manual_focus
Senior Member
I recently toured the great pyramids north of Mexico City on a high overcast sunny day. I almost always use a CPL outdoors and tried shooting the same scene with no/little polarization (resulted in a more homogeneous light blue sky) and full polarization (which gave me better colors overall and a bluer sky with clouds).
I thought it might be informative to see the differences of reducing the stray, mostly blue light (full polarization) from the normal light (no polarization) produces.
I've combined the images into one with the no polarization on top and the full polarization on the bottom. Both shots were with a high quality CPL but the polarization was 90 degrees to each other. This eliminates any color shift introduced from the CPL which is minimal. The images were shot with the DA* 16-50mm f/2.8 PLM lens on a K3III. Both images were brought into SilkyPix 11 so that I could get an accurate histogram along with the color temperature of the original camera Auto White Balance used. The color temperature was almost the same for both. No polarization had a temperature of 5,255oK and with full polarization a color temperature of 5,149oK. The only difference between the two images was the exposure as the full polarization resulted in much less blue light. No Polarization exposure was 1/1600 sec and full polarization was 1/800 sec. I made almost no changes to the RAW images except to keep from reaching a RGB value of 255 in any part of the scene. A minor (-0.2) decrease in exposure for each.
The images speak for themselves.
View attachment 0f5ddd43e0b24ea0a38100433b5ca47a.jpg
Taken with DA* 16-50,, f/2.8 PLM . [Exposure: Top 1/1600 sec. Bottom: 1/800 sec]
Here's where it gets interesting. I screen captured the Histograms from each original image and combined them the same as the actual images. The histogram with no polarization (Top) has a very pronounced blue component of 246 which shows up in the image as the blue sky right above the pyramid. With full polarization all the RGB values in the sky are reduced significantly and the highlights that set the exposure are the whites in the scene. These are the mostly the plaster on the walls of the rooms on the lower left and the grout lines of the stonework.
I thought this might help people visualize what a CPL does and how it influences a scene when it greatly reduces the scattered and blue light from the sky.
Enjoy!

From the RAW images using SilkyPix 11 [Top: No polarization. bottom: Full Polarization]
I thought it might be informative to see the differences of reducing the stray, mostly blue light (full polarization) from the normal light (no polarization) produces.
I've combined the images into one with the no polarization on top and the full polarization on the bottom. Both shots were with a high quality CPL but the polarization was 90 degrees to each other. This eliminates any color shift introduced from the CPL which is minimal. The images were shot with the DA* 16-50mm f/2.8 PLM lens on a K3III. Both images were brought into SilkyPix 11 so that I could get an accurate histogram along with the color temperature of the original camera Auto White Balance used. The color temperature was almost the same for both. No polarization had a temperature of 5,255oK and with full polarization a color temperature of 5,149oK. The only difference between the two images was the exposure as the full polarization resulted in much less blue light. No Polarization exposure was 1/1600 sec and full polarization was 1/800 sec. I made almost no changes to the RAW images except to keep from reaching a RGB value of 255 in any part of the scene. A minor (-0.2) decrease in exposure for each.
The images speak for themselves.
View attachment 0f5ddd43e0b24ea0a38100433b5ca47a.jpg
Taken with DA* 16-50,, f/2.8 PLM . [Exposure: Top 1/1600 sec. Bottom: 1/800 sec]
Here's where it gets interesting. I screen captured the Histograms from each original image and combined them the same as the actual images. The histogram with no polarization (Top) has a very pronounced blue component of 246 which shows up in the image as the blue sky right above the pyramid. With full polarization all the RGB values in the sky are reduced significantly and the highlights that set the exposure are the whites in the scene. These are the mostly the plaster on the walls of the rooms on the lower left and the grout lines of the stonework.
I thought this might help people visualize what a CPL does and how it influences a scene when it greatly reduces the scattered and blue light from the sky.
Enjoy!

From the RAW images using SilkyPix 11 [Top: No polarization. bottom: Full Polarization]

