NYC - Industrial Brooklyn... (Large Pano)

I have to agree with a previous poster. It is kind of boring. The
lines take the eye all over the frame. Some lead out. Some lead in.
The only thing I really found interesting was the truck about to run
you over. ;) However, the focus, DOF, colors are all top notch.

I liked the B&W shots much better. They were all nicely focused on a
subject. The pano though doesn't really have one ... at least to my
eye.
--
Craig Lee
D80 w/ 18-135mm
http://taallyn.zenfolio.com
Thanks Craig... I see what you mean... too many distracting things. Hard to avoid in a pano in this type of area...
--



http://photography.leung.us
 
well, I don't think subtlety is lost at all, to be honest...

I'm not advocating losing any of the detail in the shots, or having the contrast shoot through the roof, only that these images seem more flat then they should be/have to be.

My preference is for 'contrasty' B&W photos, but I can appreciate that not everyone wants to have photos like that.
My first impression of these shots was that the contrast and tone
were quite pleasing... not all photographs have to be "punchy" and
many fine art photographers like Paul Davies produce prints that most
of us would consider flat. Subtlety is a lost art in the Digital Age!
--
I likes shootin' things with them new-fangled picture-takin' devices! :D
VISIT OFTEN: http://emeka.smugmug.com (comments welcomed)

 
nice shots overall...but I think your B&W conversion is lacking a
certain punch. I see that you're going for more of a sepia tone, and
that's fine. But, the one thing that I feel separates a good B&W
from others is the contrast and depth that you create with the tones
of black and white....easier said than done mind you.

For your shots, I would first boost the contrast, not enough to kill
the detail, but enough to give your shots what they're missing.

Second, try using the "selective color" tool in PS. from the drop
down list, play with the White, neutral, and black sliders (only move
the "black" level in each). This will help you to separate the black
tones from the middle-grey tones that your photos have.

Good luck!
--
I likes shootin' things with them new-fangled picture-takin' devices! :D
VISIT OFTEN: http://emeka.smugmug.com (comments welcomed)

thanks Emeka for the comments and good information on processing. I will definitely give it a whirl...

--



http://photography.leung.us
 
My first impression of these shots was that the contrast and tone
were quite pleasing... not all photographs have to be "punchy" and
many fine art photographers like Paul Davies produce prints that most
of us would consider flat. Subtlety is a lost art in the Digital Age!
Point well made.... Although some of them could have more punch to it....
--



http://photography.leung.us
 
Got it. So what were doing down there? Shopping at Costco?
--
Dez
Yup shopping... and I also always wanted to take some shot of this area. The Industrial part of this area, I hear, may be going away soon with the Brooklyn park the city is planning.

--



http://photography.leung.us
 
Nice pictures. I actually work right across the street from these buildings. And I park my Audi S4 in the parking lot right where you must have been standing! Pretty funny.

-Joe
 
Got it. So what were doing down there? Shopping at Costco?
--
Dez
Yup shopping... and I also always wanted to take some shot of this
area. The Industrial part of this area, I hear, may be going away
soon with the Brooklyn park the city is planning.
Good, we need more renovated waterfronts!

I was involved in a planned park that the city wants to build in Greenpoint-Williamsburg, on Kent Ave. This park will be a beauty and will cover 6 city blocks.
--
Dez

http://www.dezmix.com/photography
 
1st look: Enjoyed the general scene, and especially the surprise of seeing the on-coming truck in the same lane...

2nd & 3rd views: I noticed the backwards-leaning buildings to the left, and the way the last building on the right seems to "curve downwards" as you move toward the right-edge of the scene.

Can't imagine any "global" correction you could make... you'd have to correct lens/perspective on each - before stitching - wouldn't you?

Mike
--



My Picasa albums:
http://picasaweb.google.com/mjvlev
 

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