Canon L = Lousy?

You know what trolling is but can't understand a party/event lens...welcome to "IGNORE"
Dont talk about trolling.

It is more interesting that your statement for the 1000$ lens 24-105 is "partylens".
How come that the 24-105 is a partylens? Never heard of.

I compared the two samples to my 17-85 lens (one of the most discredited lenses of Canons lineup) and the "cheap but good" 50/1,8. My point is why there are so big variations between two tested lenses? Be free to discuss that matter.

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Mike the Viking
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Whatta Hobby this Photography stuff is! Expensive!
 
Sounds like a user issue to me.
I can't imagine anything else, especially when the OP avoids posting some samples like the plague.

I've always been an Olympus fan until I purchased my first DSLR (a 40D when it was released 4 years ago). If I have any brand loyalty it's to Olympus but the excellent Canon lenses are winning me over.

I have the following Canon lenses (all purchased new in box):

EF-S 10-22mm f 3.5-4.5
EF-S 17-55mm f2.8 IS
EF-S 60mm f 2.8 macro
EF 85mm f 1.8
EF 70-200mm f4 IS
EF 70-200mm f2.8 IS II
EF 300mm f2.8 IS
EF 1.4X II
EF 2X II

That's three "L" lenses (as if it matters) and 4 high quality non-L lenses (and two TC's). All of them worked perfectly out of the box (and I tend towards extreme pixel peeping). And they all still work perfectly. I don't baby them. They all have exceptional IQ and focus qualities. I must have just been lucky (or maybe it's because I know what I'm doing).

If there is a problem with Canon quality control I don't know how I missed it.

--
Mike Mullen
 
Where are the bad shots?? All the L's I've used have been pretty good though not all spectacular. None of them seemed "bad" to me though.

























Anyway, my L's seem to work fine guess I've been lucky.
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Long live the HMS Beagle
Critiques always welcome!
 
Hey man!

You have a good L-lens and doing a splendid work. Very nice birds!
My concern wasnt the L-lens as such. Just the consistency between samples.
I wont pay for the downside of variations.

Here are a few samples of IQ sharpness of two samples of 24-105.

With MFA between +5 - +8 I got sharpness at the focus point. Using 24 and 105 was of course impossibly then.

First 3 is 4,0 - 8,0 with bad sample. Pic 4 and 5 with MFA. Pic 6 compared to 50 / 1,8 wide open. And finally sample 2 at 4,0 .

What do you think?





























--
Mike the Viking
 
I,ll take a stab at it. All photos are good to my eyes.
In my opinion:
  1. 1 & #2 were taken with the same lens.
  2. 3 is different compared to the others.
There seems to have more color saturation and is a bit more contrasty. If there is a L lens here I'll vote #3.

All of these images seem to be quite consistent in regards to sharpness. I would be happy with any of these.

Cheers
 
... there is some truth to it.

Today they posted results from the 50/1.2L and 85/1.2L on 1Ds3.

Well, the 50/1.8 and 85/1.8 are optically better, cost perhaps 1/10th, and are much smaller and lighter.

So much for the often repeated "advice" that only the big Ls will be good enough for the full frame bodies.

I'm a big fan of Canon's small non-L primes (on a 5D2)!
 
... there is some truth to it.

Today they posted results from the 50/1.2L and 85/1.2L on 1Ds3.

Well, the 50/1.8 and 85/1.8 are optically better, cost perhaps 1/10th, and are much smaller and lighter.

So much for the often repeated "advice" that only the big Ls will be good enough for the full frame bodies.

I'm a big fan of Canon's small non-L primes (on a 5D2)!
I've not seen the tests but you're paying for speed and the ability to be reasonably sharp at the fast apertures. This doesn't mean the lens will be any better (or even as good) stopped down than a slower, less expensive alternative. Grinding and polishing large elements is a lot more difficult to hold tolerance than for smaller elements.

Bob

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http://www.pbase.com/rwbaron
 
This is just 5 pics from the "mushy" 24-105 with severe frontfocus. And 1 comparing Lens 2.





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Mike the Viking
There are so many variables here I don't even know where to start. The images you've posted do not represent a good test scene. Where's the point of focus? You can't do this type of evaluation with different light on each frame. Why are you showing MFA adjustments at anything other than wide open?

You've got to control all the variables as tightly as possible to have results that are valid.

Bob
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http://www.pbase.com/rwbaron
 
seriosuly in Japan the 5D2 price is dropping so fast these days , this only means there will be a replacement soon and it will be called 5d3?

and all big retailers here say that is coming.

and I believe Canon thinks the 5D3 a more important camera for its business than the 1DS4................the 5D3 will sell a lot but 1DS4 won't.
So, I think the best Canon fullframe kid can be like below:

1 EOS 5D3(I strongly believe it will be announced in this Sep).
...

i agree, and the best way to travel is by hoverboard (I strongly believe it will be announced in this Sep)
 
I had it and returned it because I prefered the Zeiss 50f2 Mkro Planar , which is a much sharper and cheaper lens that also shoot macro.

well, if you love your 50L , good for you but it is not for me , I dont really think it is a crap but considering its high price , it is , its price-performance ratio is very bad.

by the way nice shots , I am always interested in Middle Eastern countries.
the 50L is a crap.
Really? Have you seen the numerous images posted that were taken with that lens? Have you used one?







 
I said the 35 OK-ish not a crap.

I never said it is a crap , it is a good lens as I always say but not a great one like 24L2 or 85L2.

but I dislike the Canon 50L and 100LIS.
the 35L is an ok-ish.

the 24L2 is outstanding.

the 135L is great.

the 85L2 is the best L ever.

the new 70-200f2.8LIS2 is just simply the best zoom ever made by any maker in any mount.

the 16-35L2 is good.

the 17-40L is a lousy as you say.

and 100-400 is ok but for me not needed any more and I sold.

the 200f2.8L2 is not bad but the 135f2L is better.

the 200f2 LIS is just outstanding and probably sharpest lens ever made in any mount but I cannot afford it so I rent it from Canon some times.

the 300f2.8IS is a great lens but I dont usually need it so I rent it as I need it , and I am sure this lens is better than the similar Nikkor.

the Canon TSE24f3.5L2 is an outstanding lens and a lot cheaper than similar Nikon PCE24f3.5D.

so, the 50 L , the 17-40, and 24-70 may be lousy.

the 35L , the 24-105L, the 100-400L and 100L just ok.

I still have the 24-105 because my assistant guy needs it and I like it for light casual travel or walk around but all other wide -mid Canon zooms I sold.

Only one Canon zoom that I really love is the EF70-200f2.8LIS2.

So, I think the best Canon fullframe kid can be like below:

1 EOS 5D3(I strongly believe it will be announced in this Sep).
2 Zeiss 18f3.5ZE.
3 Canon TSE24f3.5L2.
4 Zeiss 35f2ZE.
5 ZEiss 50f2MP.
6 Canon 85f1.2L2USM.
7 EF70-200f2.8LIS2.
8 Zeiss 100f2 ZE.

this is the ideal Canon fullframe kit.

YMMV.
Hi

A question and a suggestion for dpreview lens tests (and all the other like photozone and slrgear):

What is it with Canon L lenses? How come they are so inconsistent between samples? Bought a 24-105L. Tested against 50/1,8, 17-85, 100 Macro on 7D.

I was amazed to see the 50/1,8 killing the 24-105. And was perplexed when my 100 Macro lost against the 105. Then...

Sample 1:
4,0 8,0
Sharpness:
24 mm Mushy Sharp
50 mm Mushy Good
105 mm Good Stellar!

Fokus:
24 mm OK
50 mm Backfokus by 8
105 mm Perfect
On the midrange it was impossible to get fokus in the pictures.

Sample 2:
4,0 8,0
Sharpness:
24 mm Sharp Good
50 mm Good Good
105 mm Sharp Good

Fokus:
24 mm Perfect
50 mm Perfect
105 mm Perfect

What should I do. Get a lense that shines in one aspect and sucks in the other. Cant I expect more from Canon??
My companion have Nikon and there seems to be less variation. I dont know.

Suggestions for lens tests.

Take 10(!) samples and test them for consistency. A big variation should render a lower rating. Perhaps Canon then sharpen up the quality check.

We ordinary people cant spend all the money it takes to calibrate 1000-2000$ lenses

Tired!
--
Mike the Viking
--

Photography, like many other hobbies, persuits and art forms, is first and foremost about having fun and exploring.
 
well, then you should try the new Sigma 70-200 OSHSM , very sharp and very cheap for what it can do.

if I did not buy a Canon 70-200f2.8LIS2 already ,I would get the Sigma.
When I first reviewed the spec's on this lens I wasn't too impressed and made sure that I bought the 70-200mm F4 to get great pics above 60mm. I should have waited to first see the pics. I process all my images with DXO and the quality is outstanding up to 105mm. I seldom pull out the 70-200 as the range to 105 seems to cover a lot of my work.

I give this lens on a Mark II 5 stars with DXO. My first opinion was 3 stars with out DXO.

I checked my Front Focus and BF and it was almost spot on. In my opinion the brokeh is good for a F4 lens. If I want more brokeh then I use my 50mm Sigma F1.4 which looks great down to F1.4 with DXO with great broke.

By the way, the Sigma 50 mm took a -18 adjustment to get the focus right.

1.0 Check your front focus. 2.0 Buy DXO or at least try it out.
 
People are demanding me to send samples. It would take me another 8 hour to complete a full packages of sample for 24 mm, 50, 70 and 105, Center and the corners. I will not do that.

I can here from you that you have the experience and the possibility to test several samples before the final buy. In Sweden it is seldom you can do that. They only take it back if DOA. Some firms do have incredibly good service but their prices is up 15-20%. I cant afford it.

And as you say - it is not so much the money (of course it is important but...) than the time you must spent testing the lenses. I think expensive lenses should have narrower variotions between samples. I really hate to read user saying "my lens is a gem but I know people that was less fortunate" It should be luck.

I finally got me a decent 24-105. It is a tad better than 17-85 in contrast and general IQ. But fringing and distortion at 24mm is as the 17-85.

Its shines in the 105 range. Incredibly sharp and useful in macro, portrait and landscape.
very very odd , the 17-85 is a very bad lens and if your 24-105f4L is that bad , you should return it.
I will use my 10-22 as wide lens.
--
Mike the Viking
 
Seems like more people have issues with 7D and L-optics.

http://forums.dpreview.com/forums/read.asp?forum=1029&message=35829893

Could be that 7D misses focusing in certain situations (hard to believe when I find it fast and accurate compared to my 40D). But using 19 AF sucks - you have focus all over the place and its impossible to understand the logic behind.
not only the 7D but all AF do miss focusing in many many scenes such as extremely strong back lit , close distance or back ground is very very busy and things are moving around there.

so, if you want to get unlitmate focus precision , you will need to MF.
Interesting though - I will test all my lenses wide open comparing 40D and 7D.
All in all it is a good way to get to know you new equipment.

--
Mike the Viking
 

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