aaron53665
Senior Member
Hi Larry, you could use that academic argument to support why you
take pictures of homeless people passed out on park benches and
around heating ducts with your $500 camera. I don't choose to.
but darren, what if it's not just an academic argument? that was one of the points i tried to make about the original poster and his photo. in my opinion that photo, the way it was shot and cropped and they way it was used don't seem to meet the criteria of something done in the right way for the right reasons, or used in the right way. but that doesn't mean nobody should ever take pictures of the homeless at any time for any reason. it's not fair to accuse larry of using disingenuous arguments as a cover for crass exploitation when you don't have any evidence to support that. do we even know what he shoots? or in what way, or how?Bingo! I wish I was more of an historian, but I believe
photographs of children working in sweat shops during the early
part of the 20th century were instrumental in part in passing child
labor laws in the United States. There are definitely subject
matters where visual presentation of the problem can result in
changes in a society. I'd toss the Viet Nam War in as another
example.
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Larrym
the fact is that for lewis hine it wasn't an academic argument and it wasn't a rationalization after the fact. it was a crusade to push for needed changes and it worked. there is a whole history of "concerned" photography that seeks to inform, cajole, shed light, to critique, to pose questions, etc.
i'm not ready to condemn mike prec. i think that his questions and concerns after the fact show us something. i imagine that he might have had some instinct or compulsion to take such a picture that came from a good place. it's just that he lacked a clear, defined purpose or way to express what was nagging at him. but if he worked on his skills and techniques and decided on a serious project that tried to show something new, or important or compelling about the plight of the homeless. or the disparities in our society, some causes and effects. or to show some humanity in someone forgotten or overlooked... then more power to him
someone mentioned that the subject had been done to death. well in some respects yes, that makes it harder to avoid cliché's and find a purpose in the work.
but on the other hand the problems continue and get worse. we can't forget them and ignore them from now on just because there have been so many photos done already. there's always room for an honest, sensitive and human look at people and their situations and problems. we just have to make sure that we're careful in how, why, when and how much we do it.