Fred Silver
New member
For those who have worked with both the 5D or a 20D and the 1Ds Mark II, for a serious amateur, is their a real difference in the end product and is the result truly worht the $4000 to $6000 difference in price?
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This is an impossible question to answer for anyone but yourself, because both money and image quality have different value to different people. There is some difference - check the comparisons with the 1Ds II in the 5D review. Are they worth $4000? Probably not, unless you can make it up with increased earnings from your photography or you are fanatical about image quality. If money is no object, on the other hand...For those who have worked with both the 5D or a 20D and the 1Ds
Mark II, for a serious amateur, is their a real difference in the
end product and is the result truly worht the $4000 to $6000
difference in price?
Define "blow away"I was speaking to a colleague today and her says files from his 1DS
mk11 blow away the 5D files and also his mamiya medium format files.
--Define "blow away"I was speaking to a colleague today and her says files from his 1DS
mk11 blow away the 5D files and also his mamiya medium format files.![]()
--
Misha
Which, may I ask, is it that your colleage feels is blown away by files from the 1DsMkII? Because I just had a 645 slide scanned on a Nikon SuperCoolscan 9000 at 4000dpi and, in my opinion, no 35mm-based DSLR yet offers that kind of tonal range, gentle highlight roll-off, accurate fine detail, and in general 'warmth.' As convenient as digital is, if I could afford to shoot film exclusively, I would gladly do so. Images from film still have a dimensionality, and a sense of reality that comes from recording our analog world on an analog medium. Even when digitized, I find a well-exposed slide of size 6x4.5cm-and-larger superior to 35mm digital equally well (35mm digital being represented by the current standard-bearer 1DsMkII - files from which I deal with on a daily basis) exposed by a significant margin.I was speaking to a colleague today and her says files from his 1DS
mk11 blow away the 5D files and also his mamiya medium format files.
For those who have worked with both the 5D or a 20D and the 1Ds
Mark II, for a serious amateur, is their a real difference in the
end product and is the result truly worht the $4000 to $6000
difference in price?
--Which, may I ask, is it that your colleage feels is blown away byI was speaking to a colleague today and her says files from his 1DS
mk11 blow away the 5D files and also his mamiya medium format files.
files from the 1DsMkII? Because I just had a 645 slide scanned on a
Nikon SuperCoolscan 9000 at 4000dpi and, in my opinion, no
35mm-based DSLR yet offers that kind of tonal range, gentle
highlight roll-off, accurate fine detail, and in general 'warmth.'
As convenient as digital is, if I could afford to shoot film
exclusively, I would gladly do so. Images from film still have a
dimensionality, and a sense of reality that comes from recording
our analog world on an analog medium. Even when digitized, I find a
well-exposed slide of size 6x4.5cm-and-larger superior to 35mm
digital equally well (35mm digital being represented by the current
standard-bearer 1DsMkII - files from which I deal with on a daily
basis) exposed by a significant margin.
--
- -
Kabe Luna
http://www.flickr.com/photos/kabeluna/
...is in the quality of the print it produces, and assuming equivalent sharpness of both, to my eye prints - be they inkjets or traditional photographic prints - from a well-scanned, ISO 100 645 image renders more convincing fine detail than does an image from a 1DsMkII at ISO 100.Sorry, film has it's advantages, but the detail isn't one of it.
Read Luminous Landscape for it, but not even Velvia 50 at MF is
detailed enough to beat the 1DsII![]()
And to my eye a 645 film scan isn't anywhere close to the detail, tonality and overall image quality of a 1Ds Mark II or 5D file....is in the quality of the print it produces, and assumingSorry, film has it's advantages, but the detail isn't one of it.
Read Luminous Landscape for it, but not even Velvia 50 at MF is
detailed enough to beat the 1DsII![]()
equivalent sharpness of both, to my eye prints - be they inkjets or
traditional photographic prints - from a well-scanned, ISO 100 645
image renders more convincing fine detail than does an image from a
1DsMkII at ISO 100.
Granted, bump the speed requirement to ISO 400 and the DSLR wins by
a wide margin. But for ultimate quality without the expenditure of
30K on a medium format digital SLR system, scanned low-ISO film is
still the zenith.
--For those who have worked with both the 5D or a 20D and the 1Ds
Mark II, for a serious amateur, is their a real difference in the
end product and is the result truly worht the $4000 to $6000
difference in price?
No, professional camera is more about who uses itProfessional camera is more about responsivelness, robustness and
durability and flexibility, not necessary better picture. Picture
is more on the photographer. One can say 1Ds MK1 is superior built,
but being 2 years older, it may not produce better image than 5D,
and of course, 5D may not be as good as 1Ds MK2. If one needs to be
in the environment such as rain forest for months, or go to artic
area, may be you will not want to risk not to use professional
body. Every camera body eventually break down, the pro body gives
you better chance of staying longer. The pro body also has better
shield for electrical shock if you constantly use the camera in
studio using high power lighting.