GFX 100 II Specifications Overview and Gallery

[Valued Customer]

Sample Gallery: https://fujifilm-x.com/en-us/products/cameras/gfx100-ii/gallery/

(did not see new lenses in gallery)

OVERVIEW

"FUJIFILM GFX100 II | Cameras | FUJIFILM Digital Camera X Series & GFX – USA

MORE THAN FULL FRAME

New beginnings don’t start with taking new steps, they start with moving in
new directions. And every new GFX System camera has taken a
direction that has redefined what it means to be More Than Full Frame.

From its unparalleled image quality, to its overall mobility,
the boundaries of large format imaging have continually been
reimagined with every new iteration.

GFX100 II continues this tradition by bringing unprecedented high-speed
performance, expanded video capabilities, and lightning fast autofocus to
a growing list of accolades that professionals
everywhere have come to rely on from GFX System cameras.

If it’s time to find some direction,
discover one to new opportunities with GFX100 II.

GFX100 II brings a new 102-megapixel sensor “GFX 102MP CMOS II HS” with a readout speed that is about two times faster than GFX100S.Combined with X-Processor 5, GFX100 II is able to achieve a high continuous frame rate of up to 8fps, surgically accurate AF, and advanced video features that have never before existed in any previous GFX System or X Series camera."

SEE, https://fujifilm-x.com/en-us/products/cameras/gfx100-ii/

SPECIFICATIONS (from Adorama site)

Specifications of FUJI Site : https://fujifilm-x.com/en-us/products/cameras/gfx100-ii/specifications/

They are much easier to read by clicking the above link.)

Fujifilm GFX 100 II Specifications

Number Of Effective Pixels102 million pixelsImage Sensor43.8 x 32.9mm Bayer array with primary color filter
Image Processing Engine: X-Processor 5Sensor Cleaning SystemUltra Sonic VibrationStorage MediaSD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) / SSD (-2TB)File Format (Still)DCF: Compliant with Design rule for Camera File system (DCF2.0), JPEG: Exif Ver.2.32, HEIF:4:2:2 10bit, RAW: 14bit/ 16bit RAW RAF original format, TIFF: 8bit/ 16bit RGB (In-camera RAW Conversion Only)Number Of Recorded PixelsL: [4:3] 11648x8736 [3:2] 11648x7768 [16:9] 11648x6552 [1:1] 8736x8736 [65:24] 11648x4304 [5:4] 10928x8736 [7:6] 10192x8736
M: [4:3] 8256x6192 [3:2] 8256x5504 [16:9] 8256x4640 [1:1] 6192x6192 [65:24] 8256x3048 [5:4] 7744x6192 [7:6] 7232x6192
S: [4:3] 4000x3000 [3:2] 4000x2664 [16:9] 4000x2248 [1:1] 2992x2992 [65:24] 4000x1480 [5:4] 3744x3000 [7:6] 3504x3000Lens MountFUJIFILM G mountSensitivity Standard OutputSTILL: AUTO1/ AUTO2/ AUTO3 / ISO80-12800 (1/ 3 step)
MOVIE: AUTO/ ISO100-12800 (1/ 3 step)Sensitivity Extended OutputSTILL: ISO40/ 25600/ 51200/ 102400
MOVIE: ISO25600Exposure ControlTTL 256-zone metering, Multi/ Spot/ Average/ Center WeightedExposure ModeP (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)Exposure CompensationSTILL -5.0EV - +5.0EV (1/3EV step)/ MOVIE: -2.0EV - +2.0EV (1/3EV step)Image Stabilizer MechanismImage sensor shift mechanism with 5-axis compensationImage Stabilizer Compensation EffectUp to 8 stops (based on CIPA standard). Pitch/yaw shake only.Digital Image StabilizationYes (movie mode only) (Image Stabilizer)Image Stabilizer Is Mode BoostYes (movie mode only)Shutter TypeFocal Plane ShutterShutter SpeedMechanical Shutter: P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min to 1/4000sec. Bulb mode: up to 60min
Electronic Shutter: P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min to 1/32000sec. Bulb mode: up to 60min
Electronic Front Curtain Shutter: P mode: 30sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60minShutter Speed (Contd.)Mechanical + Electronic Shutter: P mode: 30sec. to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60min
E-Front + Mechanical Shutter: P mode: 30sec. to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60min
E-Front + Mechanical + Electronic Shutter: P mode: 30sec to 1/32000 A mode: 30sec to 1/32000 S/M mode: 60min to 1/32000 Bulb mode: up to 60minShutter Speed Movie8K/DCI8K: 1/4000 to 1/24 sec, 5.8K:1/4000sec. to 1/24 sec., 4.4K: 1/4000sec. to 1/24 sec., 4.8K:1/4000sec. to 1/24 sec., 4.6K(ANAMOR): 1/4000sec. to 1/24 sec., 4K/DCI4K:1/4000sec. to 1/8 sec., FHD: 1/4000 to 1/8 sec.Synchronized Shutter Speed For Flash1/125sec. or slowerContinuous ShootingCH Approx. 8.7fps(35mm Format Mode ON) (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames, Compressed RAW + JPEG: 156 Frames, Lossless compressed RAW + JPEG: 148 Frames, Uncompressed RAW + JPEG: 71 Frames)
CH Approx. 5.8fps(35mm Format Mode ON) (JPEG: 1000+ Frames Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ FramesContinuous Shooting (Contd.)Compressed RAW + JPEG: 1000+ Frames, Lossless compressed RAW + JPEG: 1000+ Frames, Uncompressed RAW + JPEG: 1000+ Frames), CH Approx. 5.3fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 390 Frames, Compressed RAW + JPEG: 119 Frames, Lossless compressed RAW + JPEG: 119 Frames Uncompressed RAW + JPEG: 98 Frames)Continuous Shooting (Contd..)CH Approx. 8.0fps (JPEG: 1000+ Frames, Compressed RAW: 325 Frames, Lossless compressed RAW: 302 Frames, Uncompressed RAW: 76 Frames, Compressed RAW + JPEG: 75 Frames, Lossless compressed RAW + JPEG: 75 Frames, Uncompressed RAW + JPEG: 55 Frames), CH Approx. 5.0fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ FramesContinuous Shooting (Contd...)Uncompressed RAW: 497 Frames, Compressed RAW + JPEG: 153 Frames, Lossless compressed RAW + JPEG: 152 Frames, Uncompressed RAW + JPEG: 116 Frames)
CL Approx. 2.0fps (JPEG: 1000+ Frames, Compressed RAW: 1000+ Frames, Lossless compressed RAW: 1000+ Frames, Uncompressed RAW: 1000+ Frames, Compressed RAW + JPEG:1000+ Frames, Lossless compressed RAW + JPEG: 1000+Frames, Uncompressed RAW + JPEG:1000+ Frames)AE BracketingAE Bracketing (Frames: 2, 3, 5, 7, 9 Step: 1/3EV up to +/-3EV steps)
Film Simulation Bracketing (Any 3 types of film simulation selectable)
Dynamic Range Bracketing (100%, 200%, 400%)
ISO Sensitivity Bracketing ( +/-1/3EV, +/-2/3EV, +/-1EV)
White Balance Bracketing ( +/-1, +/-2, +/-3)AE Bracketing (Contd.)Focus Bracketing (AUTO, MANUAL)
Multiple Exposure Yes (Max. 9 frames), Additive, Average, Bright, Dark
Pixel Shift Multi Shot HIGH RESOLUTION + ACCURATE COLOR YES
ACCURATE COLOR: YESFocus ModeSingle AF/ Continuous AF/ MFFocus TypeIntelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)Focus Low-Light PerformanceContrast: -2.5EV with GF80mm F1.7 attached Phase Detection: -5.5EV with GF80mm F1.7AF Frame SelectionSingle point AF: 13 x9/ 25 x17 (Changeable size of AF frame)
Zone AF: 3 x3/ 5 x5/ 7 x7 Custom1-3 from 117 areas on 13 x9 grid
Wide/Tracking AF: Yes (AF-S: Wide/ AF-C: Tracking)
All
Face/eye detection: Yes
Subject detection Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)White BalanceAuto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Daylight, Shade, Fluorescent light -1, Fluorescent light -2, Fluorescent light -3, Incandescent light, UnderwaterSelf-TimerStill 10sec. / 2sec.
Movie 10sec. / 5sec. / 3sec.Interval Timer ShootingYes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)Flash Sync ModeShoe Mount Flash:1st Curtain/ 2nd Curtain/ AUTO FP (HSS)
Synchronized terminal:1st Curtain/ 2nd CurtainFlash ModeShoe mount flash:TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI (When EF-X500 is set / OFF)
Synchronized terminal: ManualHot ShoeYes (Dedicated TTL Flash compatible)Viewfinder EVF0.64" OLED Color Viewfinder Approx. 9.44 million dots
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 21mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -5-+2m-1
Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: Approx. 47 Degree (Horizontal Angle of View: Approx. 38 Degree )
Built-In Eye SensorViewfinder OVFv.s Capturing AreaLCD Monitor3.2" (8.12cm) , Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type(Three Direction), Touch Screen Color LCD MonitorTouch Screen Shooting ModeAF, Focus Area, OFF
Double Tap ON/OFF Setting, Touch Function ON/OFF Setting, EVF Touch Screen Area SettingTouch Screen Playback ModeSwipe, Pinch-in / Pinch-out, Double-tap, DragSub LCD Monitor2.09" (5.30cm), Aspect Ratio 4:3, Approx. 320x219-dot, Monochrome LCD MonitorFile Format (Movie)MOV (Apple ProRes 422 HQ/Apple ProRes 422/Apple ProRes 422 LT/MPEG-4 AVC / H.264, HEVC / H.265, Audio : Linear PCM / Stereo sound 24bit / 48KHz sampling) MP4 AVC/H.264, AACMovie CompressionAll Intra/Long-GOPFile Size/Frame Rate/Recording Time5.4K(17:9) (5440x2868)/5.8K(2.35:1) (5824x2476) 29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
4.8K(3:2) (4776x3184)/4.6K(1.38:1) (4664x3380)/8K(17:9)(8192x4320) /8K(2.76:1)(8192x2968) 24p/23.98p, 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
4.8K(16:9) (4776x2688)/8K(16:9)(7680x4320) 29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50MbpsFile Size/Frame Rate/Rec. Time (Contd.)DCI4K/17.9 (4096x2160)/4K/16.9 (3840x2160) 59.94p/50p/29.97p/25p/24p/23.98p ,720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
Full HD(17:9)(2048 x1080)/Full HD(16:9)(1920 x1080) 59.94p/50p/29.97p/25p/24p/23.98p, 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps
Full HD High speed rec. (17:9)(2048x1080)/(16:9)(1920x1080) 120p/100p,720Mbps (recording), 360Mbps (recording),200Mbps (recording)Film Simulation Mode20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg, Nostalgic Neg, ETERNA/Cinema, ETERNA BLEACH, BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)Clarity Setting+/-5 stepsMonochromatic ColorYesGrain EffectRoughness: STRONG, WEAK, OFF Size: LARGE, SMALLColor Chrome EffectStrong, Weak, OffColor Chrome BlueStrong, Weak, OffSmooth Skin EffectStrong, Weak, OffDynamic Range SettingAUTO, 100%, 200%, 400%
ISO restrictionR 100%: No limit, DR 200%: ISO 160 or more, DR 400%: ISO 320 or moreDynamic Range Setting (Movie)100% / 200% / 400%
ISO restriction: DR 100%: No limit, DR 200%: ISO 200 or more, DR 400%: ISO 400 or moreWireless Transmitter StandardIEEE802.11a/b/g/n/ac (standard wireless protocol)Wireless Transmitter EncryptionWPA/WPA2 mixed mode, WPA3Wireless Transmitter Access ModeInfrastructureBluetooth StandardBluetooth Ver. 4.2 (Bluetooth low energy)Bluetooth Operating Frequency2402 - 2480MHzTerminal - Digital InterfaceUSB Type-C (USB3.2 Gen2x1)Terminal - Hdmi OutputHDMI connector (Type A)Terminal - Others3.5mm, stereo mini connector (Microphone)
3.5mm, stereo mini connector (Headphone)
2.5mm, Remote Release Connector
LAN Terminal 1000BASE-T, 100BASE-TX, 10BASE-T
Hot shoe
Synchronized terminalPower SupplyNP-W235 Li-ion battery (included)Battery Life For Still ImagesNormal Mode: Approx. 540 frames When GF 63mm F2.8 R WR is set Auto power save ONActual Battery Life For Movie Capture[8K] Approx. 60min. (29.97p) [4K] Approx. 60min. (59.94p) [Full HD] Approx. 80min. (59.94)Continuance Battery Life - Movie Capture[8K] Approx. 80min.(29.97p) [4K] Approx. 90min. (59.94) [Full HD] Approx. 80min. (59.94p)Operating Temperature14 Degree F - 104 Degree F (-10 Degree - +40 Degree C)Operating Humidity10% - 80% (no condensation)Battery InfoRequired, includedBattery MaterialLithium ionBattery TypeNon-universalBattery Quantity1Dimensions (W x H x D)Camera External:
Including EVF: 6 x 4.62 x 3.88" (152.4 x 117.4 x 98.6mm)
Minimum Depth: 1.83" ( 46.5mm)

Excluding EVF: 6 x 4.07 x 2.89" (152.4 x 103.5 x 73.5mm)
Minimum Depth: 1.83" (46.5mm)WeightApprox. 2.26 lbs (1.02kg) (Including EVF battery and memory card)
Approx. 2 lbs (949g) (Including EVF, excluding battery and memory card)"

SEE, https://www.adorama.com/ifjgfx1002....wcB&gclsrc=aw.ds&utm_source=inc-google-shop-p

 

[Colin Creevey]

Regarding Pixel Shift High resolution mode, I read over on camera labs "These can then be combined in software later to generate a file with up to 400 Megapixels of information, although you do need to be very careful with your technique, lens and settings."

Can someone explain these considerations? For example, say you have the camera mounted on a tripod tethered to C1 and have the subject (a product) illuminated by contentious lights. Seems straight forward but am I missing something else here?

Also, anyone have experience with how the GFX tethers like with C1? I heard anecdotical evidence that it wasn't as smooth as a mainstream mirrorless camera.

 

[JimKasson]

Regarding Pixel Shift High resolution mode, I read over on camera labs "These can then be combined in software later to generate a file with up to 400 Megapixels of information, although you do need to be very careful with your technique, lens and settings."
Can someone explain these considerations? For example, say you have the camera mounted on a tripod tethered to C1 and have the subject (a product) illuminated by contentious

continuous?

lights. Seems straight forward but am I missing something else here?

You need a solid tripod and head. I use a camera stand. You have to be concerned about subject movement on the order of 1 um over the magnification, and small camera movements. Vibration of what is under the tripod can be an issue, especially in cities. Also air currents that can move the camera or the subject.

 

[Colin Creevey]

Regarding Pixel Shift High resolution mode, I read over on camera labs "These can then be combined in software later to generate a file with up to 400 Megapixels of information, although you do need to be very careful with your technique, lens and settings."
Can someone explain these considerations? For example, say you have the camera mounted on a tripod tethered to C1 and have the subject (a product) illuminated by contentious

continuous?

Yes thank you for the correction.

lights. Seems straight forward but am I missing something else here?

You need a solid tripod and head. I use a camera stand. You have to be concerned about subject movement on the order of 1 um over the magnification, and small camera movements. Vibration of what is under the tripod can be an issue, especially in cities. Also air currents that can move the camera or the subject.

When you say camera stand, are you referring to a salon stand? Interesting to hear about the vibration of the surface under the tripod. Are you saying that from the perspective of someone in a NYC style apartment? In my case, I live in an area where we build out, not up (Australia).

Air current is also an interesting factor. I already gathered outside for landscape (of no interest to me) that the subject would be moving from the air but had not considered in a studio environment.

 

[JimKasson]

Regarding Pixel Shift High resolution mode, I read over on camera labs "These can then be combined in software later to generate a file with up to 400 Megapixels of information, although you do need to be very careful with your technique, lens and settings."
Can someone explain these considerations? For example, say you have the camera mounted on a tripod tethered to C1 and have the subject (a product) illuminated by contentious

continuous?

Yes thank you for the correction.

lights. Seems straight forward but am I missing something else here?

You need a solid tripod and head. I use a camera stand. You have to be concerned about subject movement on the order of 1 um over the magnification, and small camera movements. Vibration of what is under the tripod can be an issue, especially in cities. Also air currents that can move the camera or the subject.

When you say camera stand, are you referring to a salon stand?

This is the one I use:

https://www.bhphotovideo.com/c/product/273344-REG/Foba_31_0120_Portrait_Pro_Camera_Stand.html

You can find them used for quite a bit less.

Pardon Our Interruption...

Interesting to hear about the vibration of the surface under the tripod. Are you saying that from the perspective of someone in a NYC style apartment? In my case, I live in an area where we build out, not up (Australia).

You need to watch out in any environment with nearby, highways, train tracks, subway lines, elevators, machinery, etc.

Air current is also an interesting factor. I already gathered outside for landscape (of no interest to me) that the subject would be moving from the air but had not considered in a studio environment.

I've had issues with flowers.