / 1.2 cm LCD panel within a few seconds.

Note that the front element of most lenses is considerably larger than 1 cm² (think of lenses with 72 mm filter size). You can easily calculate the energy hitting your camera's sensor, and imagine what happens when the sun is focused to a very small surface...
So I must not include the sun in any of my photos, especially time lapse where the sun traces a line across the chip?

If that were the case every camera including the millions of ccd security cameras out there would have burnt sensors.

Sorry if I sound blunt but I'm not happy this has happened and will provide followup once Olympus have repaired the camera.
 
To keep light out of the film plane. But now, you've got sensors, plastic optics and cemented optics, all susceptible to damage by concentrated sunlight.
 
Yes that is optics, but if I leave my camera on a tripod with the sun in the frame I don't end up with a burn on the sensor chip.....
You surely tested that with your camera?

You know that the sun's energy reaches the atmosphere with 1.367 kW/m² (solar constant)?

In central Europe (no we are not the sunniest place in the world!) about 700 W/m² get to the earth's surface, that is 70 mW/cm² (the eyepiece may be about 1 cm² large). 70 mW doesn't sound as high energy, but I can imagine that when focused to a very small surface (read: point), it may destroy some pixels of the 0.48 inch / 1.2 cm LCD panel within a few seconds.

Note that the front element of most lenses is considerably larger than 1 cm² (think of lenses with 72 mm filter size). You can easily calculate the energy hitting your camera's sensor, and imagine what happens when the sun is focused to a very small surface...
So I must not include the sun in any of my photos, especially time lapse where the sun traces a line across the chip?

If that were the case every camera including the millions of ccd security cameras out there would have burnt sensors.

Sorry if I sound blunt but I'm not happy this has happened and will provide followup once Olympus have repaired the camera.
No. The topic is about the Sun shining through the EVF viewport onto the LCD, NOT about your camera lens being aimed at the Sun.
 

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