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Based on the road map issued by Nikon, all the primes and zoom trinity is already done so the remaining one are*Supposedly Nikon has a number of new Z lenses on the way in the coming months - it will be interesting to see which ones are released as I suspect there will be new lenses for landscape and architecture .
Says who?The best landscape camera in the business right now is the Fuji GFX 100S.
If Nikon want to be taken seriously, they need to continue following their own path rather than duplicating others' directions.For Nikon to be taken seriously as a high-end landscape photographer's brand, Nikon needs to bring to market a camera that effectively competes with this model.
Ditto. Nikon's cameras (D800 and beyond) can easily fill a 16x24 inch print. A 16x24 properly framed is a rather huge thing to hang on your wall.Says who?The best landscape camera in the business right now is the Fuji GFX 100S.
If Nikon want to be taken seriously, they need to continue following their own path rather than duplicating others' directions.For Nikon to be taken seriously as a high-end landscape photographer's brand, Nikon needs to bring to market a camera that effectively competes with this model.
100 megapixels vastly exceed what most photographers need or even want. Virtually nobody, expect for a very small number of pros, prints that large, and on a computer screen that kind of resolution makes not even one iota of difference. Fuji is carving its own niche with this model, hoping that niche is large enough. I think it will be, but only because a lot of folks want the bragging rights, not because they need the huge files.
IMO, Nikon would be ill advised to follow into that same niche.
I think the D850 is an excellent camera, in part because it does most things--including from landscape to action, which have traditionally been opposites--well.From what I have read - either the D850 or the Z7II are the current , premiere high megapixel Nikon digital cameras most suitable for landscape or architecture applications . For this style of photography what do you predict Nikon's direction to be : Do you we see a D850 replacement OR is Nikon more apt to focus more so on a Z8 , Z8 , etc. ? The D850 is a marvelous DSLR however with a wide variety of lenses (some now end of life however) it was released in 2017 and perhaps due for an upgrade -although it's current capabilities may be more than enough for landscape and architecture applications ... The Z lens mount development with accompanying lenses are stunning however I am lukewarm on Nikons ML camera bodies at the moment in all but size as compared to the D850 for landscape & architecture. *I would love to hear from opposing suggestions and views on the above subject - thanks in advance !
If I was a landscape or street photography person I’d definitely buy the GFX100S and I would agree with you. People will defend their beloved D850 and for good reasons. I’m a D5 shooter myself but I did own the D850 when it first came out and it’s a phenomenal camera. I had the Nikon grip and shared my D4s charger and batteries. However I’m a photojournalist who also shoots lots of wildlife. So the Fuji GFX series isn’t for me. However I think what you get with the new GFX 100S is an incredible value! The image quality is phenomenal and the lenses are all mostly good enough to match, but they do cost a fair bit.The best landscape camera in the business right now is the Fuji GFX 100S.
For Nikon to be taken seriously as a high-end landscape photographer's brand, Nikon needs to bring to market a camera that effectively competes with this model.
Says me. Who else should I be speaking for?Says who?The best landscape camera in the business right now is the Fuji GFX 100S.
That makes a lot of sense. Their current path is right into the ground.If Nikon want to be taken seriously, they need to continue following their own path rather than duplicating others' directions.For Nikon to be taken seriously as a high-end landscape photographer's brand, Nikon needs to bring to market a camera that effectively competes with this model.
You seem to misunderstand the advantages of MF to FF. It's more than resolution and print size. Perhaps you should read up on why the Fuji GFX 100S is sweeping the landscape photography front.100 megapixels vastly exceed what most photographers need or even want. Virtually nobody, expect for a very small number of pros, prints that large, and on a computer screen that kind of resolution makes not even one iota of difference. Fuji is carving its own niche with this model, hoping that niche is large enough. I think it will be, but only because a lot of folks want the bragging rights, not because they need the huge files.
IMO, Nikon would be ill advised to follow into that same niche.
For $6,000Perhaps you should read up on why the Fuji GFX 100S is sweeping the landscape photography front.
I fully agree. As others pointed out above, the Z does slightly better because of its impressive lenses. If one can do with the 20mm prime, or 14-30/24 zooms, the Z7 II is better in my book. If one needs the PC-E lenses, then D850 is better.From what I have read - either the D850 or the Z7II are the current , premiere high megapixel Nikon digital cameras most suitable for landscape or architecture applications .
The D850 and D500 are currently money makers for Nikon. They help sell lot of lenses as well. So, I do not expect them to abandon them at this point. May be a minor refresh to sell more bodies and clear up the lenses. It is definitely not the long-term vision at this point.For this style of photography what do you predict Nikon's direction to be : Do you we see a D850 replacement OR is Nikon more apt to focus more so on a Z8 , Z8 , etc. ?
As I said above, if 20mm prime and one of the 14mm zooms are sufficient to cover one's needs, Z7 II is better than D850.The D850 is a marvelous DSLR however with a wide variety of lenses (some now end of life however) it was released in 2017 and perhaps due for an upgrade -although it's current capabilities may be more than enough for landscape and architecture applications ... The Z lens mount development with accompanying lenses are stunning however I am lukewarm on Nikons ML camera bodies at the moment in all but size as compared to the D850 for landscape & architecture.
--*I would love to hear from opposing suggestions and views on the above subject - thanks in advance !
The Z9 is expected to sell for around $6,000 so I don't understand why the price is a point of criticism. We are talking about "high end Nikon cameras" aren't we? As such, $6k is not unheard of in the Nikon world. Just not for anything with capabilities that appeal to a landscape photog.For $6,000Perhaps you should read up on why the Fuji GFX 100S is sweeping the landscape photography front.
Many pro landscape photographers use FF cameras and do just fine ...
I never said Nikon needs to make a MF camera. I said Nikon should make a camera that competes with MF in areas of image fidelity.I will put it differently. The implied context is important. When we talk about Nikon on these forums, we understand that Nikon wants to produce the higest possible performance in FF space. That's why they started going with the hi-res d800 and the high speed D5 years ago. If I remember correctly, they were the first ones to do so, before Sony did A7/A7R and beffore Canon's 5DSR.
They have treated DX as a second priority and have not provided enough lenses that the buyers wanted. So, I do not take the topic/subject to imply DX space either.
If someone asked for better quality from their cameras in M43 forum, people would expect that to be within their M43 space, not moving up to APS-C/FF unless it was expressly mentioned.
Another context is that Nikon is struggling to release promised lenses for Z system, which has been well thought out and three years old. I am referring to 11 more lenses expected by end of next March. I cannot think of them producing completely new MF lenses. Not with their budget (the company's budget).
What the context does not imply for Nikon owners/readers is a Nikon brand MF camera. They wiill take for ever to build necessary lenses for it. And they would not be in the price-range of Fuji but probably a lot more. That is a sure way to bust the company.
The argument doesn't stop there. People argue that 44x33 sensor is not really "Medium Format". It's just a label. It could go all the way up to 60x90 if budget was not a limit.
So, yes, increasing the FF resolution beyond 47MP, going lower on ISO below 64, etc., are all imaginable in Nikon's high-end future, but MF is not.
That's my opinion.
The Z7ii & D850 are high end cameras and cost half as muchThe Z9 is expected to sell for around $6,000 so I don't understand why the price is a point of criticism. We are talking about "high end Nikon cameras" aren't we? As such, $6k is not unheard of in the Nikon world. Just not for anything with capabilities that appeal to a landscape photog.For $6,000Perhaps you should read up on why the Fuji GFX 100S is sweeping the landscape photography front.
Many pro landscape photographers use FF cameras and do just fine ...
FF does well enough for landscape photographyIt's all about using the tool most appropriate to tackle the job at hand. For the greatest image fidelity, tonality, and detail—factors of absolute importance to any serious landscape photographer—you cannot beat MF.
And put together the whole lens + body system to reach the 1% of landscape photographers who use MF?The thread title is about the future of high end Nikon cameras for landscape/architecture. I simply put forth the point that for Nikon to market directly to this group with a future product, it will have to address the shortcomings of FF in landscape photography. Namely the superiority of MF wrt image fidelity.
A D810 for instance is great landscape cameraFF cameras are designed to be jacks of all trades. Landscape photographers aren't looking for lightning fast focus, eye tracking, super low light capabilities, etc. Good to have but not necessary for the job, especially if those features come at the expense of other, more important aspects like sensor size.
Nikon addresses the needs of the vast majority of landscape photogs who can’t afford MF pricesNikon does not currently make a camera that addresses the needs of true, professional landscape photographers who demand the highest image fidelity, tonality, and sharpness.
Sure, cost difference?Compare any high end Nikon to Hasselblad, Fuji, or Phase One in these areas and it's no contest.
Many pro landscape photographers make less money than you think and FF (even DX) work just fineTo address the needs of pro landscape photographers (i.e., those who make a living doing it) with a high-end Nikon camera, Nikon will have to make its offering competitive with other MF brands in areas like resolution, color depth, tonality, etc. Nikon isn't there, currently, with any product.
A major plus for the Z7/II is you can adapt Canon's TSE's on them. Can't do that with a D850.Thanks, Reggie. The Tilt/Shift lenses are definitely something I would like to have. Even if I stayed with Canon the 24 TSE would be the next lens I would purchase.
But the Z S lenses are better than the F mount ones. That is the essential difference.It's a bit difficult to say because the Z7II strikes me as a camera with near pro-build quality like a D850, and similarly high-end sensor and card and video support, but otherwise much more of a mid-range feature set.