Small lenses for A7RiV?

BlueCosmo5050

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I have the 24-70 2.8 which means I have 35 2.8, but I am tempted to get the Zeiss 35mm 2.8 because of how small it is. It'd be nice to have a compact system sometimes. What other small lenses are out there? What are the opinions on this lens? I know its an older one?

I used to have the 55mm 1.8 and I did like it a lot.

I am shooting mostly landscape type stuff so the 2.8 doesn't bother me.
 
The smallest, lightest full-frame lens I have is a plastic 32mm F10 from a disposable film camera.

The Sony E 20mm F2.8 is the smallest native AF lens, It is designed for APS-C, but it can be cropped somewhat larger on the A7RIV. There's also the slightly larger 16mm F2.8 which was one of the kit options for the original NEX bodies.

The Samyang AF 35mm F2.8 is the smallest and lightest native full-frame prime. The copy I had was much sharper than the Sony FE 35mm F2.8 ZA I tried. The Sony has many advantages like sealing and faster/quieter AF. The Tamron 35mm F2.8 is better optically than either of these, but worse for focusing and larger. It is great for landscapes.

The Samyang AF 24mm F2.8 is the next smallest native AF lens. It has nicer background rendering than the Sony FE 24mm F2.8 G, but not as sharp. The three Sony small G primes are pretty compact and pretty good for landscapes. The Sigma 45mm F2.8 DG DN Contemporary is slightly larger than those and has very nice rendering. The Samyang AF 45mm F1.8 is a bit larger again, lighter and fairly decent---but no sealing. Then there's the Sony FE 50mm F1.8 which I rather prefer to the Samyang. The Sony FE 28mm F2 is about the same size as these but not not great for landscapes.

Then there's the Samyang AF 35mm F1.8, 75mm F1.8 and 24mm F1.8 and the Sony FE 55mm F1.8 ZA. The Sigma 35mm F2 DG DN Contemporary is pretty chunky. I believe their 24mm F3.5 is fairly small. The Sony FE 35mm F1.8 and 50mm F2.8 Macro are about the same size.

The Sony FE 28-60 F4-5.6 collapsing kit zoom for the A7C is pretty nice optically for landscapes.

Small AF SLR lenses like the Pentax-DA 40mm F2.8 XS and Canon EF 40mm F2.8 STM can be adapted with AF.

Cosina makes some rather compact manual focus native Voigtlander primes with full electronics. There's also some Zeiss Loxia manual primes with partial electronics. And a bunch of third-party native non-electronic lenses.
 
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The Zeiss Batis series is my favorite prime setup. There are certainly smaller lenses, but I feel like the Batis choices are the best compromise of size, weight and image quality. The a7RM4 sensor is very demanding. Many small lenses make significant compromises in the optics to achieve their compactness. That often shows up as soft corners and color fringing. Voigtlander APO f/2 lenses perform extremely well but lack autofocus and weather sealing compared to the Batis.
 
I have the 24-70 2.8 which means I have 35 2.8, but I am tempted to get the Zeiss 35mm 2.8 because of how small it is. It'd be nice to have a compact system sometimes. What other small lenses are out there? What are the opinions on this lens? I know its an older one?

I used to have the 55mm 1.8 and I did like it a lot.

I am shooting mostly landscape type stuff so the 2.8 doesn't bother me.
28-60. It’s a sharp lens with small size and flexibility.
 
... I am tempted to get the Zeiss 35mm 2.8 because of how small it is. It'd be nice to have a compact system sometimes. ...What are the opinions on this lens? I know its an older one?

...

I am shooting mostly landscape type stuff so the 2.8 doesn't bother me.
I've had this lens for 6+ years on my A7Rii and love it for landscapes.

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Very light (4 oz) for climbing

Very light (4 oz) for climbing

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- Richard

--
http://www.rsjphoto.net/
 
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I have the 24-70 2.8 which means I have 35 2.8, but I am tempted to get the Zeiss 35mm 2.8 because of how small it is. It'd be nice to have a compact system sometimes. What other small lenses are out there? What are the opinions on this lens? I know its an older one?

I used to have the 55mm 1.8 and I did like it a lot.

I am shooting mostly landscape type stuff so the 2.8 doesn't bother me.
The Sony G trinity prime set is the lightest and smallest.

24G is 162g, 40G 173g, 50G174g,

Sony FE35/1.8, ZA 55/1.8 and Sigma C(ompact) line is also relatively small and lightweight. The Sony 16-35G and new Tamron 20-40/2.8 for zoom as well.
 
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There's loads of options that may have various advantages over the 35/2.8 depending on preference, but none are quite as small. The Sony 40/2.5 G is a little bit larger and faster, better sealed, more features (aperture wheel, linearly mapped MF, etc.), I'm not sure the rendering is any better or more appealing but it's probably sharper... On the downside it might show more LoCA even stopped down to f2.8.

The Samyang 45/1.8 is a little longer then the 40/2.5 still (but a tad shorter than the 55/1.8 so it's still pretty small), trades blows with it optimally IMO, nowhere near as full featured and not weather sealed, but it does have that extra speed to it's advantage and less LoCA once stopped down to f2.8-4.

The TTArtisan 50/2 goes in the opposite direction, it's as small as the 35/2.8, less LoCA than the 40/2.5 or 45/1.8, smoother bokeh, but not as sharp wide open or across the frame, and manual. Oh and it's $70, which makes it a nice complement or alternative to any of the others.

Then there's the Sigma 45/2.8 if you wanna prioritize rendering & bokeh over wide open sharpness but don't wanna give up AF, it's about the size of the 40/2.5 G. If you go up in size a little but don't mind MF there's the CV 35/2 APO which is about as good as it gets optically. Then there's the bevy of 35/1.8 or 35/2 options from Sony, Sigma, and Samyang.

I wanted some small alternatives to my 35/1.4 GM, and kinda like going a bit tighter in a lot of the instances where I want a less conspicuous lens, so I went with the SY 45/1.8. The TT 50/2 was a more recent addition, probably keeping both for the time being since they're relatively cheap, tho used 35/2.8 ZAs can sometimes be pretty cheap too. The SY 35/2.8 counterpart is also really coo. Don't overlook split kit 28-60s (the size of the 40/2.5) going for $200-300 on eBay either.

If you were looking beyond 35-55 then there's a ton more options still... Sigma 65/2 & 90/2.8, Samyang 75/1.8, Sony 24/2.8 G, CV 21/3.5, Laowa 11/4.5 & 14/4, the list goes on and on and on... I think many of them are quite usable on an A7R IV even near wide open, as long as you aren't demanding optical perfection out of it. If that's the case then the CV APOs & higher end G/GMs would be your ticket...
 
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I have the 24-70 2.8 which means I have 35 2.8, but I am tempted to get the Zeiss 35mm 2.8 because of how small it is. It'd be nice to have a compact system sometimes. What other small lenses are out there? What are the opinions on this lens? I know its an older one?

I used to have the 55mm 1.8 and I did like it a lot.

I am shooting mostly landscape type stuff so the 2.8 doesn't bother me.
Going for the smallest size/weight lens on a full-frame body seems like diminishing returns, because your camera body still takes up the same space and weighs the same, no matter what lens you attach, and for both metrics, is a significant amount.

Your camera being a high-resolution body, it will actually be able to "pull" more quality out of any lens than could a lower resolution body. That's the good news.

The bad news is that if you want to "get your money's worth" from that high-resolution sensor that you paid real money for, you can't go too low in optical quality, and I think that 35 f/2.8 has been well-surpassed by other lenses in the years since its release. So I think I'd go for something more modern and a bit better.

Don't own it, but the Sony FE 40mm f/2.5 G looks like a good balance of size, features, and optical performance, if you are trying to keep things relatively small. I believe it has linear motors for AF, so should also be good for video, if that is of any interest. (I think I'd stay away from the Sony FE 24mm f/2.8 G in that series, except maybe for video NOT on the full (FF) sensor, or still photography on APS-C. IIRC, according to Lenstip it was excellent in the center, but performance in the outer field declined rapidly as you stopped down).

(If checking performance reviews, be aware that Lenstip.com previously made a mistake at their English site, and both their Sony 40mm and 50mm f/2.5 reviews were displaying the same charts for several parameters (resolution for sure, but I don't remember what else). So at least one of them had to be wrong. Don't know if they ever corrected the English version, but someone on these DPR forums a long time ago said that the info posted on their original Polish site was correct. You can access that via the link at the top of the Lenstip page).
 
I have the 24-70 2.8 which means I have 35 2.8, but I am tempted to get the Zeiss 35mm 2.8 because of how small it is. It'd be nice to have a compact system sometimes. What other small lenses are out there? What are the opinions on this lens? I know its an older one?

I used to have the 55mm 1.8 and I did like it a lot.

I am shooting mostly landscape type stuff so the 2.8 doesn't bother me.
Going for the smallest size/weight lens on a full-frame body seems like diminishing returns, because your camera body still takes up the same space and weighs the same, no matter what lens you attach, and for both metrics, is a significant amount.
There's still a big difference between having a 35/2.8 or 40/2.5 mounted on said body vs a zoom or even a 35/1.8...

That difference might be lost on some who will always use a bag that can easily accommodate any of those lenses, but I can cram my A7R IV in a waist pack with 2-3 tiny lenses whereas it wouldn't even fit with a 35/1.8 mounted and putting said lens in there would reduce the number of lenses I can bring along to 1-2. For me that's the opposite of diminishing returns (on smaller lenses), but YMMV.
Your camera being a high-resolution body, it will actually be able to "pull" more quality out of any lens than could a lower resolution body. That's the good news.

The bad news is that if you want to "get your money's worth" from that high-resolution sensor that you paid real money for, you can't go too low in optical quality, and I think that 35 f/2.8 has been well-surpassed by other lenses in the years since its release. So I think I'd go for something more modern and a bit better.
That's really subjective, not that I fundamentally disagree, but some people may have bought an A7R body because they need the extra res at certain times but not necessarily at all times.
Don't own it, but the Sony FE 40mm f/2.5 G looks like a good balance of size, features, and optical performance, if you are trying to keep things relatively small. I believe it has linear motors for AF, so should also be good for video, if that is of any interest. (I think I'd stay away from the Sony FE 24mm f/2.8 G in that series, except maybe for video NOT on the full (FF) sensor, or still photography on APS-C. IIRC, according to Lenstip it was excellent in the center, but performance in the outer field declined rapidly as you stopped down).
Declined rapidly may be overstating it a little... I wouldn't call a -4lpmm drop at the edges from f2.8 to f8 a very critical flaw. Sure it doesn't improve along the edges as it's stopped down either, which is what you'd expect with a lot of lenses, but it's still better or equal to in that regard versus a lot of other small wides at similar apertures (eg 28/2, SY 24/2.8, Sigma 24/3.5, etc.). I'm quite happy with it on my A7R IV, but I did buy it largely for it's size which you don't seem to value much.

A Sanyang 24/1.8 or Sigma 24/2 would likely make a better all around 24mm, but I already had the excellent 20/1.8 so I wanted a much smaller alternative wide prime.
 
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(If checking performance reviews, be aware that Lenstip.com previously made a mistake at their English site, and both their Sony 40mm and 50mm f/2.5 reviews were displaying the same charts for several parameters (resolution for sure, but I don't remember what else). So at least one of them had to be wrong. Don't know if they ever corrected the English version, but someone on these DPR forums a long time ago said that the info posted on their original Polish site was correct. You can access that via the link at the top of the Lenstip page).
Your right - the English version of the Lenstip review repeats the resolution chart for the 40mm on the test of the 50mm lens. Unfortunately their copy of the 50mm is even worse on the edge than the 40mm. It never gets above 47 lpmm at the edge. Lenstip in Polish
 
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I have the 24-70 2.8 which means I have 35 2.8, but I am tempted to get the Zeiss 35mm 2.8 because of how small it is. It'd be nice to have a compact system sometimes. What other small lenses are out there? What are the opinions on this lens? I know its an older one?

I used to have the 55mm 1.8 and I did like it a lot.

I am shooting mostly landscape type stuff so the 2.8 doesn't bother me.
Going for the smallest size/weight lens on a full-frame body seems like diminishing returns, because your camera body still takes up the same space and weighs the same, no matter what lens you attach, and for both metrics, is a significant amount.
There's still a big difference between having a 35/2.8 or 40/2.5 mounted on said body vs a zoom or even a 35/1.8...

That difference might be lost on some who will always use a bag that can easily accommodate any of those lenses, but I can cram my A7R IV in a waist pack with 2-3 tiny lenses whereas it wouldn't even fit with a 35/1.8 mounted and putting said lens in there would reduce the number of lenses I can bring along to 1-2. For me that's the opposite of diminishing returns (on smaller lenses), but YMMV.
Your camera being a high-resolution body, it will actually be able to "pull" more quality out of any lens than could a lower resolution body. That's the good news.

The bad news is that if you want to "get your money's worth" from that high-resolution sensor that you paid real money for, you can't go too low in optical quality, and I think that 35 f/2.8 has been well-surpassed by other lenses in the years since its release. So I think I'd go for something more modern and a bit better.
That's really subjective, not that I fundamentally disagree, but some people may have bought an A7R body because they need the extra res at certain times but not necessarily at all times.
Don't own it, but the Sony FE 40mm f/2.5 G looks like a good balance of size, features, and optical performance, if you are trying to keep things relatively small. I believe it has linear motors for AF, so should also be good for video, if that is of any interest. (I think I'd stay away from the Sony FE 24mm f/2.8 G in that series, except maybe for video NOT on the full (FF) sensor, or still photography on APS-C. IIRC, according to Lenstip it was excellent in the center, but performance in the outer field declined rapidly as you stopped down).
Declined rapidly may be overstating it a little... I wouldn't call a -4lpmm drop at the edges from f2.8 to f8 a very critical flaw.
You're absolutely correct on this point. I had read the review soon after it came out, and remembered this part wrong, I thought it declined more than that.
Sure it doesn't improve along the edges as it's stopped down either, which is what you'd expect with a lot of lenses,
Indeed, that's true, but while you are understating the problem here in this sentence, what you said earlier is really the heart of the issue: its outer field performance (both FF edges and APS-C edges) actually declines as you stop it down.

And that's why I had (and still have) a negative opinion of it. Because such a wide angle is unlikely to be used for portraits, a situation where I wouldn't that much care about what was happening in the corners or along the edges. A small 24mm is far more likely to be used for hiking (landscapes), city walks (architecture, storefronts, cityscapes, etc) where I'd mostly be using it stopped-down to about f/8 and would want good sharpness all the way into the corners.
but it's still better or equal to in that regard versus a lot of other small wides at similar apertures (eg 28/2, SY 24/2.8, Sigma 24/3.5, etc.).
Not better than the small Sigma 24/3.5, if the criteria is even performance at landscape apertures (i.e. f/8). Lenstip results:

FF edge -- APS-C edge -- center

Sony 24 f/2.8 G:

37 -- 46 -- 60

Sigma 24 f/3.5 dg dn:

45 -- 49 -- 57

The Sigma gives up 3 lpmm in the center, but turns in a better, more even performance across the rest of the frame.

I will concede that the Sony probably has better wet-weather resistance, if that's important. (Isn't for me, I live in the desert).
I'm quite happy with it on my A7R IV, but I did buy it largely for it's size which you don't seem to value much.
No, I do value small size, it's just that I probably am willing to go a bit above the smallest size in order to get a bit better result. So later this year I'll probably buy the Sigma 24 f/2 -- unless I decide to go for the Sony 16-35 f/4 PZ, which is a whole other set of tradeoffs, providing the convenience of multiple focal lengths in one fairly-light and (I think) not-overly-large (considering the multiple lenses it could replace) optic. But in fact, I'm still even actively considering the Sigma 24 f/3.5, for its combination of small size, close focusing, and long focus throw.
A Sanyang 24/1.8 or Sigma 24/2 would likely make a better all around 24mm, but I already had the excellent 20/1.8 so I wanted a much smaller alternative wide prime.
Understood. I don't own a 20. And no one makes a good small modern 28. So together, that makes the 16-35 PZ of high interest to me, perhaps able to take the place of several optics and perform with hopefully adequate quality (and certainly convenience), for travelling, hiking, or just walking around. (That could actually be a bigger savings of total space and weight than choosing the smallest primes).
 
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I have the 24-70 2.8 which means I have 35 2.8, but I am tempted to get the Zeiss 35mm 2.8 because of how small it is. It'd be nice to have a compact system sometimes. What other small lenses are out there? What are the opinions on this lens? I know its an older one?

I used to have the 55mm 1.8 and I did like it a lot.

I am shooting mostly landscape type stuff so the 2.8 doesn't bother me.
Going for the smallest size/weight lens on a full-frame body seems like diminishing returns, because your camera body still takes up the same space and weighs the same, no matter what lens you attach, and for both metrics, is a significant amount.
There's still a big difference between having a 35/2.8 or 40/2.5 mounted on said body vs a zoom or even a 35/1.8...

That difference might be lost on some who will always use a bag that can easily accommodate any of those lenses, but I can cram my A7R IV in a waist pack with 2-3 tiny lenses whereas it wouldn't even fit with a 35/1.8 mounted and putting said lens in there would reduce the number of lenses I can bring along to 1-2. For me that's the opposite of diminishing returns (on smaller lenses), but YMMV.
Your camera being a high-resolution body, it will actually be able to "pull" more quality out of any lens than could a lower resolution body. That's the good news.

The bad news is that if you want to "get your money's worth" from that high-resolution sensor that you paid real money for, you can't go too low in optical quality, and I think that 35 f/2.8 has been well-surpassed by other lenses in the years since its release. So I think I'd go for something more modern and a bit better.
That's really subjective, not that I fundamentally disagree, but some people may have bought an A7R body because they need the extra res at certain times but not necessarily at all times.
Don't own it, but the Sony FE 40mm f/2.5 G looks like a good balance of size, features, and optical performance, if you are trying to keep things relatively small. I believe it has linear motors for AF, so should also be good for video, if that is of any interest. (I think I'd stay away from the Sony FE 24mm f/2.8 G in that series, except maybe for video NOT on the full (FF) sensor, or still photography on APS-C. IIRC, according to Lenstip it was excellent in the center, but performance in the outer field declined rapidly as you stopped down).
Declined rapidly may be overstating it a little... I wouldn't call a -4lpmm drop at the edges from f2.8 to f8 a very critical flaw.
You're absolutely correct on this point. I had read the review soon after it came out, and remembered this part wrong, I thought it declined more than that.
Sure it doesn't improve along the edges as it's stopped down either, which is what you'd expect with a lot of lenses,
Indeed, that's true, but while you are understating the problem here in this sentence, what you said earlier is really the heart of the issue: its outer field performance (both FF edges and APS-C edges) actually declines as you stop it down.
There might be some margin of error and/or other things to consider there (see below)... Lenstip's tests aren't absolute, even if they are some of the best we've got.
And that's why I had (and still have) a negative opinion of it. Because such a wide angle is unlikely to be used for portraits, a situation where I wouldn't that much care about what was happening in the corners or along the edges. A small 24mm is far more likely to be used for hiking (landscapes), city walks (architecture, storefronts, cityscapes, etc) where I'd mostly be using it stopped-down to about f/8 and would want good sharpness all the way into the corners.
I bought it for a mix of use cases myself, including some environmental & low light stuff wide open (still faster than the 12/2 I was using on M4/3!). I'm also not looking for perfection out of my smallest lenses tho (this, the SY 45/1.8 & TT 50/2), if I'm chasing that I'll bring and use my 20G or 35GM. ;)
but it's still better or equal to in that regard versus a lot of other small wides at similar apertures (eg 28/2, SY 24/2.8, Sigma 24/3.5, etc.).
Not better than the small Sigma 24/3.5, if the criteria is even performance at landscape apertures (i.e. f/8). Lenstip results:

FF edge -- APS-C edge -- center

Sony 24 f/2.8 G:

37 -- 46 -- 60

Sigma 24 f/3.5 dg dn:

45 -- 49 -- 57

The Sigma gives up 3 lpmm in the center, but turns in a better, more even performance across the rest of the frame.
Keep in mind that Lenstip tests at fairly close distances, where the barrel distortion of the Sony and the corresponding corrections could be having more of an impact, plus there's always sample variation, etc. Under real world conditions more akin to the use cases you described above, Cameralabs saw very little difference between the two:

https://www.cameralabs.com/sony-fe-24mm-f2-8-g-review/

Chris (on the DPRTV video review) and Rishi (link below) did as a slight uptick in corner performance at f8:

https://m.dpreview.com/reviews/tested-sony-s-trio-of-compact-g-prime-lenses#Sharpness_LCA
I will concede that the Sony probably has better wet-weather resistance, if that's important. (Isn't for me, I live in the desert).
It also has better AF, which those shooting video might care about, and it's 30% lighter and over half a stop faster.
I'm quite happy with it on my A7R IV, but I did buy it largely for it's size which you don't seem to value much.
No, I do value small size, it's just that I probably am willing to go a bit above the smallest size in order to get a bit better result. So later this year I'll probably buy the Sigma 24 f/2
That's fair, I said it before, I think both the Sigma 24/2 & SY 24/1.8 are far better overall values and although they're larger they're still relatively small lenses.
-- unless I decide to go for the Sony 16-35 f/4 PZ, which is a whole other set of tradeoffs, providing the convenience of multiple focal lengths in one fairly-light and (I think) not-overly-large (considering the multiple lenses it could replace) optic. But in fact, I'm still even actively considering the Sigma 24 f/3.5, for its combination of small size, close focusing, and long focus throw.
The Sigma 24/3.5 does have pretty nice rendering, and the 1:2 magnification; tho I'm not sure how much anyone would leverage either at f3.5 & 24mm... I've seen some pretty nice looking closeup shots of flowers w/the Tamron 24/2.8 that also does 1:2 tho, I actually bought that one shortly before the 24/2.8 G and haven't used it a lot, haven't been in a hurry to sell it either since it's so cheap.

I do like that both the Sigma 24/3.5 & the 24/2.8 G have little LoCA and solid flare resistance, those are things I often value more on a small wide prime than ultimate sharpness. The 24G does have slightly less vignetting and a smaller hood IIRC.
A Sanyang 24/1.8 or Sigma 24/2 would likely make a better all around 24mm, but I already had the excellent 20/1.8 so I wanted a much smaller alternative wide prime.
Understood. I don't own a 20. And no one makes a good small modern 28.
Right? I really wish someone would! I'd even consider a manual one if it nailed some of my other preferences...
So together, that makes the 16-35 PZ of high interest to me, perhaps able to take the place of several optics and perform with hopefully adequate quality (and certainly convenience), for travelling, hiking, or just walking around. (That could actually be a bigger savings of total space and weight than choosing the smallest primes).
Yeah, there's no making up for a zoom's versatility, that's why I also have the 17-28/2.8. :p

I would've gone for the new 16-35 G or even the ZA on a lower res body... For a really minimal kit I still like primes myself tho, two of the smallest can often be lighter than any zoom (my 24G + SY45 are like <325g together), but with three primes it's more of a toss up... Tho again, for shooting UWA and finding interesting compositions it's really hard to beat a zoom, every mm matters so much more in framing at that end.
 
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I have the 24-70 2.8 which means I have 35 2.8, but I am tempted to get the Zeiss 35mm 2.8 because of how small it is.
I have the Sony 1.8/35 (ok lens for my use) but I am considering getting a Sony 2.5/40 or 2.5/50 lens because the small size, very fast and accurate auto focus, and pretty well corrected near focus range.
It'd be nice to have a compact system sometimes. What other small lenses are out there? What are the opinions on this lens? I know its an older one?

I used to have the 55mm 1.8 and I did like it a lot.
Have the 1.8/55 but that is not quite my lens despite beeing hooked on the 50ish focal lenght (the perfect all rounder to me). Never really figured out why.
I am shooting mostly landscape type stuff so the 2.8 doesn't bother me.
My current Sony 2.8/50mm lens is a lovely lens despite a bit slow focusing (just accept the fact and everything is fine). Cherish this lens a lot more than the 1.8/55. No idea why.
 
I have the 24-70 2.8 which means I have 35 2.8, but I am tempted to get the Zeiss 35mm 2.8 because of how small it is.
I have the Sony 1.8/35 (ok lens for my use) but I am considering getting a Sony 2.5/40 or 2.5/50 lens because the small size, very fast and accurate auto focus, and pretty well corrected near focus range.
It'd be nice to have a compact system sometimes. What other small lenses are out there? What are the opinions on this lens? I know its an older one?

I used to have the 55mm 1.8 and I did like it a lot.
Have the 1.8/55 but that is not quite my lens despite beeing hooked on the 50ish focal lenght (the perfect all rounder to me). Never really figured out why.
I am shooting mostly landscape type stuff so the 2.8 doesn't bother me.
My current Sony 2.8/50mm lens is a lovely lens despite a bit slow focusing (just accept the fact and everything is fine). Cherish this lens a lot more than the 1.8/55. No idea why.
I think the 55/1.8 got a bit overated early on when there weren't a lot of other mirrorless prime options that small, it's not a bad lens but it's definitely overpriced now and I don't think it's all that special given the LoCA and onion ringing. Sometimes I see people praising it's rendering and tbh to me it seems worse than that of a lot of recent 35s (which are usually tougher to design in that regard)... But there's not a lot of other fast midrange options near 50mm (SY 45/1.8 and... Sigma 65/2?) so Sony can keep selling it for whatever.

I don't own it but I've come across enough shots with it since my sister has had it for years... I don't think it should be any pricier than the 35/1.8, but I'm pretty sure used prices are well under that so at least there's that. I'd be curious to know whether you go 40 or 50 and whether that helps you figure out why you liked or didn't like some of the others... Subtle differences in FL are sometimes easy to overlook and even compensate for, but can also be significant when it's intended to be one of your most used primes.

I seem to prefer a little bit wider than 50... Might've just gotten used to a 40mm equivalent pancake i shot a lot with (on M4/3 so w/a 4:3 AR, which plays into it too).
 
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