M
Michael Thomas Mitchell
Guest
I apologize for the mistake. We have so many newbies going pro around here, it is quite difficult to keep track of who is who.bodia27 wrote:
Its almost unworthy to reply to that. First off I suspect with all that negativity he didnt even bother to properly read my initial post because he then would have noticed that I am NOT planning on becoming a "PRO", and moreover I work as an Architect for a living...and do photography/art/video on the side. But then also what is the point of that reply?? He picks up a different issue, for which there is another tread on this forum to deal with. I asked for a critique and not the status of the wedding photography today.
Huh? Pros don't capture emotion? Silly.If you look at the wedding market today, and what I will say next is a matter of my personal opinion mind you, it is saturated with the technically "perfect", well shot images that the way I see are lifeless, dull and boring, with the same old beaten-down poses, compositions and ideal post-processing, and my "favorite" the massive Someone Someone Photography sign under them... I mean sure, the "PRO" will capture the moment after shooting 100 RAW images for one pose, but then just how much of that true untouched emotion will be left in that image...people are not models. And in no way I am trying to say that I didn't make any mistakes myself, and thats why I was curious about a critique here, even though I knew Id get the classic old-timer comments, but I will say this, if it came to my wedding (im only 24 now), I'd hire a photo-journalist to capture it...
I've been in this industry for nearly 20 years. I pose, I follow, I document, I socialize... whatever gets the shot.
Here is, word for word, a thank you note that came in the mail on Monday.
"Dear Michael
I wanted to thank you again for being so wonderful and creating life long memories for my husband and me. Without you, these memories would never have been possible. The photographs are beyond words. I started to cry when I saw them because they really captured the essence of our special day. Thank you again! [heart symbol]"
The same day, this email arrived from the bride's sister, who booked me for her wedding next year the very day after her sister's wedding.
"Michael, I just wanted to tell you I saw my sisters pictures and they are absolutely gorgeous. You are so talented and I cant wait for you to make make wedding just as special as you have made xxxxx's. I will make sure to give your name to as many friends as I have because you truly are talented. See you soon."
Now, the ONLY reason I post this is because, yes, I am an "old-timer" (though only in my 40s), and because EMOTION are the very things which appealed to these people about my work. Yes, I strive for technical perfection (unobtainable, but I do strive). I work my butt off and use all the various techniques which any hard-working pro will accumulate over the span of two decades. Natural light? Got it. Multiple off-camera light? Sure. Studio-quality posing and lighting? You bet. Unposed/candid/reportage? Whatever you need. But ALWAYS, the content of the photograph is paramount. I photograph PEOPLE for a living. And I want them to LIVE within their photographs. Most of my clients don't know an f-stop from F Scott Fitzgerald, but they certainly do know whether I've captured personality and emotion. About 1/3 of my work comes from referrals. That doesn't happen if things are old, stuffy, and boring.
And I am NOT the exception. There are plenty of good pros out there, doing as I do, providing quality work, but having a more and more difficult time because of encroaching amateurs. Do you have the RIGHT to do whatever you do? Sure. But that doesn't mean we have LIKE it.
Great. No problem.And lastly Ill address the money issue, since it seems to be bothering some people. While the couple did have the money indeed, a while back they asked me to shoot their engagement photos. The bride new me personally, knew I practiced photography and had seen my work before. They liked what I did and thus they were more inclined to give me this job because of that(even with the risk involved). So I'd say its more of a personal taste rather than financial situation..
You're fortunate, I suppose, to not have a career (architecture) that too many people want to try and do for fun at little or no cost to others.