Greg7579
Forum Pro
That thread maxed out and clod\sed and I was enjoying reading it. The Mad Kiwi, who is a professional photographer, said this right before the thread locked:
" I only use my cameras professionally to make money, I don’t even take pictures of my kids, and I don’t even take a camera on holiday.
Mainly it’s because I use lights for everything I do, and if I can’t use lights, I don’t really see the point of bothering to take a picture that’s not going have that polish that lighting give the image."
I just wanted to say that I was very surprised by that statement because I have met and know so many "pro" photographers. That is a rare sentiment. The Mad Kiwi shoots only for his job for money (his profession). That is cool. But he also only shoots with lights. I assume all or mostly studio but may go out with lights and shoot people in external settings with speedlights or strobes.
I must say that is an amazing take and of course is the polar opposite of why I shoot. I would say The Mad Kiwi might have a passion for his job and could be a great portrait or product pro (I don't know), but it sounds like he has no passion for photography in general and never fires a shot outside the constraints or boundaries of his job.
Every pro I know shoots outside their work in some aspect and most of them I know even have separate gear for it.
I know MF portrait pros who shoot MFT while walking around or traveling. I know a portrait pro who is a master studio light artist and doesn't own a speedlight and never lights a shot outside the studio.
I know an art pro who likes to shoot high school baseball fir free on some weekends. weekends.
I know one a BIF pro who also likes to shoot his Fuji X100 compact while out walking around as he travels to bird locations with his heavy gear.
I met an NBA photographer who like to shoot panos of city scenes for fun as he travels to all the NBA cities.
I met a very expensive and hard to get wedding pro who never leaves home without her Q2 when not shooting a wedding (every weekend of her life).
Then there are people like many on this forum who have shot for decades with tons of different gear and for whatever reason now shoot the latest GFX and Hassy gear for fun.
Then they get mad at me when I tell them that the image fidelity of their new MF gear is way better than their best FF gear! LOL.
" I only use my cameras professionally to make money, I don’t even take pictures of my kids, and I don’t even take a camera on holiday.
Mainly it’s because I use lights for everything I do, and if I can’t use lights, I don’t really see the point of bothering to take a picture that’s not going have that polish that lighting give the image."
I just wanted to say that I was very surprised by that statement because I have met and know so many "pro" photographers. That is a rare sentiment. The Mad Kiwi shoots only for his job for money (his profession). That is cool. But he also only shoots with lights. I assume all or mostly studio but may go out with lights and shoot people in external settings with speedlights or strobes.
I must say that is an amazing take and of course is the polar opposite of why I shoot. I would say The Mad Kiwi might have a passion for his job and could be a great portrait or product pro (I don't know), but it sounds like he has no passion for photography in general and never fires a shot outside the constraints or boundaries of his job.
Every pro I know shoots outside their work in some aspect and most of them I know even have separate gear for it.
I know MF portrait pros who shoot MFT while walking around or traveling. I know a portrait pro who is a master studio light artist and doesn't own a speedlight and never lights a shot outside the studio.
I know an art pro who likes to shoot high school baseball fir free on some weekends. weekends.
I know one a BIF pro who also likes to shoot his Fuji X100 compact while out walking around as he travels to bird locations with his heavy gear.
I met an NBA photographer who like to shoot panos of city scenes for fun as he travels to all the NBA cities.
I met a very expensive and hard to get wedding pro who never leaves home without her Q2 when not shooting a wedding (every weekend of her life).
Then there are people like many on this forum who have shot for decades with tons of different gear and for whatever reason now shoot the latest GFX and Hassy gear for fun.
Then they get mad at me when I tell them that the image fidelity of their new MF gear is way better than their best FF gear! LOL.