I have little skill at compositing images together, and I find it giant pain in the *** to do.
Any way for images to start with I had one image exposed for the bright areas, and one that exposed for some detail in the dark areas (unfortunately clouds were streaming by for those, and it's picked up in the composited images). I hadn't planned to use the brighter exposures for anything, and only grabbed some images because "it looked cool" on the camera at the time.
I used gimp 2.10 for this as I don't have Photoshop/Lightroom.
I tried masks starting from the bright image, and tried fiddling with layer opacity, fiddling with mask brightness, fiddling with layer modes. I did the aforementioned in isolation and in various combinations. Never really got anything to look right along the terminator. I ended up fiddling with layer opacity, the bright image's curves to tone down the excessive brightness that was coming through, and set the bright images layer mode to "Addition" ("Screen" was decent as well. I tried the entire list of Layer Modes).
Anyway I did two versions, ignore the compression artifacts from the upload to this site, the JPEG and TIFF originals don't have that.
I'm not thrilled with the gray/wash out look in the center of the image due to the only way I could find to merge the images together along the bright/dark edge.
They're certainly darker than most HDR images of the Moon, I'm OK with that.
Yes, I didn't bother cropping the enlarged image down to remove the black border along the left and top.
This first composite is an attempt to recreate how it visually appears in the sky when Earthshine lights the dark side.
I'm sure masking works, I just don't know quite how to deal with the intense contrast. Maybe brighten the normal exposure more so it's terminator is closer to the bright image's?
This one has a brighter dark side, and some crushed stars show through as gray blobs instead of bright pin points. The curves I used were more or less a low and wide upside down U to keep the darker detail but bring down the brightness of the sunlit side (which crushed the stars at the same time) and I believe brought about the fuzzy grayness in the center of the image as the dark side approaches the terminator.
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Stricnine
500px.com
Any way for images to start with I had one image exposed for the bright areas, and one that exposed for some detail in the dark areas (unfortunately clouds were streaming by for those, and it's picked up in the composited images). I hadn't planned to use the brighter exposures for anything, and only grabbed some images because "it looked cool" on the camera at the time.
I used gimp 2.10 for this as I don't have Photoshop/Lightroom.
I tried masks starting from the bright image, and tried fiddling with layer opacity, fiddling with mask brightness, fiddling with layer modes. I did the aforementioned in isolation and in various combinations. Never really got anything to look right along the terminator. I ended up fiddling with layer opacity, the bright image's curves to tone down the excessive brightness that was coming through, and set the bright images layer mode to "Addition" ("Screen" was decent as well. I tried the entire list of Layer Modes).
Anyway I did two versions, ignore the compression artifacts from the upload to this site, the JPEG and TIFF originals don't have that.
I'm not thrilled with the gray/wash out look in the center of the image due to the only way I could find to merge the images together along the bright/dark edge.
They're certainly darker than most HDR images of the Moon, I'm OK with that.
Yes, I didn't bother cropping the enlarged image down to remove the black border along the left and top.
This first composite is an attempt to recreate how it visually appears in the sky when Earthshine lights the dark side.
I'm sure masking works, I just don't know quite how to deal with the intense contrast. Maybe brighten the normal exposure more so it's terminator is closer to the bright image's?
This one has a brighter dark side, and some crushed stars show through as gray blobs instead of bright pin points. The curves I used were more or less a low and wide upside down U to keep the darker detail but bring down the brightness of the sunlit side (which crushed the stars at the same time) and I believe brought about the fuzzy grayness in the center of the image as the dark side approaches the terminator.
--
Stricnine