G6 Initial Annoyances...

Mike Hunt

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1) No doubt an intentionally delayed and secretive release, to push sales of the Pro1 on people who thought the G-series was dead.

2) Silver body - in definace of the masses clamoring for black bodies - no doubt in preparation of a future model "special edition" release with insignificant improvements but a black "pro" body.

3) Same needless and arbitrary limitations in movie clip lengths

4) Same moronic limitations on long shutter speeds while in Av mode.

5) Some questionable changes in control placement, mimicking some poor design choices on the Pro1 which resulted in the need for two-handed operation.

6) Stll only 2 Custom modes - the most powerful and most often verlooked tool over working around poor AF performance and shutter lag. They should expand to 4 or more, as Olympus has.
 
7) Still tripod hole not aligned to focal node axis.

8) No Live Overexposure warning.

9) Increased Viewfinder innacuracy and parallax due to market complacency.
PPL are using OVF, we need a better, more accurate OVF.

10) No swiveling Flash. How difficult is to encase that small flash in a cylider to make that flash bounce!. Digilux 2 anyone ?

11)Time-lapse feature deliberately crippled.

12) No numeric display of focal length.
 
1) No doubt an intentionally delayed and secretive release, to push
sales of the Pro1 on people who thought the G-series was dead.
Canon did not do this. A lot of us have been saying all along the G series would continue. Canon never said it was dead. You cannot prevent someone from jumping off the cliff. Yes it was a devious plot, created and perpetrated by shutterbugs and digicam addicts.
2) Silver body - in definace of the masses clamoring for black
bodies - no doubt in preparation of a future model "special
edition" release with insignificant improvements but a black "pro"
body.
A lot of people prefer the silver too. Anyway it's Canon's right to do this, it's their product. They want us to buy as many of these little things as we can go in hock for, and they want us to accessorize them too. They know we're addicted. They are pretty smart.
3) Same needless and arbitrary limitations in movie clip lengths
We don't know the technicals on this, I have not ever seen a credible explanation of the design limits. Interesting question, though, and one they should answer somehow.
4) Same moronic limitations on long shutter speeds while in Av mode.
I'm not sure what you're referring to. I have heard that CCD ceases to behave like film with extra long exposures, something about reciprocity limits being exceeded. Some more information on this topic might be useful.
5) Some questionable changes in control placement, mimicking some
poor design choices on the Pro1 which resulted in the need for
two-handed operation.
Verdict is out on this, time will tell regarding the ergos on G6. It definitely looks smaller, an appealing aspect. I think G5 is difficult to hold compared with my A80, so I'm just not sure if you are correct or not.
6) Stll only 2 Custom modes - the most powerful and most often
verlooked tool over working around poor AF performance and shutter
lag. They should expand to 4 or more, as Olympus has.
Agree, or at least 3 total. Can't see why they wouldn't. Good point.
Don

--
http://www.DForbesRowanPhotos.OrangeCountyandSurrounding.PhotoShare.co.nz
A-Eighty: As Qrtan says, a Gem! It's a terrific camera!

Gee-Five: Has great features & image sharpness -- and it's black!
(There! Now I can't be accused of harming newbie camera searches).
D. F. R.
 
I wonder if we'd be willing to pay the extra $75 to $100 USD to pay for these (most of them anyway, I realize the tripod thread relocate would not cost anything. This is very strange.
7) Still tripod hole not aligned to focal node axis.
Agree
8) No Live Overexposure warning.
What would the cost be?
9) Increased Viewfinder innacuracy and parallax due to market
complacency.
PPL are using OVF, we need a better, more accurate OVF.
Depending on the fix, this would add $$ to the price especially parallax correction (as with the old rangefinders).
10) No swiveling Flash. How difficult is to encase that small flash
in a cylider to make that flash bounce!. Digilux 2 anyone ?
Nice idea
11)Time-lapse feature deliberately crippled.
Not sure on this one, either. Can there be a reason?
12) No numeric display of focal length.
How much would this cost?

--
http://www.DForbesRowanPhotos.OrangeCountyandSurrounding.PhotoShare.co.nz
A-Eighty: As Qrtan says, a Gem! It's a terrific camera!

Gee-Five: Has great features & image sharpness -- and it's black!
(There! Now I can't be accused of harming newbie camera searches).
D. F. R.
 
1. You got a lot more choices than you had yesterday

2. You can buy this at a price that appears to be quite reasonable. And after the discounters get them at maybe the same as a G5.

3. You can use all your batteries, chargers, external flashes, filters, close-up, tele and wide lenses from your G3 and G5,s

4. The G line is not dead... folks whined about that for about two years.

5. You don't have to buy one if you don't want to.

So.. all in all... I think today is a good day.

Regards. R.

--
Ralph M
FCAS Member(77)
http://www.pbase.com/rmcmillan
 
people on this forum like black but that doesnt mean most consumers do. I actually think the G6 looks classier and more expensive than the G5, which looked cheap IMO.

Plus maybe Canon relies on silver more for non-high end cameras b/c black might get scratched up easier on P&S which the average consumer doesn't "baby"
1) No doubt an intentionally delayed and secretive release, to push
sales of the Pro1 on people who thought the G-series was dead.

2) Silver body - in definace of the masses clamoring for black
bodies - no doubt in preparation of a future model "special
edition" release with insignificant improvements but a black "pro"
body.

3) Same needless and arbitrary limitations in movie clip lengths

4) Same moronic limitations on long shutter speeds while in Av mode.

5) Some questionable changes in control placement, mimicking some
poor design choices on the Pro1 which resulted in the need for
two-handed operation.

6) Stll only 2 Custom modes - the most powerful and most often
verlooked tool over working around poor AF performance and shutter
lag. They should expand to 4 or more, as Olympus has.
 
7) Still tripod hole not aligned to focal node axis.
Agree
8) No Live Overexposure warning.
What would the cost be?
Don't know but Olympus, and the new Pentax have that feature.

Even Canon thenselves have that in some Camcorders, only by the name Zebra patterns, reporposing technology shouldn't be much specially for the scale of dicams market.
9) Increased Viewfinder innacuracy and parallax due to market
complacency.
PPL are using OVF, we need a better, more accurate OVF.
Depending on the fix, this would add $$ to the price especially
parallax correction (as with the old rangefinders).
They could have provided just abit improved OVF in the same place as it was before, despite the barrel visible at the widest in that little corner.
It was a nice trade off for less parallax error.

Also, some parallax marks in the OVF would have cost them the price of this post. 2¢
10) No swiveling Flash. How difficult is to encase that small flash
in a cylider to make that flash bounce!. Digilux 2 anyone ?
Nice idea
Isn't?
11)Time-lapse feature deliberately crippled.
Not sure on this one, either. Can there be a reason?
Check the one for Minolta A line and some Pentax.
12) No numeric display of focal length.
How much would this cost?
Not much, the number is in the EXIF tag, so the camera is aware at all time of the focal length. too bad, sice that is one of the few benefits of an electronic controlled zoom lens.
 
This thread is all about G6 Bashing.

Canon might read this to see the initial reactions for future cameras developments.
 
My favorite is #5!
1. You got a lot more choices than you had yesterday

2. You can buy this at a price that appears to be quite reasonable.
And after the discounters get them at maybe the same as a G5.

3. You can use all your batteries, chargers, external flashes,
filters, close-up, tele and wide lenses from your G3 and G5,s

4. The G line is not dead... folks whined about that for about two
years.

5. You don't have to buy one if you don't want to.

So.. all in all... I think today is a good day.

Regards. R.

--
Ralph M
FCAS Member(77)
http://www.pbase.com/rmcmillan
 
This thread is all about G6 Bashing.
Canon might read this to see the initial reactions for future
cameras developments.
Canon seems to have largely ignored countless, detailed suggestion lists in the past. In fairness, they seem to have reposnded to some things - like teh OVF lens obstruction and demands for a smaller G-series camera. But they are increasingly resorting to sleazy marketing tricks to deprive folks of the features they want and trick them into buying models they would not otherwise have purchased.

I am growing less fond of Canon as their actions demonstrate an increasing prioritizing of marketing over engineering.
 
1) No doubt an intentionally delayed and secretive release, to push
sales of the Pro1 on people who thought the G-series was dead.
Canon did not do this. A lot of us have been saying all along the
G series would continue. Canon never said it was dead. You cannot
prevent someone from jumping off the cliff. Yes it was a devious
plot, created and perpetrated by shutterbugs and digicam addicts.
The release of the Pro1 defied the logic of a subsequent G6, given the inherent similarities and differences between these two and previous models.

Most reasonable folks logically assumed that the release of the ridiculous G5 pretending to be a new model, followed by a long period of waiting, followed by the radical new style of the Pro1 which nonetheless preserved 90% of the functionality and design of the G-series, indicated that the G-series as we knew it waas at an end.

Do you honestly think it took 2 years to evolve from the G3 to the G6?
2) Silver body - in definace of the masses clamoring for black
bodies - no doubt in preparation of a future model "special
edition" release with insignificant improvements but a black "pro"
body.
A lot of people prefer the silver too. Anyway it's Canon's right
to do this, it's their product.
Most people prefer the black, and the camera's competitors at this level are all black: Nikon, Olympus, Nikon, Minolta... All pro cameras are black.
They want us to buy as many of
these little things as we can go in hock for, and they want us to
accessorize them too. They know we're addicted. They are pretty
smart.
I think there's a difference between smart and sleazy. Smart is designing and engineering a brilliant product that proves highly successful and appealing. Sleazy is using deception to fool people into buying things they would not otherwise have bought.

We seem to have an increasing scarcity of the former combined with an overabundance of the latter...
3) Same needless and arbitrary limitations in movie clip lengths
We don't know the technicals on this, I have not ever seen a
credible explanation of the design limits. Interesting question,
though, and one they should answer somehow.
That's just it. These companies don't answer or comment on anything. They don't think we deserve any explanations. Other cameras have removed these limitations. It is a simple matter of adding more buffer memory. This would add a little cost to the camera, thereby narrowing their profit margins a tiny bit that they are not willing to give up.
4) Same moronic limitations on long shutter speeds while in Av mode.
I'm not sure what you're referring to. I have heard that CCD
ceases to behave like film with extra long exposures, something
about reciprocity limits being exceeded. Some more information on
this topic might be useful.
Same happens with film, which is where the term "reciprocity failure" derives from. But pro cameras don't have this limitation, and neither do other models at this level from Nikon, Olympus, etc. Canon underestimates the intelligence of the photographer. At least, there should be an override setting in the menus.

And besides, if reciprocity is the issue, then why do they allow long shutter speeds in Tv mode? If this were really the issue, long exposures would only be allowed in Manual mode.

The reason is probably that Canon think's we're too stupid to notice when the shutter speed has been slowed down to levels that demand a tripod.
5) Some questionable changes in control placement, mimicking some
poor design choices on the Pro1 which resulted in the need for
two-handed operation.
Verdict is out on this, time will tell regarding the ergos on G6.
It definitely looks smaller, an appealing aspect. I think G5 is
difficult to hold compared with my A80, so I'm just not sure if you
are correct or not.
I'm not sure myself. I love the idea of a smaller and lighter G-camera. It has been tops on my wish list.

But I disagree with the movement of the mode dial and other buttons on the G6. I can hold and operate the G3 with one hand. I cannot do the same with the Pro1 because 1) it's too heavy, and 2) it's difficult to impossible to operate many controls without using two hands. If I wanted a camera that required two-handed operation, I'd get an SLR.
6) Stll only 2 Custom modes - the most powerful and most often
verlooked tool over working around poor AF performance and shutter
lag. They should expand to 4 or more, as Olympus has.
Agree, or at least 3 total. Can't see why they wouldn't. Good point.
This probably falls into the "too obscure" area. Most people don't even know the value of this feature and Canon doesn't properly promote it, hoping to avoid admitting just how useless their AF system is in low light or with moving subjects.

Like I said, their marketing department seems to be wielding increasing clout over their engineering dept., and that's not a good thing from the point of view of serious photographers and consumers.
 
"Same happens with film, which is where the term "reciprocity failure" derives from. But pro cameras don't have this limitation, and neither do other models at this level from Nikon, Olympus, etc."

I don't mean that other cameras don't suffer from reciprocity failure, but that many other cameras don't have the arbitrary shutter speed restricitions...
 
people on this forum like black but that doesnt mean most consumers
do. I actually think the G6 looks classier and more expensive than
the G5, which looked cheap IMO.
How about apples to apples?

G3 vs. G5
Which looked better?

Sure, its'a matter of taste. But current trends dictate that silver is no longer "retro cool" and black remains the color that signals "professional" and "high end".

The G-series isn't marketed at people who favor style over substance. There are far more attractive and fashionable cameras out there. The G-series is a serious tool, aimed at people who consider themselves serious photographers. Silver ain't necessarily ugly, but at this point in time, cameras at this price and perfromance level are all black. And Canon has clearly used the vappeal of the black color to push otherwise unsellabla "new" models such as the G3 "special edition" and to a lesser extent, the G5, which was just a G3 with a slightly higher res and noisier sensor.
Plus maybe Canon relies on silver more for non-high end cameras b/c
black might get scratched up easier on P&S which the average
consumer doesn't "baby"
Huh? Since when do pros "baby" their cameras? Why do you think real pro cameras have solid magnesium housings with tough, baked-on finishes and o-ring seals to keep out dust and water?
 
Technical feasibility is just ONE factor how products is designed.

Face it - it is called market segmentation. It is not a new practice and Canon is not the only company who does it.

Whatever the feature list is, there are still people who always want more. You'll have to compare your products and those of your competitors, then put the limit SOMEWHERE to differentiate between your products.

You want bounce flash? Live blownout warning? 20 hour battery life? An OVF that has low parallax and still does not see the lens barrel? Then pay more.

A company is a company and Canon is not a charity organization - profit maximization still rules all companies. A company who does everything that everyone tells it to, goes belly up quickly.
This thread is all about G6 Bashing.
Canon might read this to see the initial reactions for future
cameras developments.
Canon seems to have largely ignored countless, detailed suggestion
lists in the past. In fairness, they seem to have reposnded to some
things - like teh OVF lens obstruction and demands for a smaller
G-series camera. But they are increasingly resorting to sleazy
marketing tricks to deprive folks of the features they want and
trick them into buying models they would not otherwise have
purchased.

I am growing less fond of Canon as their actions demonstrate an
increasing prioritizing of marketing over engineering.
 
You said it yourself - even if you were right.

"The G-series isn't marketed at people who favor style over substance". So why would you care about the colour? Black or silver, it shouldn't matter to you, right?

I know a lot of people who don't like their equipments to be all-black and some of them are serious amateurs to say the least (they make some bucks selling their pics). Your preference do not represent everyone else's.

Second, even if the colour choice is entirely driven by greed, there is nothing wrong making another model in black IF you think it is more valuable.

If you see things around you the way you are seeing this issue, you'll be very sad person, and dare I say not very suitable to live in a capitalism-inspired market economy (UK, US, Germany, Canada, etc)
people on this forum like black but that doesnt mean most consumers
do. I actually think the G6 looks classier and more expensive than
the G5, which looked cheap IMO.
How about apples to apples?

G3 vs. G5
Which looked better?

Sure, its'a matter of taste. But current trends dictate that silver
is no longer "retro cool" and black remains the color that signals
"professional" and "high end".

The G-series isn't marketed at people who favor style over
substance. There are far more attractive and fashionable cameras
out there. The G-series is a serious tool, aimed at people who
consider themselves serious photographers. Silver ain't necessarily
ugly, but at this point in time, cameras at this price and
perfromance level are all black. And Canon has clearly used the
vappeal of the black color to push otherwise unsellabla "new"
models such as the G3 "special edition" and to a lesser extent, the
G5, which was just a G3 with a slightly higher res and noisier
sensor.
Plus maybe Canon relies on silver more for non-high end cameras b/c
black might get scratched up easier on P&S which the average
consumer doesn't "baby"
Huh? Since when do pros "baby" their cameras? Why do you think real
pro cameras have solid magnesium housings with tough, baked-on
finishes and o-ring seals to keep out dust and water?
 
1. You got a lot more choices than you had yesterday

2. You can buy this at a price that appears to be quite reasonable.
And after the discounters get them at maybe the same as a G5.

3. You can use all your batteries, chargers, external flashes,
filters, close-up, tele and wide lenses from your G3 and G5,s

4. The G line is not dead... folks whined about that for about two
years.

5. You don't have to buy one if you don't want to.

So.. all in all... I think today is a good day.

Regards. R.

--
Ralph M
FCAS Member(77)
http://www.pbase.com/rmcmillan
--
fredyr

I have the G3 teleconverter but I see the adaptor has a different no. so I am not sure the adaptor at $24 can be used which I think is unfair as the lens is the same focal length. Anyone know?

As for the Pro 1 I still think the focal length +L lens is why I bought it and I am not disappointed but those that want a smaller camera can't go wrong with the G6 and if they are satisfied with a 4x zoom.
 
1) No doubt an intentionally delayed and secretive release, to push
sales of the Pro1 on people who thought the G-series was dead.
Canon did not do this. A lot of us have been saying all along the
G series would continue. Canon never said it was dead. You cannot
prevent someone from jumping off the cliff. Yes it was a devious
plot, created and perpetrated by shutterbugs and digicam addicts.
The release of the Pro1 defied the logic of a subsequent G6, given
the inherent similarities and differences between these two and
previous models.

Most reasonable folks logically assumed that the release of the
ridiculous G5 pretending to be a new model, followed by a long
period of waiting, followed by the radical new style of the Pro1
which nonetheless preserved 90% of the functionality and design of
the G-series, indicated that the G-series as we knew it waas at an
end.

Do you honestly think it took 2 years to evolve from the G3 to the G6?
I don't understand what is you rant here with that.

Canon is dependant in key suppliers like Sony for the 7MP sensor that wasn't ready until recently. Although I assume Sony will provide them with time tables for their sensors, well ahead of time for developing products around it.

At the sensor development stage Canon or Sony can't speculate about its future feaibility and performance.

Besides, markets and demands change by the day. Those are dictating the camera models and future designs, Canon is after sales/profits and satisfying users demand.

Not a ridiculus and arbitarry fixation in releasing or ending certain camera models.
I never believe the end of the G line, but never discard it either.
2) Silver body - in definace of the masses clamoring for black
bodies - no doubt in preparation of a future model "special
edition" release with insignificant improvements but a black "pro"
body.
A lot of people prefer the silver too. Anyway it's Canon's right
to do this, it's their product.
Most people prefer the black, and the camera's competitors at this
level are all black: Nikon, Olympus, Nikon, Minolta... All pro
cameras are black.
Agree, but maybe their marketing research is more savy as implied further down.
3) Same needless and arbitrary limitations in movie clip lengths
We don't know the technicals on this, I have not ever seen a
credible explanation of the design limits. Interesting question,
though, and one they should answer somehow.
That's just it. These companies don't answer or comment on
anything. They don't think we deserve any explanations. Other
cameras have removed these limitations. It is a simple matter of
adding more buffer memory. This would add a little cost to the
camera, thereby narrowing their profit margins a tiny bit that they
are not willing to give up.
Agree, ppl are crazy about a good video feature.
No narrowing profits I'm sure ppl will pay for that thing, me among them!

It might have to do with some strategic conflict of interest with Canon's even more profitable camcorder business.
4) Same moronic limitations on long shutter speeds while in Av mode.
I'm not sure what you're referring to. I have heard that CCD
ceases to behave like film with extra long exposures, something
about reciprocity limits being exceeded. Some more information on
this topic might be useful.
Same happens with film, which is where the term "reciprocity
failure" derives from. But pro cameras don't have this limitation,
and neither do other models at this level from Nikon, Olympus, etc.
Canon underestimates the intelligence of the photographer. At
least, there should be an override setting in the menus.

And besides, if reciprocity is the issue, then why do they allow
long shutter speeds in Tv mode? If this were really the issue, long
exposures would only be allowed in Manual mode.

The reason is probably that Canon think's we're too stupid to
notice when the shutter speed has been slowed down to levels that
demand a tripod.
No, the reason is that the light metering system is not reliable under dark conditions.

What happens in Tv is that the largest apperture will be selected by default in the darkest conditions in TV.
5) Some questionable changes in control placement, mimicking some
poor design choices on the Pro1 which resulted in the need for
two-handed operation.
Verdict is out on this, time will tell regarding the ergos on G6.
It definitely looks smaller, an appealing aspect. I think G5 is
difficult to hold compared with my A80, so I'm just not sure if you
are correct or not.
I'm not sure myself. I love the idea of a smaller and lighter
G-camera. It has been tops on my wish list.

But I disagree with the movement of the mode dial and other buttons
on the G6. I can hold and operate the G3 with one hand. I cannot do
the same with the Pro1 because 1) it's too heavy, and 2) it's
difficult to impossible to operate many controls without using two
hands. If I wanted a camera that required two-handed operation, I'd
get an SLR.
6) Stll only 2 Custom modes - the most powerful and most often
verlooked tool over working around poor AF performance and shutter
lag. They should expand to 4 or more, as Olympus has.
Agree, or at least 3 total. Can't see why they wouldn't. Good point.
Agree too, they could have even go beyond and Restore custom settings from files or even from the photos' exif stored in the CF card to the two C spots.

Watch out Japs!, the Chins are comming!
 
2) Silver body - in definace of the masses clamoring for black
bodies - no doubt in preparation of a future model "special
edition" release with insignificant improvements but a black "pro"
body.
A lot of people prefer the silver too. Anyway it's Canon's right
to do this, it's their product.
Most people prefer the black, and the camera's competitors at this
level are all black: Nikon, Olympus, Nikon, Minolta... All pro
cameras are black.
Define "Most".
I think there's a difference between smart and sleazy. Smart is
designing and engineering a brilliant product that proves highly
successful and appealing.
And expensive. Nothing in this world is free, even if you didn't pay for it.
Sleazy is using deception to fool people
into buying things they would not otherwise have bought.

We seem to have an increasing scarcity of the former combined with
an overabundance of the latter...
The amount of technical brilliance you saw in the past few years attributed to the fact that digicams were still maturing. Right now we're seeing more evolutionary changes than revolutionary changes. It doesn't mean the engineers are not working hard anymore.

It is just a lens and a sensor in a box. Technical advancement in any particular area is bound to slow down sometime.
That's just it. These companies don't answer or comment on
anything. They don't think we deserve any explanations. Other
cameras have removed these limitations. It is a simple matter of
adding more buffer memory. This would add a little cost to the
camera, thereby narrowing their profit margins a tiny bit that they
are not willing to give up.
I'm sure you have done the calculations to know what amounts to your "tiny bit". Wait...maybe it's just a guess.
Same happens with film, which is where the term "reciprocity
failure" derives from. But pro cameras don't have this limitation,
and neither do other models at this level from Nikon, Olympus, etc.
Canon underestimates the intelligence of the photographer. At
least, there should be an override setting in the menus.

And besides, if reciprocity is the issue, then why do they allow
long shutter speeds in Tv mode? If this were really the issue, long
exposures would only be allowed in Manual mode.

The reason is probably that Canon think's we're too stupid to
notice when the shutter speed has been slowed down to levels that
demand a tripod.
Finally, something we agree on - the shutter speed is something REALLY arbitrary, and can be removed. The movie length limit as well - if they don't care about user experiences with choppy recordings when the buffer goes full.
But I disagree with the movement of the mode dial and other buttons
on the G6. I can hold and operate the G3 with one hand. I cannot do
the same with the Pro1 because 1) it's too heavy, and 2) it's
difficult to impossible to operate many controls without using two
hands. If I wanted a camera that required two-handed operation, I'd
get an SLR.
Again, it is just your personal preference. A lot of people prefer to operate their cameras with two hands, even if they can do it with one.
6) Stll only 2 Custom modes - the most powerful and most often
verlooked tool over working around poor AF performance and shutter
lag. They should expand to 4 or more, as Olympus has.
Agree, or at least 3 total. Can't see why they wouldn't. Good point.
This probably falls into the "too obscure" area. Most people don't
even know the value of this feature and Canon doesn't properly
promote it, hoping to avoid admitting just how useless their AF
system is in low light or with moving subjects.

Like I said, their marketing department seems to be wielding
increasing clout over their engineering dept., and that's not a
good thing from the point of view of serious photographers and
consumers.
Let's say, if they add 5 more custom modes and increase the price by $50, will you accept it?
 
Technical feasibility is just ONE factor how products is designed.
Face it - it is called market segmentation. It is not a new
practice and Canon is not the only company who does it.

Whatever the feature list is, there are still people who always
want more. You'll have to compare your products and those of your
competitors, then put the limit SOMEWHERE to differentiate between
your products.
I have no problem with this. But it's one thing to say, "We offers products A, B, and C" and quote another to only show product see, wait for everyone to buy it, and then release A and B which many people would have preferred all along.
You want bounce flash? Live blownout warning? 20 hour battery
life? An OVF that has low parallax and still does not see the lens
barrel? Then pay more.
I'll gladly pay more for what I want.
A company is a company and Canon is not a charity organization -
profit maximization still rules all companies. A company who does
everything that everyone tells it to, goes belly up quickly.
As you have probably surmised by now, I am not a big fan of unbridled big business nor the theory that "the market always knows best."

Increasing levels of greed are having counterproductive results, as we see when company executives make poor decisions seeking short term gains that are increasingly resulting in long term disaster for their company, their employees, and their stockholders, long after the initial harm to consumers and society.

I feel that moderation is important, and that you need balance in everything. The unbridled quest for maximizing short term profits at all costs is not a viable long term strategy - in either a company, or in a local or national economy.
 
That's just it. These companies don't answer or comment on
anything. They don't think we deserve any explanations. Other
cameras have removed these limitations. It is a simple matter of
adding more buffer memory. This would add a little cost to the
camera, thereby narrowing their profit margins a tiny bit that they
are not willing to give up.
Agree, ppl are crazy about a good video feature.
No narrowing profits I'm sure ppl will pay for that thing, me among
them!
It might have to do with some strategic conflict of interest with
Canon's even more profitable camcorder business.
I don't believe that Canon is concerned about the video clip feature stealing sales of dedicated video cameras. The quality diffrerences are just huge.

I really think it's just a marketing decision based on their calculations that they need to sell the camera at a particulkar price point, and that increasing that price point for a relatively obscure feature will result in a net loss of total revenue. So the choice is to make a few pennies more without the feature.
And besides, if reciprocity is the issue, then why do they allow
long shutter speeds in Tv mode? If this were really the issue, long
exposures would only be allowed in Manual mode.

The reason is probably that Canon think's we're too stupid to
notice when the shutter speed has been slowed down to levels that
demand a tripod.
No, the reason is that the light metering system is not reliable
under dark conditions.
What happens in Tv is that the largest apperture will be selected
by default in the darkest conditions in TV.
What's the difference? The image will still be incorrectly exposed by the meter.

if I'm in a low light situation, I want to use Av mode, quickly select the fastest aperture, and then let the camera select whatever it thinks is the best shutter speed for the scene. If I find that the meter is off, I can always use exposure compensation.

But with Canon, I am prevented from doing this in conditions that would require slower than 1 second shutter speeds. Manual is one option, but an infuriatingly tedious one becuase it takes so long to go fom one end of the shutter speed range to the other and because Canon doesn't provide a live meter reading. You are forced to select a setting, hal press the shutter to get a reading, adjust the setting, half press again... This is absurd!

Meanwhile, though, the camera does allow you to use automatic exposure in Tv mode with any shutter speed you like. So if exposure metering inaccuracy with long exposures is the concern, why do they allow it in TV mode? That makes no sense.

So I conclude that the real reason is that they think that we are too dumb to realize that sub-1 second exposures require a tripod, unless we directly seelct that long shutter speed ouselves using Manual or Tv mode.
 

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