OMD with more MP?

1943Mike

Leading Member
Messages
587
Reaction score
485
Location
Salem, OR, US
Does anyone think that Olympus will offer an OMD camera with a 24 mp or greater sensor in the near future?
 
With a base iso quality comparable to the venerable E-1, whose files are still unsurpassed by these MP cramped sensors... :-)
That E-1 must have been magic. The EM-5 was the first m43 to equal (even surpass) my older APS-C and FF cameras in dynamic range at base-ISO.
 
The 16 mp sensor does just fine for my purposes at the moment (I usually have the Pany 12-35 f/2.8 attached) but I thought I'd satisfy my curiousity by asking about a µ43 24 mp sensor.
More MP would certainly help where a portion of our final images is interpolated due to the software correction of m43 lenses. I often saw this aliasing near the corners of my wider angle shots on my G1 when printing large, and I found the MP boost in my GH2 and EM5 helped. Going to 24MP would certainly make a difference in larger (A2+) sized prints. Even with the older 14-45 kit lens there is clearly a lot of resolution going to waste.

--
-CW
 
Last edited:
Does anyone think that Olympus will offer an OMD camera with a 24 mp or greater sensor in the near future?
Do you need to print on a very large scale? I'd rather they improve overall IQ before adding pixels. It's not about the pixels.
...feel more pixels are at odds to "higher IQ", when, in fact, the exact opposite is almost always the case.
I would be willing to listen to your argument if you could explain further.
As a percent, how many cameras with a lower pixel count have "higher IQ" than cameras with a higher pixel count for a given sensor size?
It hasn't been the case in the past. The pattern was pretty clear, the chip makers produced a higher mp sensor, then the camera manufacturers produced a 1st gen camera that was a step backwards in IQ, and 18 months later the sensors were good enough for a 2nd gen version that caught up the the quality of the previous sensor. If we were lucky a 3rd gen camera was produced that actually made strides in IQ (but not always). I'm not willing to support that tech 'improvement' model anymore.

But if you can make a case that things have changed, I'm willing to hear you out.
The 5D2 had "higher IQ" than the 5D. The D7000 had "higher IQ" than the D300. The EM5 had "higher IQ" than the EP3. The D800 has "higher IQ" than the D700. The...
My old Canon 20D with its bigger APS-C sensor and HUGE pixel pitch at only 8-megapixels can't come close to the IQ, DR and noise performance of my EM-10 with its tiny sensor and miniscule pixel pitch. Back in those days, it really was true that you wanted less pixels to deal with noise and DR but today, these engineers have made great strides in both sensor and processor technology that the final product of more megapixels and smaller pixel pitch doesn't mean less DR or more noise. Its like these scientists actually can walk and chew gum.
 
Last edited:
Does anyone think that Olympus will offer an OMD camera with a 24 mp or greater sensor in the near future?
Do you need to print on a very large scale? I'd rather they improve overall IQ before adding pixels. It's not about the pixels.
...feel more pixels are at odds to "higher IQ", when, in fact, the exact opposite is almost always the case.
I would be willing to listen to your argument if you could explain further.
As a percent, how many cameras with a lower pixel count have "higher IQ" than cameras with a higher pixel count for a given sensor size?
It hasn't been the case in the past. The pattern was pretty clear, the chip makers produced a higher mp sensor, then the camera manufacturers produced a 1st gen camera that was a step backwards in IQ, and 18 months later the sensors were good enough for a 2nd gen version that caught up the the quality of the previous sensor. If we were lucky a 3rd gen camera was produced that actually made strides in IQ (but not always). I'm not willing to support that tech 'improvement' model anymore.

But if you can make a case that things have changed, I'm willing to hear you out.
The 5D2 had "higher IQ" than the 5D. The D7000 had "higher IQ" than the D300. The EM5 had "higher IQ" than the EP3. The D800 has "higher IQ" than the D700. The...
My old Canon 20D with its bigger APS-C sensor and HUGE pixel pitch at only 8-megapixels can't come close to the IQ, DR and noise performance of my EM-10 with its tiny sensor and miniscule pixel pitch.
'Tis a fact.
Back in those days, it really was true that you wanted less pixels to deal with noise and DR...
Are you trying to say that the 8 MP 20D was more noisy than the 6 MP 300D, 6 MP 10D, or the 3 MP DSLR that came before them?
...but today, these engineers have made great strides in both sensor and processor technology that the final product of more megapixels and smaller pixel pitch doesn't mean less DR or more noise. Its like these scientists actually can walk and chew gum.
Same as always.
 
What for? Marketing?
Specsmanship?
 
Don't see Nikon having a "problem" AFAIK they make no sensors.
 
If each pixel can have more dynamic range due to less noise the overall DR has to go up at least as I see it. How does the new senor have increased DR it has to be because of superior design. Couple that with the larger pixel size of the 12mp sensor that gathers more light at the same exposure then to me it seems to be obvious that DR will go up.
 
If each pixel can have more dynamic range due to less noise the overall DR has to go up at least as I see it. How does the new senor have increased DR it has to be because of superior design. Couple that with the larger pixel size of the 12mp sensor that gathers more light at the same exposure then to me it seems to be obvious that DR will go up.
What you overlook (and what Ulric has in mind) is that you can regain the DR lost because of smaller pixels by downsampling or, equivalently, using a bit more NR. The idea here is that a sensor with more pixels can give you more flexibility. If the light is good and you can shoot at base ISO where noise is not troublesome, you can enjoy the additional resolution. If the light is not so good and you need to shoot at higher ISOs, you can trade the extra resolution for better signal-noise performance by means of downsampling/NR.
 
That's not the way I see it ...
Everyone gets an opinion.
Sure. Just questioning the factual basis of yours. Take this RAW from IR for example:

http://www.imaging-resource.com/PRODS/olympus-e-m1/EM1FAR2I0100.ORF.HTM

Do you find the noise troublesome if you let LR develop it at default settings?
Note that current MFT sensors are better in terms of DR (about one EV better in the case of the E-M1) than current Canon FF sensors with close to 24 MP. Nevertheless, I haven't seen a whole lot of suggestions that Canon should drop the pixel count down to 12 or so MP.
Believe it or not, this is not news to me.
I didn't suggest it was. I merely called attention to a fact.
Perhaps the salient point here is that I never even intimated that current Canon sensors are any good.
That point is not salient at all as I hoped I had already made clear.
Lowering their resolution would not fix what ails them, making the entire point irrelevant to the discussion at hand.
What is your factual basis for claiming that lowering the resolution of Canon FF sensors would not fix what ails them?

And since you think lowering the resolution would not help in Canon's case, why do you think increasing the resolution would be detrimental in the case of MFT?
 
If each pixel can have more dynamic range due to less noise the overall DR has to go up at least as I see it. How does the new senor have increased DR it has to be because of superior design. Couple that with the larger pixel size of the 12mp sensor that gathers more light at the same exposure then to me it seems to be obvious that DR will go up.
What you overlook (and what Ulric has in mind) is that you can regain the DR lost because of smaller pixels by downsampling or, equivalently, using a bit more NR.
Well, not "equivalently"; rather, "more efficiently". That is, using NR will result in more detail being retained for any given noise level or less noise for any given detail level than downsampling.
The idea here is that a sensor with more pixels can give you more flexibility. If the light is good and you can shoot at base ISO where noise is not troublesome, you can enjoy the additional resolution. If the light is not so good and you need to shoot at higher ISOs, you can trade the extra resolution for better signal-noise performance by means of downsampling/NR.
Perfectly stated!
 
If each pixel can have more dynamic range due to less noise the overall DR has to go up at least as I see it. How does the new senor have increased DR it has to be because of superior design. Couple that with the larger pixel size of the 12mp sensor that gathers more light at the same exposure then to me it seems to be obvious that DR will go up.
What you overlook (and what Ulric has in mind) is that you can regain the DR lost because of smaller pixels by downsampling or, equivalently, using a bit more NR.
Well, not "equivalently"; rather, "more efficiently". That is, using NR will result in more detail being retained for any given noise level or less noise for any given detail level than downsampling.
True at least up to a point. What I meant to say here was just that downsampling is a form of NR (although not necessarily the most efficient form).
The idea here is that a sensor with more pixels can give you more flexibility. If the light is good and you can shoot at base ISO where noise is not troublesome, you can enjoy the additional resolution. If the light is not so good and you need to shoot at higher ISOs, you can trade the extra resolution for better signal-noise performance by means of downsampling/NR.
Perfectly stated!
Thanks! Can't say I am surprised you like it. :-)
 
FYI all 16MP cameras use a Bayer CFA sensor, which means they're really 4MP interpolated to fake 16MP.

I'd like a real 16MP camera please.
 
If each pixel can have more dynamic range due to less noise the overall DR has to go up at least as I see it. How does the new senor have increased DR it has to be because of superior design. Couple that with the larger pixel size of the 12mp sensor that gathers more light at the same exposure then to me it seems to be obvious that DR will go up.
What you overlook (and what Ulric has in mind) is that you can regain the DR lost because of smaller pixels by downsampling or, equivalently, using a bit more NR. The idea here is that a sensor with more pixels can give you more flexibility. If the light is good and you can shoot at base ISO where noise is not troublesome, you can enjoy the additional resolution. If the light is not so good and you need to shoot at higher ISOs, you can trade the extra resolution for better signal-noise performance by means of downsampling/NR.
I didn't overlook down sampling I simply didn't know anything about. I'm going to have to do some reading about camera sensors. Is this done by the camera?
 
If each pixel can have more dynamic range due to less noise the overall DR has to go up at least as I see it. How does the new senor have increased DR it has to be because of superior design. Couple that with the larger pixel size of the 12mp sensor that gathers more light at the same exposure then to me it seems to be obvious that DR will go up.
What you overlook (and what Ulric has in mind) is that you can regain the DR lost because of smaller pixels by downsampling or, equivalently, using a bit more NR. The idea here is that a sensor with more pixels can give you more flexibility. If the light is good and you can shoot at base ISO where noise is not troublesome, you can enjoy the additional resolution. If the light is not so good and you need to shoot at higher ISOs, you can trade the extra resolution for better signal-noise performance by means of downsampling/NR.
I didn't overlook down sampling I simply didn't know anything about.
Downsampling simply means that you save the image at a smaller size than the original one. If, for example, you save a 12 MP image (say 4000 x 3000) as a 3 MP image (2000 x 1500), you downsample. When you do so, the signal-noise performance for each pixel in the 3 MP image is better than for the pixels in the original 12 MP image since each pixel in the 3 MP image is the average of four input pixels, and when averaging, the noise tends to cancel out.
I'm going to have to do some reading about camera sensors. Is this done by the camera?
It can be done by the camera (if you set it up to shoot jpegs with fewer pixels than the sensor has) but this is rarely a good idea. It's better to shoot at the original resolution and then save a copy as a smaller size on your computer (while retaining the original). The best is to shoot RAW, apply some NR in the RAW converter if needed and then save a jpeg in whatever size you like at the moment. If you want to go back and do something else later on, you still have your RAW and can do whatever you like with it.
 
FYI all 16MP cameras use a Bayer CFA sensor, which means they're really 4MP interpolated to fake 16MP.
Actually, they're 16 MP monochrome pixels interpolated into 16 MP full color pixels.
I'd like a real 16MP camera please.
It would be matched by a 32 MP sensor covered with a Bayer CFA and outperformed by a 64 MP sensor covered with a Bayer CFA.
 
How noisy a 4/3 sensor is? Do some maths, there isn't much in it and the razor sharp lenses more than make up for it. Granted there's
.
Tell me again what FMF (full MARKETING frame) gives you for the money, size, weight? Your Chiropractor and credit card provider probably LIKE this massive heavy gear, your wallet and back may differ.
.

I LIKED my Mamiya "full Frame" RB-67 too, it killed the very best 35mm miniature format back for IQ in the day (but at a size/weight/cost penalty).
.

THEN there are the lenses that MORE than equalise .. here ..
.
Compare the huge, heavy, expensive (but yes a stop faster) Canon 85/1.2 with the Zuiko 45mm/1.8 at apertures the ZD can do which the Z can't manage (compare the Panny if you need 1.2 speed or wait for the f0.85 lens coming out ).
.
Back on earth, taking actual pictures, the Canon lens has trouble besting the 1/5th the size (by volume), 1/9th the weight and 1/5 the cost Zuiko for sharpness at any aperture other than f2.8 where it's a tad ahead. The Canon 1.8 is MUCH worse than the 1.2.
.
This "blur units" test is harder on smaller sensors. The "blur units" (pixels) are smaller for smaller sensors, so MFT lenses have to be BETTER to produce equal numbers to FMF. Twice as good in fact (with similar pixel count).

.
Even with that disadvantage, the Zuiko generally walks all over the almost mythically "revered" lens EXCEPT where you want the ears of a portrait subject to completely disappear or some other "bragging rights" soft focus effect.
.
That giant, costly lens has a reasonably OK sharpness sweet spot of about 1/20th the image area at f1.2 - not much.
.

--

Well designed gear performs better for longer than well marketed gear.
Odd that people complain a lens is not sharp enough,
and then proceed to make pics where 95% of the pic is OOF .. same for noise complaints

General Pics:
Oly and other .. Gear test samples - even RB-67!:
How DO OMDs cope with dim-light action and smoke?
 
Does anyone think that Olympus will offer an OMD camera with a 24 mp or greater sensor in the near future?
Yes, in contrast to the two persons who already replied, I think it is perfectly reasonable to expect a 24 MP (or thereabout) sensor in an MFT camera in a reasonably near future, say within the next year or so.
I think we'll see at least a 20MP sensor in Olympus' next E-M product cycle.

Currently Olympus mFT tracking ability has been less than stellar, but clearly strides are being made, the E-M1 presenting a solid improvement, and the GH4 apparently having leap-frogged it.

With the 300mm f4 telephoto on the horizon in early 2015, and the E-M5 (Olympus' true standard bearer, having saved the company's bacon) overdue for an updgrade likely to include another big step forward in focus tracking, a whole new horizon opens up: APS-C competitive BIF and sports photography. What goes with this territory is the need to crop, often heavily, to best capture you're subject. 16MP simply no longer cuts it in this market.

And when entry level $500 DSLR's (D3100) come with 24MP and decent focus tracking, it's imperative that mFT stay in the game.
 

Keyboard shortcuts

Back
Top