Build your own fashion ring light

marius79

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How to build your own ringlight for fashion shoots / portraits.

After seeing some inspiring photos on the lighting dpreview forum, I decided to build my own ringlight. A professional ringlight costs over 1000 USD, so that was not an option for me. Ideally it should be cheap and good looking; I will let you be the judge of that.

There are a number of options for the light source. I will summarize them and give a quick internet link to an example:

1. Regular light bulbs.

Here is an example of a single light in a baking shape. It has a hot-spot and is not so professional looking.
http://www.aaaarrrgggggg.com/article.php?story=20050420211837735

Another possibility is mounting multiple bulbs on a wooden frame in a circular pattern. This will give softer light, but you will see distinct light spots in your models eyes. This can be either a plus or a negative.



2. LED ringlight
Good for macro work, however not enough light output to use for portraits.
http://www.digi-darkroom.com/showthread.php?t=7451

3. Flash

A good alternative is to mount multiple flashes onto a ring-type deflector. You get great color reproduction. However, you don’t have a modeling light.
http://www.dennisonbertram.com/hackmaster/2005/02/build-your-own-ring-flash.htm
http://www.fredmiranda.com/forum/topic2/199410

4. Circline Fluorescent tube.

This is what I will be building. It is a bright and continues light source. Building it will also be cheap (as I am Dutch). Here is the post which gave me the idea:
http://forums.dpreview.com/forums/read.asp?forum=1025&message=13283621

How does it work?

Fluorescent lights need an electric starter. A high voltage starts the light, after which a low voltage maintains the light output. Most people buy the lamp including starter module from a shop. However, the lamp stand I will throw away immediately and the circular lamp I need to replace with a better color temperature lamp. After a couple of days of googleing, I found a store that sells them separately and my project begun…..

The supplies:

I spend 12 dollars at my home depot buying the following supplies for the ringlight holder and tripod mount:



In addition, I purchased the fluorescent light and ballast/starter (25 USD). Make sure you get a daylight fluorescent tube with a CRI (color rendering index) of at least 80. This has a color temp of arounf 6000K
http://www.prolighting.com/fc12t9-d.html
http://www.prolighting.com/1fcorfccibar.html

The tools you will need:
- screwdrivers
- drill with metal bit
- soldering iron
- basic knowledge of electronics (don’t sue me if you get fried)

Let’s get started! Cut a hole in the plastic planter trays (this is where the camera lens will come through). Fix the two trays to each other with three screws. Then attach the clamps that will hold the lamp into place. The ballast is best placed at the bottom for stability. Create a hole next to each side of the ballast for the wires. I also put aluminium foil in the trays to maximize the light coming out.

Basic front:



mounted ballast:



Follow the directions on the ballast to solder the electronics. I have added a switch between the black wire from the power socket to the ballast. This way I can switch the light on and off, without pulling the plug out of the socket.



The circline light has four metal connectors coming out of the back. If you bought a complete lamp, you will have a nice connector. I however, just wrapped the wire around the connector and soldered it into place. Then wrap some electric isolation tape around them, to prevent shorting out (this goes for all connections).

Finally, attach the tripod mount onto the back. For this you will need to drill into metal, in order to connect the camera mounting plate. Then apply two layers of black paint from a spray can and bob is your uncle.

Here is the final result:





Let me know if you have any questions. I’ll be having a model over this week to try it out:)

Cheers,

Marius
 
I'd love to see your results when you have them. Unfortunately, I don't think 1600 lumens is going to be enough to properly illuminate your models for anything more than portraits (some have used concentric tubes to maximize lumens). Still, I like your design and clever use of available materials!
 
There is also a 40 Watt circline lamp available that has a lumes output of 3000 lumes. (this one is 32 Watt) How much do you think is necessary?

I have a shoot this week and will post images in this thread when I have them.

Cheers,

Marius
I'd love to see your results when you have them. Unfortunately, I
don't think 1600 lumens is going to be enough to properly
illuminate your models for anything more than portraits (some have
used concentric tubes to maximize lumens). Still, I like your
design and clever use of available materials!
 
There is also a 40 Watt circline lamp available that has a lumes
output of 3000 lumes. (this one is 32 Watt) How much do you think
is necessary?
It really depends on what kind of shots you'd like to do, and what kind of lenses you have available to you. Let's say you have an f/2 lens available that you'll shoot wide-open. And let's say you're trying to do a full-length shot. You'll probably need about 15,000 lumens (very round-about guess). The inverse-square law is a pain in the butt, but there's no getting around physics. The further away you are, the more light you'll need--1600 lumens will hardly make a dent if you're 10 ft. away doing a full-length shot.

If you can push your ISO a bit, and if you can get in closer, the 3000 tube might work out. The other option is to buy two tubes with the same color temp, one with a smaller diameter than the other, and arrange them one inside the other to increase light output. Unfortunately, Philips/GE and Osram/Sylvania don't make too many circular fluorescents that fit the bill.

The other problem is that you should be using a higher CRI if color accuracy is important to you. Since you're just experimenting, 80+ will (hopefully) be fine, but 90+ CRI is a sort of "accurate color" standard. Kinoflo uses (to the best of my knowledge) 96 CRI tubes, but these are 2 ft. long strips, not circles.
I have a shoot this week and will post images in this thread when I
have them.
I've been working on a budget fluorescent design for almost half a year now, and have come across many of the problems you're now facing, but please don't let that stop you from experimenting. I am eager to see what you're able to accomplish with your setup, if just to expand my own knowledge. I look forward to your update.
 
i love this idea.

i've used the ring tube light pictured here. it was an all inclusive package that screws into a normal socket. the nice thing us that you can shoot through the middle, or off to the side for different effects.

--B
 
it works great.. but at least here in brazil i couldnt find a lamp powerful enough for my needs... but its very usable with high ISO and large apertures..

i will post some samples later this week...

--
Felipe Dana
--
Nikon DSLR
 
Hey, the owner/writer of Aaaarrrgggggg! here. One correction. The Bundtlight 5000 isn't a regular lightbulb, it's a strobe that connects to a Balcar power pack. At about half power (1200ws) I can shoot a good 10' away at F11, making it useable for fashion work. It does have a hot spot and looks a little odd. One advantage it does have is that it can be hand held. Once again though, it is not a continuous light source. Thanks for the link!

-James
 
Sorry for the mistake... I wanted to show that I was not being completely originial, by providing some links to other solutions. Your idea is pretty clever though!

I haven't done any power measurements yet and it also will be interesting to see the color accuracy. Keep you guys/girls updated.

Marius
Hey, the owner/writer of Aaaarrrgggggg! here. One correction. The
Bundtlight 5000 isn't a regular lightbulb, it's a strobe that
connects to a Balcar power pack. At about half power (1200ws) I
can shoot a good 10' away at F11, making it useable for fashion
work. It does have a hot spot and looks a little odd. One
advantage it does have is that it can be hand held. Once again
though, it is not a continuous light source. Thanks for the link!

-James
 
Hey, no prob. It's a funky lookin device, most people wouldn't have a clue what it is from just a pic. I wasn't being original either, hence my picture of the Balcar reflector I was imitaing with common cookware :). Nothing is original, we all stand on the shoulders of giants, or some such nonsense. I think it's cool that you compiled a pretty thorough list of DIY ringlight projects.

My grandfather-in-law has been using a DIY ringlight for macro work for decades. He runs a jewelry store and sometimes has to photograph people's items, so he uses a smaller circular flourescent tube, a old pentax camera with a bellows and macro lens, plus he uses a filter to correct the color shift.

Another DIY solution is pseudo-keno-flo lighting. Go to HD and get four regular flourescent light fixtures and daylight balanced tubes accordingly. Grab two light stands. Using gaff tape, tape a light to each stand verticlely then tape the remaining two horizontally creating a square of light. I've seen these mounted to custom brackets with wheels for a more permanent solution. But it's heavey and BIG! You see this lighting on magaze covers a lot, you can pick it out by the square or "U" shaped catchlights.

A neat thing I saw on another site used the circle of light bulbs. The photographer pulled back to include the lights creating a carnival type of effect.

Anyways, it's all fun stuff!
-James
 

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