DerekSurfs
Senior Member
Pekka,
I rarely critique anyone's work unless I feel stongly about it. But I have to tell you that I am really impressed with your new D30 gallery! I personally like it more than the G1 gallery as it looks more alive, more real, more in the moment and less contrived.
My favorite was probably the Viola Player. Wow!!! The colors, composition, detail, and mood
To me this is a much more enjoyable piece of work than a static cello in nice lighting. 1/50s @ f/2.8 ··· ISO 800. ISO 800 clarity is very clean in this shot!
While I still like the old gallery which shows what can be done with the G1, I can tell you are really enjoying the d30
Yes, I am a G1 owner and yes I love my G1 with all its + -'s. Your G1 gallery has inspired more people than possibly any other gallery on this forum, myself included.
I think some people are having a hard time reconciling this dilema. True art elicits emotion, as does technological and brand loyalties. For some it sounds like sour grapes, for others it is a mixture of emotions and opinions. But whats not to like about lively photography, really!?!!! C'mon. Yet a beautiful static sunset is still one of my favorite shots, as well as nice still portraits (yours included)
I say keep up the good work and enjoy your new instument! Thanks again for your contributions to G1 owners as well as the D30 owners out there.
Derek
I rarely critique anyone's work unless I feel stongly about it. But I have to tell you that I am really impressed with your new D30 gallery! I personally like it more than the G1 gallery as it looks more alive, more real, more in the moment and less contrived.
My favorite was probably the Viola Player. Wow!!! The colors, composition, detail, and mood
While I still like the old gallery which shows what can be done with the G1, I can tell you are really enjoying the d30
I think some people are having a hard time reconciling this dilema. True art elicits emotion, as does technological and brand loyalties. For some it sounds like sour grapes, for others it is a mixture of emotions and opinions. But whats not to like about lively photography, really!?!!! C'mon. Yet a beautiful static sunset is still one of my favorite shots, as well as nice still portraits (yours included)
I say keep up the good work and enjoy your new instument! Thanks again for your contributions to G1 owners as well as the D30 owners out there.
Derek
Oh "dave" (or should I say Neil), I'm honored how you went throughThat seems to be it. Rather than being inspired and working at theSomewhat of a different style i think. Many more people, less still
life. Much better use of depth of field. Nice - but i personally
prefer the G1 images. Shows its not the technology but how the
photographer uses it
shots he's just taking pics and relying on the camera. Really just
reminds me of any number of galleries of holiday snaps.
the trouble of registering to this forum with a fake email address
just to comment on my galleries (only 4 posts you ever made on this
site).
You know what, there ARE a lot of "holiday snaps" in my gallery.
There are also a lot of works with are results of assignments as an
fast working event photographer. That's how it should be - real
life composed on CCD, fast shooting and capturing living moments in
available light (variation of expression which would be impossible
to handle with any compact camera).
Relying on a camera is something you can do with D30 (one of the
reasons for leaving G1) - but a camera is a tool, not a device
which instructs you on seeing. I wish some sense would come to
these forums (same thing with Canon, Olympus and Sony): you seem to
think a better camera gives you better pictures. You don't make a
difference between technical quality of a photo and quality of a
photo, or photographic elements and how space is used and how light
is used and how colors are used. It's all technical to you (pixels,
CCD, burst rate) and that's why we don't see real photography
discussions here - this is like tomshardware.com of photography.
How easy photographing could be if your view were correct: you
would become the perfect photographer by just going into a shop and
buying the coolest camera!
Photography is not all about gear. 90% of it is being there and
giving your personal touch to the photo.
I'm not any more interested in shooting carefully thought positions
on carefully thought dead objects with carefully thought lighting
timing (or when the CCD and ISO 50 can handle it), carrying a
tripod around. Been there, seen that. I know I can do still life of
instruments and fruit, winter art or foggy panoramas if needed. Not
now. It's time to evolve to something new. Photojournalistic style
of shooting is much more rewarding and fun. And you know, I've had
a lot of fun with my D30, and will continue to have as it's the
best camera with best lenses I've ever hoped to own. I've never
been more inspired with photography.
Maybe it's the finnish mentality, but if I see that people like a
certain style of shooting and producing photos I'm not sticking to
it because it's "popular" -- in time my direction of interest
changes and I continue the battle on different arenas. I'm not here
to please an audience or sell hardware. I have enough hard time to
deal with my own self-critisism, pleasing and developing my own
aesthetic sense, and trying to find new ways to express a view in
my mind. And I have a long way to go before you can say I'm half
way there - it's like in playing a musical instrument: you're never
ready. You know, strangest thing is that I really don't actually
know what I photograph for. I just need to do it, now. It must
comes from the same source as music, it's something you need to do
in order to stay sane in this mad world.
This is not to say your critique does not matter. Of course it
makes me sad if I get negative criticism and makes me happy if hear
applause. But it does not make me think "what can I do to please
them" -- I would put a gallery on the net and continue my hobby
without any received critique, important thing is to see that the
counter on the site is running steady and the works are there for
all to see for free and with no obligation of any kind to either
direction.
Thanks for your comments Neil,
Pekka
http://photography-on-the.net