Pekka's D30 Gallery

Pekka,

I rarely critique anyone's work unless I feel stongly about it. But I have to tell you that I am really impressed with your new D30 gallery! I personally like it more than the G1 gallery as it looks more alive, more real, more in the moment and less contrived.

My favorite was probably the Viola Player. Wow!!! The colors, composition, detail, and mood;) To me this is a much more enjoyable piece of work than a static cello in nice lighting. 1/50s @ f/2.8 ··· ISO 800. ISO 800 clarity is very clean in this shot!

While I still like the old gallery which shows what can be done with the G1, I can tell you are really enjoying the d30;) Yes, I am a G1 owner and yes I love my G1 with all its + -'s. Your G1 gallery has inspired more people than possibly any other gallery on this forum, myself included.

I think some people are having a hard time reconciling this dilema. True art elicits emotion, as does technological and brand loyalties. For some it sounds like sour grapes, for others it is a mixture of emotions and opinions. But whats not to like about lively photography, really!?!!! C'mon. Yet a beautiful static sunset is still one of my favorite shots, as well as nice still portraits (yours included);)

I say keep up the good work and enjoy your new instument! Thanks again for your contributions to G1 owners as well as the D30 owners out there.

Derek
Somewhat of a different style i think. Many more people, less still
life. Much better use of depth of field. Nice - but i personally
prefer the G1 images. Shows its not the technology but how the
photographer uses it
That seems to be it. Rather than being inspired and working at the
shots he's just taking pics and relying on the camera. Really just
reminds me of any number of galleries of holiday snaps.
Oh "dave" (or should I say Neil), I'm honored how you went through
the trouble of registering to this forum with a fake email address
just to comment on my galleries (only 4 posts you ever made on this
site).

You know what, there ARE a lot of "holiday snaps" in my gallery.
There are also a lot of works with are results of assignments as an
fast working event photographer. That's how it should be - real
life composed on CCD, fast shooting and capturing living moments in
available light (variation of expression which would be impossible
to handle with any compact camera).

Relying on a camera is something you can do with D30 (one of the
reasons for leaving G1) - but a camera is a tool, not a device
which instructs you on seeing. I wish some sense would come to
these forums (same thing with Canon, Olympus and Sony): you seem to
think a better camera gives you better pictures. You don't make a
difference between technical quality of a photo and quality of a
photo, or photographic elements and how space is used and how light
is used and how colors are used. It's all technical to you (pixels,
CCD, burst rate) and that's why we don't see real photography
discussions here - this is like tomshardware.com of photography.
How easy photographing could be if your view were correct: you
would become the perfect photographer by just going into a shop and
buying the coolest camera!

Photography is not all about gear. 90% of it is being there and
giving your personal touch to the photo.

I'm not any more interested in shooting carefully thought positions
on carefully thought dead objects with carefully thought lighting
timing (or when the CCD and ISO 50 can handle it), carrying a
tripod around. Been there, seen that. I know I can do still life of
instruments and fruit, winter art or foggy panoramas if needed. Not
now. It's time to evolve to something new. Photojournalistic style
of shooting is much more rewarding and fun. And you know, I've had
a lot of fun with my D30, and will continue to have as it's the
best camera with best lenses I've ever hoped to own. I've never
been more inspired with photography.

Maybe it's the finnish mentality, but if I see that people like a
certain style of shooting and producing photos I'm not sticking to
it because it's "popular" -- in time my direction of interest
changes and I continue the battle on different arenas. I'm not here
to please an audience or sell hardware. I have enough hard time to
deal with my own self-critisism, pleasing and developing my own
aesthetic sense, and trying to find new ways to express a view in
my mind. And I have a long way to go before you can say I'm half
way there - it's like in playing a musical instrument: you're never
ready. You know, strangest thing is that I really don't actually
know what I photograph for. I just need to do it, now. It must
comes from the same source as music, it's something you need to do
in order to stay sane in this mad world.

This is not to say your critique does not matter. Of course it
makes me sad if I get negative criticism and makes me happy if hear
applause. But it does not make me think "what can I do to please
them" -- I would put a gallery on the net and continue my hobby
without any received critique, important thing is to see that the
counter on the site is running steady and the works are there for
all to see for free and with no obligation of any kind to either
direction.

Thanks for your comments Neil,

Pekka
http://photography-on-the.net
 
While I too prefer the G1 gallery I find it more disturbing that Pekka doesn't seem to deal well with any criticism of his work. Is that not the true way to grow as an artist? After near universal acclaim of his G1 gallery the opinions of the D30 seem decidedly mixed.
I rarely critique anyone's work unless I feel stongly about it.
But I have to tell you that I am really impressed with your new D30
gallery! I personally like it more than the G1 gallery as it looks
more alive, more real, more in the moment and less contrived.

My favorite was probably the Viola Player. Wow!!! The colors,
composition, detail, and mood;) To me this is a much more
enjoyable piece of work than a static cello in nice lighting.
1/50s @ f/2.8 ··· ISO 800. ISO 800 clarity is very clean in this
shot!

While I still like the old gallery which shows what can be done
with the G1, I can tell you are really enjoying the d30;) Yes, I
am a G1 owner and yes I love my G1 with all its + -'s. Your G1
gallery has inspired more people than possibly any other gallery on
this forum, myself included.


I think some people are having a hard time reconciling this dilema.
True art elicits emotion, as does technological and brand
loyalties. For some it sounds like sour grapes, for others it is a
mixture of emotions and opinions. But whats not to like about
lively photography, really!?!!! C'mon. Yet a beautiful static
sunset is still one of my favorite shots, as well as nice still
portraits (yours included);)

I say keep up the good work and enjoy your new instument! Thanks
again for your contributions to G1 owners as well as the D30 owners
out there.

Derek
Somewhat of a different style i think. Many more people, less still
life. Much better use of depth of field. Nice - but i personally
prefer the G1 images. Shows its not the technology but how the
photographer uses it
That seems to be it. Rather than being inspired and working at the
shots he's just taking pics and relying on the camera. Really just
reminds me of any number of galleries of holiday snaps.
Oh "dave" (or should I say Neil), I'm honored how you went through
the trouble of registering to this forum with a fake email address
just to comment on my galleries (only 4 posts you ever made on this
site).

You know what, there ARE a lot of "holiday snaps" in my gallery.
There are also a lot of works with are results of assignments as an
fast working event photographer. That's how it should be - real
life composed on CCD, fast shooting and capturing living moments in
available light (variation of expression which would be impossible
to handle with any compact camera).

Relying on a camera is something you can do with D30 (one of the
reasons for leaving G1) - but a camera is a tool, not a device
which instructs you on seeing. I wish some sense would come to
these forums (same thing with Canon, Olympus and Sony): you seem to
think a better camera gives you better pictures. You don't make a
difference between technical quality of a photo and quality of a
photo, or photographic elements and how space is used and how light
is used and how colors are used. It's all technical to you (pixels,
CCD, burst rate) and that's why we don't see real photography
discussions here - this is like tomshardware.com of photography.
How easy photographing could be if your view were correct: you
would become the perfect photographer by just going into a shop and
buying the coolest camera!

Photography is not all about gear. 90% of it is being there and
giving your personal touch to the photo.

I'm not any more interested in shooting carefully thought positions
on carefully thought dead objects with carefully thought lighting
timing (or when the CCD and ISO 50 can handle it), carrying a
tripod around. Been there, seen that. I know I can do still life of
instruments and fruit, winter art or foggy panoramas if needed. Not
now. It's time to evolve to something new. Photojournalistic style
of shooting is much more rewarding and fun. And you know, I've had
a lot of fun with my D30, and will continue to have as it's the
best camera with best lenses I've ever hoped to own. I've never
been more inspired with photography.

Maybe it's the finnish mentality, but if I see that people like a
certain style of shooting and producing photos I'm not sticking to
it because it's "popular" -- in time my direction of interest
changes and I continue the battle on different arenas. I'm not here
to please an audience or sell hardware. I have enough hard time to
deal with my own self-critisism, pleasing and developing my own
aesthetic sense, and trying to find new ways to express a view in
my mind. And I have a long way to go before you can say I'm half
way there - it's like in playing a musical instrument: you're never
ready. You know, strangest thing is that I really don't actually
know what I photograph for. I just need to do it, now. It must
comes from the same source as music, it's something you need to do
in order to stay sane in this mad world.

This is not to say your critique does not matter. Of course it
makes me sad if I get negative criticism and makes me happy if hear
applause. But it does not make me think "what can I do to please
them" -- I would put a gallery on the net and continue my hobby
without any received critique, important thing is to see that the
counter on the site is running steady and the works are there for
all to see for free and with no obligation of any kind to either
direction.

Thanks for your comments Neil,

Pekka
http://photography-on-the.net
 
Dear Pekka,

First thank you for your site and its galleries. Twice I have refered others to you G1 gallery and even though I said it was yours both times I received emails back thanking me for creating the best gallery they had ever seen on the web! The G1 with its limited lens and unlimited DOF presents a photgraphic challenge common to most digicams. You met that challenge beautifully with magnificent framing, composition and exposure. Your D30 gallery demonstrates that it is a very different tool with greater potential and challenges of its own. As a long time fan of Bob Dylan I salute you for not standing still. As a D30 owner who knows the challenges of candid photography I would be very happy to be given credit for this new gallery as I was for the G1.

Finally, thank you for this reminder, "Photography is not all about gear. 90% of it is being there..." To me being there means being connected with our subject. Our schools train us to think and analyze, but photography can help us discover the connection between our inner nature and the apparently separate world around us if we let it.
All the best,
Hap Mullenneaux
Fairfield, Iowa
 
While I too prefer the G1 gallery I find it more disturbing that
Pekka doesn't seem to deal well with any criticism of his work. Is
that not the true way to grow as an artist? After near universal
acclaim of his G1 gallery the opinions of the D30 seem decidedly
mixed.
Actually they are not mixed at all. Only on this forum.

Why I start to be pissed off by this thread: here you seem to have a clear intention of starting a flame by someone who registers to the forum with different names, as http://www.dpreview.com/forums/postersprofile.asp?poster=hfifiwimhz who joined the forum yesterday and as http://www.dpreview.com/forums/postersprofile.asp?poster=hfififizhz who joined the forum 23 minutes ago just to reply here as "Canon Guy", which leads me to think that this yet another Neal's schizophrenic quest for demagoguery.

All comments go straight to my heart and some hurt and some help. Don't think for a second I don't care.
 
Pekka, don't take this as a flame, but I think his criticism point was somewhat valid. Sure, nobody likes criticism, but don't take it so seriously to the point of flaming negative feedback. If the gallery is as good as you think, time will be the ultimate judge. Your D30 gallery has some very nice pictures, but as a whole I found it less inspiring than the G1 gallery. There seems to be a lot of filler (i.e. ship ohoi, stray cats, women waiting... to name a few). Just my opinion. Others may love those shots.
While I too prefer the G1 gallery I find it more disturbing that
Pekka doesn't seem to deal well with any criticism of his work. Is
that not the true way to grow as an artist? After near universal
acclaim of his G1 gallery the opinions of the D30 seem decidedly
mixed.
Actually they are not mixed at all. Only on this forum.

Why I start to be pissed off by this thread: here you seem to have
a clear intention of starting a flame by someone who registers to
the forum with different names, as
http://www.dpreview.com/forums/postersprofile.asp?poster=hfifiwimhz
who joined the forum yesterday and as
http://www.dpreview.com/forums/postersprofile.asp?poster=hfififizhz
who joined the forum 23 minutes ago just to reply here as "Canon
Guy", which leads me to think that this yet another Neal's
schizophrenic quest for demagoguery.

All comments go straight to my heart and some hurt and some help.
Don't think for a second I don't care.
 
Pekka, don't take this as a flame, but I think his criticism point
was somewhat valid. Sure, nobody likes criticism, but don't take
it so seriously to the point of flaming negative feedback. If the
gallery is as good as you think, time will be the ultimate judge.
Your D30 gallery has some very nice pictures, but as a whole I
found it less inspiring than the G1 gallery. There seems to be a
lot of filler (i.e. ship ohoi, stray cats, women waiting... to name
a few). Just my opinion. Others may love those shots.
Well i understand Peeka's response. It's a pretty lowly thing to do to come on registered under an alias and start this criticism. People should at least have the decency to stand by their words.

Dh
 
There is a big difference between a person who presents a true critique and poorly presented negative remarks/criticism.

Actually I didn't find much "constructive" criticism from the negative commentators. Either they don't have the skills to do this, or they just didn't take the time. If you are going to criticise someone's work at least have the courtesy to provide valid points of true artistic and technical merit that a photographer can learn from.

Anything else is a diservice to the photographer as well as this forum. It also causes others to question your motives. Comments like "these photos are just like everyday snapshots" serve very little purpose here except to bring attention to yourself. I seriously doubt your ability to produce common snapshots like this. If you post some of your work up here, would you like us to make random negative comments about your work and provide only vague reasons as to why.

A few people probably like the style of the G1 gallery more (more still, winter type shots,...), but that doesn't take away from the quality of these D30 photos. Some of these photos are not possible with G1 with the natural available light in such a setting at those speeds(ie- 1/50s @ f/2.8 ··· ISO 800), not to mention the great color, composition, mood, etc... Can you do better???

Think a little more before criticising and it might actually help us all to become better photographers. Thats why we are all here isn't it?? There is room for "constructive" criticism for every photographer, myself and I'm sure Pekka included. Ask yourself this question next time you post - "what will my post do to improve the quality of this site or help the photographer in question?"

Stop, think, then write. If it's criticism about someones' work and you don't have the time or ability to provide something useful- then don't.

Thanks,

Derek
While I too prefer the G1 gallery I find it more disturbing that
Pekka doesn't seem to deal well with any criticism of his work. Is
that not the true way to grow as an artist? After near universal
acclaim of his G1 gallery the opinions of the D30 seem decidedly
mixed.
Actually they are not mixed at all. Only on this forum.

Why I start to be pissed off by this thread: here you seem to have
a clear intention of starting a flame by someone who registers to
the forum with different names, as
 
Amen
Actually I didn't find much "constructive" criticism from the
negative commentators. Either they don't have the skills to do
this, or they just didn't take the time. If you are going to
criticise someone's work at least have the courtesy to provide
valid points of true artistic and technical merit that a
photographer can learn from.

Anything else is a diservice to the photographer as well as this
forum. It also causes others to question your motives. Comments
like "these photos are just like everyday snapshots" serve very
little purpose here except to bring attention to yourself. I
seriously doubt your ability to produce common snapshots like this.
If you post some of your work up here, would you like us to make
random negative comments about your work and provide only vague
reasons as to why.

A few people probably like the style of the G1 gallery more (more
still, winter type shots,...), but that doesn't take away from the
quality of these D30 photos. Some of these photos are not possible
with G1 with the natural available light in such a setting at those
speeds(ie- 1/50s @ f/2.8 ··· ISO 800), not to mention the great
color, composition, mood, etc... Can you do better???

Think a little more before criticising and it might actually help
us all to become better photographers. Thats why we are all here
isn't it?? There is room for "constructive" criticism for every
photographer, myself and I'm sure Pekka included. Ask yourself this
question next time you post - "what will my post do to improve the
quality of this site or help the photographer in question?"

Stop, think, then write. If it's criticism about someones' work
and you don't have the time or ability to provide something useful-
then don't.

Thanks,

Derek
While I too prefer the G1 gallery I find it more disturbing that
Pekka doesn't seem to deal well with any criticism of his work. Is
that not the true way to grow as an artist? After near universal
acclaim of his G1 gallery the opinions of the D30 seem decidedly
mixed.
Actually they are not mixed at all. Only on this forum.

Why I start to be pissed off by this thread: here you seem to have
a clear intention of starting a flame by someone who registers to
the forum with different names, as
 
There is a big difference between a person who presents a true
critique and poorly presented negative remarks/criticism.

Actually I didn't find much "constructive" criticism from the
negative commentators. Either they don't have the skills to do
this, or they just didn't take the time.
What is wrong with you, people? If someone says "I don't like it" that means he does not like it. Period. Isn't that WHY people post their album links on the net and ask others to go and see?

Id shouldn't matter if viewer has 'great vision' or not - photograpy, as any other type of art, belongs to the crowd, not to a small group of the 'right people'. My pictures suck, I can't find interesting subect to shoot, my framing is poor, I don't know the difference between digital and film cameras, and you're saying I can't like or dislike other people's albums?
 
I would like to present some quotes, mostly unacreditted from this thread, but starting with the original post:

"I don't fint it NEAR as impressive as his G1 page. Anybody else have an opinion?"

This has a pretty negative tone to start things off - not simply, "I liked the G1 photos better", or "I don't like it", but "I don't fint (sic) it NEAR as impressive..." Sounded like a setup to me from the start.

"The thing is there is nothing "special" about these photos to even make them worthy of posting, unlike your other gallery. These types of photos are a dime a dozen on the net."

Pretty negative and judgemental tone to this, as well.

"I don't see a personal touch to this gallery whatsoever. They look like very hastily shot photos where more work was put into the webpage"

This one sounds pretty harsh to me as well. By the way, how do you "see" a personal touch in a photo. I'm a bit puzzled by that one. By the way, Ansel Adams would sometimes set up and take hours and days to make a photograph. Steichen, Steiglitz, David Duncan, the great photojournalists have taken thousands of hastily shot photographs that will live forever alongside those of Adams - different, but equally valid art.

"That seems to be it. Rather than being inspired and working at the shots he's just taking pics and relying on the camera. Really just reminds me of any number of galleries of holiday snaps."

Another attempt to diminish the art and the artist. Is it less work to capture one kind of image on film than another. Perhaps pottery is more work than metalsmithing, or oil painting more than watercolor. Maybe landscape is harder than portraiture. And the inspiration thing - I find it difficult to look through someone else's work to see their inspiration. A more honest statement might have been "These images do not inspire me".

"You're right! The D-30 must have made him comlacent!
I hope he can turn this around. "

Complacent??? If he was complacent, I doubt that we would be seeing him stretch his style and skills to this extent.

Some people like still life, some like portraits, some like majestic mountain landscapes, some like macro, and some don't like anything that upsets their applecart and makes them look at something they didn't expect or want to see. Express your likes and dislikes. I personally find no fault with that, and their have been many respectful posts that have done just that. There have also been some that were not particularly respectful, and I won't pretend to assign motives to that, but I think when one goes beyond liking or disliking someone's work, it would be considerate to be specific, and not cast broad, general ciriticism of the person's motivation, inspiration, talent, etc.
There is a big difference between a person who presents a true
critique and poorly presented negative remarks/criticism.

Actually I didn't find much "constructive" criticism from the
negative commentators. Either they don't have the skills to do
this, or they just didn't take the time.
What is wrong with you, people? If someone says "I don't like it"
that means he does not like it. Period. Isn't that WHY people post
their album links on the net and ask others to go and see?

Id shouldn't matter if viewer has 'great vision' or not -
photograpy, as any other type of art, belongs to the crowd, not to
a small group of the 'right people'. My pictures suck, I can't find
interesting subect to shoot, my framing is poor, I don't know the
difference between digital and film cameras, and you're saying I
can't like or dislike other people's albums?
 
All comments go straight to my heart and some hurt and some help.
Don't think for a second I don't care.
I love your work. Continue doing what you love and treat critisim as just some ones else's opinion. If you love the photos, that is all that matters.

Face miles of trials with smiles. It rivals them that you perceive the web they weave. Keep thinking free!
-- Moody Blues
 
Softtower,

I think you missed the point I was trying to make entirely.

First, there is no one right or wrong when it comes to opinions on art work and photography. This is based on subjective taste, preferences, styles, etc...

Second and more importantly, the reason I am asking people to use contructive criticism when expressing their negative opinions/comments about Pekka or any photographer's work is twofold. This demonstrates respect tempered with the criticism, and it might help the photographer to grow in his art. Is asking too much, maybe for some???

Listen, I don't know softtower or your photography skills. But if I see some pictures you post and tell I don't like or they suck as you put it, what good will that do you? But if I or someone else give you some tips to improve your technique, won't that be worth something more? Does this make sense?

-Derek
There is a big difference between a person who presents a true
critique and poorly presented negative remarks/criticism.

Actually I didn't find much "constructive" criticism from the
negative commentators. Either they don't have the skills to do
this, or they just didn't take the time.
What is wrong with you, people? If someone says "I don't like it"
that means he does not like it. Period. Isn't that WHY people post
their album links on the net and ask others to go and see?

Id shouldn't matter if viewer has 'great vision' or not -
photograpy, as any other type of art, belongs to the crowd, not to
a small group of the 'right people'. My pictures suck, I can't find
interesting subect to shoot, my framing is poor, I don't know the
difference between digital and film cameras, and you're saying I
can't like or dislike other people's albums?
 
Listen, I don't know softtower or your photography skills. But if
I see some pictures you post and tell I don't like or they suck as
you put it, what good will that do you? But if I or someone else
give you some tips to improve your technique, won't that be worth
something more? Does this make sense?
I have to agree with you. But, again, if my pics are not even close to Pekka's (and they aren't ;-) how do you expect any 'tips to imrove' from me?

I agree some of the posts were just rude. I guess there's nothing we can do about it. Pekka is free to ignore those individuals, but he decided not to.
 
You know what, there ARE a lot of "holiday snaps" in my gallery.
There are also a lot of works with are results of assignments as an
fast working event photographer. That's how it should be - real
life composed on CCD, fast shooting and capturing living moments in
available light (variation of expression which would be impossible
to handle with any compact camera).
The thing is there is nothing "special" about these photos to even
make them worthy of posting, unlike your other gallery. These types
of photos are a dime a dozen on the net.
Taz - I am in awe of your inspiring photographs. It interests me how each person appears to have their own indiosyncratic stamp. Your's certaintly do. Would you please give me a hint as to how you make your images have the rich saturation that you do. They all appear to have the same or similar settings. What ever the settings - the final products are lucious. Thank you from a newcomer to G1 digitial photography. G.A.Williams
Relying on a camera is something you can do with D30 (one of the
reasons for leaving G1) - but a camera is a tool, not a device
which instructs you on seeing. I wish some sense would come to
these forums (same thing with Canon, Olympus and Sony): you seem to
think a better camera gives you better pictures. You don't make a
difference between technical quality of a photo and quality of a
photo, or photographic elements and how space is used and how light
is used and how colors are used. It's all technical to you (pixels,
CCD, burst rate) and that's why we don't see real photography
discussions here - this is like tomshardware.com of photography.
How easy photographing could be if your view were correct: you
would become the perfect photographer by just going into a shop and
buying the coolest camera!
The problem is all the new photos ARE technical rather than
artistic and inspired.
Photography is not all about gear. 90% of it is being there and
giving your personal touch to the photo.
I don't see a personal touch to this gallery whatsoever. They look
like very hastily shot photos where more work was put into the
webpage.
I'm not any more interested in shooting carefully thought positions
on carefully thought dead objects with carefully thought lighting
timing (or when the CCD and ISO 50 can handle it), carrying a
tripod around. Been there, seen that. I know I can do still life of
instruments and fruit, winter art or foggy panoramas if needed. Not
now. It's time to evolve to something new. Photojournalistic style
of shooting is much more rewarding and fun. And you know, I've had
a lot of fun with my D30, and will continue to have as it's the
best camera with best lenses I've ever hoped to own. I've never
been more inspired with photography.
It truly doesn't show. It seems like you are relying more on the
camera rather than yourself.

It must
comes from the same source as music, it's something you need to do
in order to stay sane in this mad world.
Couldn't agree more.
 
Dear Pekka,
First thank you for your site and its galleries. Twice I have
refered others to you G1 gallery and even though I said it was
yours both times I received emails back thanking me for creating
the best gallery they had ever seen on the web! The G1 with its
limited lens and unlimited DOF presents a photgraphic challenge
common to most digicams. You met that challenge beautifully with
magnificent framing, composition and exposure. Your D30 gallery
demonstrates that it is a very different tool with greater
potential and challenges of its own. As a long time fan of Bob
Dylan I salute you for not standing still. As a D30 owner who
knows the challenges of candid photography I would be very happy to
be given credit for this new gallery as I was for the G1.
Finally, thank you for this reminder, "Photography is not all about
gear. 90% of it is being there..." To me being there means being
connected with our subject. Our schools train us to think and
analyze, but photography can help us discover the connection
between our inner nature and the apparently separate world around
us if we let it.
All the best,
Hap Mullenneaux
Fairfield, Iowa
Pekka: I second the motion and the emotion. The key reason whyI recently purchased my G1 was because of your inspiring site. Your photographs are truly a standard to meet. Thank you for daring to share your work. Best wishes - G.A.Williams
 
http://photography-on-the.net/D30/thumbs.php
I don't fint it NEAR as impressive as his G1 page. Anybody else
have an opinion?
The more I think about this thread you started, the more of a problem I have with it. I think this forum is a truly outstanding place to discuss our cameras, and photography, which is the reason we have our cameras. And I also think this forum is a great place for us to share our work, and if requested, our opinions. The problem I have is that I think it is a dangerous precedent to declare "open season" on someone and his or her work without their implicit consent. Whether that was your intent or not, I feel that was the result of this particular post, and I can certainly empathize with Pekka's indignation with that, and with some of the comments that have resulted. I think it would be proper etiquette to refrain from criticizing the work of other photographers unless it was requested by the photographer. Then, the photographer would be able to sort through the critiques and criticisms with an awareness that some may be more reasoned and valid than others. And yes, I do feel that the skill of the person providing the critique is a factor in its validity. I would certainly listen much more carefully to what a Richard Avedon had to say about my portrait work than I would to my neighbor who takes pictures of his kids on weekends, even though he may take pretty good pictures of his kids. So far I haven't noticed an Avedon, a Galen Rowell, a Lanting, an Arbus, etc., casting any stones at Pekka. And I believe that if anyone of that stature, or any true professional of any stature for that matter, chose to critique the work of another, it would be done privately, without the public call for support that you made here. Of course, I guess when one chooses to make one's work public, one must be ready for anything, included getting ambushed.
 
The biggest problem is that the photos are being classified not by content but by model numbers of the equipment being used, which is just plain wrong.

Did Gene Smith use a Contaflex or Ikoflex to show a G.I. holding a helpless Japanese baby? Does it matter? Did Penn use a Rollei with a Tessar or Xenotar? Hard to say, but that lemon still looks appealing.

Pekka, please rearrange your photos by content (easy enough to support both, if you're using a relational DB.....) and watch the naysayers fade away.

Of the new crop, my favorite is "Fame"

kb
http://www.botzilla.com/
http://www.finalfantasy.com/
 
Valid point, very well stated. I believe, though, that it is useful to know which camera was used to create an image in this digital age, not that the camera itself makes the image any more or less valid, but to be able to understand the characteristics of that piece of equipment. This is perhaps not as important when comparing a Canon G1 with a Sony DSC 75, or Nikon 995 or Olympus 3030, since the similarities in theses cameras is perhaps greater than the differences (although it is satisfying and inspiring to see such beautiful work as Pekka's and your own taken with the same camera I happened to choose). I think that the step from these prosumer cameras with 3x zoom lenses up to cameras like the Minolta 7x, the Olympus E10, the Canon Pro 90IS, etc., and even more so to the Canon D30, and other digital SLR's, opens up new worlds of creative opportunity for digital photography, and I believe in the case of Pekka's work, has freed him to shoot more spontaneously, while also giving him more flexibility in framing these new images. One of the primary reasons I continue to shoot with my EOS 3 is because many of the things I like to photograph, especially my young children, move around too much to shoot with my G1, and I can't afford the digital SLR. Does that somehow reduce or increase the value of the images from either camera? No. The images stand or fall on their own. Having both, however, gives me greater flexibility in my photography, just as having a view camera or medium format camera would increase my artistic range once I learned to use them again. And just as any one piece of equipment is no more "valid" than another, neither is one particular artistic style more or less "valid" than another. When we see an artist stretch his creative wings, we should stand back and watch him soar, not try to drag him back into our own comfort zone.

To me, Pekka's G1 work demonstrates superb composition, color and lighting, but is mostly static. The D30 work is more dynamic, giving him the opportunity to capture that "decisive moment", while still maintaining the other qualities. I like the work being grouped by camera, although I believe you are right that much of the criticism is happening because of that factor.

By the way, at the risk of subjecting you to the same fate as Pekka, I would enjoy seeing the work on your site continue to be categorized by camera as you move on to newer equipment, too. I like your work, and am amazed at your ability to capture children so well with the G1 (I especially like the "Little Brother" shot). Mine won't stand still long enough, or if they do, its to stick their tongues out at me or make some kind of goofy face.
The biggest problem is that the photos are being classified not by
content but by model numbers of the equipment being used, which is
just plain wrong.

Did Gene Smith use a Contaflex or Ikoflex to show a G.I. holding a
helpless Japanese baby? Does it matter? Did Penn use a Rollei with
a Tessar or Xenotar? Hard to say, but that lemon still looks
appealing.

Pekka, please rearrange your photos by content (easy enough to
support both, if you're using a relational DB.....) and watch the
naysayers fade away.

Of the new crop, my favorite is "Fame"

kb
http://www.botzilla.com/
http://www.finalfantasy.com/
 

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