Role of sensor in color rendering?

Here is what it's looks like converted with a matrix only color profile, then exported to sRGB:

View attachment d2e75f53ce6d459cae447c04b496b8dc.jpg

With color patches (from 11*11px average):

View attachment 04e3f9975636407ea40e0a24d3f4a98e.jpg

link to full resolution : https://ibb.co/JkYpfLy
Do that again and put in the Lab values.
Here it is: https://ibb.co/7tP6Tkq
The hue angle shifts in the darker of the skin sample pairs are towards yellow, not green.

35164f2e538746aea8a761b25adf4dd9.jpg.png

That could be due to the lighting. I don't find them offensive. Are you sure you're color-normal?

Jim
Not affended at all. ;)
My professional activities include training, with a vast majority of male worker, so this is something I'm precautious with.
(When you realize your trainee cannot read your graph... :P )
Yup.
Yes, I'm am color normal. I was checked several times, including for my former work, it was mandatory for some of my activities.

In this particular example, it may be the lighting. Too many unknowns.
Like I said, this example is used as an illustration only.
The reason I asked is that I would not consider the darker skin samples to be greenish, and it they don't measure greenish.
May be monitor calibration, may be simultaneous contrast. I would first check the calibration, because on my monitor I don't see any shift to green.
In fact, they are within the range of hue angles that I measured with my i1Pro3:

a5098014464c40a682087d7c3d73d48e.jpg.png
What is puzzling me is that I noticed such shift in a vast majority of my shots. With direct sunlight, in the shadow, in extrior, in interior, with flash...


--
 
Here is what it's looks like converted with a matrix only color profile, then exported to sRGB:

View attachment d2e75f53ce6d459cae447c04b496b8dc.jpg

With color patches (from 11*11px average):

View attachment 04e3f9975636407ea40e0a24d3f4a98e.jpg

link to full resolution : https://ibb.co/JkYpfLy
Do that again and put in the Lab values.
Here it is: https://ibb.co/7tP6Tkq
The hue angle shifts in the darker of the skin sample pairs are towards yellow, not green.

35164f2e538746aea8a761b25adf4dd9.jpg.png

That could be due to the lighting. I don't find them offensive. Are you sure you're color-normal?

Jim
Not affended at all. ;)
My professional activities include training, with a vast majority of male worker, so this is something I'm precautious with.
(When you realize your trainee cannot read your graph... :P )

Yes, I'm am color normal. I was checked several times, including for my former work, it was mandatory for some of my activities.

In this particular example, it may be the lighting. Too many unknowns.
Like I said, this example is used as an illustration only.

What is puzzling me is that I noticed such shift in a vast majority of my shots. With direct sunlight, in the shadow, in extrior, in interior, with flash...
To be fair, they look fine on my screen, or at least well within tolerance. The hue shifts do look more yellow than green (to me).

I find screen calibration can be a little tricky with some displays, so you may want to try it again, or try a different method.

Or check the ambient lighting in your office or wherever you are editing your images. Even having coloured walls can throw off your perceptual colour balance.

--
"A designer knows he has achieved perfection not when there is nothing left to add, but when there is nothing left to take away." Antoine de Saint-Exupery
 
Here is what it's looks like converted with a matrix only color profile, then exported to sRGB:

View attachment d2e75f53ce6d459cae447c04b496b8dc.jpg

With color patches (from 11*11px average):

View attachment 04e3f9975636407ea40e0a24d3f4a98e.jpg

link to full resolution : https://ibb.co/JkYpfLy
Do that again and put in the Lab values.
Here it is: https://ibb.co/7tP6Tkq
The hue angle shifts in the darker of the skin sample pairs are towards yellow, not green.

35164f2e538746aea8a761b25adf4dd9.jpg.png

That could be due to the lighting. I don't find them offensive. Are you sure you're color-normal?

Jim
Not affended at all. ;)
My professional activities include training, with a vast majority of male worker, so this is something I'm precautious with.
(When you realize your trainee cannot read your graph... :P )
Yup.
Yes, I'm am color normal. I was checked several times, including for my former work, it was mandatory for some of my activities.

In this particular example, it may be the lighting. Too many unknowns.
Like I said, this example is used as an illustration only.
The reason I asked is that I would not consider the darker skin samples to be greenish, and it they don't measure greenish. In fact, they are within the range of hue angles that I measured with my i1Pro3:

a5098014464c40a682087d7c3d73d48e.jpg.png
What is puzzling me is that I noticed such shift in a vast majority of my shots. With direct sunlight, in the shadow, in extrior, in interior, with flash...
No problem!



What I dislike the most in this illustration and looks like what I get in many, many, of my shots is the color variations in the area around her mouth. Especially the small area below her inferior lips.

In that particular example, it may be lighting, light reflexion on something in the scene...who knows!

But I get similar things very often, including shots taken in a quite color neutral environment.
For exemple, I shot the baptism of my niece. The civil ceremony was in interior, white walls, white ceiling, grey floor, white furniture. The lighting was natural light, cloudy day, through large bay windows. People were wearing white, black, blue, etc. I will focus on people wearing neutrals. With them, I have that kind of shift on their skin.



Also, to make things clear: what I find 'unatural' is the variation of color. Should the overall color be 'too red', 'too green', 'too yellow' or whatsoever, that would very easy to fix. No matter if it's 'accurate' or not, that's a matter of 'preferred colors' here for me. I'm sure there are skin tones with similar hues to the 'shadow' areas on my illustration, like your bring evidence of. ;)



But if we go back to less subjective things, Lumariver says the patch F2 and E8 ar 'off' compared to other skin tones patches in terms of hue. The software gives LCh errors. Before correction by LUT, F2 is off by about -1.7° and E8 by about -2.5°. On the other hand, I8 is off by about +0.7°. I don't know if this is significant or not. If this can be cause by target error or operator error, or not. You feedback on this would be welcome! :)
What I can say is that I reshot the target many times under daylight, with different configurations (direct sunlight, shadow and cloudy day), with 'Model color inconcistency' checked when applicable. The reading are very, very close from one shot to another. Only a few tenth of degree of difference, if any.

I also shot the target under halogen avec les moyens du bord. So just at home with halogen buld (rated for 2700K) on the ceiling. I surrounded the target with panels covered by dark grey blanket, as well as the floor and some furniture (the well and ceiling are white) to prevent indesirable reflections...

I get the same thing, but exacerbated a lot.
F2 hue read -3.5° off for example. E8 -4.5°. On he other hand, I8 reads +0.5°.

None of the CCSG patches matches my children skin complexion. Compared to F2 patch for example, their skin is more on the yellow side, less saturated and much more lighter.
 
Here is what it's looks like converted with a matrix only color profile, then exported to sRGB:

View attachment d2e75f53ce6d459cae447c04b496b8dc.jpg

With color patches (from 11*11px average):

View attachment 04e3f9975636407ea40e0a24d3f4a98e.jpg

link to full resolution : https://ibb.co/JkYpfLy
Do that again and put in the Lab values.
Here it is: https://ibb.co/7tP6Tkq
The hue angle shifts in the darker of the skin sample pairs are towards yellow, not green.

35164f2e538746aea8a761b25adf4dd9.jpg.png

That could be due to the lighting. I don't find them offensive. Are you sure you're color-normal?

Jim
Not affended at all. ;)
My professional activities include training, with a vast majority of male worker, so this is something I'm precautious with.
(When you realize your trainee cannot read your graph... :P )
Yup.
Yes, I'm am color normal. I was checked several times, including for my former work, it was mandatory for some of my activities.

In this particular example, it may be the lighting. Too many unknowns.
Like I said, this example is used as an illustration only.
The reason I asked is that I would not consider the darker skin samples to be greenish, and it they don't measure greenish.
May be monitor calibration, may be simultaneous contrast. I would first check the calibration, because on my monitor I don't see any shift to green.
We can battle on words...yellow or green, or even yellowish-green or greenish-yellow if you want...do you see a shift?

Does this shift looks okay?
For example in the area below the lips (the one that illustrates the best what I see in my own shots).

As for how it looks in person for me: quite the same on my desktop monitor (calibrated), my laptop monitor (calibrated too, RGB OLED, looks more saturated in the shadows though, I'd imagine due to deeper blacks) and my iPad Pro (factory colors).
In fact, they are within the range of hue angles that I measured with my i1Pro3:

a5098014464c40a682087d7c3d73d48e.jpg.png
What is puzzling me is that I noticed such shift in a vast majority of my shots. With direct sunlight, in the shadow, in extrior, in interior, with flash...
 
What I dislike the most in this illustration and looks like what I get in many, many, of my shots is the color variations in the area around her mouth. Especially the small area below her inferior lips.
Now I see it. I agree that it looks greenish, not necessarily because it is; probably because it is surrounded by pink and red - but it does look unnatural.
 
Here is what it's looks like converted with a matrix only color profile, then exported to sRGB:

View attachment d2e75f53ce6d459cae447c04b496b8dc.jpg

With color patches (from 11*11px average):

View attachment 04e3f9975636407ea40e0a24d3f4a98e.jpg

link to full resolution : https://ibb.co/JkYpfLy
Do that again and put in the Lab values.
Here it is: https://ibb.co/7tP6Tkq
The hue angle shifts in the darker of the skin sample pairs are towards yellow, not green.

35164f2e538746aea8a761b25adf4dd9.jpg.png

That could be due to the lighting. I don't find them offensive. Are you sure you're color-normal?

Jim
Not affended at all. ;)
My professional activities include training, with a vast majority of male worker, so this is something I'm precautious with.
(When you realize your trainee cannot read your graph... :P )
Yup.
Yes, I'm am color normal. I was checked several times, including for my former work, it was mandatory for some of my activities.

In this particular example, it may be the lighting. Too many unknowns.
Like I said, this example is used as an illustration only.
The reason I asked is that I would not consider the darker skin samples to be greenish, and it they don't measure greenish.
May be monitor calibration, may be simultaneous contrast. I would first check the calibration, because on my monitor I don't see any shift to green.
We can battle on words
I have no intention of playing games.
do you see a shift?
I see nothing out of ordinary.

--
 
Here is what it's looks like converted with a matrix only color profile, then exported to sRGB:

View attachment d2e75f53ce6d459cae447c04b496b8dc.jpg

With color patches (from 11*11px average):

View attachment 04e3f9975636407ea40e0a24d3f4a98e.jpg

link to full resolution : https://ibb.co/JkYpfLy
Do that again and put in the Lab values.
Here it is: https://ibb.co/7tP6Tkq
The hue angle shifts in the darker of the skin sample pairs are towards yellow, not green.

35164f2e538746aea8a761b25adf4dd9.jpg.png

That could be due to the lighting. I don't find them offensive. Are you sure you're color-normal?

Jim
Not affended at all. ;)
My professional activities include training, with a vast majority of male worker, so this is something I'm precautious with.
(When you realize your trainee cannot read your graph... :P )
Yup.
Yes, I'm am color normal. I was checked several times, including for my former work, it was mandatory for some of my activities.

In this particular example, it may be the lighting. Too many unknowns.
Like I said, this example is used as an illustration only.
The reason I asked is that I would not consider the darker skin samples to be greenish, and it they don't measure greenish.
May be monitor calibration, may be simultaneous contrast. I would first check the calibration, because on my monitor I don't see any shift to green.
We can battle on words
I have no intention of playing games.
Sorry, I did not want to be offensive. :(

I'm OK with forum members correcting/precising my statments, especially coming from valuable forum members like you or Jim. But I just don't want the discussion to focus on that exclusively..
do you see a shift?
I see nothing out of ordinary.
I'll try to find other examples...
 
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What I dislike the most in this illustration and looks like what I get in many, many, of my shots is the color variations in the area around her mouth. Especially the small area below her inferior lips.
Now I see it. I agree that it looks greenish, not necessarily because it is; probably because it is surrounded by pink and red - but it does look unnatural.
Yeah, might be the reason why it looks 'too green' to me!
 
What I dislike the most in this illustration and looks like what I get in many, many, of my shots is the color variations in the area around her mouth. Especially the small area below her inferior lips.
Now I see it. I agree that it looks greenish, not necessarily because it is; probably because it is surrounded by pink and red - but it does look unnatural.
Yeah, might be the reason why it looks 'too green' to me!
If so, that's the simultaneous contrast issue that Iliah mentioned earlier.
 
What I dislike the most in this illustration and looks like what I get in many, many, of my shots is the color variations in the area around her mouth. Especially the small area below her inferior lips.
Now I see it. I agree that it looks greenish, not necessarily because it is; probably because it is surrounded by pink and red - but it does look unnatural.
Yeah, might be the reason why it looks 'too green' to me!
If so, that's the simultaneous contrast issue that Iliah mentioned earlier.
Yes, got it. :)
 
do you see a shift?
I see nothing out of ordinary.
I'll try to find other examples...
The only effect that in this case may change colour perception is lightness. It often happens with many photos, not just on digital, but on film too, and with various makers / models. The effect looks stronger when there are problems with monitor calibration. I definitely saw it on my Canon cameras as well.

I think you may want to discuss it with Anders, because he may want to address it through the portrait look.
 
Last edited:
What I dislike the most in this illustration and looks like what I get in many, many, of my shots is the color variations in the area around her mouth. Especially the small area below her inferior lips.
Now I see it. I agree that it looks greenish, not necessarily because it is; probably because it is surrounded by pink and red - but it does look unnatural.
Yeah, might be the reason why it looks 'too green' to me!
If so, that's the simultaneous contrast issue that Iliah mentioned earlier.
Yes, got it. :)
By the way, there are imperfect standard observers for constant-color fields, but, AFAIK, there are no standard models for simultaneous contrast color effects, and it is certainly possible (and I think, likely) that the quantitative effects are different in different people. This would not be detected by any color normalcy testing that I know of.

Jim
 
What I dislike the most in this illustration and looks like what I get in many, many, of my shots is the color variations in the area around her mouth. Especially the small area below her inferior lips.
Now I see it. I agree that it looks greenish, not necessarily because it is; probably because it is surrounded by pink and red - but it does look unnatural.
Yeah, might be the reason why it looks 'too green' to me!
If so, that's the simultaneous contrast issue that Iliah mentioned earlier.
Still an issue.

BTW, I see some smearing as well which contributes to the perception. I have seen similar problems with skin tones with other cams but mainly when shadow noise becomes an issue.
 
do you see a shift?
I see nothing out of ordinary.
I'll try to find other examples...
The only effect that in this case may change colour perception is lightness. It often happens with many photos, not just on digital, but on film too, and with various makers / models. The effect looks stronger when there are problems with monitor calibration. I definitely saw it on my Canon cameras as well.

I think you may want to discuss it with Anders, because he may want to address it through the portrait look.
I'll write him an email tonight, following your suggestions.
 
What I dislike the most in this illustration and looks like what I get in many, many, of my shots is the color variations in the area around her mouth. Especially the small area below her inferior lips.
Now I see it. I agree that it looks greenish, not necessarily because it is; probably because it is surrounded by pink and red - but it does look unnatural.
Yeah, might be the reason why it looks 'too green' to me!
If so, that's the simultaneous contrast issue that Iliah mentioned earlier.
Yes, got it. :)
By the way, there are imperfect standard observers for constant-color fields, but, AFAIK, there are no standard models for simultaneous contrast color effects, and it is certainly possible (and I think, likely) that the quantitative effects are different in different people. This would not be detected by any color normalcy testing that I know of.

Jim
For the purpose of distinguishing such situations with perceived colour shifts when there are none I use Munsell Chroma. If the difference is in Chroma (which is colour purity), but not in Hue, the perceived colour error is due to simultaneous contrast. Another scenario is when Chroma and Hue are the same, but Value differs.

I also use deep display hoods and control the viewing conditions, apart from monitor calibration ;)
 
What I dislike the most in this illustration and looks like what I get in many, many, of my shots is the color variations in the area around her mouth. Especially the small area below her inferior lips.
Now I see it. I agree that it looks greenish, not necessarily because it is; probably because it is surrounded by pink and red - but it does look unnatural.
Yeah, might be the reason why it looks 'too green' to me!
If so, that's the simultaneous contrast issue that Iliah mentioned earlier.
Yes, got it. :)
By the way, there are imperfect standard observers for constant-color fields, but, AFAIK, there are no standard models for simultaneous contrast color effects, and it is certainly possible (and I think, likely) that the quantitative effects are different in different people. This would not be detected by any color normalcy testing that I know of.

Jim
I know that I'm very sensitive to color contrast. Let's say a car which was partially repainted, I might spot it. (Even if I have to admit that sometimes it is really, really, well done and invisible.)
But I always thought it was more a question of temperament, demanding nature and attention do details...

In the case of the 'hue shift' accross faces, this makes me feel uncomfortable. Like if I was looking at sick people. Really unpleasant (but highly subjective and maybe cultural).

It's quite amazing, because for example when I did my first CCSG shots, results were sh** due to glare. This gave me oversaturated skin tones...but after hours looking at the same images, I could not see it anymore.
On the other hand, a slight variation accross the face: I feel uncomfortable. I also try the other way around, using Capture One Pro Color Palet or DxO Photo Lab HSL tool to 'uniformize' hue a bit: it's even worse.

All that said another problem I have is how the color rendering of skin tones seems to variy with different lighting. I have an old stock of Canon 300D (mly first DSLR), Canon 350D and Canon EOS 40D photos of the same persons photographed with different lighting, including catastrophic mixed lighting (for example natural light + integrated flash for fill-in) and skin tones much more consistent from shot to shot. It's with Canon in-camera processing through or it's DxO Photo Lab/Lightroom/Capture One Pro sibbling. So it remain to be seen what it would look like withotu all these subjective adjustments Canon do...
I'll try to find or make a more 'neutral' profile and see...
 
. . . was made for you.

as jim and others have pointed out, raw conversion methodology and practice matters, here--possibly more than any other factor, including sensor cfa design.

if you are so serious--and particular--about your color that you are measuring and designing your own sensor profiles, that you are measuring white balance for black-body-radiation "accuracy" rather than for personal preference, then clearly it's time to become at least that much involved, conversant, skilled in your raw conversion methodology.

if you're concerned about hue variation over skin tones (or any color region) in your raw conversion, capture one is the converter you need to be using. because it offers the ability to edit hue, saturation, and luminance uniformity for any hue-saturation-luminance region you select. and it's not a major edit. it's easy, it's fast. you drop your mouse on the skin tone you want, you push the hue variation slider to lessen that hue region's degree of "drift" toward red or green over any breadth of saturation and luminance you'd like.

take a look.
 
What I dislike the most in this illustration and looks like what I get in many, many, of my shots is the color variations in the area around her mouth. Especially the small area below her inferior lips.
Now I see it. I agree that it looks greenish, not necessarily because it is; probably because it is surrounded by pink and red - but it does look unnatural.
Yeah, might be the reason why it looks 'too green' to me!
If so, that's the simultaneous contrast issue that Iliah mentioned earlier.
Still an issue.
If that's the problem, it's beyond the scope of what camera calibration can deal with.
BTW, I see some smearing as well which contributes to the perception. I have seen similar problems with skin tones with other cams but mainly when shadow noise becomes an issue.
 
. . . was made for you.

as jim and others have pointed out, raw conversion methodology and practice matters, here--possibly more than any other factor, including sensor cfa design.

if you are so serious--and particular--about your color that you are measuring and designing your own sensor profiles, that you are measuring white balance for black-body-radiation "accuracy" rather than for personal preference, then clearly it's time to become at least that much involved, conversant, skilled in your raw conversion methodology.

if you're concerned about hue variation over skin tones (or any color region) in your raw conversion, capture one is the converter you need to be using. because it offers the ability to edit hue, saturation, and luminance uniformity for any hue-saturation-luminance region you select. and it's not a major edit. it's easy, it's fast. you drop your mouse on the skin tone you want, you push the hue variation slider to lessen that hue region's degree of "drift" toward red or green over any breadth of saturation and luminance you'd like.

take a look.
Hello!

Thanks for your feedback. :)

I certainly do not pretend to have any particular skill with Capture One Pro, but I used to use it and I'm quite familiar with their colors tool. I can only agree: it's excellent!

That said, I switched to DxO Photo Lab for other reasons, namely their (IMHO) excellent lens correction modules and noise reducer. ViewPoint is also quite handy and fully integrated.
DxO has a similar tool to the C1Pro one since version 3...but way less advanced. In particular, a color range can only be selected by hue and the number of color ranges that can be selected is limited. (The feathering adjustment is better than C1Pro that said...)

I still have a Lightroom/Photoshop subscription in parallel, but essentially for Photoshop. I could correct that with Photoshop, even if it less handy than C1Pro for that particular matter.

I gave a try to version 20 of Capture One Pro recently and was hesitating to buy it for the very reasons you mentionned.
But I decided working with multiples programs would not be a good idea and that I did not want to give up on some DxO highlights...

To be clear:
I do process my picture one by one and I do not expect to be able to do otherwise. Nor I do expect that any camera, color profile or post-processing will save a photo with bad lighting, bad capture or bad composition.
I do not pretend to be skilled or talented...So I'm practising and reading/viewing tutorials.
But this drives me crazy that I have to make the same corrections to every single shot (that could be handled by a color profile and/or preset). And it drives me even crazier that I have such variability on skin tones depending on the lighting, not to such extent. With LED or fluorescent lights, I would understand: their spectra are like the Alps. But with daylight and flash, this is surprising to me, to say the least... And I'm not even talking about mixed light...

Should I be a studio photographer, with a controled environment and a controled lighting, this would not bother me. Just a post processing routine to get. But that's not the case...
 
What I dislike the most in this illustration and looks like what I get in many, many, of my shots is the color variations in the area around her mouth. Especially the small area below her inferior lips.
Now I see it. I agree that it looks greenish, not necessarily because it is; probably because it is surrounded by pink and red - but it does look unnatural.
Yeah, might be the reason why it looks 'too green' to me!
If so, that's the simultaneous contrast issue that Iliah mentioned earlier.
Yes, got it. :)
By the way, there are imperfect standard observers for constant-color fields, but, AFAIK, there are no standard models for simultaneous contrast color effects, and it is certainly possible (and I think, likely) that the quantitative effects are different in different people. This would not be detected by any color normalcy testing that I know of.

Jim
I know that I'm very sensitive to color contrast. Let's say a car which was partially repainted, I might spot it. (Even if I have to admit that sometimes it is really, really, well done and invisible.)
But I always thought it was more a question of temperament, demanding nature and attention do details...

In the case of the 'hue shift' accross faces, this makes me feel uncomfortable. Like if I was looking at sick people. Really unpleasant (but highly subjective and maybe cultural).

It's quite amazing, because for example when I did my first CCSG shots, results were sh** due to glare. This gave me oversaturated skin tones...but after hours looking at the same images, I could not see it anymore.
On the other hand, a slight variation accross the face: I feel uncomfortable. I also try the other way around, using Capture One Pro Color Palet or DxO Photo Lab HSL tool to 'uniformize' hue a bit: it's even worse.

All that said another problem I have is how the color rendering of skin tones seems to variy with different lighting. I have an old stock of Canon 300D (mly first DSLR), Canon 350D and Canon EOS 40D photos of the same persons photographed with different lighting, including catastrophic mixed lighting (for example natural light + integrated flash for fill-in) and skin tones much more consistent from shot to shot. It's with Canon in-camera processing through or it's DxO Photo Lab/Lightroom/Capture One Pro sibbling. So it remain to be seen what it would look like withotu all these subjective adjustments Canon do...
I'll try to find or make a more 'neutral' profile and see...
I would recall that I have seen an article by TheSuede on the Fred Miranda forums about CFA designs.

What he sort of said that Canon has taken a route that works well for mixed light while some other sensors were optimized for like shooting in the studio.

I would recall that both TheSuede and Iliah Borg pretty much considered the CFA design on the Sony A900 to be a pretty decent compromise regarding color rendition and SNR.

I had some discussions regarding the color rendition of the Phase One P45+ back I have with Tim Parkin. Tim Parkin and his friend Joe Cornish had issues with yellow contamination of chlorophyll greens. I have seen that, too, but I hoped that DCP profiles would be able to handle that.

In the end, we have found out that Tim and I had different interpretations of color, although I must say that I would lean to Tim being right.

One of the things I considered was that the IR filter (or hot mirror) design may have played a role.

Interestingly, a couple of years ago, Phase One introduced a new back, called 'Thricomatic'. They produced some explanations that ignored pretty much all color science ever developed. But, reading between the lines it may be concluded that there were modifications to the 'hot filter'. What I have seen from real worlds samples, the new Thrichromatic back did not have that yellow contamination of vegetable greens I have seen on my P45+ back and on the IQ 3100 MP I have seen tested.



Lime green seems to have extreme characteristics in the near IR (infra red) region. That was one of the reasons I include lime green in my 'tricolore' tests. But I found that all the three sensorsi tried (Phase One P45+, Sony Alpha 900 and Sony A7rII) did a decent job on that lime.

In the end, I don't pretend to know...
 

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