How to convert a day scene into a night scene??

Increase the time between focusing and actually snapping the shutter., Focus .... wait 12 hours... snap.

easy :-)
 
Sorry for a late reply... Thanks for the link. I knew this one. But there
are far more tricks in such conversion. Any more tricks tips please??
It’s more a matter of using the same old tricks in imaginative ways. Make stuff up. Place lights where there are no lights and imagine how the light would behave against surrounding objects. Take this conversion as an example:





Can’t see much detail in that small image, so let me zoom in on a few illustrations. For the front door, I imagined a foyer inside with a chandelier, so I put in the indications of multiple bulbs in such a fixture. There were no lights outside the door, so I installed a couple on either side. No special trick to these. I just made them up.



Look at the wall to the right of the front door. What if there were lights below the edge of the wall illuminating that area? What if there were a light under that alcove on the left? Envision how the light would behave, and then make it happen. Again, no special technique here. It’s just creating the illusion of diffuse light on surfaces. The source of that light came from imagination.



What if the moon were behind the tree branches? And what if there were a few clouds? How would the moonlight play on the clouds? I used the blend-if slider (Layer Styles) to put the moon behind the tree branches. And Nagel cloud brushes to create the clouds.



If the moon were where I placed it, the light would fall across the roof. What kind of shadow would that make? I cloned out the original shadow (from sunlight), and painted in a new shadow consistent with the position of the moon. No trick to it. Just imagination.

 
It’s more a matter of using the same old tricks in imaginative ways.
Make stuff up. Place lights where there are no lights and imagine how
the light would behave against surrounding objects.
You have a fine imagination, but you also have a lot of skill to make it come alive.
--
Jim
 
It’s more a matter of using the same old tricks in imaginative ways.
Make stuff up. Place lights where there are no lights and imagine how
the light would behave against surrounding objects.
You have a fine imagination, but you also have a lot of skill to make
it come alive.
Thanks, Jim, I appreciate that. But I wonder how much of the outcome is owed to skill and how much to imagination. Take this example again.



The only skills required to render this lighting effect were 1) to select the area behind the wall and around the arches, 2) open a blank layer and change blend mode to soft light, and 3) paint the light on with a soft brush at low opacity.



The "trick" to making that effect come alive doesn't reside in those pedestrian techniques. It resides in envisioning the outcome and then applying the light so the outcome looks like the vision. That's why I harp on how important seeing is -- seeing not just what is there but what could be there.

Which inevitably takes us back to that left-brain/right-brain business. The steps of the technique (the "tricks," as the OP put it) can be written out like a recipe. They're linguistinc and are under the control of left-brain thought. But seeing isn't. There is no recipe for envisioning what might be, because seeing isn't linguistic. The right brain has no language. It thinks in other ways, non-linguistic ways.

--
~ Peano
http://www.radiantpics.com
 
Peano is the master...just great work with day to night.

I do use one trick you may be interested in. I often use light from the original photo.

Sometimes I use as is or use ACR to increase exposure first.

I make feathered as needed selections where I want the light to go... say under a street lamp. Then I move the duplicate to the top of the pallet and apply the selection to a hide all mask. I can reveal other light areas or use another duplicate.

You can then add a hue/saturation adjustment layer to the masked duplicate to change the light hue or saturation say a soft yellow or red. You also have of course the opacity and mode settings to aid the effect.

Butch
 
Hi Peano,
you have done a great work!!! Fantastic.
I have no words especially for the tree on the right ... how did you
make it? Did you selected it?
Thanks. No, I just painted along the trunk and branches where I thought the light from the streetlamp would fall. Here's a before and after animated gif (320k):



--
~ Peano
http://www.radiantpics.com
 
Peano is the master...just great work with day to night.

I do use one trick you may be interested in. I often use light from
the original photo.

Sometimes I use as is or use ACR to increase exposure first.

I make feathered as needed selections where I want the light to go...
say under a street lamp. Then I move the duplicate to the top of the
pallet and apply the selection to a hide all mask. I can reveal other
light areas or use another duplicate.

You can then add a hue/saturation adjustment layer to the masked
duplicate to change the light hue or saturation say a soft yellow or
red. You also have of course the opacity and mode settings to aid the
effect.
Thanks, Butch. I do make use of original light. I initially create the "darkness" with a hue/sat adjustment layer, with the lightness dialed down to -70 or so. When I want to paint light on a particular area, I do that on a separate layer (various blend modes -- soft light, overlay, vivid light, whatever works). If that doesn't show up bright enough, I then paint with a bit of white on the hue/sat mask to restore a little original brightness.
--
~ Peano
http://www.radiantpics.com
 

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