I'll flesh this out and post some photos in time, but let me just start with a few thoughts I've got after spending a day with the G1X:
I wasn't going to get it, I wasn't going to get it, I wasn't going to get it. But, after playing with it, all of the "It's too...." stuff turned out to be "It's not too...." It wasn't SO MUCH BIGGER than the G12 in real life than it looked in pictures. It wasn't that awful dog-slow shooting shot-to-shot. And so on. So, I bit on it.
I sure don't agree with any sense that it's "plasticky" -- it feels solid and metallic. But, it really is bigger than it ought to be. Sitting next to my S95, it's just insanely too big.
I think the image quality "remains to be seen" -- I've got more shooting to do. I shoot JPEG, and I think I agree with Marco Nero with the contrast +1 and saturation +1 -- I've got to do more playing with the sharpness to get a grip on that, though. But, so far, it does seem to be that typical "Canon color" with a big sensor in a "big compact" body.
I did some shooting with it and the S95 this afternoon, and one thing was more than abundantly clear: The S95's LCD screen was much, much, MUCH, MUCH brighter than the G1X's screen could ever DREAM of being. I thought everything looked absolutely dull and lifeless as I was shooting with the G1X, but that's pretty much the LCD it's got. It's like the G1X at maximum brightness was about equivalent to the S95 on its second step -- just dark, dark, dark.
In another thread I talked about AEB -- bracketing -- and I thought the shot-to-shot speed wasn't too bad. BUT. Holy stinking cow, just turn the "DR Correction" on, and IT SLOWS TO A CRAWL. During bracketing, with the image review turned on, so you can see the last shot on-screen, the screen actually goes black with a "Busy" message after each shot. ABYSMALLY slow. On that pesky little S95, you can turn that DR Correction on or off, and it doesn't make any difference in the shot-to-shot speed at all -- but it's just enormous in the G1X.
And I've already bumped into the "can't focus on anything even remotely 'close' at all" threshold, several times. Something like this (from my NEX-5 with its kit lens)?
Forget about it. You can't even begin to get that close. Pull back at least a foot before you'll be able to focus on anything.
So, it's not a bed of roses, folks. Like any other camera, it's some bunch of compromises, with some range of capabilities. But, at least at this point, I'd say it's got kind of "more compromises" and a more "limited range of capabilities" than you'll find in a lot of other cameras, whether they "compete" in the general segment, or not.
In the end, I'm a bit disappointed. But, that's just one day, and just a bit of shooting. I expect it'll be worth dragging around with me, as nothing here is a real "deal-killer." But it's just "frustrating" or "limited" at times, and I suppose it always will be.
I'll process some pictures and post them in follow-up messages, and I'll think about some other things to say about it. If you have any questions, by all means ask them, and I'll see if I can give you a decent answer.
Tom Hoots
http://thoots.zenfolio.com
http://www.dpreview.com/galleries/4330317199/albums
I wasn't going to get it, I wasn't going to get it, I wasn't going to get it. But, after playing with it, all of the "It's too...." stuff turned out to be "It's not too...." It wasn't SO MUCH BIGGER than the G12 in real life than it looked in pictures. It wasn't that awful dog-slow shooting shot-to-shot. And so on. So, I bit on it.
I sure don't agree with any sense that it's "plasticky" -- it feels solid and metallic. But, it really is bigger than it ought to be. Sitting next to my S95, it's just insanely too big.
I think the image quality "remains to be seen" -- I've got more shooting to do. I shoot JPEG, and I think I agree with Marco Nero with the contrast +1 and saturation +1 -- I've got to do more playing with the sharpness to get a grip on that, though. But, so far, it does seem to be that typical "Canon color" with a big sensor in a "big compact" body.
I did some shooting with it and the S95 this afternoon, and one thing was more than abundantly clear: The S95's LCD screen was much, much, MUCH, MUCH brighter than the G1X's screen could ever DREAM of being. I thought everything looked absolutely dull and lifeless as I was shooting with the G1X, but that's pretty much the LCD it's got. It's like the G1X at maximum brightness was about equivalent to the S95 on its second step -- just dark, dark, dark.
In another thread I talked about AEB -- bracketing -- and I thought the shot-to-shot speed wasn't too bad. BUT. Holy stinking cow, just turn the "DR Correction" on, and IT SLOWS TO A CRAWL. During bracketing, with the image review turned on, so you can see the last shot on-screen, the screen actually goes black with a "Busy" message after each shot. ABYSMALLY slow. On that pesky little S95, you can turn that DR Correction on or off, and it doesn't make any difference in the shot-to-shot speed at all -- but it's just enormous in the G1X.
And I've already bumped into the "can't focus on anything even remotely 'close' at all" threshold, several times. Something like this (from my NEX-5 with its kit lens)?
Forget about it. You can't even begin to get that close. Pull back at least a foot before you'll be able to focus on anything.
So, it's not a bed of roses, folks. Like any other camera, it's some bunch of compromises, with some range of capabilities. But, at least at this point, I'd say it's got kind of "more compromises" and a more "limited range of capabilities" than you'll find in a lot of other cameras, whether they "compete" in the general segment, or not.
In the end, I'm a bit disappointed. But, that's just one day, and just a bit of shooting. I expect it'll be worth dragging around with me, as nothing here is a real "deal-killer." But it's just "frustrating" or "limited" at times, and I suppose it always will be.
I'll process some pictures and post them in follow-up messages, and I'll think about some other things to say about it. If you have any questions, by all means ask them, and I'll see if I can give you a decent answer.
Tom Hoots
http://thoots.zenfolio.com
http://www.dpreview.com/galleries/4330317199/albums