Ep1,G1, GH1, GF1... enough with the toys !! when do we get a real camera ?

These cameras are designed with specific qualities in mind. If you don't like those qualities, there are dozens of other cameras and systems you can work with, from P&S digital through APS-C and 35mm DSLRs up to digital medium format, and 35mm, 6x6, 6x9, 6x12, 6x17, 6x24, 4x5, 4x10, 8x10, 11x14, 7x17, 8x12, 12x20, 16x20, 20x24 film sizes!

To the original poster: You have no shortage of choices. Stop whining about this one!

Why not pick on Lotus for making a ridicuously enormous 20x24" camera?
http://www.lotusviewcamera.at/cameras/lovica_20x24_e.html

Somebody wants to use that kind of camera... and people do!

I'd wager more people want to use the E-P1 than the Lotus 20x24 :)
If you like the sensor format, it's called Four Thirds and Olympus has your system, otherwise go for any DSLR you like.

There's only one really good reason for Micro Four Thirds: minimal camera size. The lenses for these cameras also have to appeal to the same bottom line. So you'll see pancakes and optics that are corrected in software to keep the lens' size and weight at a minumum.

If you think this format has to have a system equal to DSLRs, then it isn't a "serious" format in your terms. I suggest that it's a serious compact system and that necessarily means compromises.

--
BJ Nicholls
SLC, UT
 
I'm gonna take a guess and say I think he's referring to the fact that with EVF or Live view only (like the E-P1) when you're taking shots in continuous drive mode, you don't actually go back to a live view in between shots, even if it's only for that fraction of a second. Instead you get a quick preview of what you just took.

Contrast that with a DSLR/OVF, your view blacks out for a fraction of a second during the exposure, but then you're back to the real view. Or contrast with a rangefinder where you have no blackout at all.
 
HI Harold,
Hello everyone,
as an Olympus E user for 3 years, I was impatient to see the new M4/3 cameras.
I've been an E user for almost 6 years. Nice to meet you, in case we haven not conversed before.
1/ all 4 cameras are more TOYS than TOOLS. This is obvious from the choice of finishes ( sliver only for oly , red and blue for pana) as for some of the features
Who cares? Just because black is out of stock that doesn't mean the camera system is a toy. I can't say much for their operations or supply management. I think they were simply more successful than they thought they'd be.
the fact that the sales are good mean that it is very unlikely that any of these 2 manufacturers would try something new and would stay focused( pun intended) on
the P&S and sunday users.
That was the audience they were targeting.
while there is obviously a market for the evf , built in flash and all zoom users, I think it is sad that with new cameras they are not trying to reach a wider audience rather than browbeating on the same one
It's the other way around. The Four-thirds systems was designed to address a wide system. The mFT system was included to address a wider audience that wasn't being addressed by FT.
2/ Despite 3 cameras so far , there is NOT the beginning of a camera system. think about it . 4 cameras soon and only some zooms ( which now are further separated between photo zooms and video zooms) and NOT one REAL single focal length
I think some of the primes are coming. Get an adapter for the rest. That's the point of the system. More will come later.
I have been in Photography for over 25 years and I can't remember ONE SINGLE time when a format would count 4 camera bodies without a single NOn pancake focal lens or without any focal length in the 24 to 28mm range
25 years ago zooms sucked. Oly HG and SHG lenses are excellent. As this segment matures I think we'll see more lenses but it takes time. What's wrong with your M primes?
It seems like this new format is toy driven by people who want their camera to look and be the size of an i-pod or an i-phone
The camera is bigger than p&s camera and have more heft and I think balances well even for the heavier lenses esp. if you shoot two handed as you should.
I am not disputing the fact that from a sales point of view , it is wiser to address that market segment first. but there is obviously a big market for Mlenses owners who :
Funny. You just answered your own post yet you choose to ignore your own logic.
want a black hand holdable body which looks like a tool and not a toy
Like the GF1 that is coming out soon?
want to have AF lenses in the 24 -85mm range and HAVE the option to use in real life their M lenses and get some focus coformation
Well, once you figure out how to do AF confirmation not using PD AF but using CD AF I'm sure they'll add it. As far as I'm aware, no one has solved that problem.

BTW, the GH1 EVF that you seem to hate switches between 4:3, 3:2 and 16:9. It's almost the same size as the 1DS Mark III VF. Check the review, page 4
don't need a flash in their camera but prefer to keep the hotshoe for optional OVF and have the built in EVF on the left side like in a rangefinder
Why would you need an OVF and an EVF?
pay a little more for some weather seal and don't care for video
Oly used to be in the business of creating enthusiast cameras, the niche cameras. I hearken back to the days of the UZI, E-10/20s. Great cameras but also super expensive and they priced themselves out of those markets fast. Oly has learned since that to be successful you need to build out your product line and not just focus on a small niche of superpicky enthusiasts at the introduction.

Funny thing is that it seems as though they've worked you up into a frenzy thinking about what could be. I think this is exactly what they want and will be addressing some of those needs in the future.

After 5+ years, 4 bodies and 9 lenses I'm still waiting for the perfect FT camera / lens combo. Back in 10/03 if I ignored the E-1 because it was only 5 MP and ony had 3 AF points and the LCD was too small and had bad high ISO and etc and etc, I would have missed out on a lot of fun photo taking. I don't know what your situation is maybe the current system issues are intractable, but be patient I think the camera of your dreams is coming (so at least I tell myself).

George

--
http://geohsia.smugmug.com
 
I'm talking about the Panasonic. After corrections, sure, it looks fine, but if you take raw output and feed it into a converter that doesn't do automatic barrel distortion correction you'll see it's very high, compared to comparable lenses on other formats (Canon EF 10-22, Tokina 12-24mm, Sigma 10-20, Tamron's 11-XX, Sigma 12-24mm, etc).
I was going by the SLRGear review, but after further inspection it's not clear whether they're basing the conclusion on JPEGs or not.

Regardless, if the corrected output is sharp, which it evidently is, and the lens is much smaller than its competition, then I guess you could make a case that it's worth the premium.
--
-Jay

http://flickr.com/photos/48504267@N00/
 
Forget all the micro formats including 35mm and digital medium format.

What Harold66 needs is a Lotus 20x24 - assuming he can figure out how to operate it with all of his feature demands. This baby is bare essentials; 100% tool :)


What I really wonder is why you are still using the E-3. Doesn't it have one of these toyish small 4/3 sensors? Go FF - anything else is just toys. :D
 
I too am frustrated by the lack of fast primes specifically designed for the m3/4 system. However I forgive them for now b/c the G1, the first m3/4 camera, is still less than two years old. Within such a short time frame, if I were Panasonic, I would focus on building lenses that are relatively inexpensive and good for general use so people who buy the camera can have a system that covers a wide range of needs. It is very time consuming to build primes that cover all the way from super wide to 400mm.

Even for big companies like Nikon and Canon, after they sold the first APS-C sensor camera many many years ago, how many APS-S specific primes lens have they built? For Nikon, the answer is one: 35/1.8.
Hello everyone,
I have been in Photography for over 25 years and I can't remember ONE SINGLE time when a format would count 4 camera bodies without a single NOn pancake focal lens or without any focal length in the 24 to 28mm range
 
focus confirmation on the M lenses is not necessary. It is easy to tell when you are in focus even on the Noctilux at f0.95 (I have samples that I took at PMA). Getting accurate focus on the G1 is easier and more accurate than focus confirmation on my > D700 - where you can move to focus ring a bit and the green light will stay on.
Same when compared to the D300. If EVF's keep improving and contrast focusing gets faster, mirrored cameras could be on the way out. It'll save the manufacturers some money too.
 
Yes, you are, the G1 is actually less than one year old. I am looking forward to seeing the 20 and 45. I don't blame them for building pancake primes because most of the people are attracted to the m3/4 for its compact size. I thought the OP was a bit too harsh on them. In fact what I hated the most about Panasonic is their inability to meet the demand of the market, and you thought they have learned a lesson from the LX3 ...
The first G1s hit the US late October last year. So, we have 2 bodies and 4 lenses by Panasonic in less than one year. If we get the 20 and 45 this fall I would call that pretty good.
--
terry
http://tbanet.zenfolio.com/
 
If you like the sensor format, it's called Four Thirds and Olympus has your system, otherwise go for any DSLR you like.
Thank you I already have 2 e3s. They work great . But like most people , I am interested as an alternative ( not a replacement) as a carry everywhere camera or for instances when a dslr attract too much attention ( street photography)
There's only one really good reason for Micro Four Thirds: minimal camera size. The lenses for these cameras also have to appeal to the same bottom line. So you'll see pancakes and optics that are corrected in software to keep the lens' size and weight at a minumum.
I agree with that but single focal lengths can be designed so they are not bigger than the current oly kit zoom lens
Harold

--
http://www.harold-glit.com
http://www.modelmayhem.com/haroldglit
 
HI Harold,
I've been an E user for almost 6 years. Nice to meet you, in case we haven not conversed before.
Hi george , same here. at least , you are courteous. wish everyone would be on this thread
1/ all 4 cameras are more TOYS than TOOLS. This is obvious from the choice of finishes ( sliver only for oly , red and blue for pana) as for some of the features
Who cares? Just because black is out of stock that doesn't mean the camera system is a toy. I can't say much for their operations or supply management. I think they were simply more successful than they thought they'd be.
Please show me where you see in my thread that I wrote that the camera was a toy

because it is not in stock. this is getting ridiculous , honestly , being answered on what I wrote but on what you thought i wrote
I am not disputing the fact that from a sales point of view , it is wiser to address that market segment first. but there is obviously a big market for Mlenses owners who :
Funny. You just answered your own post yet you choose to ignore your own logic.
No , again READ My post
don't need a flash in their camera but prefer to keep the hotshoe for optional OVF and have the built in EVF on the left side like in a rangefinder
Why would you need an OVF and an EVF?
Because as I said before , there are many cases where an EVF sucks or is a pain to use. as for me , I don't need even the EVF and could do with optional external OVF but this of course does not work for the zoom crowd
Funny thing is that it seems as though they've worked you up into a frenzy thinking about what could be. I think this is exactly what they want and will be addressing some of those needs in the future.
let's hope so
After 5+ years, 4 bodies and 9 lenses I'm still waiting for the perfect FT camera / lens combo. Back in 10/03 if I ignored the E-1 because it was only 5 MP and ony had 3 AF points and the LCD was too small and had bad high ISO and etc and etc, I would have missed out on a lot of fun photo taking. I don't know what your situation is maybe the current system issues are intractable, but be patient I think the camera of your dreams is coming (so at least I tell myself).
I am not looking for the perfect camera , just one that can be used. there are many reviewers which are saying the same thing

Harold
--
http://www.harold-glit.com
http://www.modelmayhem.com/haroldglit
 
Ah sarcasm , always a popular reflex . and much easier than trying to stay on point
And you had a point of starting this thread? Aside from getting sarcastic responses from people when you refered to the entire m4/3 line of cameras as "toys"? How were you expecting people to react?

Now I am not saying that you don't raise some valid points - the EP1 needing better m4/3 lenses is one (even though it has been discussed adnauseum already). Your other points - no viewfinder and no built-in flash - (a) do not make the EP1 a "toy" and (b) are certainly known "issues" to everyone who purchases the camera.
Steve
 
you asked "Please show me where you see in my thread that I wrote that the camera was a toy ".

Did you not read your own title ? - "Ep1,G1, GH1, GF1... enough with the toys !! when do we get a real camera ? "

Or here in the main body of text - "1/ all 4 cameras are more TOYS than TOOLS"

Or here again - "It seems like this new format is toy "

I'm not sure why you seem to think you didn't refer to the camera as a toy, when I have just quoted 3 examples.

By the way you didn't reply to my post about street shooting. Isn't having a camera that doesn't look like a "pro" camera an advantage ? People will be far more likely to just think of you as a tourist or "snapper" and behave more naturally.

Nick
 
Agreed--and my biggest complaint IS the problem with distribution (mainly because I'm in US). Since I do have a G1, I won't be terribly dismayed with a longer time getting the GF1 out but I know others will be--and it pushes people to make other decisions if they have to wait too long. We aren't a patient people LOL.

diane
Yes, you are, the G1 is actually less than one year old. I am looking forward to seeing the 20 and 45. I don't blame them for building pancake primes because most of the people are attracted to the m3/4 for its compact size. I thought the OP was a bit too harsh on them. In fact what I hated the most about Panasonic is their inability to meet the demand of the market, and you thought they have learned a lesson from the LX3 ...
The first G1s hit the US late October last year. So, we have 2 bodies and 4 lenses by Panasonic in less than one year. If we get the 20 and 45 this fall I would call that pretty good.
--
terry
http://tbanet.zenfolio.com/
--
Diane B
http://www.pbase.com/picnic
G1 gallery http://www.pbase.com/picnic/temp_g1
 
Nick,

You're points about "steath mode" street shooting are well-taken. Now double that if you're shooting video.

When you have a video camera (especially a large one) in your hand or on a tripod, it's like yelling, "SMILE! YOU'RE ON CANDID CAMERA!!!" All those nice looking, normal people either start acting like complete goof balls or try to avoid the camera completely!

Now consider what people see when you're shooting video with a GH1 holding it at waist-level or on a tripod. It looks like a small DSLR. Right? Since it isn't held up to your face with your finger on the trigger and doesn't look like a video camera, you can't be capturing anything. Right?

Wrong! You're capturing great footage (or images) quietly and unobtrusively.

And then there are lots of other real-life photo/video challenges. For example...

Yesterday, I was at the Cougar Mountain Zoo in Issaquah, WA with the family. They had a pair of 11 week old Bengal Tiger cubs that they were showing off in a fenced pen. Because I had my Nikon DSLR, I got great IQ. Right?

Wrong! With all the people standing around the pen, it was very difficult to get a decent shot of the fast moving cubs between peoples' heads. All the theoretical garbage about IQ goes out the window in real life situations like this. Most of the time, I holding my DSLR over my head shooting blindly. Arrrgh!!!

I would have loved to have a GH1 with the movable LCD. And, to instantly switch to video? That would have been nirvana.

Then we went to the Alpaca enclosure, where my grandson fed apple chunks to the Alpacas. I got some decent pics, but it would have been MUCH better to get pics and videos at my grandson's level - about three feet. (Guys with bad knees like mine don't bend that easily.)

Quite frankly, I find discussions about the theoretical benefits of DSLRs complete BULL $@#% when you're constantly dealing with real life photo and video issues like these.

Regards,

Dan.
 
not every system has to start with a camera like the E1, some think that that was a bad idea on Oly's part. and the G1 wasn't too bad nor too "low-level" for enthousiasts (it is closer to D5000/D90 or 500D/50D than to D3000 or 1000D). the worst thing about it is the lack of in-body stabilization combined with the lack of a light-weight, good quality, stabilized zoom from MFT or FT, if it were in-body IS, any nice ZD (FT) would do. the amount of compatibility between Oly and Pana is only bad when considering this last bit of stabilization incompatibility.
Hello everyone,
as an Olympus E user for 3 years, I was impatient to see the new M4/3 cameras.

after more than a year since the introduction of the first m4/3 camera ( the seemingly already discontinued g1) there seems to be a obvious fact :

Both Panasonic and Olympus seem so focused on competing with each other thay they are fighting against each other than complement each other and trying to fill all the potential of this "new" format
.
.
.
.
It seems like this new format is toy driven by people who want their camera to look and be the size of an i-pod or an i-phone
--
Xavo

image is the only validation and most of their life isn't real.
modified from Sam Sparro - Black and Gold.
 
Both Panasonic and Olympus seem so focused on competing with each other thay they are fighting against each other than complement each other and trying to fill all the potential of this "new" format
Panasonic and Olympus are not supposed to be helping each other sell their products, they are supposed to make money for their stock holders. I think introductions of the 4/3 and m4/3 helped them create their own little market, different from Canon and Nikon, and in that little market they compete with one another.

"Complementing" one another with only Sigma being another active 4/3 manufacturer would look like dividing the market and reducing competition, which may be even illegal in many countries.
1/ all 4 cameras are more TOYS than TOOLS. This is obvious from the choice of finishes ( sliver only for oly , red and blue for pana) as for some of the features (art filters, menu modes) and even more so by some of the missing ones ( Only zooms or pancakes lenses , poor OVF , no consideration for 3rd party M lenses, art filters , ridiculous menus modes...)
I never handled the EP-1, but on G1 the exposure, ISO and WB settings are accessible with just one key press. So you don't need to deal with the menus. The presence of the gimmicky features does not detract from the accessibility of the main settings.

As far as primes go, if the purpose of the format was to reduce the weight of gear, then the zooms and pancakes is what is appropriate. If you are ready to carry multiple non-compact lenses, then there are 24mm, 25, 30, and 50mm fast non-pancake AF primes issued for 4/3.

So while I understand and share your desire for the similar lenses appropriately scaled for m4/3, realistically speaking it's going to be a small market, and there is no real incentive to go for it. Judging by the posts in the forum there are more people who are interested in using the vintage manual focus lenses, than modern non-pancake AF IS primes.
while there is obviously a market for the evf , built in flash and all zoom users, I think it is sad that with new cameras they are not trying to reach a wider audience rather than browbeating on the same one
The widening of me market may be too small to justify the development. In addition, it seems that people are adjusting the new cameras, rather than wait for a camera that would allow to employ the old techniques. For example, using the LCD to shoot from the waist level, or continuous AF.
2/ Despite 3 cameras so far , there is NOT the beginning of a camera system. think about it . 4 cameras soon and only some zooms ( which now are further separated between photo zooms and video zooms) and NOT one REAL single focal length
I think from the lens road map and the release of the 4/3 adapter it is pretty clear that the "Camera System" is geared for versatility and small size. Primes take away from versatility (compared to zooms), and fast zooms take away from the small size. So I do not expect either to be released specifically in m4/3 format.
to make things worse , panasonic is focused on creating lenses which would give poor results without the software correction. and I am shocked that no reviewer have commented on it as it is mainly( not only but still_)a smart but dirty way to make their lenses less compatible with olympus bodies.
And why should Panasonic bend over to make its lenses compatible with Olympus? Panasonic wants to sell its own bodies, not Olympus'. That aside, I think software correction is great. If it gives a good picture and helps to reduce cost/lens size then I am all for it.
I have been in Photography for over 25 years and I can't remember ONE SINGLE time when a format would count 4 camera bodies without a single NOn pancake focal lens or without any focal length in the 24 to 28mm range
Times are changing. Because something didn't happen in the past does not mean it's wrong, or won't happen in the future. Users and reviewers seem to be perfectly happy with the output of the zoom, and there is not much of drive to introduce a lens that you want.
but there is obviously a big market for Mlenses owners who :
want a black hand holdable body which looks like a tool and not a toy

want to have AF lenses in the 24 -85mm range and HAVE the option to use in real life their M lenses and get some focus coformation

don't need a flash in their camera but prefer to keep the hotshoe for optional OVF and have the built in EVF on the left side like in a rangefinder
pay a little more for some weather seal and don't care for video

want a camera to be small but not to the point where the camera does not fit regular hands or can only be ergonomic with tiny lenses

a Ep1 size witha bigger grip for better hand holdability ( and a bigger battery and two cards ) is the direction to go
First, many will disagree that that the cameras look like a toy, or difficult to hold, or have issues with the size. So what's left is:
-detachable OVF (you will need one for each focal distance)
-no flash
-focus confirmation for M lenses
-weather seal
-a bunch of non-pancake primes

Why do you say "obviously?" It's not obvious at all. How big do you think this market is? Tens of thousands? Thousands? Hundreds?
if Oly and Pana are not interested , they could at least invite someone in.
the crazy thing is that they don't
The other members of the 4/3 consortium are: Fujifilm, Kodak, Leica, Sigma. They don't seem to be interested either. Do you think there may be a reason for that?

Finally, please realize that with the number of posting in this thread not everybody will read every single message in it. So don't get all upset if somebody misses some of you comments that were not in the original post.
 
Both Panasonic and Olympus seem so focused on competing with each other thay they are fighting against each other than complement each other and trying to fill all the potential of this "new" format
Competition can be good, but I so wish they could have gotten together and decided if image stabilization should be in the bodies or in the lenses.
1/ all 4 cameras are more TOYS than TOOLS. This is obvious from the choice of finishes ( sliver only for oly , red and blue for pana) as for some of the features (art filters, menu modes) and even more so by some of the missing ones ( Only zooms or pancakes lenses , poor OVF , no consideration for 3rd party M lenses, art filters , ridiculous menus modes...)
I wouldn't go this far. The G1 and GH1 make a reasonable attempt to compete against entry-level DSLRs. The blue and red colors are a feature which costs Panasonic little R&D, and which some professionals actually like because they believe a colored camera makes them look less conspicuous--more like a guy with a point & shoot than a scary pro.
2/ Despite 3 cameras so far , there is NOT the beginning of a camera system. think about it . 4 cameras soon and only some zooms ( which now are further separated between photo zooms and video zooms) and NOT one REAL single focal length

it looks they have decided that the market wants Pancakes and pancakes we would get for every single focal length
I sort of agree. I don't understand the purpose of the 17mm f/2.8, except maybe it's supposed to look cute. If I'm going to give up the benefit of a zoom lens, I'd expect the prime to offer superior performance--lower ISO and sharper images.

I am hopefully that the 20mm f/1.7 will turn out to be a good lens, but an f/1.4 non-pancake normal lens (25mm) might have sold more cameras. That was the classic lens used on Leicas, and m4/3 is trying to compete in that niche.
to make things worse , panasonic is focused on creating lenses which would give poor results without the software correction. and I am shocked that no reviewer have commented on it as it is mainly( not only but still_)a smart but dirty way to make their lenses less compatible with olympus bodies. ADD to that , the is in body versus in lens IS and you basically have 2 COMPETING systems which offer little real compatibility with each other
OK, agree that the IS inconsistency is, well, inconsistent.

In-body correction of lens distortions is a SMART idea, because it allows lenses to be optimized for characteristics which can't be corrected in the camera. I'd rather have in-body correction for barrel distortion if it means a faster, sharper, and less expensive lens.
I have been in Photography for over 25 years and I can't remember ONE SINGLE time when a format would count 4 camera bodies without a single NOn pancake focal lens or without any focal length in the 24 to 28mm range
This is really consistent with the philosophy all the camera manufacturers are following, Prime lenses are out, zooms are in. After so many years, Nikon finally released a normal prime lens for its APS-C DSLRS, and surprise! It's all sold out! People WANT the fast prime lens! People are saying that Nikon made a huge marketing blunder by pricing it so low under the assumption that no one would want to buy it otherwise.

--
Big Mike
http://www.bigmikephotoblog.com
 
I sort of agree. I don't understand the purpose of the 17mm f/2.8, except maybe it's supposed to look cute. If I'm going to give up the benefit of a zoom lens, I'd expect the prime to offer superior performance--lower ISO and sharper images.
Hi Mike. I understand the 17mm - it is small, light and makes the camera much more "pocketable". (Yes it does fit into decent size pockets where my E420 with the 25mm pancake was a bit tight.) And it is faster than the zoom which is up to f3.9 by the time it hits 17mm, so you do get to use a bit lower ISO. Have not done a direct comparison between the sharpness of the two lenses at similar settings yet, but they seem pretty close.
I am hopefully that the 20mm f/1.7 will turn out to be a good lens, but an f/1.4 non-pancake normal lens (25mm) might have sold more cameras. That was the classic lens used on Leicas, and m4/3 is trying to compete in that niche.
I am also hoping for the quality of the 20mm - but also afraid of what the price point will be. (The 7-14 is over $1000.) And yes I would LOVE a non-pancake fast 25mm lens (grew up with one) and I agree that it would have sold a lot of cameras.

Steve
 

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