Can the E-100 really cut the mustard?

Leads me to a question: If both cameras have the same lens and
both CCDs are 1/2 inch, then the E-100 elements are slightly
larger, thus less noise and more light per element. Is the smaller
picture thus of "Higher Quality?"

My E-100 should be here by the weekend. I can't wait to put all
this theory into practice and create some CoolImages!!!!
I'm looking forward to your noise tests. I found my e100 to have much
less noise - more than I would have expected to see than from just
the relative pixel size.
Plus the camera is a ton and a half of fun!

Dave
 
Hi Jason.

If the E-20 could master just 3 fps with continous shooting that would have been great progress. Waiting for the buffer to empty is the major drawback as I see it. I rarely shoot more than 7.5 fps with my E-100 anyway but the option of 15 fps with precapture is nice if I get into sports shooting.

When Olympus hasn't addressed some of the most important issues with the E-10 it makes me wonder if they're trying the old road of small improvements every six months to keep people upgrading, or if they have something new coming out (the Olydak?) in early 2002 that they don't want competing with the E-20?

Maxven
The E-100 was specifically designed to fill a niche that was not
filled in the digital world. It was targeted at sports
photographers and photo journalists. Does it fill that niche?
Apparently it has taken a price drop before anyone was really
willing to take the time to find out! Does it have features? You
betcha! Did you have to give up something to get those features?
You betcha! I wished they had put the E-100 features in the E-20
but they haven't! If they had I would be dealing with only one
Camera right now. Yes the shutter speed is there but only in
progressive mode like the E-100 offers. The E-100 has a faster
buffer but the E-20 can only handle 3 to 4 photos because of the
file size. The E-100 offers a stabilzed lens and the E-20 does
not! What this tells you is that there is a give and take
situation in every camera design! Give me an E-20 with a stabilzed
Lens and 15 frame per second fast buffer, and I would be a happy
camper!

Jason
--Regards, Maxven (E-100rs, B-300, C-210)
 
Hi Andreas.

Weren't you hanging out in the Minolta forum for a while whilst waiting for the D7? Did you ever get it? Your profile seems to indicate that you now have the Sony F707, are you happy with it, pros and cons? Compared to the D7?

Maxven
How/where did you take that picture (eagle or hawk)? I would say it
was stuffed but I can see the crud in its eye.
This was taken in a falconery at Gr. Feldberg/Taunus. No the hawk
is not stuffed. The birds of prey there are quite cooperatibe
subjects.

Regards,

Andreas
--Regards, Maxven (E-100rs, B-300, C-210)
 
Maxven,
Weren't you hanging out in the Minolta forum for a while whilst
waiting for the D7? Did you ever get it?
Yes, but i sold it after a few weeks.
Your profile seems to
indicate that you now have the Sony F707, are you happy with it,
pros and cons? Compared to the D7?
Well, this are of course my very subjective view. The D7 has more potential
than most of it's competitors (an very good lens too), unfortunately there
are some flaws too (The AF inconsistency, the energy consumption).

I like the out of the box picture quality of the F707 (although the color interpretation is at least questionable) and the very reliable focus.
The build quality is very good (better than the E100RS).

Regards,

Andreas
 
Hi Andreas.
Weren't you hanging out in the Minolta forum for a while whilst
waiting for the D7? Did you ever get it?
Yes, but i sold it after a few weeks.
Your profile seems to
indicate that you now have the Sony F707, are you happy with it,
pros and cons? Compared to the D7?
Well, this are of course my very subjective view. The D7 has more
potential
than most of it's competitors (an very good lens too),
unfortunately there
are some flaws too (The AF inconsistency, the energy consumption).
Have you heard any rumours of an improved D7 with all the bugs fixed? Somebody posted that the D7 didn't have a quality lens and that was the reason for it's lower than expected performance. I take it you don't agree? I really like the idea of a low end of 28mm and hope Minolta will come out with a better successor.
I like the out of the box picture quality of the F707 (although the
color interpretation is at least questionable) and the very
reliable focus.
I know of the oversaturated reds and some green cast that supposedly has been fixed. Are there any other colour issues?
The build quality is very good (better than the E100RS).
I beg to differ! Although I've never been near the F707, I stand firm in my belief that no camera is better built than the E-100 (at least not my BlackMax). Please don't break my illusions. ;-)
Regards,

Andreas
--Regards, Maxven (E-100rs, B-300, C-210)
 
Well, I just got my RS yesterday, after about a year of heavy UZI use (10,000 plus shots). Haven't used precapture much, but:

I also find low light focusing not as reliable as 2100.

White balance in full auto mode is just a tad green on the RS, just a tad pink on the 2100. By about the same amount using the numbers in PhotoShop.

Noise is about the same, maybe a bit better on my 2100.

Autofocus lag is about the same (a bit less than 1 sec) for both.

"Normal" sharpness doesn't jack up the midtones on the RS as much as "Normal" does on the UZI.

Preliminary tests of the manual white balance is disappointing. Not actually as accurate as autoWB.

Precapture mode really sucks the juice out of the batteries, and the UZI is already hard on battery life.

Holland
 
Hello Maxven,
Have you heard any rumours of an improved D7 with all the bugs
fixed?
No, but a bug fixed D7 probably would be a seller.
Somebody posted that the D7 didn't have a quality lens and
that was the reason for it's lower than expected performance. I
take it you don't agree?
If he was talking about the optical performance i don't agree.
I know of the oversaturated reds and some green cast that
supposedly has been fixed. Are there any other colour issues?
Well i am sure you read about this inconsistent WB when the flash is enabled. But Sony is recalling the cameras with this problem for a fix.
I beg to differ! Although I've never been near the F707, I stand
firm in my belief that no camera is better built than the E-100 (at
least not my BlackMax). Please don't break my illusions. ;-)
Go in a camera store and decide for yourself. You know that the E100
is the same build as the C2100. It is not bad, but for sure no "tank"-like :)

Regards,

Andreas
 
I tend go along with the Quacksven here. I have heard too many horror stories about the D7. All pics I have seen with it are terrible, noisy and off color. Haven't looked at F707 though. Don't care for Sony's propensity toward proprietary stuff that is usually very expensive.

I also think the build quality of the E-100 is excellent. Pics are better than most 3 megapixel cameras. Kinda wish the plastic doors were supported with metal though. My only other problem is that the menus could be simpler and better explained in the manual. Now the answer is: when the E-100 was built the mustard was cut.--www.pbase.com/smoke24/galleries
 
Andreas I have to say while the E-100 looks like the 2100, it has totally different internal workings. It shares the same lens and body but it is different. As far as being tank like I agree, its not! Its not up to the quality bulid of the E-10/20 and those cameras are not K-1000's or old Nikons either! As far as the D7 is concerned, its not even in the same class as the E-100 nor is the F707 so I do not know why we are comparing here. It does have focus, lens, and color problems. In addition long write times. Sony while being a nice camera is having to get the W/b fixed but suffers from some focus problems. The E-10 and E-20 have less problems out of the box than either of these two!

Jason
Have you heard any rumours of an improved D7 with all the bugs
fixed?
No, but a bug fixed D7 probably would be a seller.
Somebody posted that the D7 didn't have a quality lens and
that was the reason for it's lower than expected performance. I
take it you don't agree?
If he was talking about the optical performance i don't agree.
I know of the oversaturated reds and some green cast that
supposedly has been fixed. Are there any other colour issues?
Well i am sure you read about this inconsistent WB when the flash
is enabled. But Sony is recalling the cameras with this problem for
a fix.
I beg to differ! Although I've never been near the F707, I stand
firm in my belief that no camera is better built than the E-100 (at
least not my BlackMax). Please don't break my illusions. ;-)
Go in a camera store and decide for yourself. You know that the E100
is the same build as the C2100. It is not bad, but for sure no
"tank"-like :)

Regards,

Andreas
--Jason Stoller [email protected] that special moment with a great camera
 
Congrats Smoke, as you and may others have found out the proof is in the pudding! You can speculate all you want about the E-100, but using it is all it takes to answer any question about it!

Jason
I tend go along with the Quacksven here. I have heard too many
horror stories about the D7. All pics I have seen with it are
terrible, noisy and off color. Haven't looked at F707 though. Don't
care for Sony's propensity toward proprietary stuff that is usually
very expensive.
I also think the build quality of the E-100 is excellent. Pics are
better than most 3 megapixel cameras. Kinda wish the plastic doors
were supported with metal though. My only other problem is that the
menus could be simpler and better explained in the manual. Now the
answer is: when the E-100 was built the mustard was cut.
--
http://www.pbase.com/smoke24/galleries
--Jason Stoller [email protected] that special moment with a great camera
 
Well, I just got my RS yesterday, after about a year of heavy UZI
use (10,000 plus shots). Haven't used precapture much, but:

I also find low light focusing not as reliable as 2100.

White balance in full auto mode is just a tad green on the RS, just
a tad pink on the 2100. By about the same amount using the numbers
in PhotoShop.

Noise is about the same, maybe a bit better on my 2100.

Autofocus lag is about the same (a bit less than 1 sec) for both.

"Normal" sharpness doesn't jack up the midtones on the RS as much
as "Normal" does on the UZI.

Preliminary tests of the manual white balance is disappointing. Not
actually as accurate as autoWB.

Precapture mode really sucks the juice out of the batteries, and
the UZI is already hard on battery life.

Holland
Hi Holland,

Would you be able to post some comparison shots that show the relative

noise levels? I'd be interested to see how this plays out with different cameras.

Also could you check again on the lag times? I wouldn't expect this to vary
to any significant degree between different cameras of the same model.
Clicker copied the IR timings here recently:

http://www.dpreview.com/forums/read.asp?forum=1008&message=1770881

I've been questioning ever since I first read the review why the e100 would
have slower timings for this. I don't think either of us have a real accurate
way to measure the absolute timings, but my attempts to measure the relative
perfomance showed me nothing to say that the IR results are inacurate.

Dave
 
Fuji has pointed out that the larger the number of pixels are on a CCD the more noise you will get. So some sharpening either has to happen either in the camera or some noise reducation has to be applied. This is more evident when you go past 3 megapixels. The reason for this is that the CCD will pick up electronic noise, so the more pixels you pack in the same space the more noise your pictures are subject to. So while you might get more resolution with a larger CCD and more pixels you also increase the noise esp after 3 MP. Its a trade off! Makes sense to me!

Jason
Leads me to a question: If both cameras have the same lens and
both CCDs are 1/2 inch, then the E-100 elements are slightly
larger, thus less noise and more light per element. Is the smaller
picture thus of "Higher Quality?"

My E-100 should be here by the weekend. I can't wait to put all
this theory into practice and create some CoolImages!!!!
I'm looking forward to your noise tests. I found my e100 to have much
less noise - more than I would have expected to see than from just
the relative pixel size.
Plus the camera is a ton and a half of fun!

Dave
--Jason Stoller [email protected] that special moment with a great camera
 
Holland it just makes sense that you will have more noise from the progressive scan CCD in the E-100 than you would from the Interlaced CCD scan that you have in an Uzi. They read information differently. I would suggest using an external battery pack from Thomas Distributing or something similar to it and you will be a much happier camper.

Jason
Well, I just got my RS yesterday, after about a year of heavy UZI
use (10,000 plus shots). Haven't used precapture much, but:

I also find low light focusing not as reliable as 2100.

White balance in full auto mode is just a tad green on the RS, just
a tad pink on the 2100. By about the same amount using the numbers
in PhotoShop.

Noise is about the same, maybe a bit better on my 2100.

Autofocus lag is about the same (a bit less than 1 sec) for both.

"Normal" sharpness doesn't jack up the midtones on the RS as much
as "Normal" does on the UZI.

Preliminary tests of the manual white balance is disappointing. Not
actually as accurate as autoWB.

Precapture mode really sucks the juice out of the batteries, and
the UZI is already hard on battery life.

Holland
--Jason Stoller [email protected] that special moment with a great camera
 
Well, I just got my RS yesterday, after about a year of heavy UZI
use (10,000 plus shots). Haven't used precapture much, but:

I also find low light focusing not as reliable as 2100.

White balance in full auto mode is just a tad green on the RS, just
a tad pink on the 2100. By about the same amount using the numbers
in PhotoShop.

Noise is about the same, maybe a bit better on my 2100.

Autofocus lag is about the same (a bit less than 1 sec) for both.

"Normal" sharpness doesn't jack up the midtones on the RS as much
as "Normal" does on the UZI.

Preliminary tests of the manual white balance is disappointing. Not
actually as accurate as autoWB.

Precapture mode really sucks the juice out of the batteries, and
the UZI is already hard on battery life.

Holland
Hi Holland,

Would you be able to post some comparison shots that show the relative
noise levels? I'd be interested to see how this plays out with
different cameras.
I'm still checking noise levels. Since some have reported more noise and some less with the RS, noise levels are probably very similar and possibly vary somewhat from camera to camera. I haven't compared my 2 UZIs against each other, but my impression is noise is not greater in one than the other. I'll post some shots when I get a chance.
Also could you check again on the lag times? I wouldn't expect this
to vary
to any significant degree between different cameras of the same model.
Clicker copied the IR timings here recently:
The autofocus lag times clicker showed are .9sec for UZI, 1.28 for RS. I don't think I can tell the difference between those, some people I guess can. All I can say for sure is that they seem about the same to me, and when I use a stopwatch I get times from .9-1.5 sec for both cameras, but my reflexes I'm sure are not very fast or consistent.

Holland
 
Hi

I am the guy who posted "put an E100 RS in the bottom of camera bag" in the prodigital forum. The context started out on equipt pro versus amateur and degenerated into pro versus amateur people. I go to the pro forums to learn a bit from pros. I have always felt that professional was a state of mind as opposed to merely getting paid for it. I have to commend the air of professional courtesy shown in the thread I am in right now is far superior to the thread in the pro digital. By the way they ignored my comment on E100...typical...but I glad to say someone noticed (john D1)

Back to the E100. I have larger pixel digital cameras + 35mm but purchased E100 for precapture and stabilized lense and the price was so low that it would be foolish to pass up. Gimmicks...precapture is sort of like a motor winder on a 35mm and who can argue with a stabilized 10x lense. Lot of talk about build quality...I get the impression that a lot of "professionals" drop their camera a lot. E100 aperture and shutter priority gimmicks..not likely. Most pros have several cameras so its not likely that they expect one camera to do all jobs. It is nice that a person familiar with their equipt. can grab that shot just in time but I will bet that even the experts sometimes wish they had released that shutter just a little bit sooner. This is not to demean pros or experts in the field and forget the cost of E100RS. This camera has some very nice features, For what its worth....Gerry
Statement from another thread posted in response to someone
recommending to carry an E-100 RS in his bag.:
In fact, most high-end consumer and prosumer models have MORE
features than the "pro" cameras. Pros want reliability, not
gimmicks, while the prosumer crowd tends to think that the gimmicks
will compensate for their lack of experience.

Now regarding pre-capture, 10X, image stabilization, zooms,etc .,
features that the UZI and RS have but many pros don't use, and get
along without them. Many pros might call them gimmicks. Why?
Perhaps because they are very good at what they do , use much
better equipment than we have, and that it precludes the need for
such (gimmick)? features.
I offer just one example:
Is it more important and fullfilling to succeed in the attempt to
get that baseball next to the bat at the precise moment with a
still camera and without the use of a movie camera or a pre capture
mode ? Obviously the pros do it all the time. I have taken great
pride in my ability to accomplish this with my UZI even though I
have a good quality cam corder. It has been very gratifying to
display these 8x10's feeling they will standup well, maybe even to
professional scrutiny. Will I have this same feeling if I can
successfully do it with the RS? Will I be cheating myself and
belittling my ability to get a difficult shot? Could I still claim
bragging rights to that "Wow! How'd you stop the ball so close?"
comments. I'm not sure yet . Comments? JD
Steve,
Not intending to answer your questions to Dave, but your thoughts
on the 30% difference in pixel count mirror my own.
The UZI is 2.1 MP but uses 1.9 effectively for image resolution vs
1.4 for the RS. Presently my 8X10's from the UZI come from using
the HQ setting. At that setting there isn't any noticeable
difference in 8X10 print quality. It doesn't seem as though I
will get away with that using the RS ,although Holland feels it is
possible. It looks like the RS will be used mainly for speed and
the UZI for better quality uses to me, but I'll know better next
week. The RS has a lot more features on it that the UZI has but I
need to see if they are more gimmick (aimed primarily at point and
shooters) than useful .JD
--Gerry
 
Well you know I had to jumb in here...but I will just say so as not to rebeat what has already been written Ditto and Ditto to Jason and Smoke...I could not have said it beter myself.... ^

Carmen

Jason
I tend go along with the Quacksven here. I have heard too many
horror stories about the D7. All pics I have seen with it are
terrible, noisy and off color. Haven't looked at F707 though. Don't
care for Sony's propensity toward proprietary stuff that is usually
very expensive.
I also think the build quality of the E-100 is excellent. Pics are
better than most 3 megapixel cameras. Kinda wish the plastic doors
were supported with metal though. My only other problem is that the
menus could be simpler and better explained in the manual. Now the
answer is: when the E-100 was built the mustard was cut.
--
http://www.pbase.com/smoke24/galleries
--
Jason Stoller [email protected]
Catching that special moment with a great camera
 
Jason,
Andreas I have to say while the E-100 looks like the 2100, it has
totally different internal workings. It shares the same lens and
body but it is different.
I owned the C2100 too. The only mechanical difference to the C2100 which i see (beside the color), is the eyepiece and the rubber which covers the lens element.
The reason for me to buy it was the 15fps and precapture.
As far as being tank like I agree, its
not! Its not up to the quality bulid of the E-10/20 and those
cameras are not K-1000's or old Nikons either! As far as the D7 is
concerned, its not even in the same class as the E-100 nor is the
F707 so I do not know why we are comparing here.
Well, i have no reason to defend any brand nor model. In aspect of the
D7 a lot of people seems to be fooled by the light weight of it.
The only thing which i considered as fragile on the D7 was the plastic
manual focus ring.
It does have
focus, lens, and color problems.
Well, my experience was a sometimes unreliable autofocus.

I always considered the quality of the lens as very good (definately better than the lens of the E100RS)
In addition long write times.
Sony while being a nice camera is having to get the W/b fixed but
suffers from some focus problems.
Focus problems with the F707? Please elaborate this!
The E-10 and E-20 have less
problems out of the box than either of these two!
I know that i probably will offend the E10/20 fans, this camera has a noise
problem.

Correction: E10 pictures, sometimes seems to contain a bit more noise than similar pictures taken with its competitors :)

Regards,

Andreas
 
Andreas I have to say while the E-100 looks like the 2100, it has
totally different internal workings. It shares the same lens and
body but it is different.
I owned the C2100 too. The only mechanical difference to the C2100
which i see (beside the color), is the eyepiece and the rubber
which covers the lens element.
The reason for me to buy it was the 15fps and precapture.
Andreas do you understand the difference between how a Progressive read works and how an Interlaced read works?

The E-100 uses an Electronic shutter on the CCD! That is where your higher shutter speeds come from. The E-100 works differently than the 2100!
As far as being tank like I agree, its
not! Its not up to the quality bulid of the E-10/20 and those
cameras are not K-1000's or old Nikons either! As far as the D7 is
concerned, its not even in the same class as the E-100 nor is the
F707 so I do not know why we are comparing here.
Well, i have no reason to defend any brand nor model. In aspect of the
D7 a lot of people seems to be fooled by the light weight of it.
The only thing which i considered as fragile on the D7 was the plastic
manual focus ring.
It does have
focus, lens, and color problems.
As far as the lens being compared to the E-100, I have no clue about that! But if the Camera cannot focus it does not matter how good the lens is! It has also been noted and I will find it if its necessary that there are problems with the lense quality in the D7. I do know the camera is basically plastic and only has a dummy hot shoe! The write times have been known also for not allowing you to do anything else while it was writing. I think I read a post where someone attempted using it in a studio. If necessary I will find that post also for you. They claimed the D7 was too slow and they had experienced other problems with it as well.
Well, my experience was a sometimes unreliable autofocus.
I always considered the quality of the lens as very good
(definately better than the lens of the E100RS)
In addition long write times.
Sony while being a nice camera is having to get the W/b fixed but
suffers from some focus problems.
Focus problems with the F707? Please elaborate this!
See the Sony users forum and what the actual owners have said! Focus in certain lighting conditions has been a problem. Color rendition also!
The E-10 and E-20 have less
problems out of the box than either of these two!
I know that i probably will offend the E10/20 fans, this camera has
a noise
problem.
Agreed, both the OLY E-10 and E-20 have noise but so do other digital Camera's. The Sony as well as the D7, and E-20 all share the same CCD. What is different is the interpolation software applied in the camera.

Now we get to something very subjective here. To really tell about how much noise there is will be dependant upon the final print not your Monitor.

Its a given that no Two monitors even when calibrated will be exactly the same. So those who judge quality by web pictures alone are not getting accurate results. There are other variances as well, like graphic cards used and Montior construction. If you want a fair comparison then you have to take exactly the same picture with the different Camera's, with the same settings, and print them both on the same printer with no software processing applied. The proof will be in the pudding or the print in this case.
Correction: E10 pictures, sometimes seems to contain a bit more
noise than similar pictures taken with its competitors :)
Please explain your foundation for this statement and your procedure used for comparing the images. I just recieved my E-20 yesterday! I already have the E-10 and the E-100. I have no idea what these other cameras have to do with the E-100 here so I appoligize if this is going off track!

Jason
Regards,

Andreas
--Jason Stoller [email protected] that special moment with a great camera
 
Jason,
Andreas do you understand the difference between how a Progressive
read works and how an Interlaced read works?
The E-100 uses an Electronic shutter on the CCD! That is where
your higher shutter speeds come from. The E-100 works differently
than the 2100!
Well, this part probably was a misunderstanding. Of course it works different, this was the reason why i bought it.
As far as the lens being compared to the E-100, I have no clue
about that! But if the Camera cannot focus it does not matter how
good the lens is!
This statement is too general. We all read Phil's review or some more moderate, serious user experiences, of course it can focus...
It has also been noted and I will find it if its
necessary that there are problems with the lense quality in the D7.
I really would like to see a reference here!
I do know the camera is basically plastic and only has a dummy hot
shoe!
So far i know the major part of the body is made out of a magnesium alloy, but perhaps this was only in my dreams :)
The write times have been known also for not allowing you to
do anything else while it was writing.
Well, i think the D7 is not a point and shoot camera neither an action

camera. Beside of this i think that there are not a lot users who are concerned about this.
I think I read a post where
someone attempted using it in a studio.
If you are refering to professional studio work, it must be a strange professional who is using a 1000 USD cam in a 10000 USD studio environment. But so far i know you can attach external flashes.
See the Sony users forum and what the actual owners have said!
Focus in certain lighting conditions has been a problem.
Please give me an exact thread reference here. I am reading a lot in the

STF but maybe i missed this thread. So far the Holo AF works very reliable (at least in my camera).
Agreed, both the OLY E-10 and E-20 have noise but so do other
digital Camera's. The Sony as well as the D7, and E-20 all share
the same CCD. What is different is the interpolation software
applied in the camera.
Now we get to something very subjective here. To really tell about
how much noise there is will be dependant upon the final print not
your Monitor.
Its a given that no Two monitors even when calibrated will be
exactly the same. So those who judge quality by web pictures alone
are not getting accurate results. There are other variances as
well, like graphic cards used and Montior construction. If you
want a fair comparison then you have to take exactly the same
picture with the different Camera's, with the same settings, and
print them both on the same printer with no software processing
applied. The proof will be in the pudding or the print in this
case.
Well, strangewise the photos of a really highend camera also look good on a
monitor (always). So i am doubting here a bit...
Please explain your foundation for this statement and your
procedure used for comparing the images.
No further work is needed here. Just take a look into Phil's galleries!
Perhaps you can minimize the amount of noise by using the .NEF format.
Or you just consider it as the grain of film effect.
I just recieved my E-20
yesterday!
Congratulations!

Regards,

Andreas
 

Keyboard shortcuts

Back
Top