a1 II vs. a9 III Field Comparison

dcstep

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I’ve now taken over 20,000 shots with my Sony a1 II, with subjects ranging from deer, coyote, Northern harriers, sanderlings, long-billed curlew, Lone Cypress, Seaside Beach and skimboarding. This is after a year of shooting the a9 III, with similar subjects, plus hummingbirds, kingfishers, kestrel and some other fast moving birds.

I’ve been shooting the a1 II at 30-fps, which uses a “Lossy” RAW file format. DxO doesn’t process those RAW files yet, so my results so far have relied on the excellent highest quality JPEG files. I’m pretty happy with the JPEG files, but miss the color and dynamic range options that RAW will provide. For most animal subjects it’s not a big deal, but I really miss the RAW files’ flexibility for landscape. DxO is showing that support for the RAW files will begin this February. (I’ve tried using other programs in the interim, with past new bodies, and wasn’t happy with the files. I’ll just reprocess anything that I decide to print).

I’m very happy to report that I’m seeing absolutely no difference in the autofocus’ initial acquisition and tracking of all subjects. I feel no need to use the “Automatic” subject selection of the a1 II and usually have it set to either Animal, Bird or Animal/Bird with Eye Detect on, of course. I tend to use three focus areas; Wide Tracking, Center Locked Tracking and Extra Small Spot Tracking, depending on the subject. The Extra Small is usually a bird in a bush. The Center is usually a mammal, like a coyote or white-tail buck and the Wide is for a bird-in-flight.

Here are some shots with the a1 II and a9 III:

The diving Northern harrier was shot with Bird subject mode, with Wide Tracking focus area. I’d been following the bird with Precapture engaged on the a1 II. When hunting harriers tend to fly around 20-mph and then suddenly hover or, as in this case, flip and dive directly down on their prey. ISO 320 (Should have been 500), FE 600mm f/4 GM OSS at f/4, 1/800-sec.) She’s almost down to the ground in this shot, but the camera continues tracking. This file is 9.81MB.



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With the perched eagle with the a1 II, I was still using Bird Eye detection and Wide Tracking and the 600mm GM, ISO 500, f/4 and 1/2000-sec. You don’t need to zero in on the bird with a tight auto focus area, since the camera’s AF system will detect the bird eye and lock on. This demonstrates one case where the a1 II’s high resolution is superior, because the bird was not very close and I cropped substantially; howver, the file is still 7.81MB with no upscaling. The a9 III file would have been around half that. Either could be printed quite large, but it’s nice to start with a larger file.



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The coyote was shot with Animal Eye detection, with Center Fixed Tracking focus area on the a1 II. The coyote was hunting on snow with relatively high prairie grass sticking through the grass. It’s nice to have the camera track the eye and not constantly grab the grass. 600mm, ISO 100, f/4 and 1/1000-sec. This file is 9.05MB.



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The skimboarder was shot while I was primarily concentrating on shooting fast moving birds, so I had Bird Eye detection on with Wide Tracking focus area. The a1 II was set at f/8, 1/3200-sec. and base ISO 500, with the 600mm GM mounted. I think this shows how adaptable the AF is, even when you haven’t selected Human or Auto for Subject Detection. Back with the old a9, that splashing water might have been a problem with Wide Tracking engaged, but it was no bother on the a1 II. BTW, the file is 42.8MB, suitable for a HUGE, HUGE print. I’d probably crop in tight to emphasize the water splash. In a big print the droplets look like they’re jumping off the paper.



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The white-tail buck portrait is taken before sunrise at ISO 3200 with Animal Eye engaged and Center Fixed Tracking selected for Focus Area. on the a1 II There wasn’t a lot of crop here, resulting in a 17.9MB file, suitable for a huge print without upscaling. Using the 600mm, at f/4 and 1/800-sec. Noise reduction applied using DxO’s minimal level. When DxO supports the RAW file, I could improve on NR, but it’s not a problem anyway, IMHO.



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The Columbine flower was shot with the a9 III, with flash at 1/2000-sec. and aperture at f/18, at close range and 182mm focal length. I love how this technique darkens the background, allows low ISO (125 in this case) while giving great Depth Of Field. Few cameras can do this, if any others. This file is 5.78MB, with only a small crop.



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The hummingbird was shot with the a9 III at 1/4000-sec., at ISO 1600, f/4 with the 600mm GM. The finished file is 9.24MB. I was able to use Bird Eye detection with Wide Tracking focus area, precapture engaged for .3-sec. (That’s where I settle after some experimentation) and 120-fps. It’s amazing how fast these little boogers move, flitting from flower to flower. This is approaching the flower. I had dozens of shots to chose from, but I preferred the beak-to-flower distance here, along with the wing position. 30 or 60-fps just won’t do for these little guys.



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Finally, we have a “traditional” landscape shot, taken with the FE 70-200mm f/4 G OSS Macro II mounted on the a1 II, at ISO 100, f/8.0, 1/60-sec. at 70mm focal length. I straightened the horizon a degree or two, which resulted in a slight crop. Even with the crop, the file is 42.8MB. I was in single shot mode, hand held. The RAW file would have allowed a bit more dynamic range than this high rez JPEG, but I like the colors as is. I’ve been shooting the original a1 since its launch and now the a1 II and I believe that their sensor and internal processors produce great files with a nice balance between resolution and dynamic range and, now, with the a1II, speed. Someone that doesn’t need the speed and AF for birds and wildlife should be very happy with the original a1.



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Bottom line for me, I’ll primarily use the a1 II for almost all of my wildlife, nature and bird shooting, along with any people, places or things. When shooting the a9 III, I’ve settled in on 60-fps for most birds and wildlife, as a good compromise for subject position selection and buffer capacity. 120-fps will be reserved for hummingbirds, king fishers and a few other really fast birds. With slow birds and most mammals, 30-fps is fast enough for me. I don’t think that I’ll miss selecting between the pose with the coyote’s pays 1-inch off the snow versus 6” off the snow shot (I choose resolution of almost infinite subject selection for “slow” subjects, now that both have equivalent AF. I chose AF over resolution when I had the original a1 and a9 III).

The a1 II’s dual Base ISO of 100 and 500 is close to ideal for landscape AND fast action in one body. For fast action, the a9 III’s base ISO of 250 is not a real world problem, but you sacrifice dynamic range for landscape, people, etc.

The Global Shutter of the a9 III gives it some unique advantages with flash synchronization, lack of banding when shooting indoor events and sports, lack of curtain distortion and, of course, shooting at high frame rates. If you need these things and can only afford one, then the a9 III is for you.

Bottom line, I’m keeping both; however, if I couldn’t afford to do that, I’d keep the a1 II. When shooting birds and wildlife, I carry two bodies, so the a1 II will be primary and the a9 III will be secondary, with a different lens mounted. (Usually the 600mm on the primary and the 70-200mm on the secondary).

Hope this is helpful



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Dave
 
I wondered if the A1 II could canibalize the sales of the A9 III, and based on your opinion, well, it might. IQ just looks quite a bit better for the A1 II (to my eyes...).
 
I wondered if the A1 II could canibalize the sales of the A9 III, and based on your opinion, well, it might. IQ just looks quite a bit better for the A1 II (to my eyes...).
I think that just like with Canon's R1 and other fast, lower pixel bodies, the a9 III is special purpose body, for those that need speed over resolution. Plus, the a9 III has the advantages of the global shutter, which is substantial in some applications. Most sports shooters will love the a9 III. Shooting birds and wildlife puts more emphasis on resolution, due to the propensity to crop.
 
Great post and very encouraging. I have also come to swear by DXO pure raw it's been like magic with every RAW file I've run through it, since I don't have my camera yet the update might already be out by the time I get it. One thing I'm curious about is what your settings are for AF level for crossing and AF tracking for speed change, from what I've seen those settings can make a dramatic difference with birds.

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Former user of this account. https://www.dpreview.com/members/9243307581/overview
 
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Thanks - while waiting for my A1 II to arrive I was wondering if I should just cancel and go for an A9 III instead. This helps me to be more content with waiting for the A1 II and not worrying about missing out on the potential for slightly better AF performance with the A9 III
 
Thanks - while waiting for my A1 II to arrive I was wondering if I should just cancel and go for an A9 III instead. This helps me to be more content with waiting for the A1 II and not worrying about missing out on the potential for slightly better AF performance with the A9 III
I'm VERY confident that the AF is equal and not a reason to choose one over the other. That's after over 20,000 shots on the a1 II and hundreds of thousands on the a9 III.
 
Great post and very encouraging. I have also come to swear by DXO pure raw it's been like magic with every RAW file I've run through it, since I don't have my camera yet the update might already be out by the time I get it. One thing I'm curious about is what your settings are for AF level for crossing and AF tracking for speed change, from what I've seen those settings can make a dramatic difference with birds.
I'm using the Default on the a1 II, but I don't remember what that is. I'll check tomorrow and let you know.
 
Wonderful field comparison, thank you!
 
Have you compared the two cameras in low light situations?
 
Thanks a lot for the detailed elaboration!

Allow me to comment on your first shot: It does not show the level of tack-sharp sharpness your other A 1 II wildlife shots you shared provide - the coyote's eyes and facial furr details as one benchmark.
Given the sudden and steep dive you captured in that first pic, this is a rather fast moving bird while not being a kingfisher or hummingbird. Hence, it might have been better served with your A 9 III.

Again, thanks mucho for sharing your experience!
Cheers,
Ralf
 
Thanks a lot for the detailed elaboration!

Allow me to comment on your first shot: It does not show the level of tack-sharp sharpness your other A 1 II wildlife shots you shared provide - the coyote's eyes and facial furr details as one benchmark.
Given the sudden and steep dive you captured in that first pic, this is a rather fast moving bird while not being a kingfisher or hummingbird. Hence, it might have been better served with your A 9 III.

Again, thanks mucho for sharing your experience!
Cheers,
Ralf
I would say the 1/800 of a second probably plays a bigger role in the critical sharpness of a shot like that than the chosen camera, it's definitely not the ideal speed for that scenario as mentioned in the original post. You'd be lucky to get maximum sharpness at 1/800 in any bird in flight shot that isn't panning with intentional motion blur on the wings.
 
Have you compared the two cameras in low light situations?
I haven't done a side-by-side, but it's clear that the a1 II is superior above ISO 3200. I'll dig around my archive to see if I can find a couple of comparable shots. It won't be apples to apples until I get DxO for noise reduction. Since the a1 has the same sensor as the a1 II, I may use one of those shots. Let me look...
 
Have you compared the two cameras in low light situations?
Well, this is not a direct comparison, but you get the idea that both are pretty darn good. The a1 II is an out-of-camera JPEG with minimal NR applied in DxO, while the a9 III has DxO's highest performance NR applied. Both were taken before sunrise, shot out the window of my car, during my drive to work. (I'm very blessed to have such a great drive to and from work).

a1 II, with out-of-camera JPEG with DxO's lowest NR applied.

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Full a9 III RAW files with DxO's top NR applied:

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If I were going to print the first shot, I'd reprocess the RAW file with DxO.

Another important point is that I turn the Luminescence way down (to the value of 20) to preserve fur and feather details in wildlife shots. I really don't car a ton about noise in the Background.

For printing, I'd move the files into Topaz AI and reduce noise in the BG and probably not touch the subjects any further.


Dave
 
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Have you compared the two cameras in low light situations?
Well, this is not a direct comparison, but you get the idea that both are pretty darn good. The a1 II is an out-of-camera JPEG with minimal NR applied in DxO, while the a9 III has DxO's highest performance NR applied. Both were taken before sunrise, shot out the window of my car, during my drive to work. (I'm very blessed to have such a great drive to and from work).

a1 II, with out-of-camera JPEG with DxO's lowest NR applied.

f069faec78124c26982b22d92c2ccb61.jpg

Full a9 III RAW files with DxO's top NR applied:

96833614992b41a78167b0d61a67ad27.jpg
Looking at these shots and thinking back to reviews that I've seen of both cameras. They're both fantastic bodies. From what you read, you might think that the a9 III is a piece of crap when it comes to low light. In actual practice, using competent RAW conversion software and NR software, it's PRETTY DARN GOOD. Yes, for low light, I'll grab my a1 II most times, but if the best lens is already on the a9 III, I'll probably go ahead and shoot.

Also, looking at the settings, it's clear that the a9III image is in lower light, without the benefit of snow reflecting up on the buck.

The point of my comparison is to show real world experience, particularly for those that have to limit themselves to one body. You won't go too far wrong with either.

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Dave
 
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Great post and very encouraging. I have also come to swear by DXO pure raw it's been like magic with every RAW file I've run through it, since I don't have my camera yet the update might already be out by the time I get it. One thing I'm curious about is what your settings are for AF level for crossing and AF tracking for speed change, from what I've seen those settings can make a dramatic difference with birds.
Priority Set in AF-C is "Balanced Emphasis"

AF Lvl For Crossing is 3(Standard)

AF Trk for Speed Change is "Standard"

Aperture Drive in AF is "Standard"
 
Priority Set in AF-C is "Balanced Emphasis"

AF Lvl For Crossing is 3(Standard)

AF Trk for Speed Change is "Standard"

Aperture Drive in AF is "Standard"
Thanks, Dave. Very helpful. I don't have an a9iii but my experiences birding with the a1ii in Panama seemed to mirror yours. I think focus problems likely reflected poor settings on my part, because when the focus worked, IT WORKED, even in dim light.

Steve
 
Nice post!

I have been using Sony's RAW converter to output a 16 bit tif which is much more malleable than a jpg for further processing. I just use the default settings with the addition of checking the box for distortion correction. I have been satisfied with my results while waiting for DxO to get off it's butt.
 

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