jalywol
Forum Pro
Look, you can stick your nose in the air at me and argue that I do not understand the physics of light and sensors, and fine. Some of it I do, and some of it I don't.
What I do understand is that conflating the sensor and lens behavior generates massive confusion and is totally unnecessary.
Sensors are, very simply, the equivalent of film. Any given camera body has a particular set of "film" (sensor) behaviors that is very specific for that particular body. Similar bodies will behave similarly, but not identically, and choices about which to use, even amongst similar bodies, will (or should) depend on the particular characteristics that a given body has.
Think of this as essentially akin to selecting a particular brand or type of film based on the characteristics of the final image it produces....I used to prefer one of the Fuji films, for instance, over its Kodak equivalent, when I was using a film camera many moons ago. (Yes, I know this is an oversimplification, but go with it).
So, when I use a camera, I come to know what its "film" characteristics are. After working with it for a little while, I develop an understanding of what level of noise, color behavior, DR, etc., it has at any given ISO and lighting situation, and I know what the limits are of my tolerance for increases and decreases in these parameters in my images. This makes it very easy to choose what lenses I need for a particular setting, since it's based on that particular camera's output and my own preferences.
Ok, you say, but when you are comparing different systems, you HAVE to incorporate all of this data in or, or, or..... No you do not.
I posit that there really is no equivalence. Further, I am convinced that all of this data mashup trying to make everything equivalent in one neat little generalizable ball is a total waste of time and energy, and instead makes newly interested people trying to get a handle on photography want to run in the other direction and stick to using their cell phones instead. And it generates huge arguments on forums, because, essentially, it's really pointless except in the abstract, and those of us out there who actually use our damned cameras and get to know them, understand that, but can't get that across to the measurebator contingent, who are, as a rule, a lot more strident about it all.
Kind of reminds me of what is going on in everything else nowadays actually.
So. Yes, I have M43. Yes, I have FF. No they are not the same. Can I make them look pretty similar. Yeah, but why bother? I use each in the areas they are strongest, and they complement each other. If I sat down and tried to make an equivalence chart between them, would I gain anything? No. I know, via usage, what each body can and can't do, and I know what the lenses I have for each can and can't do, and all of the "equivalence" calculations in the world are not going to tell me, or anyone else, any of that. And that's why lens behavior and sensor behavior need to be kept separate in equivalence evaluations.
-J
What I do understand is that conflating the sensor and lens behavior generates massive confusion and is totally unnecessary.
Sensors are, very simply, the equivalent of film. Any given camera body has a particular set of "film" (sensor) behaviors that is very specific for that particular body. Similar bodies will behave similarly, but not identically, and choices about which to use, even amongst similar bodies, will (or should) depend on the particular characteristics that a given body has.
Think of this as essentially akin to selecting a particular brand or type of film based on the characteristics of the final image it produces....I used to prefer one of the Fuji films, for instance, over its Kodak equivalent, when I was using a film camera many moons ago. (Yes, I know this is an oversimplification, but go with it).
So, when I use a camera, I come to know what its "film" characteristics are. After working with it for a little while, I develop an understanding of what level of noise, color behavior, DR, etc., it has at any given ISO and lighting situation, and I know what the limits are of my tolerance for increases and decreases in these parameters in my images. This makes it very easy to choose what lenses I need for a particular setting, since it's based on that particular camera's output and my own preferences.
Ok, you say, but when you are comparing different systems, you HAVE to incorporate all of this data in or, or, or..... No you do not.
I posit that there really is no equivalence. Further, I am convinced that all of this data mashup trying to make everything equivalent in one neat little generalizable ball is a total waste of time and energy, and instead makes newly interested people trying to get a handle on photography want to run in the other direction and stick to using their cell phones instead. And it generates huge arguments on forums, because, essentially, it's really pointless except in the abstract, and those of us out there who actually use our damned cameras and get to know them, understand that, but can't get that across to the measurebator contingent, who are, as a rule, a lot more strident about it all.
Kind of reminds me of what is going on in everything else nowadays actually.
So. Yes, I have M43. Yes, I have FF. No they are not the same. Can I make them look pretty similar. Yeah, but why bother? I use each in the areas they are strongest, and they complement each other. If I sat down and tried to make an equivalence chart between them, would I gain anything? No. I know, via usage, what each body can and can't do, and I know what the lenses I have for each can and can't do, and all of the "equivalence" calculations in the world are not going to tell me, or anyone else, any of that. And that's why lens behavior and sensor behavior need to be kept separate in equivalence evaluations.
-J

