Freedolin
Leading Member
Then you had a bad sample. The 18-70 is not a bad lens at all.
-- Markus
-- Markus
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Why just 1 stop advantage with VR?But then, you loose 2/3 of stop when compared with the 18-70 and you
probably get 1 stop from the VR. No big advantage is it?
Would you please post some 100 % crops taken with the lens if you
visit him?
I hope this lens is better than the old 18-70. My sample wasn´t very
good. The 18-55 Kit lens easily outperfomed it.
Regards
Fritz
--Assuming this exists ---- What is it about OEM lens makers which
stops them from making F3.5-4.5 lenses anymore ? - they all seem to
have a stiffie for horrible F5.6 apertures - only the 18-70 broke the
mould with F4.5 at the long end.. I know F5.6 = cheaper but not that
much and F5.6 (which it'll be through most of the range like the
18-55) has just totally turned me off that lens and I'll keep
battling on with the 18-70 and 18-135 for light duties .. they've
being doing this for years, the 24-120s are both Crappy F5.6 as was
the Canon 28-135 --- both makers made compact 35-135s which pulled
off F4.5 at 135mm !! .
They should have made the 18-135 F4.5 at 135 and put VR and Ring AFS
in .. the 16-85 is a great range but F5.6 is a deal killer for me,
it's even slower than the damn R1 lens which it mimicks ..
Lets face it - if this is a fake then it's an ingenious one as no one
but Nikon or Canon (or Pentax or Oly or Sony or Tamron etc) would be
lame enough to dream it up with F5.6 at 85mm - a faker would wishful
think F4.5 !!
--
Please ignore the Typos, I'm the world's worst Typist
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P880 E1 - The Colourmeisters
Try shooting something that moves with your fabulous 18-200vr...Don't think so. I've got the 18-200mm and it easily gives me sharp
images at shutter speeds 3-4 stops slower than without VR, meaning
for everything except action shots it gives me "steadier" results
than my Sigma 50-150 at 2.8
Yes, but You miss worse AF and harder to stop motion. It's NOT a fair deal at all...So, by comparison to the 18-70 you lose 2/3 stop at the long end but
get 3-4 stops in regards to usable hand-held shutter speed - a fair
deal IMV.
Sorry, I didn't notice... But in fact I don't use this range for anything other then moving subjects. It's too long for landscapes and too short for wildlife. That's why I didn't go for 18-200 - with my style of shooting I didn't find VR to be much useful in this range and fast glass is only solution.Yep, that's why I wrote "except for action shots". That 18-200 VR is
indeed fabulous, provided you know its limitations and use it
accordingly.
Mine is already quite sharp at f/4 and 18-200 is not that good at 100-200mm also.BTW the Sigma also has some limitations - at 150mm and 2.8 its
corners are soft like a shot from a lensbaby, no problem for
portraits but a show-stopper for landscapes until stopped down to f/8.
If the image quality is good, I guess that a lot of travel and landscape photographers would love it for that extra bit of wide angle coverage... so, I would.What purpose would this lens serve? I would take the 18-55 VR over
this. If this was a FX lens, it would be much more interesting.
Same for me. I never understood why Nikon had so many 18-.... lenses (18-55, 18-70, 18-135, 18-200), but no single 16-.... lens. That didn't make sense to me. So, although this can be fake, it would make perfectly sense for Nikon to launch this lens. Actually, they are a few years late.....If the image quality is good, I guess that a lot of travel andWhat purpose would this lens serve? I would take the 18-55 VR over
this. If this was a FX lens, it would be much more interesting.
landscape photographers would love it for that extra bit of wide
angle coverage... so, I would.
BG
I'd consider ourselves slightly lucky not being offered 17-85 f/4-5.6 IS and soft to boot. ;-)Many people will be excited about the progressive use of VR but miss
the issue of the glass being sooooo sloooowwwwwwww.