Torgny Dellsen
Leading Member
Why are the raw files THAT MUCH larger than the .jpeg files (X100S)
For instance 32 vs 3.2 MB
What do you REALLY miss?
For instance 32 vs 3.2 MB
What do you REALLY miss?
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Jpeg is a compressed file and RAW isn't.
One thing I noticed with the Fuji X cameras is that the out-of-camera JPG is quite a bit smaller than what you get from other cameras, and it doesn't take much post processing to balloon it up to over twice the size (6.4megabytes vs 3.2megabytes).
For example my Sigma SD1 raw is about 50 meg, and the JPG is about 12 meg. This is about 4:1. This makes sense to me. The ratio with Fuji is quite a bit higher.
For all this time (I've been using X cameras over 2 years, X10 and X-E1) I've been thinking the JPGs are too small (too few bytes, too much compression regardless of camera FINE setting).
14 bit files vs. compressed 8 bit, which is helped by the low noise produced at default levels (noise is uncompressible because it looks like detail).Why are the raw files THAT MUCH larger than the .jpeg files (X100S)
For instance 32 vs 3.2 MB
What do you REALLY miss?
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I hope I know the basics on compression. There are things I don't understand about the files from the X cameras though.One thing I noticed with the Fuji X cameras is that the out-of-camera JPG is quite a bit smaller than what you get from other cameras, and it doesn't take much post processing to balloon it up to over twice the size (6.4megabytes vs 3.2megabytes).
For example my Sigma SD1 raw is about 50 meg, and the JPG is about 12 meg. This is about 4:1. This makes sense to me. The ratio with Fuji is quite a bit higher.
For all this time (I've been using X cameras over 2 years, X10 and X-E1) I've been thinking the JPGs are too small (too few bytes, too much compression regardless of camera FINE setting).
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Tom Schum
If the color balance and exposure are perfect, then the information destroyed by the lossy compression is truly redundant. Included in exposure for this discussion is dynamic range. A perfect exposure implies the dynamic range of the scene does not exceed the technical limits of the sensor.I hope I know the basics on compression. There are things I don't understand about the files from the X cameras though.
What I wanted was practical points of views. Let's say that you are happy about a certain outcome of your photographic efforts (that you've made a helluva great image, that is). The .jpeg is great. You just want to adjust some minor issues you couldn't do with the .jpeg
So. Life is great. The sky is blue, birds are singing etc. but you've got one question nagging you: do I really have to buy another 3 TB drive or can I save space by saving only the .jpeg, not the RAF
For pictures you really want to save for generations to come, it may be no problem. You save it all. But for the bulk of your photography?
I almost never delete a picture.For pictures you really want to save for generations to come, it may be no problem. You save it all. But for the bulk of your photography?So. Life is great. The sky is blue, birds are singing etc. but you've got one question nagging you: do I really have to buy another 3 TB drive or can I save space by saving only the .jpeg, not the RAF
You are probably deleting a fair number of shots that might be truly great given a new day's perspective (or technology). Also, there might be a "throw away" grab shot of something / someone you can't replace or recreate that becomes meaningful later.Wow!
You keep everything...
I only keep 3-5% of all my shots.....
I do not keep shots because they are technically good enough or could be better with some PP, but because they carry a message, a feeling, an interesting or surprising composition.You are probably deleting a fair number of shots that might be truly great given a new day's perspective (or technology). Also, there might be a "throw away" grab shot of something / someone you can't replace or recreate that becomes meaningful later.Wow!
You keep everything...
I only keep 3-5% of all my shots.....
One reasonable example is exposing a blah image 10 years ago in RAW when I didn't know about single image derived HDR. Fast forward to today and there might be a contrasty colorful shot there.
Storage is ridiculously cheap in the scheme of things.
The Fuji raw files, since they are uncompressed, can be losslessly compressed quite a bit, saving a ton of space. A compressor such as bzip2 can reduce file sizes up to 95% (extreme case, for example, for shots of the night sky). It's a tremendous space saver as well as time saver when uploading files to somewhere. I do that all the time before archiving my images. I wish Fuji would do that in-camera, but I am sure the processor is at the limit already.I almost never delete a picture.For pictures you really want to save for generations to come, it may be no problem. You save it all. But for the bulk of your photography?So. Life is great. The sky is blue, birds are singing etc. but you've got one question nagging you: do I really have to buy another 3 TB drive or can I save space by saving only the .jpeg, not the RAF
Here's my storage strategy (note: not all storage is used by pictures - a lot of software development on large data sets):
- 3 TB local drive for fast access
- 3 TB local drive with nightly incremental backups / weekly cycles
- 30 TB of monthly and epoch backups going back more than 15 years - for example I can go back to the desktop (files) I had in 1998. Look at source code I wrote then and wonder how it ever worked.
Point is, I sometimes come back years later to a shitty photo that I realize can be cropped or processed in a new way. Or what was shitty then might today be important for some reason.
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