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I find the FZ50 to be sharp at telephoto as well as wide. At wide open f/2.8 it is still very sharp with good contrast. Results get better at f/5 but the images are very good at f/2.8.I'm sold on the FZ50 long end zoom IQ but have not really seen any
at the lower end. If you own this camera please tell me what you
think of the lower end focal preformance and please share any pics
or thoughts.
Thanks, Pete
While I'd don't have an FZ50 I would agree with that. But remember too that wide with the '50 is 36mm - so long as you're cool wi' that you should be happy.I find the FZ50 to be sharp at telephoto as well as wide. At wide
open f/2.8 it is still very sharp with good contrast. Results get
better at f/5 but the images are very good at f/2.8.
Notice from your sig. you also have a DSLR - I have the DS and was debating buying the FZ50 as a more convenient walkaround but need some comparison shots to judge the merits of doing so. Since you have the two cameras, which do you find best for which shots and why?Panasonic Lumix FZ50, Pentax *ist DCloverdale, B.C., Canada
Going from f/5 to f/8 would be 'below' . . . or stopping down.If you want the absolute best f/5 or 'above' (till around f/8) will
net you the sharpest results though.
Good questionNotice from your sig. you also have a DSLR - I have the DS and was
debating buying the FZ50 as a more convenient walkaround but need
some comparison shots to judge the merits of doing so. Since you
have the two cameras, which do you find best for which shots and
why?
--I don't think you can blame that on venus 3...not with poor lighting, and especially under exposing a white subject. Nope...not V3 at all.Ok, this is one of the first pics I've taken right after I received
my FZ50. This particular shot acually shows off the best and the
worst of the FZ50, in a single shot. Focal length was at 209mm
(right in the middle of the zoom range. f3.6 and iso 100.
Here's a link to the full size image for our pixel peeping session:
http://rooski.smugmug.com/photos/139233954-O.jpg
Now, the ambient sunlight entering through the sliding door offers
plenty of light on the subjects face. The FZ50 captured some
impressive detail, and looks really good for 100%. Just look at
the detail in the eyeball, nose and the white fur on the face.
This is the best.
Now for the worst. Look at the low contrast areas around the
subjects neck, especially the poorly lit areas, and you can clearly
see the Venus 3 smearing at work, here. And this is at iso 100
with noise reduction at low.
Of course, at a reduced size, the photo looks fine, and I did a
test 8x10 print, and was very happy with the results. Also, I do
have the choice to shoot raw and avoid the smearing.
![]()
Also, for your pixel peeping pleasure, here's a link to a full
size, typical boring p&s snapshot, shot at 35mm focal length,
straight from camera. Was not trying for anything special, here.
Just a quick test shot
http://rooski.smugmug.com/photos/143680271-O.jpg
and reduced:
![]()
At 100% view, you see some of the sensor and processing
limitations, but the lens does a fine job.
--
Rooski
FuZi50, Uzi
http://rooski.smugmug.com/gallery/2622754#138416840
![]()
I think you're not looking at the right area of the pic. Here's a crop of the area that clearly displays the unatural pasty clumping effect.--I don't think you can blame that on venus 3...not with poor
lighting, and especially under exposing a white subject. Nope...not
V3 at all.
-Kurt Horsley
On the otherhand . . . at what size of print would it take for anyone to ever notice this 'blurring', or 'smudging'?I'm not nit-picking, here. I love my FZ50 and would not trade it
for any other current digicam. I'm just trying to let the OP know
that as good as the FZ50 is, he should expect to see this in
certain conditions.
--