Flash Setup/Home Studio for D30

Greg Wilder

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Had my D30 for about a month now and really love it. I am now starting to look at flash options. I have a Canon 380Ex which works fine for a single dedicated flash. I was wanting some options and opinions on what I should get. I also want to setup a small home studio for taking my Christmas photos and such. I've searched and read many threads here on flash and studio lighting. I've spent so much on the D30 and lens, I don't really want to spend another fortune on flash, which I don't use so often.

I was kind of leaning toward the Sigma EF500 Super. Should I purchase a couple and get some umbrellas and light stands? How well would this work for a so called home studio. I am not so knowledgeable on home studio setups. I am not sure what kind of umbrellas or softboxes I would need. Can I attach the flashes to some of my tripods? How do the umbrellas attach? Sorry for all the questions, but I have found the advice here invaluable over the years.

Thanks in advance....

Greg W.
 
Ok, here we go.....

I have both setups.
I am NOT a professional. I am a totally INSANE amateur!

1)

I have 2 550ex's and a 420ex, and the wireless transmitter ( St-E2)
I have 3 light stands, with flash mounts ( to mount the flashes to the stands)
I have 2 umbrellas that attach to the mounts.

I guess you got the picture.

Ok. This setup works very well. The wireless transmitter allows me to alter the amount of light coming from each individual unit. This is a simple button on the back of the transmitter.

Wireless, convenient, expensive!
Total cost about 900.00

2)
I also have entry level Britek lights.
I have 2 350 watt sec., and a 200 watt sec light.
These lights require an electrical outlet.

They're controlled manually by the setting on each individual light, and by the distance of each light to its subject.

I balance the light using a Minolta light meter or by previewing my images in the LCD on the camera.

The flashes have to triggered by a sync cord connected to the camera or by a "mini" master flash mounted on the camera ( pointed up and away from subject) and that will trigger the built in slave on the flash units.

System works fine. No battery issues, more power.
In my case, it was cheaper.

I picked up the three lights, three stands. 2 umbrellas, all cords, and travel cases for everything. Total 600.00

I hope this helped.
 
I would say you need at least 250 heads, I have 2 elincrom 500's and a 250, and usually want more power. The biggest stands you can afford, for stability. One softbox and brolly (2 brollies are cheaper) and a reflector that takes honeycombs. Try direct light for cli[pping. This could come to a lot less than speedlight set up, especially second hand. Don't forget a lightmeter.
 
Hi Greg W,

I am an amateur that just went through setting up a simple home studio that does very well. I have the Cannon 550EX, 420EX, and a Sigma 500 Super.

Let me start with the Sigma 500 Super. It is a fine piece of Equipment. I have had no problem with it. It works as well as the 550EX.

You need at least 2 off camera light sources, and a transmitter. A simple set up that works well, is a main light set up to the right or left of the subject and a fill light above and in line with the camera. Set the flash ratio at 2 to 1, Flash comp to +1 and fire away.

This is a list of equipment that would get you started. All materials and prices are from B&H.

2ea Sigma EF-500 Super Flashes. $ 180 ea
2ea Westcott 45’ Umbrellas $ 27 ea
2ea Smith-Victor S4A Light Stands $ 35 ea
2ea SP-Systems Swivel Brackets $ 14 ea
( to mount flash & umbrella )
1ea ST-E2 transmitter $ 195

Regards,
Greg R

http://www.fototime.com/ {8EF8D383-5951-4AC4-8C25-90646F6BB6F2} picture.JPG
 
Greg R, Nice work!

Greg W, you can run with this, I'm using basically this same setup (except I also got a couple of 550exs, and 420exs which gives me more flexibility) and get GREAT results. I've built (and have yet to post complete directions to do the same) my own quantum turbo batteries and chargers that give me all the power and flexibility of same without all the cost. I can run them off the mains as needed since leaving the chargers hooked to the bats doesn't seem to bother anything because the bats are sealed lead acid... Best of all, they work with ALL of my flashes so I don't have to go crazy with different cables and batteries for each type of flash...

I would say you should certainly get at the very least three Sigma (I'm using these most of the time) EF-500 Supers, since you are certainly going to want TWO off camera, and then SOMETHING on camera to control the two OFF camera flashes... The Sigma ON CAMERA can be set as control only (non-firing) which basically turns it into an ST-E2... Now, if you really want control, you'll need ANOTHER light for the background to cause your subject to pop! While it is the same price as another flash, the only time you really want a FLASH on camera is if you want THREE way ratio control, so the ST-E2 is perfect for most uses... The HUGE advantage of the ST-E2 is SIZE and weight... It is smaller and lighter than even the Sigma (which is a bit lighter than the 550ex) and makes hand holding much easier for flexibility... You can easily set everything up and then move around with either setup, the ST-E2 makes things a touch easier and less overwhelming for the subject since the D30, Grip and Sigma make an imposing rig to be pointing at folks... Sometimes I'll even go without the grip when shooting small children since the D30 and ST-E2 are a great deal less threatening...

If you have any questions or problems feel free to drop me a note, you can also stop over at Rob Galbraith's site for the review of the Sigma EF-500 Supers that I wrote when they first hit and no-one else had seen them... SOMEBODY was going to have to actually test it with the new Canon wireless way of doing things...

Scott...
Hi Greg W,

I am an amateur that just went through setting up a simple home
studio that does very well. I have the Cannon 550EX, 420EX, and a
Sigma 500 Super.

Let me start with the Sigma 500 Super. It is a fine piece of
Equipment. I have had no problem with it. It works as well as the
550EX.

You need at least 2 off camera light sources, and a transmitter. A
simple set up that works well, is a main light set up to the right
or left of the subject and a fill light above and in line with the
camera. Set the flash ratio at 2 to 1, Flash comp to +1 and fire
away.

This is a list of equipment that would get you started. All
materials and prices are from B&H.

2ea Sigma EF-500 Super Flashes. $ 180 ea
2ea Westcott 45’ Umbrellas $ 27 ea
2ea Smith-Victor S4A Light Stands $ 35 ea
2ea SP-Systems Swivel Brackets $ 14 ea
( to mount flash & umbrella )
1ea ST-E2 transmitter $ 195

Regards,
Greg R

http://www.fototime.com/ {8EF8D383-5951-4AC4-8C25-90646F6BB6F2} picture.JPG
 
Greg,

May I suggest that you check into getting some bonefide studio lights, rather than multiple hotshoe type flash units, such as Canon 550EX's or Sigma's. You may find that you can get the studio light kits at less cost than buying several hotshoe units.

Typically, you have a choice of a two or three light kit and the kits include light stands for each light, umbrellas and a carrying case. Several companies make these type kits, but Novatron is one of the more popular, inexpensive ones. You can check out there products at their web site. I don't have their equipment, but know some folks who do, and they are pleased with it.

Personally, I use some Paul Buff and Photogenic lights , but don't think their expense is necessary to give you successful results with what you said you wanted to do.

Someone mentioned earlier that you will need a light meter. More specifically, you will need a Flash Meter. All light meters do not have the capability to measure electronic flashes. So be sure when you buy your meter that is has a FLASH metering function or it will be useless in your studio setting.

Best wishes, Calvin Wilson
Had my D30 for about a month now and really love it. I am now
starting to look at flash options. I have a Canon 380Ex which works
fine for a single dedicated flash. I was wanting some options and
opinions on what I should get. I also want to setup a small home
studio for taking my Christmas photos and such. I've searched and
read many threads here on flash and studio lighting. I've spent so
much on the D30 and lens, I don't really want to spend another
fortune on flash, which I don't use so often.

I was kind of leaning toward the Sigma EF500 Super. Should I
purchase a couple and get some umbrellas and light stands? How well
would this work for a so called home studio. I am not so
knowledgeable on home studio setups. I am not sure what kind of
umbrellas or softboxes I would need. Can I attach the flashes to
some of my tripods? How do the umbrellas attach? Sorry for all the
questions, but I have found the advice here invaluable over the
years.

Thanks in advance....

Greg W.
 
Thanks Scott,

I would love to have directions for building your batteries, if you get time to post them.

Regards,
Greg R
Greg R, Nice work!

Greg W, you can run with this, I'm using basically this same setup
(except I also got a couple of 550exs, and 420exs which gives me
more flexibility) and get GREAT results. I've built (and have yet
to post complete directions to do the same) my own quantum turbo
batteries and chargers that give me all the power and flexibility
of same without all the cost. I can run them off the mains as
needed since leaving the chargers hooked to the bats doesn't seem
to bother anything because the bats are sealed lead acid... Best
of all, they work with ALL of my flashes so I don't have to go
crazy with different cables and batteries for each type of flash...

I would say you should certainly get at the very least three Sigma
(I'm using these most of the time) EF-500 Supers, since you are
certainly going to want TWO off camera, and then SOMETHING on
camera to control the two OFF camera flashes... The Sigma ON
CAMERA can be set as control only (non-firing) which basically
turns it into an ST-E2... Now, if you really want control, you'll
need ANOTHER light for the background to cause your subject to pop!
While it is the same price as another flash, the only time you
really want a FLASH on camera is if you want THREE way ratio
control, so the ST-E2 is perfect for most uses... The HUGE
advantage of the ST-E2 is SIZE and weight... It is smaller and
lighter than even the Sigma (which is a bit lighter than the 550ex)
and makes hand holding much easier for flexibility... You can
easily set everything up and then move around with either setup,
the ST-E2 makes things a touch easier and less overwhelming for the
subject since the D30, Grip and Sigma make an imposing rig to be
pointing at folks... Sometimes I'll even go without the grip when
shooting small children since the D30 and ST-E2 are a great deal
less threatening...

If you have any questions or problems feel free to drop me a note,
you can also stop over at Rob Galbraith's site for the review of
the Sigma EF-500 Supers that I wrote when they first hit and no-one
else had seen them... SOMEBODY was going to have to actually test
it with the new Canon wireless way of doing things...

Scott...
 
I am leaning toward a low end studio light kit, primarily for flexibility with my other cameras. I have a couple of other digital cameras, and I'm always trying out something new.

1. What models/kits would you recommend? I have seen Novatron mentioned a lot. Also, there seem to be a lot of the Britek kits on ebay for a reasonable price.

2. Would a two light kit be enough to start with? I mainly want to use for occasional kid and family photos. I plan to do my Christmas cards this year with my D30 and a good light kit.

3. I have read there is some potential issue with the D30 PC sync port and some of these lighting kits. Is this an issue? Have folks used a D30 with the Novatron or Britek kits? Also if I have 3 lights, how do I connect all 3 to the camera?

4. What other methods can be used to trigger these light kits? Do they have slave flash triggering. I've seen several radio trigger units, but of course that adds more cost.

Thanks again for all the help.

Greg W
Typically, you have a choice of a two or three light kit and the
kits include light stands for each light, umbrellas and a carrying
case. Several companies make these type kits, but Novatron is one
of the more popular, inexpensive ones. You can check out there
products at their web site. I don't have their equipment, but know
some folks who do, and they are pleased with it.

Personally, I use some Paul Buff and Photogenic lights , but don't
think their expense is necessary to give you successful results
with what you said you wanted to do.

Someone mentioned earlier that you will need a light meter. More
specifically, you will need a Flash Meter. All light meters do not
have the capability to measure electronic flashes. So be sure when
you buy your meter that is has a FLASH metering function or it will
be useless in your studio setting.

Best wishes, Calvin Wilson
Had my D30 for about a month now and really love it. I am now
starting to look at flash options. I have a Canon 380Ex which works
fine for a single dedicated flash. I was wanting some options and
opinions on what I should get. I also want to setup a small home
studio for taking my Christmas photos and such. I've searched and
read many threads here on flash and studio lighting. I've spent so
much on the D30 and lens, I don't really want to spend another
fortune on flash, which I don't use so often.

I was kind of leaning toward the Sigma EF500 Super. Should I
purchase a couple and get some umbrellas and light stands? How well
would this work for a so called home studio. I am not so
knowledgeable on home studio setups. I am not sure what kind of
umbrellas or softboxes I would need. Can I attach the flashes to
some of my tripods? How do the umbrellas attach? Sorry for all the
questions, but I have found the advice here invaluable over the
years.

Thanks in advance....

Greg W.
 
Greg,

most studio light has light triggered slaves. The easiest way to trigger them is through a simple manual flash on the D30 and turn down the power(the lowest) of the on camera flash. If you have a 550EX, you can

use that as the trigger(though a bit heavy) or see if you can get a cheap second hand speedlite like EZ. In this way, you don't have to worry about voltage.
1. What models/kits would you recommend? I have seen Novatron
mentioned a lot. Also, there seem to be a lot of the Britek kits on
ebay for a reasonable price.

2. Would a two light kit be enough to start with? I mainly want to
use for occasional kid and family photos. I plan to do my Christmas
cards this year with my D30 and a good light kit.

3. I have read there is some potential issue with the D30 PC sync
port and some of these lighting kits. Is this an issue? Have folks
used a D30 with the Novatron or Britek kits? Also if I have 3
lights, how do I connect all 3 to the camera?

4. What other methods can be used to trigger these light kits? Do
they have slave flash triggering. I've seen several radio trigger
units, but of course that adds more cost.

Thanks again for all the help.

Greg W
Typically, you have a choice of a two or three light kit and the
kits include light stands for each light, umbrellas and a carrying
case. Several companies make these type kits, but Novatron is one
of the more popular, inexpensive ones. You can check out there
products at their web site. I don't have their equipment, but know
some folks who do, and they are pleased with it.

Personally, I use some Paul Buff and Photogenic lights , but don't
think their expense is necessary to give you successful results
with what you said you wanted to do.

Someone mentioned earlier that you will need a light meter. More
specifically, you will need a Flash Meter. All light meters do not
have the capability to measure electronic flashes. So be sure when
you buy your meter that is has a FLASH metering function or it will
be useless in your studio setting.

Best wishes, Calvin Wilson
Had my D30 for about a month now and really love it. I am now
starting to look at flash options. I have a Canon 380Ex which works
fine for a single dedicated flash. I was wanting some options and
opinions on what I should get. I also want to setup a small home
studio for taking my Christmas photos and such. I've searched and
read many threads here on flash and studio lighting. I've spent so
much on the D30 and lens, I don't really want to spend another
fortune on flash, which I don't use so often.

I was kind of leaning toward the Sigma EF500 Super. Should I
purchase a couple and get some umbrellas and light stands? How well
would this work for a so called home studio. I am not so
knowledgeable on home studio setups. I am not sure what kind of
umbrellas or softboxes I would need. Can I attach the flashes to
some of my tripods? How do the umbrellas attach? Sorry for all the
questions, but I have found the advice here invaluable over the
years.

Thanks in advance....

Greg W.
 
i always liked the sv quartz kits. lights, stands, barn doors (and or umbrellas) and a hard case starting around $200 at b&h

eric
 
I am leaning toward a low end studio light kit, primarily for
flexibility with my other cameras. I have a couple of other digital
cameras, and I'm always trying out something new.
1. What models/kits would you recommend? I have seen Novatron
mentioned a lot. Also, there seem to be a lot of the Britek kits on
ebay for a reasonable price.
There are as many lights and light kits as there are models of cars, and recommending a light/kit is much like recommending a car. There are a lot of good lights/cars, any of which will have particular differences that may delight one person while dismaying the next. You really need to do research into how to USE studio lights. When I bought my studio lights, I chose monolights because I was doing a lot of wedding photography and wanted to be able to use my studio lights in a portable fashion. I thought the monolights would be the best for both studio and location work. However, I was wrong. The monolights (Paul Buff's White Lightning 1800 and 1200) are so large, heavy and cumbersome that I no longer use them for "location" photography. They would be great for a set up that doesn't have to be torn down after each session. But there are not manageable for hauling to churches and recptions.
2. Would a two light kit be enough to start with? I mainly want to
use for occasional kid and family photos. I plan to do my Christmas
cards this year with my D30 and a good light kit.
Anything you do that begins with getting the light away the hotshoe, i.e., away form the axis of the lens, will improve your pictures. Merely holding the flash away from the camera helps, but, of course, you can't do that with the D30 because there is no cable (that I know of) that will connect to the hotshoe and Canon flash and still maintain all the functions.

Thus, ONE studio light, 45 degress to one side of the subject, with a reflector on the other side, will be even better. (A hand held piece of poster board will work for a reflector.) TWO studio lights, one at 45 degress and the other near the camera, or on the other side of the subject will usually be even better. However, I've seen one light pictures that were beautiful. It's just that it's usually easier to do with two lights.

Additonal lights, beyond two, allows you to light portions of the image that may otherwise be darker than desired. For example, the background of the subject will be much darker than the subject due to light "fall off" as the distance increases from the flash. Often times the subjects head, hair and shoulders fades away into the dark background because there is no light on them. A third light, shining on the subject's head and shoulders from the sujects back, i.e., aimed somewhat towards the camera from behind the subject, solves this problem.
3. I have read there is some potential issue with the D30 PC sync
port and some of these lighting kits. Is this an issue? Have folks
used a D30 with the Novatron or Britek kits? Also if I have 3
lights, how do I connect all 3 to the camera?
Yes the PC sync port is a potential problem, depending upon what the trigger voltage of the flash is. In my case, the White Lightning unit's trigger voltage is less than 6V, as recommended by Canon, but the voltage of my Quantum Radio units and Photogenic system are way above the recommended 6V. Thus, I plug my one White Lightning into the D30's PC port and let the slaves of the other units fire the rest of my lights.

If you have a multilight system set up and all the units are turned on, any flash will trigger all units via slave flash triggers built into the all the units. Thus, all you need do is have one unit attached via the D30's PC sync jack and when it fires, all the units fire via their slave units.
4. What other methods can be used to trigger these light kits? Do
they have slave flash triggering. I've seen several radio trigger
units, but of course that adds more cost.
Other folks have more knowledge about using the D30's hotshoe flash to trigger studio units, so they can help you more in that regard. However, as I mentioned above, radio units are not necessarily a panacea, since the radio trigger voltage may be too high, as is the case with my Quantum Radio units.

In summary, anything you do which phycically separates the flash from the camera will most likely improve the aesthetics of your images. Even if it's just one flash unit!

Kind regards, Calvin
Thanks again for all the help.

Greg W
Typically, you have a choice of a two or three light kit and the
kits include light stands for each light, umbrellas and a carrying
case. Several companies make these type kits, but Novatron is one
of the more popular, inexpensive ones. You can check out there
products at their web site. I don't have their equipment, but know
some folks who do, and they are pleased with it.

Personally, I use some Paul Buff and Photogenic lights , but don't
think their expense is necessary to give you successful results
with what you said you wanted to do.

Someone mentioned earlier that you will need a light meter. More
specifically, you will need a Flash Meter. All light meters do not
have the capability to measure electronic flashes. So be sure when
you buy your meter that is has a FLASH metering function or it will
be useless in your studio setting.

Best wishes, Calvin Wilson
Had my D30 for about a month now and really love it. I am now
starting to look at flash options. I have a Canon 380Ex which works
fine for a single dedicated flash. I was wanting some options and
opinions on what I should get. I also want to setup a small home
studio for taking my Christmas photos and such. I've searched and
read many threads here on flash and studio lighting. I've spent so
much on the D30 and lens, I don't really want to spend another
fortune on flash, which I don't use so often.

I was kind of leaning toward the Sigma EF500 Super. Should I
purchase a couple and get some umbrellas and light stands? How well
would this work for a so called home studio. I am not so
knowledgeable on home studio setups. I am not sure what kind of
umbrellas or softboxes I would need. Can I attach the flashes to
some of my tripods? How do the umbrellas attach? Sorry for all the
questions, but I have found the advice here invaluable over the
years.

Thanks in advance....

Greg W.
 
If I was digital at this time, knowing I can control white balance,
my first studio attempt (for casual use as you indicated) would be a
trip to home depot to buy their daylight incandesants or daylight
flourescent bulbs (probably best) and simple lamps and try my own

lighting. with continuous light you would have your modeling lamps included. ALL for +-$200. This is what I will do when I get my digital camera.
I was kind of leaning toward the Sigma EF500 Super. Should I
purchase a couple and get some umbrellas and light stands? How well
would this work for a so called home studio.
 
Hate to let the wind out of your sails Calvin, but the price of a lowend Novatron TWO light system is still significantly more than a pair of Sigma's and YOU WOULD STILL need a FLASH meter which is gonna be at least another $200...

Now with a pair of Sigma's putting out around GN50 (roughly 250ws) and an ST-E2 you will NOT need a light meter since the Sigma's and the ST-E2 use wireless E-TTL... $70 dollars for a couple of light stands and off you go... SO lets see here,

Novatron BASE system, $695 AND $200 for a flash metter gives you $895 plus you have to use the wires and get an isolator to protect the camera.

Two EF-500's, an ST-E2, and a couple of light stands: $609... AND you can take it with you for portable use...

Scott...
Typically, you have a choice of a two or three light kit and the
kits include light stands for each light, umbrellas and a carrying
case. Several companies make these type kits, but Novatron is one
of the more popular, inexpensive ones. You can check out there
products at their web site. I don't have their equipment, but know
some folks who do, and they are pleased with it.

Personally, I use some Paul Buff and Photogenic lights , but don't
think their expense is necessary to give you successful results
with what you said you wanted to do.

Someone mentioned earlier that you will need a light meter. More
specifically, you will need a Flash Meter. All light meters do not
have the capability to measure electronic flashes. So be sure when
you buy your meter that is has a FLASH metering function or it will
be useless in your studio setting.

Best wishes, Calvin Wilson
Had my D30 for about a month now and really love it. I am now
starting to look at flash options. I have a Canon 380Ex which works
fine for a single dedicated flash. I was wanting some options and
opinions on what I should get. I also want to setup a small home
studio for taking my Christmas photos and such. I've searched and
read many threads here on flash and studio lighting. I've spent so
much on the D30 and lens, I don't really want to spend another
fortune on flash, which I don't use so often.

I was kind of leaning toward the Sigma EF500 Super. Should I
purchase a couple and get some umbrellas and light stands? How well
would this work for a so called home studio. I am not so
knowledgeable on home studio setups. I am not sure what kind of
umbrellas or softboxes I would need. Can I attach the flashes to
some of my tripods? How do the umbrellas attach? Sorry for all the
questions, but I have found the advice here invaluable over the
years.

Thanks in advance....

Greg W.
 
Scott,

Certainly appears that your plan is a reasonable and efficient solution to Greg's lighting question. In fact, your plan may be the best setup for me when I do my, "Hurry up and get these altar pictures; we've got to get to the reception," shots. If you are agreeable, I might like to pick your brain a bit about precisely how the TTL system functiions when more than one flash is used.
Thank you, Calvin Wilson
Now with a pair of Sigma's putting out around GN50 (roughly 250ws)
and an ST-E2 you will NOT need a light meter since the Sigma's and
the ST-E2 use wireless E-TTL... $70 dollars for a couple of light
stands and off you go... SO lets see here,

Novatron BASE system, $695 AND $200 for a flash metter gives you
$895 plus you have to use the wires and get an isolator to protect
the camera.

Two EF-500's, an ST-E2, and a couple of light stands: $609... AND
you can take it with you for portable use...

Scott...
Typically, you have a choice of a two or three light kit and the
kits include light stands for each light, umbrellas and a carrying
case. Several companies make these type kits, but Novatron is one
of the more popular, inexpensive ones. You can check out there
products at their web site. I don't have their equipment, but know
some folks who do, and they are pleased with it.

Personally, I use some Paul Buff and Photogenic lights , but don't
think their expense is necessary to give you successful results
with what you said you wanted to do.

Someone mentioned earlier that you will need a light meter. More
specifically, you will need a Flash Meter. All light meters do not
have the capability to measure electronic flashes. So be sure when
you buy your meter that is has a FLASH metering function or it will
be useless in your studio setting.

Best wishes, Calvin Wilson
Had my D30 for about a month now and really love it. I am now
starting to look at flash options. I have a Canon 380Ex which works
fine for a single dedicated flash. I was wanting some options and
opinions on what I should get. I also want to setup a small home
studio for taking my Christmas photos and such. I've searched and
read many threads here on flash and studio lighting. I've spent so
much on the D30 and lens, I don't really want to spend another
fortune on flash, which I don't use so often.

I was kind of leaning toward the Sigma EF500 Super. Should I
purchase a couple and get some umbrellas and light stands? How well
would this work for a so called home studio. I am not so
knowledgeable on home studio setups. I am not sure what kind of
umbrellas or softboxes I would need. Can I attach the flashes to
some of my tripods? How do the umbrellas attach? Sorry for all the
questions, but I have found the advice here invaluable over the
years.

Thanks in advance....

Greg W.
 
Most certainly Calvin you are welcome to pick away... I do so hate to saound like a biggot because I'm not, but Canon with the design, and now Sigma for lowering the entry price has made some amazingly simple and almost frighteningly powerful lighting available for really low prices... Yes, one day the tube in each of these shoe mounted units will go and in all likelyhood they will then be thrown out were as the Nova's you just replace the bulb, however for studio quality (and quantity) light in the field it can be hard to beat, when you add in the full wireless control of power and ratio it gets harder still. Shoot with a Canon Type-A camera and it becomes impossible to beat...

Honestly I have used wireless E-ttl for field work quite a bit and hate to say I love it... I'm never a big fan of gadgets and gee wiz space age stuff where the equipment does all the work, but honestly the elegant simplicity of the system is hardto beat, easy to pack and carry, and dirt cheaped when you consider equipment costs and honestly the time savings...

Brides caused me to get more flashes, I have a shoot at the end of the moth where I'll be deploying six strobes with Sto-Fens on stands all around the place to AVOID the usual wedding pictures of the subjects in a dark hole... Main light and assistants lights at 2:1 with the remaining strobes around the reception hall, and the alter set at 2:1 giving me then 4:2:1 which should spray enough light to catch more of the background... The 550ex alone is probably one of the MOST powerful camera mounted flashes I've yet played with... LOTS of power and LOTS of range... Take a look at what a single camera mounted 550ex flash can do:

http://www.tech-test.com/~beentheresurfedthat/katieandsaman/Katie.htm

Many of these shots are over 40 feet away WITH a Sto-fen omnibounce on the flash... So E-TTL alone is a powerful feature... Wireless you can just imagine...

Scott...
Now with a pair of Sigma's putting out around GN50 (roughly 250ws)
and an ST-E2 you will NOT need a light meter since the Sigma's and
the ST-E2 use wireless E-TTL... $70 dollars for a couple of light
stands and off you go... SO lets see here,

Novatron BASE system, $695 AND $200 for a flash metter gives you
$895 plus you have to use the wires and get an isolator to protect
the camera.

Two EF-500's, an ST-E2, and a couple of light stands: $609... AND
you can take it with you for portable use...

Scott...
Typically, you have a choice of a two or three light kit and the
kits include light stands for each light, umbrellas and a carrying
case. Several companies make these type kits, but Novatron is one
of the more popular, inexpensive ones. You can check out there
products at their web site. I don't have their equipment, but know
some folks who do, and they are pleased with it.

Personally, I use some Paul Buff and Photogenic lights , but don't
think their expense is necessary to give you successful results
with what you said you wanted to do.

Someone mentioned earlier that you will need a light meter. More
specifically, you will need a Flash Meter. All light meters do not
have the capability to measure electronic flashes. So be sure when
you buy your meter that is has a FLASH metering function or it will
be useless in your studio setting.

Best wishes, Calvin Wilson
Had my D30 for about a month now and really love it. I am now
starting to look at flash options. I have a Canon 380Ex which works
fine for a single dedicated flash. I was wanting some options and
opinions on what I should get. I also want to setup a small home
studio for taking my Christmas photos and such. I've searched and
read many threads here on flash and studio lighting. I've spent so
much on the D30 and lens, I don't really want to spend another
fortune on flash, which I don't use so often.

I was kind of leaning toward the Sigma EF500 Super. Should I
purchase a couple and get some umbrellas and light stands? How well
would this work for a so called home studio. I am not so
knowledgeable on home studio setups. I am not sure what kind of
umbrellas or softboxes I would need. Can I attach the flashes to
some of my tripods? How do the umbrellas attach? Sorry for all the
questions, but I have found the advice here invaluable over the
years.

Thanks in advance....

Greg W.
 

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