Once or twice a year, I have the opportunity to shoot motocross. Usually, I load up with a very heavy two or three-camera setup so that I don't have to change lenses in dusty conditions.
Obviously, I shot thousands of photos, but these were my favourites, and coincidentally, one each on all three cameras.
Yeah, the somewhat ageing D7000 has a bit more noise visible in the shadows when I need to push it hard, but still what's surprising is how easy the three Nikon Raw files stack up. Many times I can literally paste settings from one to another across camera models.
All lenses have a circular polariser for vibrant greens, bright colours and dark sky.
I realised that I could have sharped the D800 photo a bit more, but never mind. Here they are for your viewing and peeping pleasure.
D800 and 300/2.8
D7000 17-55/2.8
Df 300/2.8
--
It's more important how an image looks as a thumbnail than how it looks at 100%.
Obviously, I shot thousands of photos, but these were my favourites, and coincidentally, one each on all three cameras.
Yeah, the somewhat ageing D7000 has a bit more noise visible in the shadows when I need to push it hard, but still what's surprising is how easy the three Nikon Raw files stack up. Many times I can literally paste settings from one to another across camera models.
All lenses have a circular polariser for vibrant greens, bright colours and dark sky.
I realised that I could have sharped the D800 photo a bit more, but never mind. Here they are for your viewing and peeping pleasure.
D800 and 300/2.8
D7000 17-55/2.8
Df 300/2.8
--
It's more important how an image looks as a thumbnail than how it looks at 100%.
