xpatUSA2
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What year was this article done?
The Foveon was years ahead of the bayer and still is, but it is hard to shoot and 99.5% of the the so called photographers are to lazy or do not know how to shoot it or both. In order to shoot the Foveon your have to have experience shooting positive film. Here's the problem most photographers, if that's what you want to call them. They suffer from not knowing about lighting. With the Foveon you have to know how light and at times use flash as needed. How many people know the art of flash photography these days?
I have to disagree with you again Roger. The other day I was shooting at the Albequerqe International Hot Air Balloon Fiesta, and since it starts really early in the morning, before sunrise, it was very dark. My SD Quattro H would not focus, but I was able to shoot with my Nikon at ISO 6400, and I got some interesting photos and video (and since my Sigma can't make videos I couldn't do that with my Sigma). Today a modern Sigma, like an fp L, might do just fine, but that would only be because it has that 60 MP Bayer pattern CFA sensor. If it had a traditional style full-frame Foveon sensor in it I would expect to have the same limitations that my SD Quattro H had. Luckily I had a Nikon D810 with me too. Horses for courses. I love my Sigma, but sometimes it just doesn't cut it.The Foveon was years ahead of the bayer and still is, but it is hard to shoot and 99.5% of the the so called photographers are to lazy or do not know how to shoot it or both. In order to shoot the Foveon your have to have experience shooting positive film. Here's the problem most photographers, if that's what you want to call them. They suffer from not knowing about lighting. With the Foveon you have to know how light and at times use flash as needed. How many people know the art of flash photography these days?
Roger J.

Hi ScottThe Foveon was years ahead of the bayer and still is, but it is hard to shoot and 99.5% of the the so called photographers are to lazy or do not know how to shoot it or both. In order to shoot the Foveon your have to have experience shooting positive film. Here's the problem most photographers, if that's what you want to call them. They suffer from not knowing about lighting. With the Foveon you have to know how light and at times use flash as needed. How many people know the art of flash photography these days?
Roger J.
Really? hahahahaI have to disagree with you again Roger.
I totally forgot that was going on,...............I shot that event back in 1988 for Minolta with their new 9000 AF and AF lenses That was the year that over a million people showed up and so did the Minolta Hot Air Balloon.The other day I was shooting at the Albequerqe International Hot Air Balloon Fiesta,
Ya, for me it started at 0330. Back then I had Press passes and press parking pass so I sleep in my VW Camper Van in the press lot. Got up at 0300 and had coffee at the press tent.and since it starts really early in the morning, before sunrise
That it is. Didn't they have the fire/burn going?it was very dark.
No surprise there so why not manual focus with the the focusing color and aid of the H?My SD Quattro H would not focus,
Yes I get the video part but you can shoot 6400 with the H shoot it like positive film.but I was able to shoot with my Nikon at ISO 6400, and I got some interesting photos and video (and since my Sigma can't make videos I couldn't do that with my Sigma).
Yes the FP or the FP-L would have a great job both video and still, but from what I understand you can get a still out of the DNG in the FP.Today a modern Sigma, like an fp L, might do just fine,
yep.but that would only be because it has that 60 MP Bayer pattern CFA sensor.
But it fun to try, and who knows you maybe pleasantly surprised.If it had a traditional style full-frame Foveon sensor in it I would expect to have the same limitations that my SD Quattro H had. Luckily I had a Nikon D810 with me too. Horses for courses. I love my Sigma, but sometimes it just doesn't cut it.
A little light but good.
No depth of field scale on the lens ?"No surprise there so why not manual focus with the the focusing color and aid of the H?"
The zebra patterns don't work so well if the lighting is poor. Doesn't matter if I am using a sdQ/H or fp-l. I'm guessing it is because the "edge" is not defined enough.
I don't know if a different camera works any better. My newest non-Sigma is a Canon 5DSR, and it doesn't have zebra patterns IIRC.
I find it difficult to judge focus with a viewfinder or EVF in dim lighting conditions.No depth of field scale on the lens ?
Even without a DOF scale, shooting at f/11 and estimating the distance works well. Unless you have a lens that doesn't allow manual focus at all ?
Ummm . . . f11?!? Have you ever shot in the dark at f11? LOLNo depth of field scale on the lens ?"No surprise there so why not manual focus with the the focusing color and aid of the H?"
The zebra patterns don't work so well if the lighting is poor. Doesn't matter if I am using a sdQ/H or fp-l. I'm guessing it is because the "edge" is not defined enough.
I don't know if a different camera works any better. My newest non-Sigma is a Canon 5DSR, and it doesn't have zebra patterns IIRC.
Even without a DOF scale, shooting at f/11 and estimating the distance works well. Unless you have a lens that doesn't allow manual focus at all ?


This.Ummm . . . f11?!? Have you ever shot in the dark at f11? LOL
Don didn't mention lighting, Scott.Ummm . . . f11?!? Have you ever shot in the dark at f11? LOLNo depth of field scale on the lens ?"No surprise there so why not manual focus with the the focusing color and aid of the H?"
The zebra patterns don't work so well if the lighting is poor. Doesn't matter if I am using a sdQ/H or fp-l. I'm guessing it is because the "edge" is not defined enough.
I don't know if a different camera works any better. My newest non-Sigma is a Canon 5DSR, and it doesn't have zebra patterns IIRC.
Even without a DOF scale, shooting at f/11 and estimating the distance works well. Unless you have a lens that doesn't allow manual focus at all ?