Interceptor121
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In 2008 Panasonic introduced the G1 the first Micro Four Thirds camera the benefit as described on the website (now removed) were
However increasing demand for higher image quality together with efforts to mitigate lack of low light performance has meant faster aperture lenses have been introduced that negate for most the size benefit.
Panasonic launched the Nocticron a lens over 400 grams vs the 150 of the Lumix G 42.5 and later on Olympus pro line meant the 40-150mm weight over 700 grams and the whole family of prime exceed 400 grams.
With the arrival of Sony mirrorless full frame system that also lacked a mirror the size benefit vs micro four thirds has greatly been reduced and today is practically zero. The A7 was the same size of the Olympus OMD EM1.
So if we exclude the smaller bodies and slower lenses it is fair to say that MFT no longer has a size benefit and needs to differentiate on other features.
Those features today are:
1. Mobility / agility
2. Video capabilities
By mobility agility I mean all the additional features connected to MFT higher readout speeds that allow for things not possible on other formats: high speed burst, focus stacking, 4k/6k photo, pre-burst
And of course MFT is still a system of choice for those who need depth of field in video and don't have time to manage precise focus pulling.
This is why Sony is developing a 120 fps readout sensor and why Panasonic confirmed their investment on MFT as a platform for high mobility.
The fact that also future sensor ADC is only 12 bit means they have given up on still image image quality to prioritise speed. Today MFT sensor have more than 12 stops of dynamic range however gradation is inferior to other format with 14 bits depth and this ultimately is a compromise they seem to have decided to take.
This direction of travel may upset the majority of early adopters that chose MFT coming from DSLR however it is a fact and you can see not just PhotoJoseph doing a lot of video but also Peter Fosgard moving to video and Jimmy Chen going back to it as well as Robin Wong. A bunch of hardcore Olympus photographers and ambassadors that now that have been set free from OMD they understand themselves they need to move on.
Bandwidth is becoming cheap and Instragram videos and TikTok are the norm MFT is well aligned to be there and be relevant though most people in this forum do not like the idea. The GH5M2 is exactly targeted to those audiences that shoot video and photo and need to do it effectively and efficiently at good but not outstanding quality. It will be interested to see how this is going to be received.
OMD early statements on video capability and the release of ProRes RAW for Ninja V are signs they also see the direction of travel and will try to align to it.
- Radical reduction in thickness, size and weight
- An interchangeable lens system designed to handle video in the future
- Continued use of four thirds lenses
However increasing demand for higher image quality together with efforts to mitigate lack of low light performance has meant faster aperture lenses have been introduced that negate for most the size benefit.
Panasonic launched the Nocticron a lens over 400 grams vs the 150 of the Lumix G 42.5 and later on Olympus pro line meant the 40-150mm weight over 700 grams and the whole family of prime exceed 400 grams.
With the arrival of Sony mirrorless full frame system that also lacked a mirror the size benefit vs micro four thirds has greatly been reduced and today is practically zero. The A7 was the same size of the Olympus OMD EM1.
So if we exclude the smaller bodies and slower lenses it is fair to say that MFT no longer has a size benefit and needs to differentiate on other features.
Those features today are:
1. Mobility / agility
2. Video capabilities
By mobility agility I mean all the additional features connected to MFT higher readout speeds that allow for things not possible on other formats: high speed burst, focus stacking, 4k/6k photo, pre-burst
And of course MFT is still a system of choice for those who need depth of field in video and don't have time to manage precise focus pulling.
This is why Sony is developing a 120 fps readout sensor and why Panasonic confirmed their investment on MFT as a platform for high mobility.
The fact that also future sensor ADC is only 12 bit means they have given up on still image image quality to prioritise speed. Today MFT sensor have more than 12 stops of dynamic range however gradation is inferior to other format with 14 bits depth and this ultimately is a compromise they seem to have decided to take.
This direction of travel may upset the majority of early adopters that chose MFT coming from DSLR however it is a fact and you can see not just PhotoJoseph doing a lot of video but also Peter Fosgard moving to video and Jimmy Chen going back to it as well as Robin Wong. A bunch of hardcore Olympus photographers and ambassadors that now that have been set free from OMD they understand themselves they need to move on.
Bandwidth is becoming cheap and Instragram videos and TikTok are the norm MFT is well aligned to be there and be relevant though most people in this forum do not like the idea. The GH5M2 is exactly targeted to those audiences that shoot video and photo and need to do it effectively and efficiently at good but not outstanding quality. It will be interested to see how this is going to be received.
OMD early statements on video capability and the release of ProRes RAW for Ninja V are signs they also see the direction of travel and will try to align to it.