What makes the D3 so appealing to everyone?

That'd depend largely upon the application. For landscape, where a tripod and relatively high light levels negates the 5D's high ISO noise advantage, I'd probably take the D2x's 12.4MP over the 5D's 12.7MP because the D2x + Nikon wide angle lenses will generally provide better corner-to-corner resolution than Canon wides on a FF camera. The 5D may be the more versatile camera in terms of available lighting conditions in which it can produce usable results, but it's foolish to make an unqualified statement regarding its 'superior' image quality.
That is one reason why the Nikon D2X outsold the Canon 5D, even
though the D2X is much more expensive and its image quality is far
inferior to the 5D.

That said, the Nikon D3 is an attractive offering. It is the same
price as the Canon 1DMKIII and shoots at about the same frame rate,
but it has a larger sensor than the Canon, making wide angle shots
much easier. Right now Canon does not have anything that is like the
D3 and it should remedy the situation.
Besides having a lot of extra features and faster FPS, what makes the
D3 more appealing than a 5D?

If Canon makes a 16MP 5D II, wouldn't that take the wind out of
Nikon’s sails and sales?

--
Zeppelin ±
--
- -
Kabe Luna

http://www.garlandcary.com
 
It may just turn out to be foolish to compare ISO number to ISO number on cameras that have different base ISO's.

I think the "superior" image quality of the 5D has been well qualified. It has been tested and compared to death, for years.

I looked at the D3 images at Rob Galbraith's website and I must say I am not impressed at the high ISO images of the D3. After all the hype I've seen I was expecting the ISO 3200 images to look like an ISO 100 image from a 5D. The ISO 3200 shots have very noticable noise and the ISO 25600 shot is total garbage.

A lot of cameras can shoot at high ISO's but that doesn't mean they're any good at it. Low ISO is just as important.
That is one reason why the Nikon D2X outsold the Canon 5D, even
though the D2X is much more expensive and its image quality is far
inferior to the 5D.

That said, the Nikon D3 is an attractive offering. It is the same
price as the Canon 1DMKIII and shoots at about the same frame rate,
but it has a larger sensor than the Canon, making wide angle shots
much easier. Right now Canon does not have anything that is like the
D3 and it should remedy the situation.
Besides having a lot of extra features and faster FPS, what makes the
D3 more appealing than a 5D?

If Canon makes a 16MP 5D II, wouldn't that take the wind out of
Nikon’s sails and sales?

--
Zeppelin ±
--
- -
Kabe Luna

http://www.garlandcary.com
 
In answer to your second question, I'm sure it depends on what features the 5D II would have. If it matches or exceeds the D3 in features, and has more megapixels, and excellent noise control, and a comparable or lower price, and no focusing fiasco, it will certainly compete well against the D3.

That's assuming, of course, that a 5D II is really going to happen. I guess we'll have to wait and see.
Besides having a lot of extra features and faster FPS, what makes the
D3 more appealing than a 5D?

If Canon makes a 16MP 5D II, wouldn't that take the wind out of
Nikon’s sails and sales?

--
Zeppelin ±
 
It's not that appealing to me ! I'm quite happy with my 40D for
birding and have a very nice collection of long Canon L telephoto
lenses which are very high quality, readily available, and affordable
in comparison to the equivalent Nikon lens (when one exists at all).
Not to mention the future availability of what will probably be an
amazing 800mm monster lens. However, I would be extremely interested
in picking up a 5D Mark II as a second FF body to complement my 1.6x
40D. Specially if it comes in at 16MP since then the pixel density
will be high enough to make a decent birding camera. If you're
wondering how good the D3 will be for birding then I suggest you
calculate it's pixel density. Hint: I think you'll find out that it
has the lowest pixel density of any of the pro and prosumer camera
bodies.
If you like birding theres a great chance the D3 will be excellent
for tracking and locking on to birds in flights. This is due to
Nikons new Scene Recognition system which uses Nikons 1,005 RGB
metering sensor to track objects by Color pattern recognition. This
data from the metering sensor will then be relayed to the 51 point
Pro AF module for better predictive AF. The Nikon D300 shares the
same Pro AF system.
Or then the results are like this
http://forums.dpreview.com/forums/read.asp?forum=1039&message=25531983

Only time will tell.
Here is some details from this site:

New Multi-CAM3500FX Auto Focus sensor
(51-point, 15 cross-type, more vertical coverage)

Auto-focus tracking by color
(using information from 1005-pixel AE sensor)
http://nickmjr.smugmug.com/
Nick M
 
Besides having a lot of extra features and faster FPS, what makes the
D3 more appealing than a 5D?

If Canon makes a 16MP 5D II, wouldn't that take the wind out of
Nikon’s sails and sales?

--
Zeppelin ±
It would be a no brainer, otherwise I suspect it's more a matter of
the folks who have the need to just own something new. If I was a
Nikon shooter I'd be happy, as a Canon shooter I don't really care
other than it means Canon won't be able to just sit idly by.

Don't you mean when and not 'if'....

Kevin
Idle?? more like they have not even found the key tp start the engine.

Canon has been Idle for many years, with very minor increments
between the 20D/30D and 40D. It took Canon about 3 years to finally
intoduct Spot Metering to the xxD series. Then when they did that its
only one single Spot meter thats in the center only. Even Nikons
cheapest D4O has 3 spot metering points in each of its AF points,
which is true for every Nikon which has Spot metering in every AF
point. Canon was also very idle with features like AutoISO, Wireless
Flashs is still not built-in to any of its cameras.

Even when Canon seemed to be moving forward with new features like
Live view, it took only days for Nikon to top that feature with there
live view that can AutoFocus in Live View without delay and flopping
the mirror down.
and high-light priority
dialed memorized custom settings

At least Nikon has done a lot work - I guess much more than Canon - in the area on NR in their FW, with very visible results.
 
Ohyva,

Are you truly that nieve as to take the work or pictures of just anyone??

First of all he starts off calling it the 3D, now was he reffering to the D3 or D300? Secondly he mentions its on "auto 51-point" focus, please tell me what mode is that one? Then he talk about the pictures he took of the D300, which tells me that apparently this guy can't seem to figure out which of these two cameras he was holding.

Did you bother to look at his EXIF data for his images? The only thing you can tell from it is that he in in Matrix metering and in Shutter Priority. The EXIF does not tell you the shooting mode, AF mode, he was in. While he claims he was in auto 51-point focus he makes no mention what custom AF modes is he using. Was the camera in AF-S (single) or AF-C (continuous) AF mode, He does not mention if he used Dyanmic 51 point or Dynamic 51 point (3D-traking) mode. He does not mention which Auto Focus tracking with lock-on, was using (Long, Normal, Short or off) setting on that one???

Go goggle his name and the only thing you'll find is the page you referred to, basically he has no credibility other than a guy that thinks he was testing the 3D (D3) when it was a D300 according to the EXIF??

Autofocus Custom settings.

a1 AF-C priority selection
• Release
• Release + focus
• Focus
Defines if camera must have focus
lock before shutter release.

a2 AF-S priority selection
• Focus
• Release
Defines if focus lock is required
before shutter release.

a3 Dynamic AF area
• 9 points
• 21 points
• 51 points
• 51 points (3D-tracking)

a4 Focus tracking with lock-on
• Long
• Normal
• Short
• Off
Controls how focusing is affected by subject distance
changing and how quickly the system should react.

a5 AF activation
• Shutter / AF-ON
• AF-ON Only

a6 AF point illumination
• Auto
• Off
• On

a7 Focus point wrap-around
• Wrap
• No wrap

a8 AF point selection
• 51 points
• 11 points
http://nickmjr.smugmug.com/
Nick M
 
I knew this thread would turn into a fanboi magnet quickly, but at least this post was worth reading. All the rest is typical irrational "Apple nuthugger-like" response.
I was at a local camera store this past Saturday that had all the
factory reps in with their latest product. Out of curiosity and
because of all the hype with the D3 and D300 I did spend about a half
hour talking to the Nikon rep. No one else was at his table so I did
not feel too bad about taking his time and I also told him up front I
shoot Canon. A few impressions FWIW.

The new Nikons seem very solid as do the 24~70 and 14~24. I was very
impressed with the "feel" of the 24~70 but the 14~24 had a rough feel
to the focus ring as if something was mechanically wrong (grinding).
I was suprised they would use this particular sample as a demo unless
that's just the way the lens is designed. The 24~70 seems small
compared to Canon's (a plus) but that may just be because of the
smaller diameter mount.

I played more with the D300 as I have no real interest in a heavy pro
body for my needs and I'm more familiar with Canon's xxD and 5D
cameras. I did play with the scene recognition feature which seems
like a dream come true for sports and any action photography. I did
not have a subject to track but could set the focus square on people
or other stationary objects and slowly pan the camera. I was
somewhat surprised at how sluggish the focus point was at holding on
the subject. There is probably an adjustment for this in-camera but
we did not get to that depth of discussion. Not a valid test by any
means but it did not leave me with a "gee, this is so cool" first
impression either.

The LCD is very nice and noticeably sharper than Canon's current
offerings. Zooming all the way in on a shot does still seem to show
some limitations of the JPEG file as do Canon's although the menus
are very crisp and contrasty. I would think the next Canon body
release will have this screen.

I also asked the rep about 14 bit vs 12 bit and if this was that big
a deal. His response was that it was "huge", very worthwhile and
makes available another 2 million colors. He somewhat painted
himself into a corner as I then asked about the frame rate which he
stated at 6 FPS, 8 with the grip. I then asked about the 14 bit at 6
or 8 FPS and he had to back peddle a bit.

The thing that stands out the most to me with the Nikons is the
complexity of the controls compared to Canon. I know it's mostly
what one is used to and most comfortable with but I have a problem
with all the buttons and switches on these bodies. They just don't
feel intuitive to me and that's obviously because I'm not familiar
with them. I would think this has to have implications for weather
sealing too as that many additional points of entry leaves that much
more to chance.

Near the end of our discussion he started to make some claims that I
thought were a bit over the top about pro sports shooters lining up
to switch. In response I mentioned that Canon had their hands full
with the 1D3 issues and he responded by saying "Canon is a good
company and will sort this out". He also said Nikon can't say
anything about it because they've also had their mistakes and
embarrasments and stuff always comes back to bite you. He also
mentioned that was why there was such a delay in delivery after
announcement on the D3 and D300. He said the 1D3 issue made Nikon
slow down to be as certain as possible the bugs were out of these
cameras.

I know the OP asked about the D3 but as a Canon shooter I could see
nothing compelling in the D300 that would make me dump my system and
change. The 40D does everything I need for it to do and much more so
the added capabilities of the D300 are not enticing to me. IQ that
would be substantially better than my 40D would be a different story
but IMO we're at the point of diminishing returns until some new
break though technology in sensor design is announced.

I'm certain the D3 and D300 will be great additions to the Nikon line
with IQ very close to Canon (we won't know until these cameras are
tested side by side) but I see no compelling reason for change and
having to take the financial loss and learn a new system. Maybe if I
were a pro sports shooter I'd see it differently but then the FF of
the D3 would seem to be a negative compared to the 1.3 of the 1D2/3.
The tests will tell but I see it as Nikon has probably caught up to
Canon in the area of IQ now that they've finally abandoned the CCD
and intro'd their first FF but there is still no clear cut decisive
winner when you consider the overall systems.

Still it's an exciting time and the competition (better late than
never) from Nikon will only improve things for Canon shooters down
the line. This alone would make me stay put as changing systems each
time one company intros their latest body would become very expensive
and time consuming. But if you're one that just has to have the
latest and greatest.....

FWIW.

Bob
--







A camera is an instrument that teaches people to see without it. - Dorothea Lange
 
Ohyva,

Are you truly that nieve as to take the work or pictures of just
anyone??
???
First of all he starts off calling it the 3D, now was he reffering to
the D3 or D300? Secondly he mentions its on "auto 51-point" focus,
please tell me what mode is that one? Then he talk about the
pictures he took of the D300, which tells me that apparently this guy
can't seem to figure out which of these two cameras he was holding.

Did you bother to look at his EXIF data for his images?
Says D300.
Possibly gou has tested both the cams and makes mistakes. I don't know.
The only
thing you can tell from it is that he in in Matrix metering and in
Shutter Priority. The EXIF does not tell you the shooting mode, AF
mode, he was in. While he claims he was in auto 51-point focus he
makes no mention what custom AF modes is he using. Was the camera in
AF-S (single) or AF-C (continuous) AF mode, He does not mention if he
used Dyanmic 51 point or Dynamic 51 point (3D-traking) mode. He does
not mention which Auto Focus tracking with lock-on, was using (Long,
Normal, Short or off) setting on that one???

Go goggle his name and the only thing you'll find is the page you
referred to, basically he has no credibility other than a guy that
thinks he was testing the 3D (D3) when it was a D300 according to the
EXIF??

Autofocus Custom settings.

a1 AF-C priority selection
• Release
• Release + focus
• Focus
Defines if camera must have focus
lock before shutter release.

a2 AF-S priority selection
• Focus
• Release
Defines if focus lock is required
before shutter release.

a3 Dynamic AF area
• 9 points
• 21 points
• 51 points
• 51 points (3D-tracking)

a4 Focus tracking with lock-on
• Long
• Normal
• Short
• Off
Controls how focusing is affected by subject distance
changing and how quickly the system should react.

a5 AF activation
• Shutter / AF-ON
• AF-ON Only

a6 AF point illumination
• Auto
• Off
• On

a7 Focus point wrap-around
• Wrap
• No wrap

a8 AF point selection
• 51 points
• 11 points
http://nickmjr.smugmug.com/
Nick M
 
I hope Nikon has a good setting registration / memory model alike the Canon Camera user settings in 40D. People with multiple types of shooting needs may find too complex setting just too complex to perform before every session - and not doing those seem according what you say to give quite "not so good" results.
Did you bother to look at his EXIF data for his images? The only
thing you can tell from it is that he in in Matrix metering and in
Shutter Priority. The EXIF does not tell you the shooting mode, AF
mode, he was in. While he claims he was in auto 51-point focus he
makes no mention what custom AF modes is he using. Was the camera in
AF-S (single) or AF-C (continuous) AF mode, He does not mention if he
used Dyanmic 51 point or Dynamic 51 point (3D-traking) mode. He does
not mention which Auto Focus tracking with lock-on, was using (Long,
Normal, Short or off) setting on that one???

Go goggle his name and the only thing you'll find is the page you
referred to, basically he has no credibility other than a guy that
thinks he was testing the 3D (D3) when it was a D300 according to the
EXIF??

Autofocus Custom settings.

a1 AF-C priority selection
• Release
• Release + focus
• Focus
Defines if camera must have focus
lock before shutter release.

a2 AF-S priority selection
• Focus
• Release
Defines if focus lock is required
before shutter release.

a3 Dynamic AF area
• 9 points
• 21 points
• 51 points
• 51 points (3D-tracking)

a4 Focus tracking with lock-on
• Long
• Normal
• Short
• Off
Controls how focusing is affected by subject distance
changing and how quickly the system should react.

a5 AF activation
• Shutter / AF-ON
• AF-ON Only

a6 AF point illumination
• Auto
• Off
• On

a7 Focus point wrap-around
• Wrap
• No wrap

a8 AF point selection
• 51 points
• 11 points
http://nickmjr.smugmug.com/
Nick M
 
with Canon:
If you want a professional FF you need a 1DS

If you want a professional sport shooting camera it's 1D (but fixed cropped format)

If you want a great FF IQ, in particular in high ISO it's 5D (but a loosy amateur body)
If you want to reuse your EF-S lenses you need to buy a fixed 1.6 cropped camera

The D3, at least on paper, merges the benefits of the four in one body for a price which is an average of the four Canon's cited above.

That's a quite different strategy than the current one by Canon, which Nikon strategy is a priori quite appealing for the (wealthy) amateurs, and many pros, who want to have the averaged best of all worlds in one body.

I believe Canon should offer quickly a new 1D IV pro body, wich in one body would come with FF 16 MP 6 FPS very high IQ, 1.3 crop with big FPS at 12 MP, and 1.6 crop using EF-S lenses, so something really challenging the D3, and in the same price range. Also HDMI output and orienable high resolution LCD, and of course dust removal mechanism.

An amateur body, say a 5DII with 40 D features, with a 12-16 MP FF high IQ, and EF-S compatibility, but not the hig FPS of the 1D IV body, that could sell around the 2,500 usd price would be an additional killer.
Besides having a lot of extra features and faster FPS, what makes the
D3 more appealing than a 5D?

If Canon makes a 16MP 5D II, wouldn't that take the wind out of
Nikon’s sails and sales?

--
Zeppelin ±
--
SFJP
http://www.pbase.com/sfjp
 
...protruding hardware at the rear of the lens that may interfere with operation of the reflex mirror. In this regard, Canon have designed themselves into a corner regarding EF mount compatibility with EF-S lenses...seems it just won't happen without some retrofitting (apparently you can saw off the protrusion on at least the 18-55 kit lens and it works just fine, albeit with insufficient coverage for the 35mm-size sensor). Not that I have any EF-S lenses, but given that its lens mount is all-electronic and, thus, quite flexible, it's disappointing that Canon has chosen to design-in incompatibility with EF-S lenses.
The D3, at least on paper, merges the benefits of the four in one
body for a price which is an average of the four Canon's cited above.

That's a quite different strategy than the current one by Canon,
which Nikon strategy is a priori quite appealing for the (wealthy)
amateurs, and many pros, who want to have the averaged best of all
worlds in one body.

I believe Canon should offer quickly a new 1D IV pro body, wich in
one body would come with FF 16 MP 6 FPS very high IQ, 1.3 crop with
big FPS at 12 MP, and 1.6 crop using EF-S lenses, so something really
challenging the D3, and in the same price range. Also HDMI output and
orienable high resolution LCD, and of course dust removal mechanism.

An amateur body, say a 5DII with 40 D features, with a 12-16 MP FF
high IQ, and EF-S compatibility, but not the hig FPS of the 1D IV
body, that could sell around the 2,500 usd price would be an
additional killer.
Besides having a lot of extra features and faster FPS, what makes the
D3 more appealing than a 5D?

If Canon makes a 16MP 5D II, wouldn't that take the wind out of
Nikon’s sails and sales?

--
Zeppelin ±
--
SFJP
http://www.pbase.com/sfjp
--
- -
Kabe Luna

http://www.garlandcary.com
 
I don't disagree with you that the D3 has many appealing characteristics as an "all a rounder" but could it be a "jack of all trades but master of none"?
with Canon:
If you want a professional FF you need a 1DS
Yes but with highest resolution FF 35mm equivalent sensor available. For many applications 12 MP just won't cut it.
If you want a professional sport shooting camera it's 1D (but fixed
cropped format)
Yes but the cropped format provides more reach and a higher pixel density on your subject which is important many times in this type of shooting.
If you want a great FF IQ, in particular in high ISO it's 5D (but a
loosy amateur body)
Yes the 5D body is a compromise but it does serve it's intended purpose quite well. It's also interesting that the IQ of the $5K D3 is being compared to this now 2+ year old Canon technology that is currently available for just over $2K.
If you want to reuse your EF-S lenses you need to buy a fixed 1.6
cropped camera
True but I don't see why I would use EFS lenses on my 5D or 1DS or DX lenses on my D3 because of the resulting low res small image circle file. You just paid $5K USD for the best pro body Nikon offers and now you reduce the image file to about 5MP? Does this really make sense? I think the DX/EFS lenses would get sold in a hurry.
The D3, at least on paper, merges the benefits of the four in one
body for a price which is an average of the four Canon's cited above.
True, and for many it will be the perfect camera.
That's a quite different strategy than the current one by Canon,
which Nikon strategy is a priori quite appealing for the (wealthy)
amateurs, and many pros, who want to have the averaged best of all
worlds in one body.
This is all evolutionary and Nikon has taken an interesting, different path. Only time will tell if the concept meets with the scrutiny of the people willing to pay the money. Many times things sound good in concept and on paper but in actual use shortcomings and limitations are discovered.

It would be interesting to know if the D3 concept (FF 12MP) was specific strategy on the part of Nikon or simply their making the best out of what was available in sensors. My guess is the latter played a significant role and if true, Nikon may have lucked out with a camera that will fill a unique niche in a way the 5D did at it's price point 2+years ago.
I believe Canon should offer quickly a new 1D IV pro body, wich in
one body would come with FF 16 MP 6 FPS very high IQ, 1.3 crop with
big FPS at 12 MP, and 1.6 crop using EF-S lenses, so something really
challenging the D3, and in the same price range. Also HDMI output and
orienable high resolution LCD, and of course dust removal mechanism.
I doubt we will see any of this soon. IMO a new 5D and XT camera for 2008.
An amateur body, say a 5DII with 40 D features, with a 12-16 MP FF
high IQ, and EF-S compatibility, but not the hig FPS of the 1D IV
body, that could sell around the 2,500 usd price would be an
additional killer.
I think you are describing the specs for the new 5D with the exception of the EFS lens compatibility. It won't surprise me if that camera comes in at the price point you mentioned. I would expect an announcement in early 2008. About a year ago I read an article that indicated large drops in DSLR prices at the end of 2007. It seems this is all coming true which is a good thing for all of us.

Yes, I do think a 5D replacment with a new technology 12~16 MP sensor, 14 bit Digic 3, 5 FPS, 40D AF and features with a high res LCD would fly off the shelves. This is the reason I'm not selling my FF lenses and no, I would not have any interest in mounting my EFS lenses on that camera.

Bob
--
http://www.pbase.com/rwbaron
My PBASE page is new and growing so please be patient.
 
Just like the 1-series isn't.

I don't like the big brick cameras, I don't need a portrait grip, and I never have a need for high-speed shooting. Even the 3fps on my 5D is enough, the 5fps on my 20D is nice once in a while, but I rarely shoot bursts.

Of all the new cameras released this year, the D3 is perhaps the least appealing of the cameras that aren't 4/3. I'd rather have a D300, but I'd also rather have a 30D, 40D, or the 5D I have already had for 2 years.

Even if Nikon releases a D300 body with a D3 sensor, it would only be modestly appealing. Most of my lenses (4 of 6) aren't really available in Nikon mount. The Nikon versions that do exist either lack IS (24-70), lack range (24-70), lack speed (24-120VR), or are horribly expensive (17-35). The 35L doesn't have a counterpart except in manual focus, and the 85/1.8 doesn't have an AF-s counterpart. So I could get a Sigma 15mm fisheye and a 70-200VR, and scramble for the rest of my lenses.

Or, I could keep what I have, which I'm very pleased to own, and which have outstanding performance.

Nikon actually makes only one thing I'd really like to have for my Canon's:



--
Lee Jay
(see profile for equipment)
 
I hope Nikon has a good setting registration / memory model alike the
Canon Camera user settings in 40D. People with multiple types of
shooting needs may find too complex setting just too complex to
perform before every session - and not doing those seem according
what you say to give quite "not so good" results.
Yes they have Four Custom Shooting menu bank

• A
• B
• C
• D
• Rename
• Text entry

Four banks of settings can be memorized and quickly
switched, each bank can be labeled (see above).





http://nickmjr.smugmug.com/
Nick M
 
....for "Professionals" first and 2) those amatures, advanced amatures,...wanna-be or semi-Pros simply will have to fork it out if they want the good stuff. Though many folks can afford to dish out large $dollar$ for the fast glass and pro bodies, I think the mfrs know that the pro gear yields professional results,...so, why should they not price it accourdingly. Especially when many photogs earn some $50k-$100K.

For those that purchase for novice and more personal reasons,...the prices are crazy,...though one would think. You know, I spent some $10.4K on a sprotbike,....my other passion, but as you are aware, that kind of cash can get a serious DSLR body,...and some sweet pieces of glass.

I try to keep things in perspective,...as long as I'm earning $$$$ with my gear,...I won't complain.

Don't just play the game,...re-invent it.

...and as far as my sportbike,...I've used it many times as a prop in photos,...it really sells photos.

JMD
...D2X x2 - WT-2A capable
...ITP 2.0 Pro embedded
...5D x1
...Nikon and Canon forever~
 

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